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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AD837 it is the complementary color #B527C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AD837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AD837 shade: #4FD832, #60EA45, #71FC58, #82FF6B and #93FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AD837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AD837 shade: #4AD837, #39C624, #28B411, #17A200 and #069000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AD837 shade: #4AD737, #75D737, #A0D737, #CCD737 and #D7B837

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AD837 shade: #4AD737, #37D74F, #37D77B, #37D7A6 and #37D7D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AD837 shade matches the following richer shades: #4AD737, #3BEB23 and #2CFE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AD837 shade: #4AD737, #59C44A, #67B15E, #769D71 and #858A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AD837 shade: #A2D737, #77D737, #4CD737, #37D74C and #37D777

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AD837 shade: #2E9D1F, #38BF26, #4AD737, #69DE59 and #88E57C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AD837 shade: #4AD837, #37CDD7 and #D7378D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AD837 shade: #4AD837, #374CD7 and #D7374C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AD837 shade: #4AD837, #37CDD7, #C237D7 and #D74237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AD837 shade: #4AD837, #379DD7, #C237D7 and #D77237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 75 / 15

HEX #4AD837

RGB 74 216 55

HSL 112.92, 0.67%, 0.53%

LAB 76.58, -66.1, 63.87

 

Complementary color

CMYK 10 / 81 / 0 / 22

HEX #B527C8

RGB 181 39 200

HSL 292.92, 0.67%, 0.47%

LAB 46.24, 72.95, -52.97

 

CMYK 63 / 0 / 77 / 15

HEX #4FD832

RGB 79 216 50

HSL 109.52, 0.68%, 0.52%

LAB 76.68, -65.39, 65.62

 

CMYK 59 / 0 / 71 / 8

HEX #60EA45

RGB 96 234 69

HSL 110.18, 0.8%, 0.59%

LAB 82.79, -66.33, 65.47

 

CMYK 55 / 0 / 65 / 1

HEX #71FC58

RGB 113 252 88

HSL 110.85, 0.96%, 0.67%

LAB 88.84, -66.95, 64.85

 

CMYK 49 / 0 / 58 / 0

HEX #82FF6B

RGB 130 255 107

HSL 110.68, 1%, 0.71%

LAB 90.47, -61.81, 58.98

 

CMYK 42 / 0 / 51 / 0

HEX #93FF7E

RGB 147 255 126

HSL 110.23, 1%, 0.75%

LAB 91.34, -54.89, 51.66

 

CMYK 66 / 0 / 75 / 15

HEX #4AD837

RGB 74 216 55

HSL 112.92, 0.67%, 0.53%

LAB 76.58, -66.1, 63.87

 

CMYK 71 / 0 / 82 / 22

HEX #39C624

RGB 57 198 36

HSL 112.22, 0.69%, 0.46%

LAB 70.45, -64.69, 63.61

 

CMYK 78 / 0 / 91 / 29

HEX #28B411

RGB 40 180 17

HSL 111.53, 0.83%, 0.39%

LAB 64.27, -62.64, 62.23

 

CMYK 86 / 0 / 100 / 36

HEX #17A200

RGB 23 162 0

HSL 111.48, 1%, 0.32%

LAB 58.06, -59.81, 59.46

 

CMYK 96 / 0 / 100 / 44

HEX #069000

RGB 6 144 0

HSL 117.5, 1%, 0.28%

LAB 51.82, -55.91, 54.4

 

CMYK 66 / 0 / 74 / 16

HEX #4AD737

RGB 74 215 55

HSL 112.88, 0.67%, 0.53%

LAB 76.27, -65.77, 63.57

 

CMYK 46 / 0 / 74 / 16

HEX #75D737

RGB 117 215 55

HSL 96.75, 0.67%, 0.53%

LAB 77.67, -54.75, 65.42

 

CMYK 26 / 0 / 74 / 16

HEX #A0D737

RGB 160 215 55

HSL 80.63, 0.67%, 0.53%

LAB 79.81, -39.9, 68.23

 

CMYK 5 / 0 / 74 / 16

HEX #CCD737

RGB 204 215 55

HSL 64.13, 0.67%, 0.53%

LAB 82.76, -22.36, 72.06

 

CMYK 0 / 14 / 74 / 16

HEX #D7B837

RGB 215 184 55

HSL 48.38, 0.67%, 0.53%

LAB 75.45, -2.05, 65.51

 

CMYK 66 / 0 / 74 / 16

HEX #4AD737

RGB 74 215 55

HSL 112.88, 0.67%, 0.53%

LAB 76.27, -65.77, 63.57

 

CMYK 74 / 0 / 63 / 16

HEX #37D74F

RGB 55 215 79

HSL 129, 0.67%, 0.53%

LAB 76.06, -66.95, 54.05

 

CMYK 74 / 0 / 43 / 16

HEX #37D77B

RGB 55 215 123

HSL 145.5, 0.67%, 0.53%

LAB 76.58, -60.73, 33.98

 

CMYK 74 / 0 / 23 / 16

HEX #37D7A6

RGB 55 215 166

HSL 161.63, 0.67%, 0.53%

LAB 77.38, -51.94, 12.67

 

CMYK 74 / 0 / 3 / 16

HEX #37D7D1

RGB 55 215 209

HSL 177.75, 0.67%, 0.53%

LAB 78.47, -40.86, -8.72

 

CMYK 66 / 0 / 74 / 16

HEX #4AD737

RGB 74 215 55

HSL 112.88, 0.67%, 0.53%

LAB 76.27, -65.77, 63.57

 

CMYK 75 / 0 / 85 / 8

HEX #3BEB23

RGB 59 235 35

HSL 112.8, 0.83%, 0.53%

LAB 82.09, -75.64, 74.35

 

CMYK 83 / 0 / 94 / 0

HEX #2CFE10

RGB 44 254 16

HSL 112.94, 0.99%, 0.53%

LAB 87.71, -83.33, 81.98

 

CMYK 66 / 0 / 74 / 16

HEX #4AD737

RGB 74 215 55

HSL 112.88, 0.67%, 0.53%

LAB 76.27, -65.77, 63.57

 

CMYK 55 / 0 / 62 / 23

HEX #59C44A

RGB 89 196 74

HSL 112.62, 0.51%, 0.53%

LAB 70.94, -53.97, 50.71

 

CMYK 42 / 0 / 47 / 31

HEX #67B15E

RGB 103 177 94

HSL 113.49, 0.35%, 0.53%

LAB 65.85, -39.73, 35.28

 

CMYK 25 / 0 / 28 / 38

HEX #769D71

RGB 118 157 113

HSL 113.18, 0.18%, 0.53%

LAB 60.92, -22.21, 18.81

 

CMYK 4 / 0 / 4 / 46

HEX #858A84

RGB 133 138 132

HSL 110, 0.02%, 0.53%

LAB 56.91, -3.02, 2.56

 

CMYK 25 / 0 / 74 / 16

HEX #A2D737

RGB 162 215 55

HSL 79.88, 0.67%, 0.53%

LAB 79.93, -39.14, 68.38

 

CMYK 45 / 0 / 74 / 16

HEX #77D737

RGB 119 215 55

HSL 96, 0.67%, 0.53%

LAB 77.76, -54.13, 65.53

 

CMYK 65 / 0 / 74 / 16

HEX #4CD737

RGB 76 215 55

HSL 112.13, 0.67%, 0.53%

LAB 76.32, -65.36, 63.63

 

CMYK 74 / 0 / 65 / 16

HEX #37D74C

RGB 55 215 76

HSL 127.88, 0.67%, 0.53%

LAB 76.03, -67.26, 55.28

 

CMYK 74 / 0 / 45 / 16

HEX #37D777

RGB 55 215 119

HSL 144, 0.67%, 0.53%

LAB 76.52, -61.41, 35.91

 

CMYK 71 / 0 / 80 / 38

HEX #2E9D1F

RGB 46 157 31

HSL 112.86, 0.67%, 0.37%

LAB 56.87, -53.68, 52.28

 

CMYK 71 / 0 / 80 / 25

HEX #38BF26

RGB 56 191 38

HSL 112.94, 0.67%, 0.45%

LAB 68.2, -62.53, 60.96

 

CMYK 66 / 0 / 74 / 16

HEX #4AD737

RGB 74 215 55

HSL 112.88, 0.67%, 0.53%

LAB 76.27, -65.77, 63.57

 

CMYK 53 / 0 / 60 / 13

HEX #69DE59

RGB 105 222 89

HSL 112.78, 0.67%, 0.61%

LAB 79.6, -57.98, 54.1

 

CMYK 41 / 0 / 46 / 10

HEX #88E57C

RGB 136 229 124

HSL 113.14, 0.67%, 0.69%

LAB 83.3, -47.75, 42.57

 

CMYK 66 / 0 / 75 / 15

HEX #4AD837

RGB 74 216 55

HSL 112.92, 0.67%, 0.53%

LAB 76.58, -66.1, 63.87

 

CMYK 74 / 5 / 0 / 16

HEX #37CDD7

RGB 55 205 215

HSL 183.75, 0.67%, 0.53%

LAB 75.69, -34.54, -16.11

 

CMYK 0 / 74 / 34 / 16

HEX #D7378D

RGB 215 55 141

HSL 327.75, 0.67%, 0.53%

LAB 50.81, 67.66, -10.6

 

CMYK 66 / 0 / 75 / 15

HEX #4AD837

RGB 74 216 55

HSL 112.92, 0.67%, 0.53%

LAB 76.58, -66.1, 63.87

 

CMYK 74 / 65 / 0 / 16

HEX #374CD7

RGB 55 76 215

HSL 232.13, 0.67%, 0.53%

LAB 39.39, 39.75, -73.35

 

CMYK 0 / 74 / 65 / 16

HEX #D7374C

RGB 215 55 76

HSL 352.13, 0.67%, 0.53%

LAB 49.13, 62.3, 26.36

 

CMYK 66 / 0 / 75 / 15

HEX #4AD837

RGB 74 216 55

HSL 112.92, 0.67%, 0.53%

LAB 76.58, -66.1, 63.87

 

CMYK 74 / 5 / 0 / 16

HEX #37CDD7

RGB 55 205 215

HSL 183.75, 0.67%, 0.53%

LAB 75.69, -34.54, -16.11

 

CMYK 10 / 74 / 0 / 16

HEX #C237D7

RGB 194 55 215

HSL 292.13, 0.67%, 0.53%

LAB 50.81, 73.37, -54.14

 

CMYK 0 / 69 / 74 / 16

HEX #D74237

RGB 215 66 55

HSL 4.13, 0.67%, 0.53%

LAB 50.24, 57.41, 39.86

 

CMYK 66 / 0 / 75 / 15

HEX #4AD837

RGB 74 216 55

HSL 112.92, 0.67%, 0.53%

LAB 76.58, -66.1, 63.87

 

CMYK 74 / 27 / 0 / 16

HEX #379DD7

RGB 55 157 215

HSL 201.75, 0.67%, 0.53%

LAB 61.51, -9.94, -37.89

 

CMYK 10 / 74 / 0 / 16

HEX #C237D7

RGB 194 55 215

HSL 292.13, 0.67%, 0.53%

LAB 50.81, 73.37, -54.14

 

CMYK 0 / 47 / 74 / 16

HEX #D77237

RGB 215 114 55

HSL 22.13, 0.67%, 0.53%

LAB 58.75, 35.27, 48.95

 

Description

Color code: HEX #4AD837 | qconv.com Color code: HEX #4AD837 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 216 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 216 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 75 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 75% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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