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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AE22F it is the complementary color #B51DD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AE22F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AE22F shade: #4FE22A, #60F43D, #71FF50, #82FF63 and #93FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AE22F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AE22F shade: #4AE22F, #39D01C, #28BE09, #17AC00 and #069A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AE22F shade: #4BE331, #7CE331, #ACE331, #DCE331 and #E3BA31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AE22F shade: #4BE331, #31E346, #31E376, #31E3A6 and #31E3D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AE22F shade matches the following richer shades: #4BE331 and #3EF61E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AE22F shade: #4BE331, #59D044, #66BD57, #73AA69 and #80977C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AE22F shade: #ADE331, #7EE331, #4EE331, #31E342 and #31E372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AE22F shade: #2DAA17, #37CE1C, #4BE331, #6BE855 and #8BED79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AE22F shade: #4AE22F, #31DDE3 and #E33196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AE22F shade: #4AE22F, #314EE3 and #E3314E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AE22F shade: #4AE22F, #31DDE3, #C531E3 and #E33631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AE22F shade: #4AE22F, #31A7E3, #C531E3 and #E36C31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 79 / 11

HEX #4AE22F

RGB 74 226 47

HSL 110.95, 0.76%, 0.54%

LAB 79.64, -69.82, 69.28

 

Complementary color

CMYK 13 / 86 / 0 / 18

HEX #B51DD0

RGB 181 29 208

HSL 290.95, 0.76%, 0.46%

LAB 45.98, 76.56, -58

 

CMYK 65 / 0 / 81 / 11

HEX #4FE22A

RGB 79 226 42

HSL 107.93, 0.76%, 0.53%

LAB 79.74, -69.1, 70.76

 

CMYK 61 / 0 / 75 / 4

HEX #60F43D

RGB 96 244 61

HSL 108.52, 0.89%, 0.6%

LAB 85.77, -70.26, 71.16

 

CMYK 56 / 0 / 69 / 0

HEX #71FF50

RGB 113 255 80

HSL 108.69, 1%, 0.66%

LAB 89.68, -68.67, 68.77

 

CMYK 49 / 0 / 61 / 0

HEX #82FF63

RGB 130 255 99

HSL 108.08, 1%, 0.69%

LAB 90.4, -62.62, 62.28

 

CMYK 42 / 0 / 54 / 0

HEX #93FF76

RGB 147 255 118

HSL 107.3, 1%, 0.73%

LAB 91.25, -55.81, 55.2

 

CMYK 67 / 0 / 79 / 11

HEX #4AE22F

RGB 74 226 47

HSL 110.95, 0.76%, 0.54%

LAB 79.64, -69.82, 69.28

 

CMYK 73 / 0 / 87 / 18

HEX #39D01C

RGB 57 208 28

HSL 110.33, 0.76%, 0.46%

LAB 73.59, -68.15, 68.32

 

CMYK 79 / 0 / 95 / 25

HEX #28BE09

RGB 40 190 9

HSL 109.72, 0.91%, 0.39%

LAB 67.5, -65.84, 66.05

 

CMYK 87 / 0 / 100 / 33

HEX #17AC00

RGB 23 172 0

HSL 111.98, 1%, 0.34%

LAB 61.38, -62.71, 62.12

 

CMYK 96 / 0 / 100 / 40

HEX #069A00

RGB 6 154 0

HSL 117.66, 1%, 0.3%

LAB 55.23, -58.78, 57.13

 

CMYK 67 / 0 / 78 / 11

HEX #4BE331

RGB 75 227 49

HSL 111.24, 0.76%, 0.54%

LAB 79.99, -69.83, 69.04

 

CMYK 45 / 0 / 78 / 11

HEX #7CE331

RGB 124 227 49

HSL 94.72, 0.76%, 0.54%

LAB 81.54, -57.53, 71.05

 

CMYK 24 / 0 / 78 / 11

HEX #ACE331

RGB 172 227 49

HSL 78.54, 0.76%, 0.54%

LAB 83.93, -40.93, 74.13

 

CMYK 3 / 0 / 78 / 11

HEX #DCE331

RGB 220 227 49

HSL 62.36, 0.76%, 0.54%

LAB 87.18, -21.77, 78.27

 

CMYK 0 / 18 / 78 / 11

HEX #E3BA31

RGB 227 186 49

HSL 46.18, 0.76%, 0.54%

LAB 77.08, 1.84, 69.49

 

CMYK 67 / 0 / 78 / 11

HEX #4BE331

RGB 75 227 49

HSL 111.24, 0.76%, 0.54%

LAB 79.99, -69.83, 69.04

 

CMYK 78 / 0 / 69 / 11

HEX #31E346

RGB 49 227 70

HSL 127.08, 0.76%, 0.54%

LAB 79.63, -72.38, 61.51

 

CMYK 78 / 0 / 48 / 11

HEX #31E376

RGB 49 227 118

HSL 143.26, 0.76%, 0.54%

LAB 80.12, -66.47, 40.96

 

CMYK 78 / 0 / 27 / 11

HEX #31E3A6

RGB 49 227 166

HSL 159.44, 0.76%, 0.54%

LAB 80.93, -57.32, 17.64

 

CMYK 78 / 0 / 6 / 11

HEX #31E3D6

RGB 49 227 214

HSL 175.62, 0.76%, 0.54%

LAB 82.08, -45.36, -6.05

 

CMYK 67 / 0 / 78 / 11

HEX #4BE331

RGB 75 227 49

HSL 111.24, 0.76%, 0.54%

LAB 79.99, -69.83, 69.04

 

CMYK 75 / 0 / 88 / 4

HEX #3EF61E

RGB 62 246 30

HSL 111.11, 0.92%, 0.54%

LAB 85.52, -78.6, 78.32

 

CMYK 67 / 0 / 78 / 11

HEX #4BE331

RGB 75 227 49

HSL 111.24, 0.76%, 0.54%

LAB 79.99, -69.83, 69.04

 

CMYK 57 / 0 / 67 / 18

HEX #59D044

RGB 89 208 68

HSL 111, 0.6%, 0.54%

LAB 74.61, -58.96, 57.22

 

CMYK 46 / 0 / 54 / 26

HEX #66BD57

RGB 102 189 87

HSL 111.18, 0.44%, 0.54%

LAB 69.4, -46.07, 43.09

 

CMYK 32 / 0 / 38 / 33

HEX #73AA69

RGB 115 170 105

HSL 110.77, 0.28%, 0.54%

LAB 64.49, -30.95, 27.91

 

CMYK 15 / 0 / 18 / 41

HEX #80977C

RGB 128 151 124

HSL 111.11, 0.11%, 0.54%

LAB 60.05, -13.5, 11.55

 

CMYK 24 / 0 / 78 / 11

HEX #ADE331

RGB 173 227 49

HSL 78.2, 0.76%, 0.54%

LAB 83.99, -40.55, 74.21

 

CMYK 44 / 0 / 78 / 11

HEX #7EE331

RGB 126 227 49

HSL 94.04, 0.76%, 0.54%

LAB 81.62, -56.91, 71.16

 

CMYK 66 / 0 / 78 / 11

HEX #4EE331

RGB 78 227 49

HSL 110.22, 0.76%, 0.54%

LAB 80.06, -69.25, 69.13

 

CMYK 78 / 0 / 71 / 11

HEX #31E342

RGB 49 227 66

HSL 125.73, 0.76%, 0.54%

LAB 79.6, -72.72, 62.95

 

CMYK 78 / 0 / 50 / 11

HEX #31E372

RGB 49 227 114

HSL 141.91, 0.76%, 0.54%

LAB 80.07, -67.09, 42.83

 

CMYK 74 / 0 / 86 / 33

HEX #2DAA17

RGB 45 170 23

HSL 111.02, 0.76%, 0.38%

LAB 61.11, -58.53, 58.31

 

CMYK 73 / 0 / 86 / 19

HEX #37CE1C

RGB 55 206 28

HSL 110.9, 0.76%, 0.46%

LAB 72.92, -67.87, 67.71

 

CMYK 67 / 0 / 78 / 11

HEX #4BE331

RGB 75 227 49

HSL 111.24, 0.76%, 0.54%

LAB 79.99, -69.83, 69.04

 

CMYK 54 / 0 / 63 / 9

HEX #6BE855

RGB 107 232 85

HSL 111.02, 0.76%, 0.62%

LAB 82.64, -61.56, 59.23

 

CMYK 41 / 0 / 49 / 7

HEX #8BED79

RGB 139 237 121

HSL 110.69, 0.76%, 0.7%

LAB 85.72, -50.56, 47.05

 

CMYK 67 / 0 / 79 / 11

HEX #4AE22F

RGB 74 226 47

HSL 110.95, 0.76%, 0.54%

LAB 79.64, -69.82, 69.28

 

CMYK 78 / 3 / 0 / 11

HEX #31DDE3

RGB 49 221 227

HSL 182.02, 0.76%, 0.54%

LAB 80.69, -39.01, -15.03

 

CMYK 0 / 78 / 34 / 11

HEX #E33196

RGB 227 49 150

HSL 325.96, 0.76%, 0.54%

LAB 52.65, 73.34, -12.98

 

CMYK 67 / 0 / 79 / 11

HEX #4AE22F

RGB 74 226 47

HSL 110.95, 0.76%, 0.54%

LAB 79.64, -69.82, 69.28

 

CMYK 78 / 66 / 0 / 11

HEX #314EE3

RGB 49 78 227

HSL 230.22, 0.76%, 0.54%

LAB 40.65, 42.18, -78.15

 

CMYK 0 / 78 / 66 / 11

HEX #E3314E

RGB 227 49 78

HSL 350.22, 0.76%, 0.54%

LAB 50.78, 67.63, 27.72

 

CMYK 67 / 0 / 79 / 11

HEX #4AE22F

RGB 74 226 47

HSL 110.95, 0.76%, 0.54%

LAB 79.64, -69.82, 69.28

 

CMYK 78 / 3 / 0 / 11

HEX #31DDE3

RGB 49 221 227

HSL 182.02, 0.76%, 0.54%

LAB 80.69, -39.01, -15.03

 

CMYK 13 / 78 / 0 / 11

HEX #C531E3

RGB 197 49 227

HSL 289.89, 0.76%, 0.54%

LAB 51.4, 77.8, -60

 

CMYK 0 / 76 / 78 / 11

HEX #E33631

RGB 227 54 49

HSL 1.69, 0.76%, 0.54%

LAB 50.91, 64.97, 44.51

 

CMYK 67 / 0 / 79 / 11

HEX #4AE22F

RGB 74 226 47

HSL 110.95, 0.76%, 0.54%

LAB 79.64, -69.82, 69.28

 

CMYK 78 / 26 / 0 / 11

HEX #31A7E3

RGB 49 167 227

HSL 200.22, 0.76%, 0.54%

LAB 64.83, -12, -39.34

 

CMYK 13 / 78 / 0 / 11

HEX #C531E3

RGB 197 49 227

HSL 289.89, 0.76%, 0.54%

LAB 51.4, 77.8, -60

 

CMYK 0 / 52 / 78 / 11

HEX #E36C31

RGB 227 108 49

HSL 19.89, 0.76%, 0.54%

LAB 59.23, 42.76, 52.81

 

Description

Color code: HEX #4AE22F | qconv.com Color code: HEX #4AE22F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 226 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 226 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 79 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 79% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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