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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AD420 it is the complementary color #B52BDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AD420. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AD420 shade: #4FD41B, #60E62E, #71F841, #82FF54 and #93FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AD420. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AD420 shade: #4AD420, #39C20D, #28B000, #179E00 and #068C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AD420 shade: #4AD520, #7BD520, #ACD520, #D5CD20 and #D59C20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AD420 shade: #4AD520, #20D526, #20D557, #20D588 and #20D5B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AD420 shade matches the following richer shades: #4AD520 and #40E90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AD420 shade: #4AD520, #55C134, #5FAD47, #6A9A5B and #74866F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AD420 shade: #ABD520, #7AD520, #4AD520, #20D526 and #20D556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AD420 shade: #318D15, #3EB11A, #4AD520, #63E23C and #80E760

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AD420 shade: #4AD420, #20D5CF and #D52093

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AD420 shade: #4AD420, #204AD5 and #D5204A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AD420 shade: #4AD420, #20D5CF, #AB20D5 and #D52026

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AD420 shade: #4AD420, #20A5D5, #AB20D5 and #D55020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 85 / 17

HEX #4AD420

RGB 74 212 32

HSL 106, 0.74%, 0.48%

LAB 75.23, -66.07, 69.05

 

Complementary color

CMYK 19 / 81 / 0 / 13

HEX #B52BDF

RGB 181 43 223

HSL 286, 0.74%, 0.52%

LAB 48.11, 75.94, -63.16

 

CMYK 63 / 0 / 87 / 17

HEX #4FD41B

RGB 79 212 27

HSL 103.14, 0.77%, 0.47%

LAB 75.34, -65.18, 70.24

 

CMYK 58 / 0 / 80 / 10

HEX #60E62E

RGB 96 230 46

HSL 103.7, 0.79%, 0.54%

LAB 81.44, -66.43, 71.44

 

CMYK 54 / 0 / 74 / 3

HEX #71F841

RGB 113 248 65

HSL 104.26, 0.93%, 0.61%

LAB 87.5, -67.31, 71.75

 

CMYK 49 / 0 / 67 / 0

HEX #82FF54

RGB 130 255 84

HSL 103.86, 1%, 0.66%

LAB 90.28, -63.93, 68.09

 

CMYK 42 / 0 / 60 / 0

HEX #93FF67

RGB 147 255 103

HSL 102.63, 1%, 0.7%

LAB 91.1, -57.36, 61.58

 

CMYK 65 / 0 / 85 / 17

HEX #4AD420

RGB 74 212 32

HSL 106, 0.74%, 0.48%

LAB 75.23, -66.07, 69.05

 

CMYK 71 / 0 / 93 / 24

HEX #39C20D

RGB 57 194 13

HSL 105.41, 0.87%, 0.41%

LAB 69.1, -64.29, 67.02

 

CMYK 77 / 0 / 100 / 31

HEX #28B000

RGB 40 176 0

HSL 106.36, 1%, 0.35%

LAB 62.93, -61.85, 63.45

 

CMYK 85 / 0 / 100 / 38

HEX #179E00

RGB 23 158 0

HSL 111.27, 1%, 0.31%

LAB 56.72, -58.63, 58.38

 

CMYK 96 / 0 / 100 / 45

HEX #068C00

RGB 6 140 0

HSL 117.43, 1%, 0.27%

LAB 50.45, -54.75, 53.3

 

CMYK 65 / 0 / 85 / 16

HEX #4AD520

RGB 74 213 32

HSL 106.08, 0.74%, 0.48%

LAB 75.54, -66.39, 69.33

 

CMYK 42 / 0 / 85 / 16

HEX #7BD520

RGB 123 213 32

HSL 89.83, 0.74%, 0.48%

LAB 77.22, -53.18, 71.45

 

CMYK 19 / 0 / 85 / 16

HEX #ACD520

RGB 172 213 32

HSL 73.59, 0.74%, 0.48%

LAB 79.88, -35.26, 74.77

 

CMYK 0 / 4 / 85 / 16

HEX #D5CD20

RGB 213 205 32

HSL 57.35, 0.74%, 0.48%

LAB 80.69, -14.4, 76.67

 

CMYK 0 / 27 / 85 / 16

HEX #D59C20

RGB 213 156 32

HSL 41.1, 0.74%, 0.48%

LAB 68.04, 11.16, 66.25

 

CMYK 65 / 0 / 85 / 16

HEX #4AD520

RGB 74 213 32

HSL 106.08, 0.74%, 0.48%

LAB 75.54, -66.39, 69.33

 

CMYK 85 / 0 / 82 / 16

HEX #20D526

RGB 32 213 38

HSL 121.99, 0.74%, 0.48%

LAB 74.85, -72.34, 67

 

CMYK 85 / 0 / 59 / 16

HEX #20D557

RGB 32 213 87

HSL 138.23, 0.74%, 0.48%

LAB 75.19, -68.03, 49.49

 

CMYK 85 / 0 / 36 / 16

HEX #20D588

RGB 32 213 136

HSL 154.48, 0.74%, 0.48%

LAB 75.87, -60.02, 26.31

 

CMYK 85 / 0 / 13 / 16

HEX #20D5B9

RGB 32 213 185

HSL 170.72, 0.74%, 0.48%

LAB 76.92, -48.57, 1.83

 

CMYK 65 / 0 / 85 / 16

HEX #4AD520

RGB 74 213 32

HSL 106.08, 0.74%, 0.48%

LAB 75.54, -66.39, 69.33

 

CMYK 73 / 0 / 95 / 9

HEX #40E90C

RGB 64 233 12

HSL 105.88, 0.9%, 0.48%

LAB 81.51, -74.94, 77.4

 

CMYK 65 / 0 / 85 / 16

HEX #4AD520

RGB 74 213 32

HSL 106.08, 0.74%, 0.48%

LAB 75.54, -66.39, 69.33

 

CMYK 56 / 0 / 73 / 24

HEX #55C134

RGB 85 193 52

HSL 105.96, 0.58%, 0.48%

LAB 69.7, -55.85, 58.13

 

CMYK 45 / 0 / 59 / 32

HEX #5FAD47

RGB 95 173 71

HSL 105.88, 0.42%, 0.48%

LAB 63.98, -43.42, 44.21

 

CMYK 31 / 0 / 41 / 40

HEX #6A9A5B

RGB 106 154 91

HSL 105.71, 0.26%, 0.48%

LAB 58.91, -28.56, 28.03

 

CMYK 13 / 0 / 17 / 47

HEX #74866F

RGB 116 134 111

HSL 106.96, 0.09%, 0.48%

LAB 53.93, -11.16, 10.22

 

CMYK 20 / 0 / 85 / 16

HEX #ABD520

RGB 171 213 32

HSL 73.92, 0.74%, 0.48%

LAB 79.81, -35.66, 74.69

 

CMYK 43 / 0 / 85 / 16

HEX #7AD520

RGB 122 213 32

HSL 90.17, 0.74%, 0.48%

LAB 77.18, -53.51, 71.39

 

CMYK 65 / 0 / 85 / 16

HEX #4AD520

RGB 74 213 32

HSL 106.08, 0.74%, 0.48%

LAB 75.54, -66.39, 69.33

 

CMYK 85 / 0 / 82 / 16

HEX #20D526

RGB 32 213 38

HSL 121.99, 0.74%, 0.48%

LAB 74.85, -72.34, 67

 

CMYK 85 / 0 / 60 / 16

HEX #20D556

RGB 32 213 86

HSL 137.9, 0.74%, 0.48%

LAB 75.18, -68.16, 49.93

 

CMYK 65 / 0 / 85 / 45

HEX #318D15

RGB 49 141 21

HSL 106, 0.74%, 0.32%

LAB 51.56, -48.09, 50.29

 

CMYK 65 / 0 / 85 / 31

HEX #3EB11A

RGB 62 177 26

HSL 105.7, 0.74%, 0.4%

LAB 63.79, -57.35, 60.15

 

CMYK 65 / 0 / 85 / 16

HEX #4AD520

RGB 74 213 32

HSL 106.08, 0.74%, 0.48%

LAB 75.54, -66.39, 69.33

 

CMYK 56 / 0 / 73 / 11

HEX #63E23C

RGB 99 226 60

HSL 105.9, 0.74%, 0.56%

LAB 80.39, -63.49, 66.21

 

CMYK 45 / 0 / 58 / 9

HEX #80E760

RGB 128 231 96

HSL 105.78, 0.74%, 0.64%

LAB 83.22, -54.28, 55.41

 

CMYK 65 / 0 / 85 / 17

HEX #4AD420

RGB 74 212 32

HSL 106, 0.74%, 0.48%

LAB 75.23, -66.07, 69.05

 

CMYK 85 / 0 / 3 / 16

HEX #20D5CF

RGB 32 213 207

HSL 178.01, 0.74%, 0.48%

LAB 77.52, -42.51, -9.1

 

CMYK 0 / 85 / 31 / 16

HEX #D52093

RGB 213 32 147

HSL 321.88, 0.74%, 0.48%

LAB 48.62, 73.69, -17.55

 

CMYK 65 / 0 / 85 / 17

HEX #4AD420

RGB 74 212 32

HSL 106, 0.74%, 0.48%

LAB 75.23, -66.07, 69.05

 

CMYK 85 / 65 / 0 / 16

HEX #204AD5

RGB 32 74 213

HSL 226.08, 0.74%, 0.48%

LAB 37.86, 38.38, -74.75

 

CMYK 0 / 85 / 65 / 16

HEX #D5204A

RGB 213 32 74

HSL 346.08, 0.74%, 0.48%

LAB 46.54, 67.77, 24.19

 

CMYK 65 / 0 / 85 / 17

HEX #4AD420

RGB 74 212 32

HSL 106, 0.74%, 0.48%

LAB 75.23, -66.07, 69.05

 

CMYK 85 / 0 / 3 / 16

HEX #20D5CF

RGB 32 213 207

HSL 178.01, 0.74%, 0.48%

LAB 77.52, -42.51, -9.1

 

CMYK 20 / 85 / 0 / 16

HEX #AB20D5

RGB 171 32 213

HSL 286.08, 0.74%, 0.48%

LAB 44.93, 75.2, -62.65

 

CMYK 0 / 85 / 82 / 16

HEX #D52026

RGB 213 32 38

HSL 358.01, 0.74%, 0.48%

LAB 46.07, 66.37, 44.67

 

CMYK 65 / 0 / 85 / 17

HEX #4AD420

RGB 74 212 32

HSL 106, 0.74%, 0.48%

LAB 75.23, -66.07, 69.05

 

CMYK 85 / 23 / 0 / 16

HEX #20A5D5

RGB 32 165 213

HSL 195.91, 0.74%, 0.48%

LAB 63.36, -17.24, -33.92

 

CMYK 20 / 85 / 0 / 16

HEX #AB20D5

RGB 171 32 213

HSL 286.08, 0.74%, 0.48%

LAB 44.93, 75.2, -62.65

 

CMYK 0 / 62 / 85 / 16

HEX #D55020

RGB 213 80 32

HSL 15.91, 0.74%, 0.48%

LAB 51.82, 50.23, 52.67

 

Description

Color code: HEX #4AD420 | qconv.com Color code: HEX #4AD420 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 212 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 212 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 85 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 85% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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