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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ADE1C it is the complementary color #B521E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ADE1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ADE1C shade: #4FDE17, #60F02A, #71FF3D, #82FF50 and #93FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ADE1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ADE1C shade: #4ADE1C, #39CC09, #28BA00, #17A800 and #069600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ADE1C shade: #4ADE1B, #7EDE1B, #B3DE1B, #DED51B and #DEA11B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ADE1C shade: #4ADE1B, #1BDE22, #1BDE56, #1BDE8B and #1BDEC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ADE1C shade matches the following richer shades: #4ADE1B and #3FF307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ADE1C shade: #4ADE1B, #54CA30, #5FB644, #6AA258 and #748E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ADE1C shade: #B4DE1B, #80DE1B, #4CDE1B, #1BDE1F and #1BDE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ADE1C shade: #319512, #3EBA17, #4ADE1B, #65E73C and #82EB61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ADE1C shade: #4ADE1C, #1BDED5 and #DE1B9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ADE1C shade: #4ADE1C, #1B4CDE and #DE1B4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ADE1C shade: #4ADE1C, #1BDED5, #AE1BDE and #DE1B25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ADE1C shade: #4ADE1C, #1BAEDE, #AE1BDE and #DE4C1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 87 / 13

HEX #4ADE1C

RGB 74 222 28

HSL 105.77, 0.78%, 0.49%

LAB 78.33, -69.41, 72.58

 

Complementary color

CMYK 20 / 85 / 0 / 11

HEX #B521E3

RGB 181 33 227

HSL 285.77, 0.78%, 0.51%

LAB 47.57, 79.06, -66.31

 

CMYK 64 / 0 / 90 / 13

HEX #4FDE17

RGB 79 222 23

HSL 103.12, 0.81%, 0.48%

LAB 78.44, -68.55, 73.59

 

CMYK 60 / 0 / 83 / 6

HEX #60F02A

RGB 96 240 42

HSL 103.64, 0.87%, 0.55%

LAB 84.47, -69.96, 75.22

 

CMYK 56 / 0 / 76 / 0

HEX #71FF3D

RGB 113 255 61

HSL 103.92, 1%, 0.62%

LAB 89.56, -69.96, 75.01

 

CMYK 49 / 0 / 69 / 0

HEX #82FF50

RGB 130 255 80

HSL 102.86, 1%, 0.66%

LAB 90.25, -64.24, 69.55

 

CMYK 42 / 0 / 61 / 0

HEX #93FF63

RGB 147 255 99

HSL 101.54, 1%, 0.69%

LAB 91.06, -57.73, 63.21

 

CMYK 67 / 0 / 87 / 13

HEX #4ADE1C

RGB 74 222 28

HSL 105.77, 0.78%, 0.49%

LAB 78.33, -69.41, 72.58

 

CMYK 72 / 0 / 96 / 20

HEX #39CC09

RGB 57 204 9

HSL 105.23, 0.92%, 0.42%

LAB 72.28, -67.45, 70.09

 

CMYK 78 / 0 / 100 / 27

HEX #28BA00

RGB 40 186 0

HSL 107.1, 1%, 0.36%

LAB 66.19, -64.84, 66.05

 

CMYK 86 / 0 / 100 / 34

HEX #17A800

RGB 23 168 0

HSL 111.79, 1%, 0.33%

LAB 60.06, -61.56, 61.06

 

CMYK 96 / 0 / 100 / 41

HEX #069600

RGB 6 150 0

HSL 117.6, 1%, 0.29%

LAB 53.87, -57.63, 56.04

 

CMYK 67 / 0 / 88 / 13

HEX #4ADE1B

RGB 74 222 27

HSL 105.54, 0.78%, 0.49%

LAB 78.33, -69.44, 72.77

 

CMYK 43 / 0 / 88 / 13

HEX #7EDE1B

RGB 126 222 27

HSL 89.54, 0.78%, 0.49%

LAB 80.04, -55.86, 74.9

 

CMYK 19 / 0 / 88 / 13

HEX #B3DE1B

RGB 179 222 27

HSL 73.23, 0.78%, 0.49%

LAB 82.86, -36.7, 78.39

 

CMYK 0 / 4 / 88 / 13

HEX #DED51B

RGB 222 213 27

HSL 57.23, 0.78%, 0.49%

LAB 83.55, -14.66, 80.26

 

CMYK 0 / 27 / 88 / 13

HEX #DEA11B

RGB 222 161 27

HSL 41.23, 0.78%, 0.49%

LAB 70.24, 12.29, 69.74

 

CMYK 67 / 0 / 88 / 13

HEX #4ADE1B

RGB 74 222 27

HSL 105.54, 0.78%, 0.49%

LAB 78.33, -69.44, 72.77

 

CMYK 88 / 0 / 85 / 13

HEX #1BDE22

RGB 27 222 34

HSL 122.15, 0.78%, 0.49%

LAB 77.63, -75.47, 70.46

 

CMYK 88 / 0 / 61 / 13

HEX #1BDE56

RGB 27 222 86

HSL 138.15, 0.78%, 0.49%

LAB 77.96, -71.32, 53.11

 

CMYK 88 / 0 / 37 / 13

HEX #1BDE8B

RGB 27 222 139

HSL 154.46, 0.78%, 0.49%

LAB 78.66, -62.98, 28.5

 

CMYK 88 / 0 / 14 / 13

HEX #1BDEC0

RGB 27 222 192

HSL 170.77, 0.78%, 0.49%

LAB 79.77, -50.76, 2.23

 

CMYK 67 / 0 / 88 / 13

HEX #4ADE1B

RGB 74 222 27

HSL 105.54, 0.78%, 0.49%

LAB 78.33, -69.44, 72.77

 

CMYK 74 / 0 / 97 / 5

HEX #3FF307

RGB 63 243 7

HSL 105.76, 0.94%, 0.49%

LAB 84.57, -78.09, 80.31

 

CMYK 67 / 0 / 88 / 13

HEX #4ADE1B

RGB 74 222 27

HSL 105.54, 0.78%, 0.49%

LAB 78.33, -69.44, 72.77

 

CMYK 58 / 0 / 76 / 21

HEX #54CA30

RGB 84 202 48

HSL 105.97, 0.62%, 0.49%

LAB 72.45, -59.59, 62.21

 

CMYK 48 / 0 / 63 / 29

HEX #5FB644

RGB 95 182 68

HSL 105.79, 0.46%, 0.49%

LAB 66.75, -47.43, 48.71

 

CMYK 35 / 0 / 46 / 36

HEX #6AA258

RGB 106 162 88

HSL 105.41, 0.3%, 0.49%

LAB 61.32, -32.79, 32.69

 

CMYK 18 / 0 / 24 / 44

HEX #748E6C

RGB 116 142 108

HSL 105.88, 0.14%, 0.49%

LAB 56.23, -16.02, 15.14

 

CMYK 19 / 0 / 88 / 13

HEX #B4DE1B

RGB 180 222 27

HSL 72.92, 0.78%, 0.49%

LAB 82.93, -36.3, 78.47

 

CMYK 42 / 0 / 88 / 13

HEX #80DE1B

RGB 128 222 27

HSL 88.92, 0.78%, 0.49%

LAB 80.13, -55.22, 75.01

 

CMYK 66 / 0 / 88 / 13

HEX #4CDE1B

RGB 76 222 27

HSL 104.92, 0.78%, 0.49%

LAB 78.38, -69.04, 72.82

 

CMYK 88 / 0 / 86 / 13

HEX #1BDE1F

RGB 27 222 31

HSL 121.23, 0.78%, 0.49%

LAB 77.62, -75.59, 71.09

 

CMYK 88 / 0 / 63 / 13

HEX #1BDE53

RGB 27 222 83

HSL 137.23, 0.78%, 0.49%

LAB 77.93, -71.66, 54.37

 

CMYK 67 / 0 / 88 / 42

HEX #319512

RGB 49 149 18

HSL 105.8, 0.78%, 0.33%

LAB 54.23, -51.03, 53.42

 

CMYK 67 / 0 / 88 / 27

HEX #3EBA17

RGB 62 186 23

HSL 105.64, 0.78%, 0.41%

LAB 66.68, -60.46, 63.35

 

CMYK 67 / 0 / 88 / 13

HEX #4ADE1B

RGB 74 222 27

HSL 105.54, 0.78%, 0.49%

LAB 78.33, -69.44, 72.77

 

CMYK 56 / 0 / 74 / 9

HEX #65E73C

RGB 101 231 60

HSL 105.61, 0.78%, 0.57%

LAB 81.97, -64.73, 67.8

 

CMYK 45 / 0 / 59 / 8

HEX #82EB61

RGB 130 235 97

HSL 105.65, 0.78%, 0.65%

LAB 84.5, -55.16, 56.45

 

CMYK 67 / 0 / 87 / 13

HEX #4ADE1C

RGB 74 222 28

HSL 105.77, 0.78%, 0.49%

LAB 78.33, -69.41, 72.58

 

CMYK 88 / 0 / 4 / 13

HEX #1BDED5

RGB 27 222 213

HSL 177.23, 0.78%, 0.49%

LAB 80.34, -45.03, -8.12

 

CMYK 0 / 88 / 31 / 13

HEX #DE1B9A

RGB 222 27 154

HSL 320.92, 0.78%, 0.49%

LAB 50.27, 77.28, -19.06

 

CMYK 67 / 0 / 87 / 13

HEX #4ADE1C

RGB 74 222 28

HSL 105.77, 0.78%, 0.49%

LAB 78.33, -69.41, 72.58

 

CMYK 88 / 66 / 0 / 13

HEX #1B4CDE

RGB 27 76 222

HSL 224.92, 0.78%, 0.49%

LAB 39.03, 40.15, -77.99

 

CMYK 0 / 88 / 66 / 13

HEX #DE1B4C

RGB 222 27 76

HSL 344.92, 0.78%, 0.49%

LAB 48.05, 71.1, 25.26

 

CMYK 67 / 0 / 87 / 13

HEX #4ADE1C

RGB 74 222 28

HSL 105.77, 0.78%, 0.49%

LAB 78.33, -69.41, 72.58

 

CMYK 88 / 0 / 4 / 13

HEX #1BDED5

RGB 27 222 213

HSL 177.23, 0.78%, 0.49%

LAB 80.34, -45.03, -8.12

 

CMYK 22 / 88 / 0 / 13

HEX #AE1BDE

RGB 174 27 222

HSL 285.23, 0.78%, 0.49%

LAB 45.71, 78.3, -66.52

 

CMYK 0 / 88 / 83 / 13

HEX #DE1B25

RGB 222 27 37

HSL 356.92, 0.78%, 0.49%

LAB 47.56, 69.67, 47.23

 

CMYK 67 / 0 / 87 / 13

HEX #4ADE1C

RGB 74 222 28

HSL 105.77, 0.78%, 0.49%

LAB 78.33, -69.41, 72.58

 

CMYK 88 / 22 / 0 / 13

HEX #1BAEDE

RGB 27 174 222

HSL 194.77, 0.78%, 0.49%

LAB 66.35, -19.23, -34.25

 

CMYK 22 / 88 / 0 / 13

HEX #AE1BDE

RGB 174 27 222

HSL 285.23, 0.78%, 0.49%

LAB 45.71, 78.3, -66.52

 

CMYK 0 / 66 / 88 / 13

HEX #DE4C1B

RGB 222 76 27

HSL 15.08, 0.78%, 0.49%

LAB 52.71, 54.95, 56.02

 

Description

Color code: HEX #4ADE1C | qconv.com Color code: HEX #4ADE1C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 222 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 222 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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