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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AC1A4 it is the complementary color #B53E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AC1A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AC1A4 shade: #4FC19F, #60D3B2, #71E5C5, #82F7D8 and #93FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AC1A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AC1A4 shade: #4AC1A4, #39AF91, #289D7E, #178B6B and #067958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AC1A4 shade: #49C1A3, #49C183, #49C163, #4FC149 and #6FC149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AC1A4 shade: #49C1A3, #49BDC1, #499DC1, #497DC1 and #495CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AC1A4 shade matches the following richer shades: #49C1A3, #35D4AE, #21E8B8 and #0DFCC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AC1A4 shade: #49C1A3, #5CAD99, #70998F, #848585 and #98717B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AC1A4 shade: #49C163, #49C183, #49C1A3, #49BFC1 and #499FC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AC1A4 shade: #2F8872, #39A78C, #49C1A3, #67CBB3 and #86D6C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AC1A4 shade: #4AC1A4, #494FC1 and #C17349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AC1A4 shade: #4AC1A4, #A349C1 and #C1A349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AC1A4 shade: #4AC1A4, #494FC1, #C14967 and #C1BB49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AC1A4 shade: #4AC1A4, #6749C1, #C14967 and #A3C149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 15 / 24

HEX #4AC1A4

RGB 74 193 164

HSL 165.38, 0.49%, 0.52%

LAB 71.06, -40.23, 4.78

 

Complementary color

CMYK 0 / 66 / 50 / 29

HEX #B53E5B

RGB 181 62 91

HSL 345.38, 0.49%, 0.48%

LAB 44.27, 50.29, 9.62

 

CMYK 59 / 0 / 18 / 24

HEX #4FC19F

RGB 79 193 159

HSL 162.11, 0.48%, 0.53%

LAB 71.08, -40.48, 7.55

 

CMYK 55 / 0 / 16 / 17

HEX #60D3B2

RGB 96 211 178

HSL 162.78, 0.57%, 0.6%

LAB 77.45, -40.54, 6.51

 

CMYK 51 / 0 / 14 / 10

HEX #71E5C5

RGB 113 229 197

HSL 163.45, 0.69%, 0.67%

LAB 83.75, -40.51, 5.56

 

CMYK 47 / 0 / 13 / 3

HEX #82F7D8

RGB 130 247 216

HSL 164.1, 0.88%, 0.74%

LAB 89.96, -40.43, 4.67

 

CMYK 42 / 0 / 8 / 0

HEX #93FFEB

RGB 147 255 235

HSL 168.89, 1%, 0.79%

LAB 93.33, -35.79, -0.2

 

CMYK 62 / 0 / 15 / 24

HEX #4AC1A4

RGB 74 193 164

HSL 165.38, 0.49%, 0.52%

LAB 71.06, -40.23, 4.78

 

CMYK 67 / 0 / 17 / 31

HEX #39AF91

RGB 57 175 145

HSL 164.75, 0.51%, 0.45%

LAB 64.62, -39.92, 5.89

 

CMYK 75 / 0 / 20 / 38

HEX #289D7E

RGB 40 157 126

HSL 164.1, 0.59%, 0.39%

LAB 58.1, -39.38, 7.14

 

CMYK 83 / 0 / 23 / 45

HEX #178B6B

RGB 23 139 107

HSL 163.45, 0.72%, 0.32%

LAB 51.51, -38.48, 8.55

 

CMYK 95 / 0 / 27 / 53

HEX #067958

RGB 6 121 88

HSL 162.78, 0.91%, 0.25%

LAB 44.83, -37.07, 10.18

 

CMYK 62 / 0 / 16 / 24

HEX #49C1A3

RGB 73 193 163

HSL 165, 0.49%, 0.52%

LAB 71.01, -40.66, 5.24

 

CMYK 62 / 0 / 32 / 24

HEX #49C183

RGB 73 193 131

HSL 149, 0.49%, 0.52%

LAB 70.31, -47.82, 21.54

 

CMYK 62 / 0 / 49 / 24

HEX #49C163

RGB 73 193 99

HSL 133, 0.49%, 0.52%

LAB 69.79, -53.47, 37.46

 

CMYK 59 / 0 / 62 / 24

HEX #4FC149

RGB 79 193 73

HSL 117, 0.49%, 0.52%

LAB 69.67, -55.46, 49.63

 

CMYK 42 / 0 / 62 / 24

HEX #6FC149

RGB 111 193 73

HSL 101, 0.49%, 0.52%

LAB 70.87, -46.46, 51.31

 

CMYK 62 / 0 / 16 / 24

HEX #49C1A3

RGB 73 193 163

HSL 165, 0.49%, 0.52%

LAB 71.01, -40.66, 5.24

 

CMYK 62 / 2 / 0 / 24

HEX #49BDC1

RGB 73 189 193

HSL 182, 0.49%, 0.52%

LAB 70.64, -30.86, -11.7

 

CMYK 62 / 19 / 0 / 24

HEX #499DC1

RGB 73 157 193

HSL 198, 0.49%, 0.52%

LAB 61.12, -14.49, -26.16

 

CMYK 62 / 35 / 0 / 24

HEX #497DC1

RGB 73 125 193

HSL 214, 0.49%, 0.52%

LAB 51.76, 3.86, -40.75

 

CMYK 62 / 52 / 0 / 24

HEX #495CC1

RGB 73 92 193

HSL 230.5, 0.49%, 0.52%

LAB 42.64, 24.45, -55.31

 

CMYK 62 / 0 / 16 / 24

HEX #49C1A3

RGB 73 193 163

HSL 165, 0.49%, 0.52%

LAB 71.01, -40.66, 5.24

 

CMYK 75 / 0 / 18 / 17

HEX #35D4AE

RGB 53 212 174

HSL 165.66, 0.65%, 0.52%

LAB 76.62, -49.04, 7.32

 

CMYK 86 / 0 / 21 / 9

HEX #21E8B8

RGB 33 232 184

HSL 165.53, 0.81%, 0.52%

LAB 82.65, -56.42, 10.6

 

CMYK 95 / 0 / 23 / 1

HEX #0DFCC2

RGB 13 252 194

HSL 165.44, 0.98%, 0.52%

LAB 88.73, -62.57, 14.02

 

CMYK 62 / 0 / 16 / 24

HEX #49C1A3

RGB 73 193 163

HSL 165, 0.49%, 0.52%

LAB 71.01, -40.66, 5.24

 

CMYK 47 / 0 / 12 / 32

HEX #5CAD99

RGB 92 173 153

HSL 165.19, 0.33%, 0.52%

LAB 65.33, -29.74, 2.61

 

CMYK 27 / 0 / 7 / 40

HEX #70998F

RGB 112 153 143

HSL 165.37, 0.17%, 0.52%

LAB 60.08, -16.21, 0.71

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 0 / 26 / 19 / 40

HEX #98717B

RGB 152 113 123

HSL 344.62, 0.16%, 0.52%

LAB 51.74, 16.99, 0.51

 

CMYK 62 / 0 / 49 / 24

HEX #49C163

RGB 73 193 99

HSL 133, 0.49%, 0.52%

LAB 69.79, -53.47, 37.46

 

CMYK 62 / 0 / 32 / 24

HEX #49C183

RGB 73 193 131

HSL 149, 0.49%, 0.52%

LAB 70.31, -47.82, 21.54

 

CMYK 62 / 0 / 16 / 24

HEX #49C1A3

RGB 73 193 163

HSL 165, 0.49%, 0.52%

LAB 71.01, -40.66, 5.24

 

CMYK 62 / 1 / 0 / 24

HEX #49BFC1

RGB 73 191 193

HSL 181, 0.49%, 0.52%

LAB 71.23, -31.82, -10.81

 

CMYK 62 / 18 / 0 / 24

HEX #499FC1

RGB 73 159 193

HSL 197, 0.49%, 0.52%

LAB 61.71, -15.57, -25.25

 

CMYK 65 / 0 / 16 / 47

HEX #2F8872

RGB 47 136 114

HSL 165.17, 0.49%, 0.36%

LAB 51.18, -31.88, 4.1

 

CMYK 66 / 0 / 16 / 35

HEX #39A78C

RGB 57 167 140

HSL 165.27, 0.49%, 0.44%

LAB 62, -37.62, 4.9

 

CMYK 62 / 0 / 16 / 24

HEX #49C1A3

RGB 73 193 163

HSL 165, 0.49%, 0.52%

LAB 71.01, -40.66, 5.24

 

CMYK 49 / 0 / 12 / 20

HEX #67CBB3

RGB 103 203 179

HSL 165.6, 0.49%, 0.6%

LAB 75.36, -35.11, 2.98

 

CMYK 37 / 0 / 9 / 16

HEX #86D6C2

RGB 134 214 194

HSL 165, 0.49%, 0.68%

LAB 80.21, -29.04, 2.14

 

CMYK 62 / 0 / 15 / 24

HEX #4AC1A4

RGB 74 193 164

HSL 165.38, 0.49%, 0.52%

LAB 71.06, -40.23, 4.78

 

CMYK 62 / 59 / 0 / 24

HEX #494FC1

RGB 73 79 193

HSL 237, 0.49%, 0.52%

LAB 39.34, 32.67, -60.66

 

CMYK 0 / 40 / 62 / 24

HEX #C17349

RGB 193 115 73

HSL 21, 0.49%, 0.52%

LAB 56.17, 26.79, 36.02

 

CMYK 62 / 0 / 15 / 24

HEX #4AC1A4

RGB 74 193 164

HSL 165.38, 0.49%, 0.52%

LAB 71.06, -40.23, 4.78

 

CMYK 16 / 62 / 0 / 24

HEX #A349C1

RGB 163 73 193

HSL 285, 0.49%, 0.52%

LAB 47.5, 55.44, -47.04

 

CMYK 0 / 16 / 62 / 24

HEX #C1A349

RGB 193 163 73

HSL 45, 0.49%, 0.52%

LAB 68.03, 0.54, 49.72

 

CMYK 62 / 0 / 15 / 24

HEX #4AC1A4

RGB 74 193 164

HSL 165.38, 0.49%, 0.52%

LAB 71.06, -40.23, 4.78

 

CMYK 62 / 59 / 0 / 24

HEX #494FC1

RGB 73 79 193

HSL 237, 0.49%, 0.52%

LAB 39.34, 32.67, -60.66

 

CMYK 0 / 62 / 47 / 24

HEX #C14967

RGB 193 73 103

HSL 345, 0.49%, 0.52%

LAB 48.36, 50.54, 8.33

 

CMYK 0 / 3 / 62 / 24

HEX #C1BB49

RGB 193 187 73

HSL 57, 0.49%, 0.52%

LAB 74.42, -12.05, 56.7

 

CMYK 62 / 0 / 15 / 24

HEX #4AC1A4

RGB 74 193 164

HSL 165.38, 0.49%, 0.52%

LAB 71.06, -40.23, 4.78

 

CMYK 47 / 62 / 0 / 24

HEX #6749C1

RGB 103 73 193

HSL 255, 0.49%, 0.52%

LAB 40.41, 41.86, -58.82

 

CMYK 0 / 62 / 47 / 24

HEX #C14967

RGB 193 73 103

HSL 345, 0.49%, 0.52%

LAB 48.36, 50.54, 8.33

 

CMYK 16 / 0 / 62 / 24

HEX #A3C149

RGB 163 193 73

HSL 75, 0.49%, 0.52%

LAB 73.81, -27.44, 55.37

 

Description

Color code: HEX #4AC1A4 | qconv.com Color code: HEX #4AC1A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 193 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 193 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 15 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 15% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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