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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AEA24 it is the complementary color #B515DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AEA24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AEA24 shade: #4FEA1F, #60FC32, #71FF45, #82FF58 and #93FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AEA24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AEA24 shade: #4AEA24, #39D811, #28C600, #17B400 and #06A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AEA24 shade: #4AEB24, #80EB24, #B5EB24, #EBEA24 and #EBB524

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AEA24 shade: #4AEB24, #24EB33, #24EB69, #24EB9E and #24EBD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AEA24 shade matches the following richer shades: #4AEB24 and #3EFE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AEA24 shade: #4AEB24, #56D737, #62C44A, #6EB05E and #7A9D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AEA24 shade: #B6EB24, #81EB24, #4BEB24, #24EB31 and #24EB66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AEA24 shade: #2EAC10, #38D213, #4AEB24, #69EE49 and #88F26F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AEA24 shade: #4AEA24, #24EBEB and #EB249B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AEA24 shade: #4AEA24, #244BEB and #EB244B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AEA24 shade: #4AEA24, #24EBEB, #C324EB and #EB2424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AEA24 shade: #4AEA24, #24AFEB, #C324EB and #EB5F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 85 / 8

HEX #4AEA24

RGB 74 234 36

HSL 108.48, 0.83%, 0.53%

LAB 82.07, -72.85, 74.23

 

Complementary color

CMYK 17 / 90 / 0 / 14

HEX #B515DB

RGB 181 21 219

HSL 288.48, 0.83%, 0.47%

LAB 46.28, 79.8, -63.84

 

CMYK 66 / 0 / 87 / 8

HEX #4FEA1F

RGB 79 234 31

HSL 105.81, 0.83%, 0.52%

LAB 82.17, -72.09, 75.37

 

CMYK 62 / 0 / 80 / 1

HEX #60FC32

RGB 96 252 50

HSL 106.34, 0.97%, 0.59%

LAB 88.13, -73.49, 76.56

 

CMYK 56 / 0 / 73 / 0

HEX #71FF45

RGB 113 255 69

HSL 105.81, 1%, 0.64%

LAB 89.61, -69.46, 72.53

 

CMYK 49 / 0 / 65 / 0

HEX #82FF58

RGB 130 255 88

HSL 104.91, 1%, 0.67%

LAB 90.31, -63.6, 66.6

 

CMYK 42 / 0 / 58 / 0

HEX #93FF6B

RGB 147 255 107

HSL 103.78, 1%, 0.71%

LAB 91.14, -56.97, 59.91

 

CMYK 68 / 0 / 85 / 8

HEX #4AEA24

RGB 74 234 36

HSL 108.48, 0.83%, 0.53%

LAB 82.07, -72.85, 74.23

 

CMYK 74 / 0 / 92 / 15

HEX #39D811

RGB 57 216 17

HSL 107.94, 0.85%, 0.46%

LAB 76.08, -70.91, 72.3

 

CMYK 80 / 0 / 100 / 22

HEX #28C600

RGB 40 198 0

HSL 107.88, 1%, 0.39%

LAB 70.06, -68.36, 69.14

 

CMYK 87 / 0 / 100 / 29

HEX #17B400

RGB 23 180 0

HSL 112.33, 1%, 0.35%

LAB 64.02, -65, 64.22

 

CMYK 96 / 0 / 100 / 36

HEX #06A200

RGB 6 162 0

HSL 117.78, 1%, 0.32%

LAB 57.92, -61.05, 59.29

 

CMYK 69 / 0 / 85 / 8

HEX #4AEB24

RGB 74 235 36

HSL 108.54, 0.83%, 0.53%

LAB 82.38, -73.15, 74.5

 

CMYK 46 / 0 / 85 / 8

HEX #80EB24

RGB 128 235 36

HSL 92.26, 0.83%, 0.53%

LAB 84.04, -59.87, 76.59

 

CMYK 23 / 0 / 85 / 8

HEX #B5EB24

RGB 181 235 36

HSL 76.28, 0.83%, 0.53%

LAB 86.69, -41.47, 79.92

 

CMYK 0 / 0 / 85 / 8

HEX #EBEA24

RGB 235 234 36

HSL 59.7, 0.83%, 0.53%

LAB 90.15, -19.31, 84.32

 

CMYK 0 / 23 / 85 / 8

HEX #EBB524

RGB 235 181 36

HSL 43.72, 0.83%, 0.53%

LAB 76.58, 7.52, 73.19

 

CMYK 69 / 0 / 85 / 8

HEX #4AEB24

RGB 74 235 36

HSL 108.54, 0.83%, 0.53%

LAB 82.38, -73.15, 74.5

 

CMYK 85 / 0 / 78 / 8

HEX #24EB33

RGB 36 235 51

HSL 124.52, 0.83%, 0.53%

LAB 81.85, -77.49, 70.02

 

CMYK 85 / 0 / 55 / 8

HEX #24EB69

RGB 36 235 105

HSL 140.8, 0.83%, 0.53%

LAB 82.28, -72.24, 49.71

 

CMYK 85 / 0 / 33 / 8

HEX #24EB9E

RGB 36 235 158

HSL 156.78, 0.83%, 0.53%

LAB 83.05, -63.16, 24.69

 

CMYK 85 / 0 / 10 / 8

HEX #24EBD4

RGB 36 235 212

HSL 173.07, 0.83%, 0.53%

LAB 84.25, -50.31, -1.81

 

CMYK 69 / 0 / 85 / 8

HEX #4AEB24

RGB 74 235 36

HSL 108.54, 0.83%, 0.53%

LAB 82.38, -73.15, 74.5

 

CMYK 76 / 0 / 94 / 0

HEX #3EFE10

RGB 62 254 16

HSL 108.4, 0.99%, 0.53%

LAB 87.94, -81.24, 82.27

 

CMYK 69 / 0 / 85 / 8

HEX #4AEB24

RGB 74 235 36

HSL 108.54, 0.83%, 0.53%

LAB 82.38, -73.15, 74.5

 

CMYK 60 / 0 / 74 / 16

HEX #56D737

RGB 86 215 55

HSL 108.38, 0.67%, 0.53%

LAB 76.59, -63.16, 63.99

 

CMYK 50 / 0 / 62 / 23

HEX #62C44A

RGB 98 196 74

HSL 108.2, 0.51%, 0.53%

LAB 71.26, -51.5, 51.16

 

CMYK 38 / 0 / 47 / 31

HEX #6EB05E

RGB 110 176 94

HSL 108.29, 0.34%, 0.53%

LAB 65.88, -37.02, 35.39

 

CMYK 22 / 0 / 28 / 38

HEX #7A9D71

RGB 122 157 113

HSL 107.73, 0.18%, 0.53%

LAB 61.17, -20.77, 19.19

 

CMYK 23 / 0 / 85 / 8

HEX #B6EB24

RGB 182 235 36

HSL 75.98, 0.83%, 0.53%

LAB 86.75, -41.09, 79.99

 

CMYK 45 / 0 / 85 / 8

HEX #81EB24

RGB 129 235 36

HSL 91.96, 0.83%, 0.53%

LAB 84.08, -59.56, 76.65

 

CMYK 68 / 0 / 85 / 8

HEX #4BEB24

RGB 75 235 36

HSL 108.24, 0.83%, 0.53%

LAB 82.4, -72.97, 74.53

 

CMYK 85 / 0 / 79 / 8

HEX #24EB31

RGB 36 235 49

HSL 123.92, 0.83%, 0.53%

LAB 81.85, -77.61, 70.58

 

CMYK 85 / 0 / 57 / 8

HEX #24EB66

RGB 36 235 102

HSL 139.9, 0.83%, 0.53%

LAB 82.24, -72.64, 51.03

 

CMYK 73 / 0 / 91 / 33

HEX #2EAC10

RGB 46 172 16

HSL 108.46, 0.83%, 0.37%

LAB 61.76, -59.25, 60.31

 

CMYK 73 / 0 / 91 / 18

HEX #38D213

RGB 56 210 19

HSL 108.38, 0.83%, 0.45%

LAB 74.18, -69.22, 70.41

 

CMYK 69 / 0 / 85 / 8

HEX #4AEB24

RGB 74 235 36

HSL 108.54, 0.83%, 0.53%

LAB 82.38, -73.15, 74.5

 

CMYK 56 / 0 / 69 / 7

HEX #69EE49

RGB 105 238 73

HSL 108.36, 0.83%, 0.61%

LAB 84.29, -65.25, 65.66

 

CMYK 44 / 0 / 54 / 5

HEX #88F26F

RGB 136 242 111

HSL 108.55, 0.83%, 0.69%

LAB 86.94, -54.66, 53.14

 

CMYK 68 / 0 / 85 / 8

HEX #4AEA24

RGB 74 234 36

HSL 108.48, 0.83%, 0.53%

LAB 82.07, -72.85, 74.23

 

CMYK 85 / 0 / 0 / 8

HEX #24EBEB

RGB 36 235 235

HSL 180, 0.83%, 0.53%

LAB 84.89, -43.93, -12.98

 

CMYK 0 / 85 / 34 / 8

HEX #EB249B

RGB 235 36 155

HSL 324.12, 0.83%, 0.53%

LAB 53.27, 78.64, -14.88

 

CMYK 68 / 0 / 85 / 8

HEX #4AEA24

RGB 74 234 36

HSL 108.48, 0.83%, 0.53%

LAB 82.07, -72.85, 74.23

 

CMYK 85 / 68 / 0 / 8

HEX #244BEB

RGB 36 75 235

HSL 228.24, 0.83%, 0.53%

LAB 40.26, 45.92, -83.36

 

CMYK 0 / 85 / 68 / 8

HEX #EB244B

RGB 235 36 75

HSL 348.24, 0.83%, 0.53%

LAB 51.19, 72.7, 30.36

 

CMYK 68 / 0 / 85 / 8

HEX #4AEA24

RGB 74 234 36

HSL 108.48, 0.83%, 0.53%

LAB 82.07, -72.85, 74.23

 

CMYK 85 / 0 / 0 / 8

HEX #24EBEB

RGB 36 235 235

HSL 180, 0.83%, 0.53%

LAB 84.89, -43.93, -12.98

 

CMYK 17 / 85 / 0 / 8

HEX #C324EB

RGB 195 36 235

HSL 287.94, 0.83%, 0.53%

LAB 50.53, 82.02, -65.94

 

CMYK 0 / 85 / 85 / 8

HEX #EB2424

RGB 235 36 36

HSL 0, 0.83%, 0.53%

LAB 50.75, 71.4, 51.55

 

CMYK 68 / 0 / 85 / 8

HEX #4AEA24

RGB 74 234 36

HSL 108.48, 0.83%, 0.53%

LAB 82.07, -72.85, 74.23

 

CMYK 85 / 26 / 0 / 8

HEX #24AFEB

RGB 36 175 235

HSL 198.09, 0.83%, 0.53%

LAB 67.3, -14.69, -39.88

 

CMYK 17 / 85 / 0 / 8

HEX #C324EB

RGB 195 36 235

HSL 287.94, 0.83%, 0.53%

LAB 50.53, 82.02, -65.94

 

CMYK 0 / 60 / 85 / 8

HEX #EB5F24

RGB 235 95 36

HSL 17.79, 0.83%, 0.53%

LAB 58.01, 51.48, 57.73

 

Description

Color code: HEX #4AEA24 | qconv.com Color code: HEX #4AEA24 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 234 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 234 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 85 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 85% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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