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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC82D it is the complementary color #B537D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC82D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC82D shade: #4FC828, #60DA3B, #71EC4E, #82FE61 and #93FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC82D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC82D shade: #4AC82D, #39B61A, #28A407, #179200 and #068000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC82D shade: #4AC82D, #74C82D, #9DC82D, #C7C82D and #C89F2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC82D shade: #4AC82D, #2DC83A, #2DC864, #2DC88D and #2DC8B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC82D shade matches the following richer shades: #4AC82D, #3EDB19 and #31EF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC82D shade: #4AC82D, #57B441, #63A055, #6F8C69 and #7C787D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC82D shade: #9EC82D, #75C82D, #4CC82D, #2DC838 and #2DC861

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC82D shade: #31841E, #3EA626, #4AC82D, #63D648 and #80DD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC82D shade: #4AC82D, #2DC8C8 and #C82D8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC82D shade: #4AC82D, #2D4CC8 and #C82D4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC82D shade: #4AC82D, #2DC8C8, #A92DC8 and #C82D2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC82D shade: #4AC82D, #2D99C8, #A92DC8 and #C85C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

Complementary color

CMYK 14 / 74 / 0 / 18

HEX #B537D2

RGB 181 55 210

HSL 288.77, 0.63%, 0.52%

LAB 48.52, 69.92, -55.06

 

CMYK 61 / 0 / 80 / 22

HEX #4FC828

RGB 79 200 40

HSL 105.38, 0.67%, 0.47%

LAB 71.64, -60.58, 63.81

 

CMYK 56 / 0 / 73 / 15

HEX #60DA3B

RGB 96 218 59

HSL 106.04, 0.68%, 0.54%

LAB 77.84, -61.49, 63.98

 

CMYK 52 / 0 / 67 / 7

HEX #71EC4E

RGB 113 236 78

HSL 106.71, 0.81%, 0.62%

LAB 83.99, -62.08, 63.54

 

CMYK 49 / 0 / 62 / 0

HEX #82FE61

RGB 130 254 97

HSL 107.39, 0.99%, 0.69%

LAB 90.09, -62.43, 62.76

 

CMYK 42 / 0 / 55 / 0

HEX #93FF74

RGB 147 255 116

HSL 106.62, 1%, 0.73%

LAB 91.23, -56.03, 56.07

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 69 / 0 / 86 / 29

HEX #39B61A

RGB 57 182 26

HSL 108.08, 0.75%, 0.41%

LAB 65.28, -60.04, 61.43

 

CMYK 76 / 0 / 96 / 36

HEX #28A407

RGB 40 164 7

HSL 107.39, 0.92%, 0.34%

LAB 58.99, -57.99, 59.3

 

CMYK 84 / 0 / 100 / 43

HEX #179200

RGB 23 146 0

HSL 110.55, 1%, 0.29%

LAB 52.66, -55.05, 55.14

 

CMYK 95 / 0 / 100 / 50

HEX #068000

RGB 6 128 0

HSL 117.19, 1%, 0.25%

LAB 46.28, -51.22, 49.96

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 42 / 0 / 78 / 22

HEX #74C82D

RGB 116 200 45

HSL 92.52, 0.63%, 0.48%

LAB 73.03, -49.76, 64.13

 

CMYK 22 / 0 / 78 / 22

HEX #9DC82D

RGB 157 200 45

HSL 76.65, 0.63%, 0.48%

LAB 75.24, -34.8, 66.99

 

CMYK 0 / 0 / 78 / 22

HEX #C7C82D

RGB 199 200 45

HSL 60.39, 0.63%, 0.48%

LAB 78.25, -17.48, 70.84

 

CMYK 0 / 21 / 78 / 22

HEX #C89F2D

RGB 200 159 45

HSL 44.13, 0.63%, 0.48%

LAB 67.48, 4.26, 61.07

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 78 / 0 / 71 / 22

HEX #2DC83A

RGB 45 200 58

HSL 125.03, 0.63%, 0.48%

LAB 70.99, -65.65, 56.95

 

CMYK 78 / 0 / 50 / 22

HEX #2DC864

RGB 45 200 100

HSL 141.29, 0.63%, 0.48%

LAB 71.41, -60.58, 38.85

 

CMYK 78 / 0 / 30 / 22

HEX #2DC88D

RGB 45 200 141

HSL 157.16, 0.63%, 0.48%

LAB 72.09, -52.86, 18.55

 

CMYK 78 / 0 / 9 / 22

HEX #2DC8B7

RGB 45 200 183

HSL 173.42, 0.63%, 0.48%

LAB 73.08, -42.46, -2.69

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 72 / 0 / 89 / 14

HEX #3EDB19

RGB 62 219 25

HSL 108.56, 0.8%, 0.48%

LAB 77.14, -70.77, 71.99

 

CMYK 79 / 0 / 97 / 6

HEX #31EF06

RGB 49 239 6

HSL 108.93, 0.95%, 0.48%

LAB 83.13, -78.83, 79.13

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 52 / 0 / 64 / 29

HEX #57B441

RGB 87 180 65

HSL 108.52, 0.47%, 0.48%

LAB 65.79, -49.28, 48.87

 

CMYK 38 / 0 / 47 / 37

HEX #63A055

RGB 99 160 85

HSL 108.8, 0.31%, 0.48%

LAB 60.29, -34.68, 32.89

 

CMYK 21 / 0 / 25 / 45

HEX #6F8C69

RGB 111 140 105

HSL 109.71, 0.14%, 0.48%

LAB 55.23, -17.36, 15.42

 

CMYK 1 / 4 / 0 / 51

HEX #7C787D

RGB 124 120 125

HSL 288, 0.02%, 0.48%

LAB 50.92, 2.52, -2.2

 

CMYK 21 / 0 / 78 / 22

HEX #9EC82D

RGB 158 200 45

HSL 76.26, 0.63%, 0.48%

LAB 75.31, -34.4, 67.07

 

CMYK 42 / 0 / 78 / 22

HEX #75C82D

RGB 117 200 45

HSL 92.13, 0.63%, 0.48%

LAB 73.08, -49.43, 64.19

 

CMYK 62 / 0 / 78 / 22

HEX #4CC82D

RGB 76 200 45

HSL 108, 0.63%, 0.48%

LAB 71.58, -60.99, 62.23

 

CMYK 78 / 0 / 72 / 22

HEX #2DC838

RGB 45 200 56

HSL 124.26, 0.63%, 0.48%

LAB 70.98, -65.82, 57.68

 

CMYK 78 / 0 / 52 / 22

HEX #2DC861

RGB 45 200 97

HSL 140.13, 0.63%, 0.48%

LAB 71.37, -61.03, 40.27

 

CMYK 63 / 0 / 77 / 48

HEX #31841E

RGB 49 132 30

HSL 108.82, 0.63%, 0.32%

LAB 48.57, -44.25, 44.6

 

CMYK 63 / 0 / 77 / 35

HEX #3EA626

RGB 62 166 38

HSL 108.75, 0.63%, 0.4%

LAB 60.28, -52.88, 53.43

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 54 / 0 / 66 / 16

HEX #63D648

RGB 99 214 72

HSL 108.59, 0.63%, 0.56%

LAB 76.81, -58.24, 58.08

 

CMYK 42 / 0 / 52 / 13

HEX #80DD6A

RGB 128 221 106

HSL 108.52, 0.63%, 0.64%

LAB 80.37, -49.13, 47.51

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 78 / 0 / 0 / 22

HEX #2DC8C8

RGB 45 200 200

HSL 180, 0.63%, 0.48%

LAB 73.57, -37.65, -11.19

 

CMYK 0 / 78 / 31 / 22

HEX #C82D8A

RGB 200 45 138

HSL 324, 0.63%, 0.48%

LAB 46.96, 66.55, -14.86

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 78 / 62 / 0 / 22

HEX #2D4CC8

RGB 45 76 200

HSL 228, 0.63%, 0.48%

LAB 37.66, 33.36, -67.55

 

CMYK 0 / 78 / 62 / 22

HEX #C82D4C

RGB 200 45 76

HSL 348, 0.63%, 0.48%

LAB 45.19, 61.08, 20.71

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 78 / 0 / 0 / 22

HEX #2DC8C8

RGB 45 200 200

HSL 180, 0.63%, 0.48%

LAB 73.57, -37.65, -11.19

 

CMYK 16 / 78 / 0 / 22

HEX #A92DC8

RGB 169 45 200

HSL 288, 0.63%, 0.48%

LAB 44.92, 69.03, -55.19

 

CMYK 0 / 78 / 78 / 22

HEX #C82D2D

RGB 200 45 45

HSL 0, 0.63%, 0.48%

LAB 44.72, 59.6, 38.65

 

CMYK 63 / 0 / 78 / 22

HEX #4AC82D

RGB 74 200 45

HSL 108.77, 0.63%, 0.48%

LAB 71.52, -61.44, 62.16

 

CMYK 78 / 24 / 0 / 22

HEX #2D99C8

RGB 45 153 200

HSL 198.19, 0.63%, 0.48%

LAB 59.44, -14.07, -32.74

 

CMYK 16 / 78 / 0 / 22

HEX #A92DC8

RGB 169 45 200

HSL 288, 0.63%, 0.48%

LAB 44.92, 69.03, -55.19

 

CMYK 0 / 54 / 78 / 22

HEX #C85C2D

RGB 200 92 45

HSL 18.19, 0.63%, 0.48%

LAB 51.98, 40.17, 46.14

 

Description

Color code: HEX #4AC82D | qconv.com Color code: HEX #4AC82D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 200 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 200 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 78 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 78% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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