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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AE339 it is the complementary color #B51CC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AE339. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AE339 shade: #4FE334, #60F547, #71FF5A, #82FF6D and #93FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AE339. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AE339 shade: #4AE339, #39D126, #28BF13, #17AD00 and #069B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AE339 shade: #4BE33B, #79E33B, #A6E33B, #D4E33B and #E3C53B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AE339 shade: #4BE33B, #3BE357, #3BE385, #3BE3B2 and #3BE3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AE339 shade matches the following richer shades: #4BE33B and #3DF528

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AE339 shade: #4BE33B, #5AD14D, #69BF5F, #77AC71 and #869A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AE339 shade: #A5E33B, #78E33B, #4BE33B, #3BE357 and #3BE384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AE339 shade: #29B219, #31D61F, #4BE33B, #6CE85F and #8DED83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AE339 shade: #4AE339, #3BD2E3 and #E33B8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AE339 shade: #4AE339, #3B4BE3 and #E33B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AE339 shade: #4AE339, #3BD2E3, #D23BE3 and #E34B3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AE339 shade: #4AE339, #3BA0E3, #D23BE3 and #E37E3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 75 / 11

HEX #4AE339

RGB 74 227 57

HSL 114, 0.75%, 0.56%

LAB 80, -69.52, 66.6

 

Complementary color

CMYK 9 / 86 / 0 / 22

HEX #B51CC6

RGB 181 28 198

HSL 294, 0.75%, 0.44%

LAB 45.26, 75.09, -53.37

 

CMYK 65 / 0 / 77 / 11

HEX #4FE334

RGB 79 227 52

HSL 110.74, 0.76%, 0.55%

LAB 80.09, -68.87, 68.29

 

CMYK 61 / 0 / 71 / 4

HEX #60F547

RGB 96 245 71

HSL 111.38, 0.9%, 0.62%

LAB 86.13, -69.9, 68.18

 

CMYK 56 / 0 / 65 / 0

HEX #71FF5A

RGB 113 255 90

HSL 111.64, 1%, 0.68%

LAB 89.75, -67.82, 65.05

 

CMYK 49 / 0 / 57 / 0

HEX #82FF6D

RGB 130 255 109

HSL 111.37, 1%, 0.71%

LAB 90.49, -61.6, 58.13

 

CMYK 42 / 0 / 50 / 0

HEX #93FF80

RGB 147 255 128

HSL 111.02, 1%, 0.75%

LAB 91.36, -54.64, 50.76

 

CMYK 67 / 0 / 75 / 11

HEX #4AE339

RGB 74 227 57

HSL 114, 0.75%, 0.56%

LAB 80, -69.52, 66.6

 

CMYK 73 / 0 / 82 / 18

HEX #39D126

RGB 57 209 38

HSL 113.33, 0.69%, 0.48%

LAB 73.94, -68.01, 66.3

 

CMYK 79 / 0 / 90 / 25

HEX #28BF13

RGB 40 191 19

HSL 112.67, 0.82%, 0.41%

LAB 67.84, -65.88, 64.94

 

CMYK 87 / 0 / 100 / 32

HEX #17AD00

RGB 23 173 0

HSL 112.02, 1%, 0.34%

LAB 61.71, -63, 62.38

 

CMYK 96 / 0 / 100 / 39

HEX #069B00

RGB 6 155 0

HSL 117.68, 1%, 0.3%

LAB 55.56, -59.06, 57.4

 

CMYK 67 / 0 / 74 / 11

HEX #4BE33B

RGB 75 227 59

HSL 114.29, 0.75%, 0.56%

LAB 80.04, -69.19, 65.98

 

CMYK 47 / 0 / 74 / 11

HEX #79E33B

RGB 121 227 59

HSL 97.86, 0.75%, 0.56%

LAB 81.47, -57.87, 67.87

 

CMYK 27 / 0 / 74 / 11

HEX #A6E33B

RGB 166 227 59

HSL 81.79, 0.75%, 0.56%

LAB 83.63, -42.7, 70.72

 

CMYK 7 / 0 / 74 / 11

HEX #D4E33B

RGB 212 227 59

HSL 65.36, 0.75%, 0.56%

LAB 86.63, -24.67, 74.62

 

CMYK 0 / 13 / 74 / 11

HEX #E3C53B

RGB 227 197 59

HSL 49.29, 0.75%, 0.56%

LAB 79.94, -3.47, 68.75

 

CMYK 67 / 0 / 74 / 11

HEX #4BE33B

RGB 75 227 59

HSL 114.29, 0.75%, 0.56%

LAB 80.04, -69.19, 65.98

 

CMYK 74 / 0 / 62 / 11

HEX #3BE357

RGB 59 227 87

HSL 130, 0.75%, 0.56%

LAB 79.93, -69.34, 55.02

 

CMYK 74 / 0 / 41 / 11

HEX #3BE385

RGB 59 227 133

HSL 146.43, 0.75%, 0.56%

LAB 80.49, -62.71, 34.05

 

CMYK 74 / 0 / 22 / 11

HEX #3BE3B2

RGB 59 227 178

HSL 162.5, 0.75%, 0.56%

LAB 81.34, -53.46, 11.94

 

CMYK 74 / 0 / 2 / 11

HEX #3BE3DF

RGB 59 227 223

HSL 178.57, 0.75%, 0.56%

LAB 82.48, -41.88, -10.2

 

CMYK 67 / 0 / 74 / 11

HEX #4BE33B

RGB 75 227 59

HSL 114.29, 0.75%, 0.56%

LAB 80.04, -69.19, 65.98

 

CMYK 75 / 0 / 84 / 4

HEX #3DF528

RGB 61 245 40

HSL 113.85, 0.91%, 0.56%

LAB 85.23, -78.07, 76.07

 

CMYK 67 / 0 / 74 / 11

HEX #4BE33B

RGB 75 227 59

HSL 114.29, 0.75%, 0.56%

LAB 80.04, -69.19, 65.98

 

CMYK 57 / 0 / 63 / 18

HEX #5AD14D

RGB 90 209 77

HSL 114.09, 0.59%, 0.56%

LAB 75.02, -58.23, 53.98

 

CMYK 45 / 0 / 50 / 25

HEX #69BF5F

RGB 105 191 95

HSL 113.75, 0.43%, 0.56%

LAB 70.24, -44.99, 40.24

 

CMYK 31 / 0 / 34 / 33

HEX #77AC71

RGB 119 172 113

HSL 113.9, 0.26%, 0.56%

LAB 65.45, -29.27, 24.94

 

CMYK 13 / 0 / 15 / 40

HEX #869A83

RGB 134 154 131

HSL 112.17, 0.1%, 0.56%

LAB 61.5, -11.63, 9.72

 

CMYK 27 / 0 / 74 / 11

HEX #A5E33B

RGB 165 227 59

HSL 82.14, 0.75%, 0.56%

LAB 83.58, -43.07, 70.64

 

CMYK 47 / 0 / 74 / 11

HEX #78E33B

RGB 120 227 59

HSL 98.21, 0.75%, 0.56%

LAB 81.43, -58.17, 67.82

 

CMYK 67 / 0 / 74 / 11

HEX #4BE33B

RGB 75 227 59

HSL 114.29, 0.75%, 0.56%

LAB 80.04, -69.19, 65.98

 

CMYK 74 / 0 / 62 / 11

HEX #3BE357

RGB 59 227 87

HSL 130, 0.75%, 0.56%

LAB 79.93, -69.34, 55.02

 

CMYK 74 / 0 / 42 / 11

HEX #3BE384

RGB 59 227 132

HSL 146.07, 0.75%, 0.56%

LAB 80.48, -62.89, 34.53

 

CMYK 77 / 0 / 86 / 30

HEX #29B219

RGB 41 178 25

HSL 113.73, 0.75%, 0.4%

LAB 63.66, -61.58, 60.09

 

CMYK 77 / 0 / 86 / 16

HEX #31D61F

RGB 49 214 31

HSL 114.1, 0.75%, 0.48%

LAB 75.35, -71.04, 69.19

 

CMYK 67 / 0 / 74 / 11

HEX #4BE33B

RGB 75 227 59

HSL 114.29, 0.75%, 0.56%

LAB 80.04, -69.19, 65.98

 

CMYK 53 / 0 / 59 / 9

HEX #6CE85F

RGB 108 232 95

HSL 114.31, 0.75%, 0.64%

LAB 82.77, -60.29, 55.13

 

CMYK 41 / 0 / 45 / 7

HEX #8DED83

RGB 141 237 131

HSL 114.34, 0.75%, 0.72%

LAB 85.94, -48.65, 42.54

 

CMYK 67 / 0 / 75 / 11

HEX #4AE339

RGB 74 227 57

HSL 114, 0.75%, 0.56%

LAB 80, -69.52, 66.6

 

CMYK 74 / 7 / 0 / 11

HEX #3BD2E3

RGB 59 210 227

HSL 186.07, 0.75%, 0.56%

LAB 77.62, -32.89, -19.64

 

CMYK 0 / 74 / 37 / 11

HEX #E33B8F

RGB 227 59 143

HSL 330, 0.75%, 0.56%

LAB 53.43, 69.72, -7.65

 

CMYK 67 / 0 / 75 / 11

HEX #4AE339

RGB 74 227 57

HSL 114, 0.75%, 0.56%

LAB 80, -69.52, 66.6

 

CMYK 74 / 67 / 0 / 11

HEX #3B4BE3

RGB 59 75 227

HSL 234.29, 0.75%, 0.56%

LAB 40.42, 44.91, -78.51

 

CMYK 0 / 74 / 67 / 11

HEX #E33B4B

RGB 227 59 75

HSL 354.29, 0.75%, 0.56%

LAB 51.8, 64.47, 30.78

 

CMYK 67 / 0 / 75 / 11

HEX #4AE339

RGB 74 227 57

HSL 114, 0.75%, 0.56%

LAB 80, -69.52, 66.6

 

CMYK 74 / 7 / 0 / 11

HEX #3BD2E3

RGB 59 210 227

HSL 186.07, 0.75%, 0.56%

LAB 77.62, -32.89, -19.64

 

CMYK 7 / 74 / 0 / 11

HEX #D23BE3

RGB 210 59 227

HSL 293.93, 0.75%, 0.56%

LAB 54.42, 77.31, -55.04

 

CMYK 0 / 67 / 74 / 11

HEX #E34B3B

RGB 227 75 59

HSL 5.71, 0.75%, 0.56%

LAB 53.68, 57.96, 42.07

 

CMYK 67 / 0 / 75 / 11

HEX #4AE339

RGB 74 227 57

HSL 114, 0.75%, 0.56%

LAB 80, -69.52, 66.6

 

CMYK 74 / 30 / 0 / 11

HEX #3BA0E3

RGB 59 160 227

HSL 203.93, 0.75%, 0.56%

LAB 63.03, -6.99, -42.16

 

CMYK 7 / 74 / 0 / 11

HEX #D23BE3

RGB 210 59 227

HSL 293.93, 0.75%, 0.56%

LAB 54.42, 77.31, -55.04

 

CMYK 0 / 44 / 74 / 11

HEX #E37E3B

RGB 227 126 59

HSL 23.93, 0.75%, 0.56%

LAB 62.98, 34.02, 51.97

 

Description

Color code: HEX #4AE339 | qconv.com Color code: HEX #4AE339 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 227 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 227 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 75 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 75% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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