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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ADE8A it is the complementary color #B52175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ADE8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ADE8A shade: #4FDE85, #60F098, #71FFAB, #82FFBE and #93FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ADE8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ADE8A shade: #4ADE8A, #39CC77, #28BA64, #17A851 and #06963E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ADE8A shade: #4ADE8A, #4ADE62, #5ADE4A, #82DE4A and #AADE4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ADE8A shade: #4ADE8A, #4ADEB2, #4ADEDA, #4ABADE and #4A92DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ADE8A shade matches the following richer shades: #4ADE8A and #39EF88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ADE8A shade: #4ADE8A, #5BCC8C, #6DBB8F, #7EAA91 and #8F9893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ADE8A shade: #5BDE4A, #4ADE60, #4ADE88, #4ADEAF and #4ADED6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ADE8A shade: #21B461, #27D773, #4ADE8A, #6DE4A0 and #90EBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ADE8A shade: #4ADE8A, #4A83DE and #DE4C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ADE8A shade: #4ADE8A, #884ADE and #DE884A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ADE8A shade: #4ADE8A, #4A83DE, #DE4AA0 and #DEA54A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ADE8A shade: #4ADE8A, #4A56DE, #DE4AA0 and #DED14A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

Complementary color

CMYK 0 / 82 / 35 / 29

HEX #B52175

RGB 181 33 117

HSL 325.95, 0.69%, 0.42%

LAB 41.53, 62.77, -10.55

 

CMYK 64 / 0 / 40 / 13

HEX #4FDE85

RGB 79 222 133

HSL 142.66, 0.68%, 0.59%

LAB 79.38, -57.67, 32.67

 

CMYK 60 / 0 / 37 / 6

HEX #60F098

RGB 96 240 152

HSL 143.33, 0.83%, 0.66%

LAB 85.54, -57.9, 31.29

 

CMYK 56 / 0 / 33 / 0

HEX #71FFAB

RGB 113 255 171

HSL 144.51, 1%, 0.72%

LAB 90.77, -56.79, 28.81

 

CMYK 49 / 0 / 25 / 0

HEX #82FFBE

RGB 130 255 190

HSL 148.8, 1%, 0.75%

LAB 91.68, -49.35, 20.51

 

CMYK 42 / 0 / 18 / 0

HEX #93FFD1

RGB 147 255 209

HSL 154.44, 1%, 0.79%

LAB 92.72, -41.37, 12.33

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 72 / 0 / 42 / 20

HEX #39CC77

RGB 57 204 119

HSL 145.31, 0.59%, 0.51%

LAB 73.15, -57.16, 31.54

 

CMYK 78 / 0 / 46 / 27

HEX #28BA64

RGB 40 186 100

HSL 144.66, 0.65%, 0.44%

LAB 66.89, -56.3, 33.14

 

CMYK 86 / 0 / 52 / 34

HEX #17A851

RGB 23 168 81

HSL 144, 0.76%, 0.37%

LAB 60.59, -54.96, 34.83

 

CMYK 96 / 0 / 59 / 41

HEX #06963E

RGB 6 150 62

HSL 143.33, 0.92%, 0.31%

LAB 54.24, -52.96, 36.58

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 67 / 0 / 56 / 13

HEX #4ADE62

RGB 74 222 98

HSL 129.73, 0.69%, 0.58%

LAB 78.8, -63.89, 48.91

 

CMYK 59 / 0 / 67 / 13

HEX #5ADE4A

RGB 90 222 74

HSL 113.51, 0.69%, 0.58%

LAB 78.99, -63.15, 59.54

 

CMYK 41 / 0 / 67 / 13

HEX #82DE4A

RGB 130 222 74

HSL 97.3, 0.69%, 0.58%

LAB 80.45, -52.09, 61.54

 

CMYK 23 / 0 / 67 / 13

HEX #AADE4A

RGB 170 222 74

HSL 81.08, 0.69%, 0.58%

LAB 82.53, -38.1, 64.36

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 67 / 0 / 20 / 13

HEX #4ADEB2

RGB 74 222 178

HSL 162.16, 0.69%, 0.58%

LAB 80.13, -49.33, 10.26

 

CMYK 67 / 0 / 2 / 13

HEX #4ADEDA

RGB 74 222 218

HSL 178.38, 0.69%, 0.58%

LAB 81.16, -39.17, -9.49

 

CMYK 67 / 16 / 0 / 13

HEX #4ABADE

RGB 74 186 222

HSL 194.59, 0.69%, 0.58%

LAB 70.77, -20.56, -27.36

 

CMYK 67 / 34 / 0 / 13

HEX #4A92DE

RGB 74 146 222

HSL 210.81, 0.69%, 0.58%

LAB 59.24, 1.46, -45.31

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 76 / 0 / 43 / 6

HEX #39EF88

RGB 57 239 136

HSL 146.04, 0.85%, 0.58%

LAB 84.16, -66.66, 37.32

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 55 / 0 / 31 / 20

HEX #5BCC8C

RGB 91 204 140

HSL 146.02, 0.53%, 0.58%

LAB 74.38, -46.74, 22.41

 

CMYK 42 / 0 / 24 / 27

HEX #6DBB8F

RGB 109 187 143

HSL 146.15, 0.36%, 0.58%

LAB 70.02, -34.03, 14.88

 

CMYK 26 / 0 / 15 / 33

HEX #7EAA91

RGB 126 170 145

HSL 145.91, 0.21%, 0.58%

LAB 65.93, -20.09, 8.13

 

CMYK 6 / 0 / 3 / 40

HEX #8F9893

RGB 143 152 147

HSL 146.67, 0.04%, 0.58%

LAB 62, -4.22, 1.5

 

CMYK 59 / 0 / 67 / 13

HEX #5BDE4A

RGB 91 222 74

HSL 113.11, 0.69%, 0.58%

LAB 79.02, -62.92, 59.58

 

CMYK 67 / 0 / 57 / 13

HEX #4ADE60

RGB 74 222 96

HSL 128.92, 0.69%, 0.58%

LAB 78.78, -64.14, 49.8

 

CMYK 67 / 0 / 39 / 13

HEX #4ADE88

RGB 74 222 136

HSL 145.14, 0.69%, 0.58%

LAB 79.31, -58.04, 31.03

 

CMYK 67 / 0 / 21 / 13

HEX #4ADEAF

RGB 74 222 175

HSL 160.95, 0.69%, 0.58%

LAB 80.06, -50.03, 11.75

 

CMYK 67 / 0 / 4 / 13

HEX #4ADED6

RGB 74 222 214

HSL 176.76, 0.69%, 0.58%

LAB 81.05, -40.25, -7.53

 

CMYK 82 / 0 / 46 / 29

HEX #21B461

RGB 33 180 97

HSL 146.12, 0.69%, 0.42%

LAB 64.83, -55.49, 32.02

 

CMYK 82 / 0 / 47 / 16

HEX #27D773

RGB 39 215 115

HSL 145.91, 0.69%, 0.5%

LAB 76.23, -63.96, 37.49

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 52 / 0 / 30 / 11

HEX #6DE4A0

RGB 109 228 160

HSL 145.71, 0.69%, 0.66%

LAB 82.53, -48.76, 23.19

 

CMYK 39 / 0 / 22 / 8

HEX #90EBB7

RGB 144 235 183

HSL 145.71, 0.69%, 0.74%

LAB 86.39, -38.35, 16.82

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 67 / 41 / 0 / 13

HEX #4A83DE

RGB 74 131 222

HSL 216.89, 0.69%, 0.58%

LAB 55.03, 10.4, -51.99

 

CMYK 0 / 66 / 67 / 13

HEX #DE4C4A

RGB 222 76 74

HSL 0.81, 0.69%, 0.58%

LAB 53.16, 56.64, 32.84

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 39 / 67 / 0 / 13

HEX #884ADE

RGB 136 74 222

HSL 265.14, 0.69%, 0.58%

LAB 46.18, 55.65, -65.99

 

CMYK 0 / 39 / 67 / 13

HEX #DE884A

RGB 222 136 74

HSL 25.14, 0.69%, 0.58%

LAB 64.67, 27.49, 46.35

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 67 / 41 / 0 / 13

HEX #4A83DE

RGB 74 131 222

HSL 216.89, 0.69%, 0.58%

LAB 55.03, 10.4, -51.99

 

CMYK 0 / 67 / 28 / 13

HEX #DE4AA0

RGB 222 74 160

HSL 325.14, 0.69%, 0.58%

LAB 55.04, 65.09, -15.36

 

CMYK 0 / 26 / 67 / 13

HEX #DEA54A

RGB 222 165 74

HSL 36.89, 0.69%, 0.58%

LAB 71.51, 11.96, 53.93

 

CMYK 67 / 0 / 38 / 13

HEX #4ADE8A

RGB 74 222 138

HSL 145.95, 0.69%, 0.58%

LAB 79.35, -57.68, 30.05

 

CMYK 67 / 61 / 0 / 13

HEX #4A56DE

RGB 74 86 222

HSL 235.14, 0.69%, 0.58%

LAB 43.34, 38.3, -70.86

 

CMYK 0 / 67 / 28 / 13

HEX #DE4AA0

RGB 222 74 160

HSL 325.14, 0.69%, 0.58%

LAB 55.04, 65.09, -15.36

 

CMYK 0 / 6 / 67 / 13

HEX #DED14A

RGB 222 209 74

HSL 54.73, 0.69%, 0.58%

LAB 82.71, -10.96, 65.72

 

Description

Color code: HEX #4ADE8A | qconv.com Color code: HEX #4ADE8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 222 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 222 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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