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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ACE3C it is the complementary color #B531C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ACE3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ACE3C shade: #4FCE37, #60E04A, #71F25D, #82FF70 and #93FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ACE3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ACE3C shade: #4ACE3C, #39BC29, #28AA16, #179803 and #068600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ACE3C shade: #49CE3B, #71CE3B, #98CE3B, #C0CE3B and #CEB43B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ACE3C shade: #49CE3B, #3BCE55, #3BCE7C, #3BCEA4 and #3BCECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ACE3C shade matches the following richer shades: #49CE3B, #39E227 and #29F614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ACE3C shade: #49CE3B, #59BA4F, #69A663, #799377 and #897F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ACE3C shade: #98CE3B, #71CE3B, #4ACE3B, #3BCE54 and #3BCE7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ACE3C shade: #2F9225, #3AB32D, #49CE3B, #68D65C and #87DF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ACE3C shade: #4ACE3C, #3BBFCE and #CE3B85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ACE3C shade: #4ACE3C, #3B4ACE and #CE3B4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ACE3C shade: #4ACE3C, #3BBFCE, #BF3BCE and #CE4A3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ACE3C shade: #4ACE3C, #3B93CE, #BF3BCE and #CE763B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 71 / 19

HEX #4ACE3C

RGB 74 206 60

HSL 114.25, 0.6%, 0.52%

LAB 73.5, -62.39, 58.99

 

Complementary color

CMYK 7 / 75 / 0 / 24

HEX #B531C3

RGB 181 49 195

HSL 294.25, 0.6%, 0.48%

LAB 46.92, 69.23, -48.97

 

CMYK 62 / 0 / 73 / 19

HEX #4FCE37

RGB 79 206 55

HSL 110.46, 0.61%, 0.51%

LAB 73.6, -61.68, 60.94

 

CMYK 57 / 0 / 67 / 12

HEX #60E04A

RGB 96 224 74

HSL 111.2, 0.71%, 0.58%

LAB 79.78, -62.44, 60.44

 

CMYK 53 / 0 / 62 / 5

HEX #71F25D

RGB 113 242 93

HSL 111.95, 0.85%, 0.66%

LAB 85.91, -62.9, 59.59

 

CMYK 49 / 0 / 56 / 0

HEX #82FF70

RGB 130 255 112

HSL 112.45, 1%, 0.72%

LAB 90.52, -61.28, 56.85

 

CMYK 42 / 0 / 49 / 0

HEX #93FF83

RGB 147 255 131

HSL 112.26, 1%, 0.76%

LAB 91.4, -54.27, 49.41

 

CMYK 64 / 0 / 71 / 19

HEX #4ACE3C

RGB 74 206 60

HSL 114.25, 0.6%, 0.52%

LAB 73.5, -62.39, 58.99

 

CMYK 70 / 0 / 78 / 26

HEX #39BC29

RGB 57 188 41

HSL 113.47, 0.64%, 0.45%

LAB 67.27, -61.2, 59.18

 

CMYK 76 / 0 / 87 / 33

HEX #28AA16

RGB 40 170 22

HSL 112.7, 0.77%, 0.38%

LAB 61.01, -59.39, 58.42

 

CMYK 85 / 0 / 98 / 40

HEX #179803

RGB 23 152 3

HSL 111.95, 0.96%, 0.3%

LAB 54.7, -56.76, 56.28

 

CMYK 96 / 0 / 100 / 47

HEX #068600

RGB 6 134 0

HSL 117.31, 1%, 0.26%

LAB 48.37, -52.99, 51.64

 

CMYK 65 / 0 / 71 / 19

HEX #49CE3B

RGB 73 206 59

HSL 114.29, 0.6%, 0.52%

LAB 73.46, -62.68, 59.32

 

CMYK 45 / 0 / 71 / 19

HEX #71CE3B

RGB 113 206 59

HSL 97.96, 0.6%, 0.52%

LAB 74.81, -52.22, 61.12

 

CMYK 26 / 0 / 71 / 19

HEX #98CE3B

RGB 152 206 59

HSL 82.04, 0.6%, 0.52%

LAB 76.76, -38.7, 63.72

 

CMYK 7 / 0 / 71 / 19

HEX #C0CE3B

RGB 192 206 59

HSL 65.71, 0.6%, 0.52%

LAB 79.42, -22.77, 67.24

 

CMYK 0 / 13 / 71 / 19

HEX #CEB43B

RGB 206 180 59

HSL 49.39, 0.6%, 0.52%

LAB 73.6, -3.66, 61.93

 

CMYK 65 / 0 / 71 / 19

HEX #49CE3B

RGB 73 206 59

HSL 114.29, 0.6%, 0.52%

LAB 73.46, -62.68, 59.32

 

CMYK 71 / 0 / 59 / 19

HEX #3BCE55

RGB 59 206 85

HSL 130.61, 0.6%, 0.52%

LAB 73.37, -62.67, 48.38

 

CMYK 71 / 0 / 40 / 19

HEX #3BCE7C

RGB 59 206 124

HSL 146.53, 0.6%, 0.52%

LAB 73.89, -56.69, 29.95

 

CMYK 71 / 0 / 20 / 19

HEX #3BCEA4

RGB 59 206 164

HSL 162.86, 0.6%, 0.52%

LAB 74.67, -48.22, 9.9

 

CMYK 71 / 0 / 1 / 19

HEX #3BCECC

RGB 59 206 204

HSL 179.18, 0.6%, 0.52%

LAB 75.72, -37.73, -10.12

 

CMYK 65 / 0 / 71 / 19

HEX #49CE3B

RGB 73 206 59

HSL 114.29, 0.6%, 0.52%

LAB 73.46, -62.68, 59.32

 

CMYK 75 / 0 / 83 / 11

HEX #39E227

RGB 57 226 39

HSL 114.22, 0.76%, 0.52%

LAB 79.28, -73.1, 70.92

 

CMYK 83 / 0 / 92 / 4

HEX #29F614

RGB 41 246 20

HSL 114.42, 0.93%, 0.52%

LAB 85.22, -81.36, 79.45

 

CMYK 65 / 0 / 71 / 19

HEX #49CE3B

RGB 73 206 59

HSL 114.29, 0.6%, 0.52%

LAB 73.46, -62.68, 59.32

 

CMYK 52 / 0 / 58 / 27

HEX #59BA4F

RGB 89 186 79

HSL 114.39, 0.44%, 0.52%

LAB 67.88, -49.56, 44.94

 

CMYK 37 / 0 / 40 / 35

HEX #69A663

RGB 105 166 99

HSL 114.63, 0.27%, 0.52%

LAB 62.66, -33.38, 28.61

 

CMYK 18 / 0 / 19 / 42

HEX #799377

RGB 121 147 119

HSL 115.71, 0.11%, 0.52%

LAB 58.29, -14.85, 11.83

 

CMYK 1 / 8 / 0 / 46

HEX #897F8A

RGB 137 127 138

HSL 294.55, 0.04%, 0.52%

LAB 54.38, 5.92, -4.57

 

CMYK 26 / 0 / 71 / 19

HEX #98CE3B

RGB 152 206 59

HSL 82.04, 0.6%, 0.52%

LAB 76.76, -38.7, 63.72

 

CMYK 45 / 0 / 71 / 19

HEX #71CE3B

RGB 113 206 59

HSL 97.96, 0.6%, 0.52%

LAB 74.81, -52.22, 61.12

 

CMYK 64 / 0 / 71 / 19

HEX #4ACE3B

RGB 74 206 59

HSL 113.88, 0.6%, 0.52%

LAB 73.49, -62.47, 59.36

 

CMYK 71 / 0 / 59 / 19

HEX #3BCE54

RGB 59 206 84

HSL 130.2, 0.6%, 0.52%

LAB 73.36, -62.79, 48.82

 

CMYK 71 / 0 / 40 / 19

HEX #3BCE7B

RGB 59 206 123

HSL 146.12, 0.6%, 0.52%

LAB 73.87, -56.87, 30.44

 

CMYK 68 / 0 / 75 / 43

HEX #2F9225

RGB 47 146 37

HSL 114.5, 0.6%, 0.36%

LAB 53.27, -49.26, 46.69

 

CMYK 68 / 0 / 75 / 30

HEX #3AB32D

RGB 58 179 45

HSL 114.18, 0.6%, 0.44%

LAB 64.43, -57.74, 55.08

 

CMYK 65 / 0 / 71 / 19

HEX #49CE3B

RGB 73 206 59

HSL 114.29, 0.6%, 0.52%

LAB 73.46, -62.68, 59.32

 

CMYK 51 / 0 / 57 / 16

HEX #68D65C

RGB 104 214 92

HSL 114.1, 0.6%, 0.6%

LAB 77.17, -54.88, 49.95

 

CMYK 39 / 0 / 44 / 13

HEX #87DF7D

RGB 135 223 125

HSL 113.88, 0.6%, 0.68%

LAB 81.51, -45.38, 39.81

 

CMYK 64 / 0 / 71 / 19

HEX #4ACE3C

RGB 74 206 60

HSL 114.25, 0.6%, 0.52%

LAB 73.5, -62.39, 58.99

 

CMYK 71 / 7 / 0 / 19

HEX #3BBFCE

RGB 59 191 206

HSL 186.12, 0.6%, 0.52%

LAB 71.32, -30.07, -17.82

 

CMYK 0 / 71 / 35 / 19

HEX #CE3B85

RGB 206 59 133

HSL 329.8, 0.6%, 0.52%

LAB 49.43, 63.09, -8.02

 

CMYK 64 / 0 / 71 / 19

HEX #4ACE3C

RGB 74 206 60

HSL 114.25, 0.6%, 0.52%

LAB 73.5, -62.39, 58.99

 

CMYK 71 / 64 / 0 / 19

HEX #3B4ACE

RGB 59 74 206

HSL 233.88, 0.6%, 0.52%

LAB 38.35, 38.29, -69.87

 

CMYK 0 / 71 / 64 / 19

HEX #CE3B4A

RGB 206 59 74

HSL 353.88, 0.6%, 0.52%

LAB 47.94, 58.11, 25.7

 

CMYK 64 / 0 / 71 / 19

HEX #4ACE3C

RGB 74 206 60

HSL 114.25, 0.6%, 0.52%

LAB 73.5, -62.39, 58.99

 

CMYK 71 / 7 / 0 / 19

HEX #3BBFCE

RGB 59 191 206

HSL 186.12, 0.6%, 0.52%

LAB 71.32, -30.07, -17.82

 

CMYK 7 / 71 / 0 / 19

HEX #BF3BCE

RGB 191 59 206

HSL 293.88, 0.6%, 0.52%

LAB 50.29, 69.87, -49.85

 

CMYK 0 / 64 / 71 / 19

HEX #CE4A3B

RGB 206 74 59

HSL 6.12, 0.6%, 0.52%

LAB 49.9, 51.36, 36.82

 

CMYK 64 / 0 / 71 / 19

HEX #4ACE3C

RGB 74 206 60

HSL 114.25, 0.6%, 0.52%

LAB 73.5, -62.39, 58.99

 

CMYK 71 / 29 / 0 / 19

HEX #3B93CE

RGB 59 147 206

HSL 204.08, 0.6%, 0.52%

LAB 58.28, -6.88, -37.91

 

CMYK 7 / 71 / 0 / 19

HEX #BF3BCE

RGB 191 59 206

HSL 293.88, 0.6%, 0.52%

LAB 50.29, 69.87, -49.85

 

CMYK 0 / 43 / 71 / 19

HEX #CE763B

RGB 206 118 59

HSL 24.08, 0.6%, 0.52%

LAB 58.41, 29.7, 46.28

 

Description

Color code: HEX #4ACE3C | qconv.com Color code: HEX #4ACE3C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 206 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 206 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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