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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC912 it is the complementary color #B536ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC912. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC912 shade: #4FC90D, #60DB20, #71ED33, #82FF46 and #93FF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC912. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC912 shade: #4AC912, #39B700, #28A500, #179300 and #068100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC912 shade: #4ACA12, #7CCA12, #ADCA12, #CAB512 and #CA8312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC912 shade: #4ACA12, #18CA12, #12CA3D, #12CA6E and #12CAA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC912 shade matches the following richer shades: #4ACA12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC912 shade: #4ACA12, #51B823, #58A635, #5F9547 and #658359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC912 shade: #AECA12, #7DCA12, #4CCA12, #1BCA12 and #12CA39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC912 shade: #2E7E0B, #3CA40E, #4ACA12, #5AEB1A and #75EE3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC912 shade: #4AC912, #12CAB4 and #CA1296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC912 shade: #4AC912, #124CCA and #CA124C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC912 shade: #4AC912, #12CAB4, #8F12CA and #CA1227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC912 shade: #4AC912, #12A8CA, #8F12CA and #CA3312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 91 / 21

HEX #4AC912

RGB 74 201 18

HSL 101.64, 0.84%, 0.43%

LAB 71.74, -62.95, 68.68

 

Complementary color

CMYK 24 / 77 / 0 / 7

HEX #B536ED

RGB 181 54 237

HSL 281.64, 0.84%, 0.57%

LAB 50.19, 75.33, -67.72

 

CMYK 61 / 0 / 94 / 21

HEX #4FC90D

RGB 79 201 13

HSL 98.94, 0.88%, 0.42%

LAB 71.87, -61.91, 69.53

 

CMYK 56 / 0 / 85 / 14

HEX #60DB20

RGB 96 219 32

HSL 99.47, 0.75%, 0.49%

LAB 78.02, -63.28, 71.75

 

CMYK 52 / 0 / 78 / 7

HEX #71ED33

RGB 113 237 51

HSL 100, 0.84%, 0.56%

LAB 84.13, -64.26, 72.76

 

CMYK 49 / 0 / 73 / 0

HEX #82FF46

RGB 130 255 70

HSL 100.54, 1%, 0.64%

LAB 90.19, -64.94, 72.97

 

CMYK 42 / 0 / 65 / 0

HEX #93FF59

RGB 147 255 89

HSL 99.04, 1%, 0.67%

LAB 90.98, -58.59, 67.13

 

CMYK 63 / 0 / 91 / 21

HEX #4AC912

RGB 74 201 18

HSL 101.64, 0.84%, 0.43%

LAB 71.74, -62.95, 68.68

 

CMYK 69 / 0 / 100 / 28

HEX #39B700

RGB 57 183 0

HSL 101.31, 1%, 0.36%

LAB 65.54, -61.08, 65.67

 

CMYK 76 / 0 / 100 / 35

HEX #28A500

RGB 40 165 0

HSL 105.45, 1%, 0.32%

LAB 59.31, -58.48, 60.56

 

CMYK 84 / 0 / 100 / 42

HEX #179300

RGB 23 147 0

HSL 110.61, 1%, 0.29%

LAB 53, -55.35, 55.41

 

CMYK 95 / 0 / 100 / 49

HEX #068100

RGB 6 129 0

HSL 117.21, 1%, 0.25%

LAB 46.63, -51.52, 50.24

 

CMYK 63 / 0 / 91 / 21

HEX #4ACA12

RGB 74 202 18

HSL 101.74, 0.84%, 0.43%

LAB 72.05, -63.28, 68.94

 

CMYK 39 / 0 / 91 / 21

HEX #7CCA12

RGB 124 202 18

HSL 85.43, 0.84%, 0.43%

LAB 73.91, -48.87, 71.24

 

CMYK 14 / 0 / 91 / 21

HEX #ADCA12

RGB 173 202 18

HSL 69.46, 0.84%, 0.43%

LAB 76.78, -30.09, 74.75

 

CMYK 0 / 10 / 91 / 21

HEX #CAB512

RGB 202 181 18

HSL 53.15, 0.84%, 0.43%

LAB 73.32, -7.22, 73.03

 

CMYK 0 / 35 / 91 / 21

HEX #CA8312

RGB 202 131 18

HSL 36.85, 0.84%, 0.43%

LAB 60.63, 19.62, 63.39

 

CMYK 63 / 0 / 91 / 21

HEX #4ACA12

RGB 74 202 18

HSL 101.74, 0.84%, 0.43%

LAB 72.05, -63.28, 68.94

 

CMYK 88 / 0 / 91 / 21

HEX #18CA12

RGB 24 202 18

HSL 118.04, 0.84%, 0.43%

LAB 71.2, -70.71, 67.88

 

CMYK 91 / 0 / 70 / 21

HEX #12CA3D

RGB 18 202 61

HSL 134.02, 0.84%, 0.43%

LAB 71.36, -68.55, 56.11

 

CMYK 91 / 0 / 46 / 21

HEX #12CA6E

RGB 18 202 110

HSL 150, 0.84%, 0.43%

LAB 71.89, -62, 34.4

 

CMYK 91 / 0 / 21 / 21

HEX #12CAA0

RGB 18 202 160

HSL 166.3, 0.84%, 0.43%

LAB 72.83, -51.33, 9.36

 

CMYK 63 / 0 / 91 / 21

HEX #4ACA12

RGB 74 202 18

HSL 101.74, 0.84%, 0.43%

LAB 72.05, -63.28, 68.94

 

CMYK 63 / 0 / 91 / 21

HEX #4ACA12

RGB 74 202 18

HSL 101.74, 0.84%, 0.43%

LAB 72.05, -63.28, 68.94

 

CMYK 56 / 0 / 81 / 28

HEX #51B823

RGB 81 184 35

HSL 101.48, 0.68%, 0.43%

LAB 66.64, -54.7, 60.6

 

CMYK 47 / 0 / 68 / 35

HEX #58A635

RGB 88 166 53

HSL 101.42, 0.52%, 0.43%

LAB 61.31, -44.5, 49.12

 

CMYK 36 / 0 / 52 / 42

HEX #5F9547

RGB 95 149 71

HSL 101.54, 0.35%, 0.43%

LAB 56.47, -32.86, 35.34

 

CMYK 23 / 0 / 32 / 49

HEX #658359

RGB 101 131 89

HSL 102.86, 0.19%, 0.43%

LAB 51.52, -19.12, 19.34

 

CMYK 14 / 0 / 91 / 21

HEX #AECA12

RGB 174 202 18

HSL 69.13, 0.84%, 0.43%

LAB 76.85, -29.67, 74.84

 

CMYK 38 / 0 / 91 / 21

HEX #7DCA12

RGB 125 202 18

HSL 85.11, 0.84%, 0.43%

LAB 73.96, -48.52, 71.3

 

CMYK 62 / 0 / 91 / 21

HEX #4CCA12

RGB 76 202 18

HSL 101.09, 0.84%, 0.43%

LAB 72.11, -62.83, 69.01

 

CMYK 87 / 0 / 91 / 21

HEX #1BCA12

RGB 27 202 18

HSL 117.07, 0.84%, 0.43%

LAB 71.23, -70.47, 67.91

 

CMYK 91 / 0 / 72 / 21

HEX #12CA39

RGB 18 202 57

HSL 132.72, 0.84%, 0.43%

LAB 71.33, -68.91, 57.58

 

CMYK 63 / 0 / 91 / 51

HEX #2E7E0B

RGB 46 126 11

HSL 101.74, 0.84%, 0.27%

LAB 46.35, -43.85, 48.06

 

CMYK 63 / 0 / 91 / 36

HEX #3CA40E

RGB 60 164 14

HSL 101.6, 0.84%, 0.35%

LAB 59.47, -53.81, 58.84

 

CMYK 63 / 0 / 91 / 21

HEX #4ACA12

RGB 74 202 18

HSL 101.74, 0.84%, 0.43%

LAB 72.05, -63.28, 68.94

 

CMYK 62 / 0 / 89 / 8

HEX #5AEB1A

RGB 90 235 26

HSL 101.63, 0.84%, 0.51%

LAB 82.73, -70.26, 76.85

 

CMYK 51 / 0 / 74 / 7

HEX #75EE3F

RGB 117 238 63

HSL 101.49, 0.84%, 0.59%

LAB 84.63, -62.83, 69.62

 

CMYK 63 / 0 / 91 / 21

HEX #4AC912

RGB 74 201 18

HSL 101.64, 0.84%, 0.43%

LAB 71.74, -62.95, 68.68

 

CMYK 91 / 0 / 11 / 21

HEX #12CAB4

RGB 18 202 180

HSL 172.83, 0.84%, 0.43%

LAB 73.33, -46.09, -0.73

 

CMYK 0 / 91 / 26 / 21

HEX #CA1296

RGB 202 18 150

HSL 316.96, 0.84%, 0.43%

LAB 45.89, 73.94, -23.72

 

CMYK 63 / 0 / 91 / 21

HEX #4AC912

RGB 74 201 18

HSL 101.64, 0.84%, 0.43%

LAB 71.74, -62.95, 68.68

 

CMYK 91 / 62 / 0 / 21

HEX #124CCA

RGB 18 76 202

HSL 221.09, 0.84%, 0.43%

LAB 37.04, 32.2, -69.74

 

CMYK 0 / 91 / 62 / 21

HEX #CA124C

RGB 202 18 76

HSL 341.09, 0.84%, 0.43%

LAB 43.52, 67.5, 18.58

 

CMYK 63 / 0 / 91 / 21

HEX #4AC912

RGB 74 201 18

HSL 101.64, 0.84%, 0.43%

LAB 71.74, -62.95, 68.68

 

CMYK 91 / 0 / 11 / 21

HEX #12CAB4

RGB 18 202 180

HSL 172.83, 0.84%, 0.43%

LAB 73.33, -46.09, -0.73

 

CMYK 29 / 91 / 0 / 21

HEX #8F12CA

RGB 143 18 202

HSL 280.76, 0.84%, 0.43%

LAB 38.79, 71.79, -66.48

 

CMYK 0 / 91 / 81 / 21

HEX #CA1227

RGB 202 18 39

HSL 353.15, 0.84%, 0.43%

LAB 42.97, 65.93, 40.33

 

CMYK 63 / 0 / 91 / 21

HEX #4AC912

RGB 74 201 18

HSL 101.64, 0.84%, 0.43%

LAB 71.74, -62.95, 68.68

 

CMYK 91 / 17 / 0 / 21

HEX #12A8CA

RGB 18 168 202

HSL 191.09, 0.84%, 0.43%

LAB 63.67, -23.42, -27.35

 

CMYK 29 / 91 / 0 / 21

HEX #8F12CA

RGB 143 18 202

HSL 280.76, 0.84%, 0.43%

LAB 38.79, 71.79, -66.48

 

CMYK 0 / 75 / 91 / 21

HEX #CA3312

RGB 202 51 18

HSL 10.76, 0.84%, 0.43%

LAB 45.59, 57.64, 52.47

 

Description

Color code: HEX #4AC912 | qconv.com Color code: HEX #4AC912 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 201 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 201 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 91 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 91% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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