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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AE6C5 it is the complementary color #B5193A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AE6C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AE6C5 shade: #4FE6C0, #60F8D3, #71FFE6, #82FFF9 and #93FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AE6C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AE6C5 shade: #4AE6C5, #39D4B2, #28C29F, #17B08C and #069E79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AE6C5 shade: #4BE7C6, #4BE79C, #4BE772, #4FE74B and #78E74B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AE6C5 shade: #4BE7C6, #4BDEE7, #4BB4E7, #4B8AE7 and #4B60E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AE6C5 shade matches the following richer shades: #4BE7C6 and #3BF7CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AE6C5 shade: #4BE7C6, #5CD6BC, #6CC6B3, #7DB5A9 and #8DA5A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AE6C5 shade: #4BE772, #4BE79C, #4BE7C5, #4BDFE7 and #4BB5E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AE6C5 shade: #1BC5A1, #27E2BA, #4BE7C6, #70EBD1 and #94F0DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AE6C5 shade: #4AE6C5, #4B4EE7 and #E7874B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AE6C5 shade: #4AE6C5, #C54BE7 and #E7C54B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AE6C5 shade: #4AE6C5, #4B4EE7, #E74B6D and #E7E44B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AE6C5 shade: #4AE6C5, #774BE7, #E74B6D and #BBE74B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 14 / 10

HEX #4AE6C5

RGB 74 230 197

HSL 167.31, 0.76%, 0.6%

LAB 82.96, -48.13, 4.28

 

Complementary color

CMYK 0 / 86 / 68 / 29

HEX #B5193A

RGB 181 25 58

HSL 347.31, 0.76%, 0.4%

LAB 39.28, 59.93, 23.56

 

CMYK 66 / 0 / 17 / 10

HEX #4FE6C0

RGB 79 230 192

HSL 164.9, 0.75%, 0.61%

LAB 82.95, -48.59, 6.92

 

CMYK 61 / 0 / 15 / 3

HEX #60F8D3

RGB 96 248 211

HSL 165.39, 0.92%, 0.67%

LAB 89.08, -48.88, 5.86

 

CMYK 56 / 0 / 10 / 0

HEX #71FFE6

RGB 113 255 230

HSL 169.44, 1%, 0.72%

LAB 92.02, -44.31, 0.33

 

CMYK 49 / 0 / 2 / 0

HEX #82FFF9

RGB 130 255 249

HSL 177.12, 1%, 0.75%

LAB 93.06, -36.31, -7.91

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 68 / 0 / 14 / 10

HEX #4AE6C5

RGB 74 230 197

HSL 167.31, 0.76%, 0.6%

LAB 82.96, -48.13, 4.28

 

CMYK 73 / 0 / 16 / 17

HEX #39D4B2

RGB 57 212 178

HSL 166.84, 0.64%, 0.53%

LAB 76.78, -47.56, 5.42

 

CMYK 79 / 0 / 18 / 24

HEX #28C29F

RGB 40 194 159

HSL 166.36, 0.66%, 0.46%

LAB 70.55, -46.73, 6.68

 

CMYK 87 / 0 / 20 / 31

HEX #17B08C

RGB 23 176 140

HSL 165.88, 0.77%, 0.39%

LAB 64.26, -45.56, 8.07

 

CMYK 96 / 0 / 23 / 38

HEX #069E79

RGB 6 158 121

HSL 165.39, 0.93%, 0.32%

LAB 57.92, -43.95, 9.63

 

CMYK 68 / 0 / 14 / 9

HEX #4BE7C6

RGB 75 231 198

HSL 167.31, 0.76%, 0.6%

LAB 83.3, -48.17, 4.25

 

CMYK 68 / 0 / 32 / 9

HEX #4BE79C

RGB 75 231 156

HSL 151.15, 0.76%, 0.6%

LAB 82.4, -57.51, 24.93

 

CMYK 68 / 0 / 51 / 9

HEX #4BE772

RGB 75 231 114

HSL 135, 0.76%, 0.6%

LAB 81.76, -64.68, 45.03

 

CMYK 66 / 0 / 68 / 9

HEX #4FE74B

RGB 79 231 75

HSL 118.46, 0.76%, 0.6%

LAB 81.47, -68.45, 61.71

 

CMYK 48 / 0 / 68 / 9

HEX #78E74B

RGB 120 231 75

HSL 102.69, 0.76%, 0.6%

LAB 82.73, -58.54, 63.43

 

CMYK 68 / 0 / 14 / 9

HEX #4BE7C6

RGB 75 231 198

HSL 167.31, 0.76%, 0.6%

LAB 83.3, -48.17, 4.25

 

CMYK 68 / 4 / 0 / 9

HEX #4BDEE7

RGB 75 222 231

HSL 183.46, 0.76%, 0.6%

LAB 81.57, -35.4, -15.78

 

CMYK 68 / 22 / 0 / 9

HEX #4BB4E7

RGB 75 180 231

HSL 199.62, 0.76%, 0.6%

LAB 69.4, -14.42, -34.37

 

CMYK 68 / 40 / 0 / 9

HEX #4B8AE7

RGB 75 138 231

HSL 215.77, 0.76%, 0.6%

LAB 57.5, 9.46, -53.08

 

CMYK 68 / 58 / 0 / 9

HEX #4B60E7

RGB 75 96 231

HSL 231.92, 0.76%, 0.6%

LAB 46.49, 35.35, -70.82

 

CMYK 68 / 0 / 14 / 9

HEX #4BE7C6

RGB 75 231 198

HSL 167.31, 0.76%, 0.6%

LAB 83.3, -48.17, 4.25

 

CMYK 76 / 0 / 16 / 3

HEX #3BF7CF

RGB 59 247 207

HSL 167.23, 0.92%, 0.6%

LAB 87.95, -54.56, 6.21

 

CMYK 68 / 0 / 14 / 9

HEX #4BE7C6

RGB 75 231 198

HSL 167.31, 0.76%, 0.6%

LAB 83.3, -48.17, 4.25

 

CMYK 57 / 0 / 12 / 16

HEX #5CD6BC

RGB 92 214 188

HSL 167.21, 0.6%, 0.6%

LAB 78.46, -40.32, 2.6

 

CMYK 45 / 0 / 10 / 22

HEX #6CC6B3

RGB 108 198 179

HSL 167.33, 0.44%, 0.6%

LAB 74.08, -31.56, 1.15

 

CMYK 31 / 0 / 7 / 29

HEX #7DB5A9

RGB 125 181 169

HSL 167.14, 0.27%, 0.6%

LAB 69.66, -20.89, 0.26

 

CMYK 15 / 0 / 3 / 35

HEX #8DA5A0

RGB 141 165 160

HSL 167.5, 0.12%, 0.6%

LAB 65.84, -9.36, -0.22

 

CMYK 68 / 0 / 51 / 9

HEX #4BE772

RGB 75 231 114

HSL 135, 0.76%, 0.6%

LAB 81.76, -64.68, 45.03

 

CMYK 68 / 0 / 32 / 9

HEX #4BE79C

RGB 75 231 156

HSL 151.15, 0.76%, 0.6%

LAB 82.4, -57.51, 24.93

 

CMYK 68 / 0 / 15 / 9

HEX #4BE7C5

RGB 75 231 197

HSL 166.92, 0.76%, 0.6%

LAB 83.27, -48.41, 4.74

 

CMYK 68 / 3 / 0 / 9

HEX #4BDFE7

RGB 75 223 231

HSL 183.08, 0.76%, 0.6%

LAB 81.86, -35.86, -15.35

 

CMYK 68 / 22 / 0 / 9

HEX #4BB5E7

RGB 75 181 231

HSL 199.23, 0.76%, 0.6%

LAB 69.69, -14.95, -33.92

 

CMYK 86 / 0 / 18 / 23

HEX #1BC5A1

RGB 27 197 161

HSL 167.29, 0.76%, 0.44%

LAB 71.38, -48.55, 6.75

 

CMYK 83 / 0 / 18 / 11

HEX #27E2BA

RGB 39 226 186

HSL 167.17, 0.76%, 0.52%

LAB 80.94, -53.12, 7.12

 

CMYK 68 / 0 / 14 / 9

HEX #4BE7C6

RGB 75 231 198

HSL 167.31, 0.76%, 0.6%

LAB 83.3, -48.17, 4.25

 

CMYK 52 / 0 / 11 / 8

HEX #70EBD1

RGB 112 235 209

HSL 167.32, 0.75%, 0.68%

LAB 85.74, -40.63, 2.13

 

CMYK 38 / 0 / 8 / 6

HEX #94F0DD

RGB 148 240 221

HSL 167.61, 0.75%, 0.76%

LAB 88.85, -31.7, 0.53

 

CMYK 68 / 0 / 14 / 10

HEX #4AE6C5

RGB 74 230 197

HSL 167.31, 0.76%, 0.6%

LAB 82.96, -48.13, 4.28

 

CMYK 68 / 66 / 0 / 9

HEX #4B4EE7

RGB 75 78 231

HSL 238.85, 0.76%, 0.6%

LAB 42.33, 46.22, -77.62

 

CMYK 0 / 42 / 68 / 9

HEX #E7874B

RGB 231 135 75

HSL 23.08, 0.76%, 0.6%

LAB 65.61, 31.73, 47.23

 

CMYK 68 / 0 / 14 / 10

HEX #4AE6C5

RGB 74 230 197

HSL 167.31, 0.76%, 0.6%

LAB 82.96, -48.13, 4.28

 

CMYK 15 / 68 / 0 / 9

HEX #C54BE7

RGB 197 75 231

HSL 286.92, 0.76%, 0.6%

LAB 54.73, 69.7, -56.9

 

CMYK 0 / 15 / 68 / 9

HEX #E7C54B

RGB 231 197 75

HSL 46.92, 0.76%, 0.6%

LAB 80.42, -1, 63.21

 

CMYK 68 / 0 / 14 / 10

HEX #4AE6C5

RGB 74 230 197

HSL 167.31, 0.76%, 0.6%

LAB 82.96, -48.13, 4.28

 

CMYK 68 / 66 / 0 / 9

HEX #4B4EE7

RGB 75 78 231

HSL 238.85, 0.76%, 0.6%

LAB 42.33, 46.22, -77.62

 

CMYK 0 / 68 / 53 / 9

HEX #E74B6D

RGB 231 75 109

HSL 346.92, 0.76%, 0.6%

LAB 55.2, 62.19, 15.24

 

CMYK 0 / 1 / 68 / 9

HEX #E7E44B

RGB 231 228 75

HSL 58.85, 0.76%, 0.6%

LAB 88.44, -16.61, 71.37

 

CMYK 68 / 0 / 14 / 10

HEX #4AE6C5

RGB 74 230 197

HSL 167.31, 0.76%, 0.6%

LAB 82.96, -48.13, 4.28

 

CMYK 48 / 68 / 0 / 9

HEX #774BE7

RGB 119 75 231

HSL 256.92, 0.76%, 0.6%

LAB 45.25, 54.39, -72.69

 

CMYK 0 / 68 / 53 / 9

HEX #E74B6D

RGB 231 75 109

HSL 346.92, 0.76%, 0.6%

LAB 55.2, 62.19, 15.24

 

CMYK 19 / 0 / 68 / 9

HEX #BBE74B

RGB 187 231 75

HSL 76.92, 0.76%, 0.6%

LAB 86.12, -35.63, 68.01

 

Description

Color code: HEX #4AE6C5 | qconv.com Color code: HEX #4AE6C5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 230 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 230 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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