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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC6EACE it is the complementary color #B53915CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC6EACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC6EACE shade: #4FC6E5CE, #60D8F8CE, #71EAFFCE, #82FCFFCE and #93FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC6EACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC6EACE shade: #4AC6EACE, #39B4D7CE, #28A2C4CE, #1790B1CE and #067E9ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC6EACE shade: #48C5EA, #489AEA, #486EEA, #4E48EA and #7948EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC6EACE shade: #48C5EA, #489AEA, #486EEA and #4848EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC6EACE shade matches the following richer shades: #48C5EA and #38CEFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC6EACE shade: #48C5EA, #59BCD9, #69B3C9, #7AAAB8 and #8AA1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC6EACE shade: #48EAB7, #48EAE2, #48C7EA, #489CEA and #4871EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC6EACE shade: #17A0C8, #23BAE5, #48C5EA, #6DD1EE and #92DDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC6EACE shade: #4AC6EA, #8C48EA and #EACC48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC6EACE shade: #4AC6EA, #EA48C7 and #C7EA48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC6EACE shade: #4AC6EA, #8C48EA, #EA6B48 and #A6EA48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC6EACE shade: #4AC6EA, #BC48EA, #EA6B48 and #76EA48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 12 / 0 / 7

HEX #4AC6EACE

RGBA 74 198 234 0.81

HSLA 193.5, 0.79%, 0.6%, 0.81

LABA 74.69, -22.98, -27.84, 0.81

 

Complementary color

CMYK 0 / 55 / 72 / 24

HEX #B53915CE

RGBA 181 57 21 0.81

HSLA 13.5, 0.79%, 0.4%, 0.81

LABA 42.47, 48.59, 47.24, 0.81

 

CMYK 53 / 11 / 0 / 8

HEX #4FC6E5CE

RGBA 79 198 229 0.81

HSLA 192.4, 0.74%, 0.6%, 0.81

LABA 74.64, -23.77, -25.21, 0.81

 

CMYK 50 / 10 / 0 / 2

HEX #60D8F8CE

RGBA 96 216 248 0.81

HSLA 192.63, 0.92%, 0.67%, 0.81

LABA 80.95, -24.4, -25.71, 0.81

 

CMYK 45 / 7 / 0 / 0

HEX #71EAFFCE

RGBA 113 234 255 0.81

HSLA 188.87, 1%, 0.72%, 0.81

LABA 86.79, -28.22, -20.48, 0.81

 

CMYK 40 / 1 / 0 / 0

HEX #82FCFFCE

RGBA 130 252 255 0.81

HSLA 181.44, 1%, 0.75%, 0.81

LABA 92.39, -33.42, -12.01, 0.81

 

CMYK 34 / 0 / 0 / 0

HEX #93FFFFCE

RGBA 147 255 255 0.81

HSLA 180, 1%, 0.79%, 0.81

LABA 93.86, -31.12, -9.76, 0.81

 

CMYK 55 / 12 / 0 / 7

HEX #4AC6EACE

RGBA 74 198 234 0.81

HSLA 193.5, 0.79%, 0.6%, 0.81

LABA 74.69, -22.98, -27.84, 0.81

 

CMYK 60 / 13 / 0 / 13

HEX #39B4D7CE

RGBA 57 180 215 0.81

HSLA 193.29, 0.66%, 0.53%, 0.81

LABA 68.33, -22.02, -27.31, 0.81

 

CMYK 64 / 14 / 0 / 19

HEX #28A2C4CE

RGBA 40 162 196 0.81

HSLA 193.08, 0.66%, 0.46%, 0.81

LABA 61.89, -20.78, -26.72, 0.81

 

CMYK 70 / 15 / 0 / 25

HEX #1790B1CE

RGBA 23 144 177 0.81

HSLA 192.86, 0.77%, 0.39%, 0.81

LABA 55.38, -19.17, -26.04, 0.81

 

CMYK 78 / 16 / 0 / 31

HEX #067E9ECE

RGBA 6 126 158 0.81

HSLA 192.63, 0.93%, 0.32%, 0.81

LABA 48.8, -17.09, -25.27, 0.81

 

CMYK 69 / 16 / 0 / 8

HEX #48C5EA

RGB 72 197 234

HSL 193.7, 0.79%, 0.6%

LAB 74.35, -22.75, -28.37

 

CMYK 69 / 34 / 0 / 8

HEX #489AEA

RGB 72 154 234

HSL 209.63, 0.79%, 0.6%

LAB 62.02, 0.61, -47.57

 

CMYK 69 / 53 / 0 / 8

HEX #486EEA

RGB 72 110 234

HSL 225.93, 0.79%, 0.6%

LAB 50.06, 27.28, -66.71

 

CMYK 67 / 69 / 0 / 8

HEX #4E48EA

RGB 78 72 234

HSL 242.22, 0.79%, 0.6%

LAB 41.52, 50.98, -80.63

 

CMYK 48 / 69 / 0 / 8

HEX #7948EA

RGB 121 72 234

HSL 258.15, 0.79%, 0.6%

LAB 45.14, 57.07, -74.57

 

CMYK 69 / 16 / 0 / 8

HEX #48C5EA

RGB 72 197 234

HSL 193.7, 0.79%, 0.6%

LAB 74.35, -22.75, -28.37

 

CMYK 69 / 34 / 0 / 8

HEX #489AEA

RGB 72 154 234

HSL 209.63, 0.79%, 0.6%

LAB 62.02, 0.61, -47.57

 

CMYK 69 / 53 / 0 / 8

HEX #486EEA

RGB 72 110 234

HSL 225.93, 0.79%, 0.6%

LAB 50.06, 27.28, -66.71

 

CMYK 69 / 69 / 0 / 8

HEX #4848EA

RGB 72 72 234

HSL 240, 0.79%, 0.6%

LAB 41.14, 50.31, -81.27

 

CMYK 69 / 16 / 0 / 8

HEX #48C5EA

RGB 72 197 234

HSL 193.7, 0.79%, 0.6%

LAB 74.35, -22.75, -28.37

 

CMYK 78 / 18 / 0 / 2

HEX #38CEFA

RGB 56 206 250

HSL 193.61, 0.95%, 0.6%

LAB 77.21, -24.12, -32.59

 

CMYK 69 / 16 / 0 / 8

HEX #48C5EA

RGB 72 197 234

HSL 193.7, 0.79%, 0.6%

LAB 74.35, -22.75, -28.37

 

CMYK 59 / 13 / 0 / 15

HEX #59BCD9

RGB 89 188 217

HSL 193.59, 0.63%, 0.6%

LAB 71.62, -20.58, -23.28

 

CMYK 48 / 11 / 0 / 21

HEX #69B3C9

RGB 105 179 201

HSL 193.75, 0.47%, 0.6%

LAB 69.08, -17.14, -18.33

 

CMYK 34 / 8 / 0 / 28

HEX #7AAAB8

RGB 122 170 184

HSL 193.55, 0.3%, 0.6%

LAB 66.78, -12.46, -12.31

 

CMYK 18 / 4 / 0 / 34

HEX #8AA1A8

RGB 138 161 168

HSL 194, 0.15%, 0.6%

LAB 64.74, -6.48, -6.33

 

CMYK 69 / 0 / 22 / 8

HEX #48EAB7

RGB 72 234 183

HSL 161.11, 0.79%, 0.6%

LAB 83.78, -53.39, 12.81

 

CMYK 69 / 0 / 3 / 8

HEX #48EAE2

RGB 72 234 226

HSL 177.04, 0.79%, 0.6%

LAB 84.85, -42.64, -8.25

 

CMYK 69 / 15 / 0 / 8

HEX #48C7EA

RGB 72 199 234

HSL 192.96, 0.79%, 0.6%

LAB 74.93, -23.76, -27.48

 

CMYK 69 / 33 / 0 / 8

HEX #489CEA

RGB 72 156 234

HSL 208.89, 0.79%, 0.6%

LAB 62.59, -0.55, -46.68

 

CMYK 69 / 52 / 0 / 8

HEX #4871EA

RGB 72 113 234

HSL 224.81, 0.79%, 0.6%

LAB 50.84, 25.41, -65.46

 

CMYK 89 / 20 / 0 / 22

HEX #17A0C8

RGB 23 160 200

HSL 193.56, 0.79%, 0.44%

LAB 61.22, -19.68, -30.02

 

CMYK 85 / 19 / 0 / 10

HEX #23BAE5

RGB 35 186 229

HSL 193.3, 0.79%, 0.52%

LAB 70.27, -22.59, -32

 

CMYK 69 / 16 / 0 / 8

HEX #48C5EA

RGB 72 197 234

HSL 193.7, 0.79%, 0.6%

LAB 74.35, -22.75, -28.37

 

CMYK 54 / 12 / 0 / 7

HEX #6DD1EE

RGB 109 209 238

HSL 193.49, 0.79%, 0.68%

LAB 79.06, -21.36, -23.22

 

CMYK 40 / 9 / 0 / 5

HEX #92DDF2

RGB 146 221 242

HSL 193.13, 0.79%, 0.76%

LAB 84.09, -17.97, -17.58

 

CMYK 68 / 15 / 0 / 8

HEX #4AC6EA

RGB 74 198 234

HSL 193.5, 0.79%, 0.6%

LAB 74.69, -22.98, -27.84

 

CMYK 40 / 69 / 0 / 8

HEX #8C48EA

RGB 140 72 234

HSL 265.19, 0.79%, 0.6%

LAB 47.17, 60.34, -71.17

 

CMYK 0 / 13 / 69 / 8

HEX #EACC48

RGB 234 204 72

HSL 48.89, 0.79%, 0.6%

LAB 82.46, -3.49, 66.59

 

CMYK 68 / 15 / 0 / 8

HEX #4AC6EA

RGB 74 198 234

HSL 193.5, 0.79%, 0.6%

LAB 74.69, -22.98, -27.84

 

CMYK 0 / 69 / 15 / 8

HEX #EA48C7

RGB 234 72 199

HSL 312.96, 0.79%, 0.6%

LAB 58.27, 74, -32.8

 

CMYK 15 / 0 / 69 / 8

HEX #C7EA48

RGB 199 234 72

HSL 72.96, 0.79%, 0.6%

LAB 87.71, -32.52, 70.96

 

CMYK 68 / 15 / 0 / 8

HEX #4AC6EA

RGB 74 198 234

HSL 193.5, 0.79%, 0.6%

LAB 74.69, -22.98, -27.84

 

CMYK 40 / 69 / 0 / 8

HEX #8C48EA

RGB 140 72 234

HSL 265.19, 0.79%, 0.6%

LAB 47.17, 60.34, -71.17

 

CMYK 0 / 54 / 69 / 8

HEX #EA6B48

RGB 234 107 72

HSL 12.96, 0.79%, 0.6%

LAB 60.32, 46.86, 42.87

 

CMYK 29 / 0 / 69 / 8

HEX #A6EA48

RGB 166 234 72

HSL 85.19, 0.79%, 0.6%

LAB 85.72, -44.96, 68.31

 

CMYK 68 / 15 / 0 / 8

HEX #4AC6EA

RGB 74 198 234

HSL 193.5, 0.79%, 0.6%

LAB 74.69, -22.98, -27.84

 

CMYK 20 / 69 / 0 / 8

HEX #BC48EA

RGB 188 72 234

HSL 282.96, 0.79%, 0.6%

LAB 53.24, 69.6, -61.05

 

CMYK 0 / 54 / 69 / 8

HEX #EA6B48

RGB 234 107 72

HSL 12.96, 0.79%, 0.6%

LAB 60.32, 46.86, 42.87

 

CMYK 50 / 0 / 69 / 8

HEX #76EA48

RGB 118 234 72

HSL 102.96, 0.79%, 0.6%

LAB 83.53, -60.46, 65.37

 

Description

Color code: HEX #4AC6EACE | qconv.com Color code: HEX #4AC6EACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 198 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 198 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 12 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 12% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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