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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ADA33 it is the complementary color #B525CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ADA33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ADA33 shade: #4FDA2E, #60EC41, #71FE54, #82FF67 and #93FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ADA33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ADA33 shade: #4ADA33, #39C820, #28B60D, #17A400 and #069200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ADA33 shade: #4BDA34, #78DA34, #A4DA34, #D1DA34 and #DAB634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ADA33 shade: #4BDA34, #34DA4A, #34DA77, #34DAA3 and #34DAD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ADA33 shade matches the following richer shades: #4BDA34 and #3DED21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ADA33 shade: #4BDA34, #59C648, #67B35B, #75A06F and #838C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ADA33 shade: #A5DA34, #79DA34, #4DDA34, #34DA48 and #34DA74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ADA33 shade: #2F9F1D, #39C224, #4BDA34, #6AE057 and #89E77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ADA33 shade: #4ADA33, #34D2DA and #DA348F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ADA33 shade: #4ADA33, #344DDA and #DA344D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ADA33 shade: #4ADA33, #34D2DA, #C134DA and #DA3D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ADA33 shade: #4ADA33, #34A0DA, #C134DA and #DA6E34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 77 / 15

HEX #4ADA33

RGB 74 218 51

HSL 111.74, 0.69%, 0.53%

LAB 77.18, -67.02, 65.75

 

Complementary color

CMYK 11 / 82 / 0 / 20

HEX #B525CC

RGB 181 37 204

HSL 291.74, 0.69%, 0.47%

LAB 46.32, 74.13, -55.15

 

CMYK 64 / 0 / 79 / 15

HEX #4FDA2E

RGB 79 218 46

HSL 108.49, 0.7%, 0.52%

LAB 77.28, -66.29, 67.39

 

CMYK 59 / 0 / 72 / 7

HEX #60EC41

RGB 96 236 65

HSL 109.12, 0.82%, 0.59%

LAB 83.37, -67.31, 67.46

 

CMYK 56 / 0 / 67 / 0

HEX #71FE54

RGB 113 254 84

HSL 109.76, 0.99%, 0.66%

LAB 89.41, -67.99, 67

 

CMYK 49 / 0 / 60 / 0

HEX #82FF67

RGB 130 255 103

HSL 109.34, 1%, 0.7%

LAB 90.43, -62.22, 60.64

 

CMYK 42 / 0 / 52 / 0

HEX #93FF7A

RGB 147 255 122

HSL 108.72, 1%, 0.74%

LAB 91.29, -55.36, 53.44

 

CMYK 66 / 0 / 77 / 15

HEX #4ADA33

RGB 74 218 51

HSL 111.74, 0.69%, 0.53%

LAB 77.18, -67.02, 65.75

 

CMYK 72 / 0 / 84 / 22

HEX #39C820

RGB 57 200 32

HSL 111.07, 0.72%, 0.45%

LAB 71.07, -65.51, 65.19

 

CMYK 78 / 0 / 93 / 29

HEX #28B60D

RGB 40 182 13

HSL 110.41, 0.87%, 0.38%

LAB 64.91, -63.36, 63.4

 

CMYK 86 / 0 / 100 / 36

HEX #17A400

RGB 23 164 0

HSL 111.59, 1%, 0.32%

LAB 58.73, -60.39, 59.99

 

CMYK 96 / 0 / 100 / 43

HEX #069200

RGB 6 146 0

HSL 117.53, 1%, 0.29%

LAB 52.51, -56.48, 54.95

 

CMYK 66 / 0 / 76 / 15

HEX #4BDA34

RGB 75 218 52

HSL 111.69, 0.69%, 0.53%

LAB 77.21, -66.76, 65.47

 

CMYK 45 / 0 / 76 / 15

HEX #78DA34

RGB 120 218 52

HSL 95.42, 0.69%, 0.53%

LAB 78.69, -55.16, 67.4

 

CMYK 25 / 0 / 76 / 15

HEX #A4DA34

RGB 164 218 52

HSL 79.52, 0.69%, 0.53%

LAB 80.9, -39.86, 70.28

 

CMYK 4 / 0 / 76 / 15

HEX #D1DA34

RGB 209 218 52

HSL 63.25, 0.69%, 0.53%

LAB 83.94, -21.86, 74.2

 

CMYK 0 / 17 / 76 / 15

HEX #DAB634

RGB 218 182 52

HSL 46.99, 0.69%, 0.53%

LAB 75.21, 0.17, 66.44

 

CMYK 66 / 0 / 76 / 15

HEX #4BDA34

RGB 75 218 52

HSL 111.69, 0.69%, 0.53%

LAB 77.21, -66.76, 65.47

 

CMYK 76 / 0 / 66 / 15

HEX #34DA4A

RGB 52 218 74

HSL 127.95, 0.69%, 0.53%

LAB 76.9, -68.84, 57.04

 

CMYK 76 / 0 / 45 / 15

HEX #34DA77

RGB 52 218 119

HSL 144.22, 0.69%, 0.53%

LAB 77.4, -62.86, 37.03

 

CMYK 76 / 0 / 25 / 15

HEX #34DAA3

RGB 52 218 163

HSL 160.12, 0.69%, 0.53%

LAB 78.18, -54.17, 15.38

 

CMYK 76 / 0 / 5 / 15

HEX #34DAD0

RGB 52 218 208

HSL 176.39, 0.69%, 0.53%

LAB 79.29, -42.79, -6.98

 

CMYK 66 / 0 / 76 / 15

HEX #4BDA34

RGB 75 218 52

HSL 111.69, 0.69%, 0.53%

LAB 77.21, -66.76, 65.47

 

CMYK 74 / 0 / 86 / 7

HEX #3DED21

RGB 61 237 33

HSL 111.76, 0.85%, 0.53%

LAB 82.74, -76.02, 75.34

 

CMYK 66 / 0 / 76 / 15

HEX #4BDA34

RGB 75 218 52

HSL 111.69, 0.69%, 0.53%

LAB 77.21, -66.76, 65.47

 

CMYK 55 / 0 / 64 / 22

HEX #59C648

RGB 89 198 72

HSL 111.9, 0.53%, 0.53%

LAB 71.54, -54.92, 52.24

 

CMYK 42 / 0 / 49 / 30

HEX #67B35B

RGB 103 179 91

HSL 111.82, 0.37%, 0.53%

LAB 66.43, -41.02, 37.51

 

CMYK 27 / 0 / 31 / 37

HEX #75A06F

RGB 117 160 111

HSL 112.65, 0.21%, 0.53%

LAB 61.72, -24.42, 20.98

 

CMYK 6 / 0 / 7 / 45

HEX #838C82

RGB 131 140 130

HSL 114, 0.04%, 0.53%

LAB 57.26, -5.27, 4.2

 

CMYK 24 / 0 / 76 / 15

HEX #A5DA34

RGB 165 218 52

HSL 79.16, 0.69%, 0.53%

LAB 80.96, -39.48, 70.36

 

CMYK 44 / 0 / 76 / 15

HEX #79DA34

RGB 121 218 52

HSL 95.06, 0.69%, 0.53%

LAB 78.73, -54.85, 67.46

 

CMYK 65 / 0 / 76 / 15

HEX #4DDA34

RGB 77 218 52

HSL 110.96, 0.69%, 0.53%

LAB 77.26, -66.35, 65.54

 

CMYK 76 / 0 / 67 / 15

HEX #34DA48

RGB 52 218 72

HSL 127.23, 0.69%, 0.53%

LAB 76.88, -69.04, 57.82

 

CMYK 76 / 0 / 47 / 15

HEX #34DA74

RGB 52 218 116

HSL 143.13, 0.69%, 0.53%

LAB 77.36, -63.35, 38.46

 

CMYK 70 / 0 / 82 / 38

HEX #2F9F1D

RGB 47 159 29

HSL 111.69, 0.69%, 0.37%

LAB 57.55, -54.28, 53.53

 

CMYK 71 / 0 / 81 / 24

HEX #39C224

RGB 57 194 36

HSL 112.03, 0.69%, 0.45%

LAB 69.17, -63.42, 62.43

 

CMYK 66 / 0 / 76 / 15

HEX #4BDA34

RGB 75 218 52

HSL 111.69, 0.69%, 0.53%

LAB 77.21, -66.76, 65.47

 

CMYK 53 / 0 / 61 / 12

HEX #6AE057

RGB 106 224 87

HSL 111.68, 0.69%, 0.61%

LAB 80.22, -58.68, 55.67

 

CMYK 41 / 0 / 47 / 9

HEX #89E77A

RGB 137 231 122

HSL 111.74, 0.69%, 0.69%

LAB 83.9, -48.55, 44.3

 

CMYK 66 / 0 / 77 / 15

HEX #4ADA33

RGB 74 218 51

HSL 111.74, 0.69%, 0.53%

LAB 77.18, -67.02, 65.75

 

CMYK 76 / 4 / 0 / 15

HEX #34D2DA

RGB 52 210 218

HSL 182.89, 0.69%, 0.53%

LAB 77.21, -36.31, -15.44

 

CMYK 0 / 76 / 34 / 15

HEX #DA348F

RGB 218 52 143

HSL 327.11, 0.69%, 0.53%

LAB 51.09, 69.55, -11.32

 

CMYK 66 / 0 / 77 / 15

HEX #4ADA33

RGB 74 218 51

HSL 111.74, 0.69%, 0.53%

LAB 77.18, -67.02, 65.75

 

CMYK 76 / 65 / 0 / 15

HEX #344DDA

RGB 52 77 218

HSL 230.96, 0.69%, 0.53%

LAB 39.75, 39.89, -74.49

 

CMYK 0 / 76 / 65 / 15

HEX #DA344D

RGB 218 52 77

HSL 350.96, 0.69%, 0.53%

LAB 49.37, 64.17, 26.18

 

CMYK 66 / 0 / 77 / 15

HEX #4ADA33

RGB 74 218 51

HSL 111.74, 0.69%, 0.53%

LAB 77.18, -67.02, 65.75

 

CMYK 76 / 4 / 0 / 15

HEX #34D2DA

RGB 52 210 218

HSL 182.89, 0.69%, 0.53%

LAB 77.21, -36.31, -15.44

 

CMYK 11 / 76 / 0 / 15

HEX #C134DA

RGB 193 52 218

HSL 290.96, 0.69%, 0.53%

LAB 50.52, 74.63, -56.33

 

CMYK 0 / 72 / 76 / 15

HEX #DA3D34

RGB 218 61 52

HSL 3.25, 0.69%, 0.53%

LAB 50.09, 60.07, 41.5

 

CMYK 66 / 0 / 77 / 15

HEX #4ADA33

RGB 74 218 51

HSL 111.74, 0.69%, 0.53%

LAB 77.18, -67.02, 65.75

 

CMYK 76 / 27 / 0 / 15

HEX #34A0DA

RGB 52 160 218

HSL 200.96, 0.69%, 0.53%

LAB 62.45, -10.93, -38.09

 

CMYK 11 / 76 / 0 / 15

HEX #C134DA

RGB 193 52 218

HSL 290.96, 0.69%, 0.53%

LAB 50.52, 74.63, -56.33

 

CMYK 0 / 50 / 76 / 15

HEX #DA6E34

RGB 218 110 52

HSL 20.96, 0.69%, 0.53%

LAB 58.33, 38.39, 50.08

 

Description

Color code: HEX #4ADA33 | qconv.com Color code: HEX #4ADA33 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 218 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 218 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 77 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 77% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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