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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ADE0C it is the complementary color #B521F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ADE0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ADE0C shade: #4FDE07, #60F01A, #71FF2D, #82FF40 and #93FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ADE0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ADE0C shade: #4ADE0C, #39CC00, #28BA00, #17A800 and #069600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ADE0C shade: #4ADE0B, #82DE0B, #BBDE0B, #DEC80B and #DE8F0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ADE0C shade: #4ADE0B, #11DE0B, #0BDE3F, #0BDE78 and #0BDEB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ADE0C shade matches the following richer shades: #4ADE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ADE0C shade: #4ADE0B, #51CB1E, #59B831, #61A544 and #699257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ADE0C shade: #BBDE0B, #83DE0B, #4BDE0B, #12DE0B and #0BDE3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ADE0C shade: #309007, #3DB709, #4ADE0B, #5EF320 and #7BF547

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ADE0C shade: #4ADE0C, #0BDEC9 and #DE0B9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ADE0C shade: #4ADE0C, #0B4BDE and #DE0B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ADE0C shade: #4ADE0C, #0BDEC9, #9F0BDE and #DE0B20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ADE0C shade: #4ADE0C, #0BB4DE, #9F0BDE and #DE350B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 95 / 13

HEX #4ADE0C

RGB 74 222 12

HSL 102.29, 0.9%, 0.46%

LAB 78.3, -69.82, 74.86

 

Complementary color

CMYK 26 / 86 / 0 / 5

HEX #B521F3

RGB 181 33 243

HSL 282.29, 0.9%, 0.54%

LAB 48.74, 81.97, -73.44

 

CMYK 64 / 0 / 97 / 13

HEX #4FDE07

RGB 79 222 7

HSL 99.91, 0.94%, 0.45%

LAB 78.42, -68.88, 75.47

 

CMYK 60 / 0 / 89 / 6

HEX #60F01A

RGB 96 240 26

HSL 100.37, 0.88%, 0.52%

LAB 84.42, -70.52, 78.35

 

CMYK 56 / 0 / 82 / 0

HEX #71FF2D

RGB 113 255 45

HSL 100.57, 1%, 0.59%

LAB 89.5, -70.76, 79.21

 

CMYK 49 / 0 / 75 / 0

HEX #82FF40

RGB 130 255 64

HSL 99.27, 1%, 0.63%

LAB 90.15, -65.31, 74.86

 

CMYK 42 / 0 / 67 / 0

HEX #93FF53

RGB 147 255 83

HSL 97.67, 1%, 0.66%

LAB 90.94, -59.06, 69.37

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0C

RGB 74 222 12

HSL 102.29, 0.9%, 0.46%

LAB 78.3, -69.82, 74.86

 

CMYK 72 / 0 / 100 / 20

HEX #39CC00

RGB 57 204 0

HSL 103.24, 1%, 0.4%

LAB 72.27, -67.62, 71.02

 

CMYK 78 / 0 / 100 / 27

HEX #28BA00

RGB 40 186 0

HSL 107.1, 1%, 0.36%

LAB 66.19, -64.84, 66.05

 

CMYK 86 / 0 / 100 / 34

HEX #17A800

RGB 23 168 0

HSL 111.79, 1%, 0.33%

LAB 60.06, -61.56, 61.06

 

CMYK 96 / 0 / 100 / 41

HEX #069600

RGB 6 150 0

HSL 117.6, 1%, 0.29%

LAB 53.87, -57.63, 56.04

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0B

RGB 74 222 11

HSL 102.09, 0.91%, 0.46%

LAB 78.3, -69.83, 74.96

 

CMYK 41 / 0 / 95 / 13

HEX #82DE0B

RGB 130 222 11

HSL 86.16, 0.91%, 0.46%

LAB 80.19, -54.9, 77.27

 

CMYK 16 / 0 / 95 / 13

HEX #BBDE0B

RGB 187 222 11

HSL 69.95, 0.91%, 0.46%

LAB 83.35, -33.77, 81.11

 

CMYK 0 / 10 / 95 / 13

HEX #DEC80B

RGB 222 200 11

HSL 53.74, 0.91%, 0.46%

LAB 80.1, -8.36, 79.84

 

CMYK 0 / 36 / 95 / 13

HEX #DE8F0B

RGB 222 143 11

HSL 37.54, 0.91%, 0.46%

LAB 65.9, 21.69, 69.58

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0B

RGB 74 222 11

HSL 102.09, 0.91%, 0.46%

LAB 78.3, -69.83, 74.96

 

CMYK 92 / 0 / 95 / 13

HEX #11DE0B

RGB 17 222 11

HSL 118.29, 0.91%, 0.46%

LAB 77.51, -76.78, 73.99

 

CMYK 95 / 0 / 72 / 13

HEX #0BDE3F

RGB 11 222 63

HSL 134.79, 0.91%, 0.46%

LAB 77.68, -74.48, 61.94

 

CMYK 95 / 0 / 46 / 13

HEX #0BDE78

RGB 11 222 120

HSL 151, 0.91%, 0.46%

LAB 78.27, -67.23, 37.56

 

CMYK 95 / 0 / 20 / 13

HEX #0BDEB1

RGB 11 222 177

HSL 167.2, 0.91%, 0.46%

LAB 79.32, -55.26, 9.53

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0B

RGB 74 222 11

HSL 102.09, 0.91%, 0.46%

LAB 78.3, -69.83, 74.96

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0B

RGB 74 222 11

HSL 102.09, 0.91%, 0.46%

LAB 78.3, -69.83, 74.96

 

CMYK 60 / 0 / 85 / 20

HEX #51CB1E

RGB 81 203 30

HSL 102.31, 0.74%, 0.46%

LAB 72.6, -61.6, 67.24

 

CMYK 52 / 0 / 73 / 28

HEX #59B831

RGB 89 184 49

HSL 102.22, 0.58%, 0.46%

LAB 67, -51.61, 56.54

 

CMYK 41 / 0 / 59 / 35

HEX #61A544

RGB 97 165 68

HSL 102.06, 0.42%, 0.46%

LAB 61.54, -39.69, 42.83

 

CMYK 28 / 0 / 40 / 43

HEX #699257

RGB 105 146 87

HSL 101.69, 0.25%, 0.46%

LAB 56.34, -25.6, 26.85

 

CMYK 16 / 0 / 95 / 13

HEX #BBDE0B

RGB 187 222 11

HSL 69.95, 0.91%, 0.46%

LAB 83.35, -33.77, 81.11

 

CMYK 41 / 0 / 95 / 13

HEX #83DE0B

RGB 131 222 11

HSL 85.88, 0.91%, 0.46%

LAB 80.23, -54.57, 77.33

 

CMYK 66 / 0 / 95 / 13

HEX #4BDE0B

RGB 75 222 11

HSL 101.8, 0.91%, 0.46%

LAB 78.32, -69.64, 74.99

 

CMYK 92 / 0 / 95 / 13

HEX #12DE0B

RGB 18 222 11

HSL 118.01, 0.91%, 0.46%

LAB 77.52, -76.73, 74

 

CMYK 95 / 0 / 73 / 13

HEX #0BDE3C

RGB 11 222 60

HSL 133.93, 0.91%, 0.46%

LAB 77.66, -74.73, 62.98

 

CMYK 67 / 0 / 95 / 44

HEX #309007

RGB 48 144 7

HSL 102.04, 0.91%, 0.3%

LAB 52.5, -49.9, 54.01

 

CMYK 67 / 0 / 95 / 28

HEX #3DB709

RGB 61 183 9

HSL 102.07, 0.91%, 0.38%

LAB 65.65, -60.08, 64.7

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0B

RGB 74 222 11

HSL 102.09, 0.91%, 0.46%

LAB 78.3, -69.83, 74.96

 

CMYK 61 / 0 / 87 / 5

HEX #5EF320

RGB 94 243 32

HSL 102.37, 0.9%, 0.54%

LAB 85.29, -71.77, 78.04

 

CMYK 50 / 0 / 71 / 4

HEX #7BF547

RGB 123 245 71

HSL 102.07, 0.9%, 0.62%

LAB 86.98, -63.18, 69.32

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0C

RGB 74 222 12

HSL 102.29, 0.9%, 0.46%

LAB 78.3, -69.82, 74.86

 

CMYK 95 / 0 / 9 / 13

HEX #0BDEC9

RGB 11 222 201

HSL 174.03, 0.91%, 0.46%

LAB 79.91, -49, -2.36

 

CMYK 0 / 95 / 28 / 13

HEX #DE0B9F

RGB 222 11 159

HSL 317.91, 0.91%, 0.46%

LAB 49.82, 79.71, -22.73

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0C

RGB 74 222 12

HSL 102.29, 0.9%, 0.46%

LAB 78.3, -69.82, 74.86

 

CMYK 95 / 66 / 0 / 13

HEX #0B4BDE

RGB 11 75 222

HSL 221.8, 0.91%, 0.46%

LAB 38.51, 40.19, -78.86

 

CMYK 0 / 95 / 66 / 13

HEX #DE0B4B

RGB 222 11 75

HSL 341.8, 0.91%, 0.46%

LAB 47.34, 73.07, 24.96

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0C

RGB 74 222 12

HSL 102.29, 0.9%, 0.46%

LAB 78.3, -69.82, 74.86

 

CMYK 95 / 0 / 9 / 13

HEX #0BDEC9

RGB 11 222 201

HSL 174.03, 0.91%, 0.46%

LAB 79.91, -49, -2.36

 

CMYK 28 / 95 / 0 / 13

HEX #9F0BDE

RGB 159 11 222

HSL 282.09, 0.91%, 0.46%

LAB 42.59, 78.58, -71.71

 

CMYK 0 / 95 / 86 / 13

HEX #DE0B20

RGB 222 11 32

HSL 354.03, 0.91%, 0.46%

LAB 46.81, 71.61, 49.1

 

CMYK 67 / 0 / 95 / 13

HEX #4ADE0C

RGB 74 222 12

HSL 102.29, 0.9%, 0.46%

LAB 78.3, -69.82, 74.86

 

CMYK 95 / 19 / 0 / 13

HEX #0BB4DE

RGB 11 180 222

HSL 191.94, 0.91%, 0.46%

LAB 68.01, -23.04, -31.69

 

CMYK 28 / 95 / 0 / 13

HEX #9F0BDE

RGB 159 11 222

HSL 282.09, 0.91%, 0.46%

LAB 42.59, 78.58, -71.71

 

CMYK 0 / 76 / 95 / 13

HEX #DE350B

RGB 222 53 11

HSL 11.94, 0.91%, 0.46%

LAB 49.62, 63.03, 59.06

 

Description

Color code: HEX #4ADE0C | qconv.com Color code: HEX #4ADE0C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 222 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 222 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 95 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 95% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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