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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AACEB it is the complementary color #B55314. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AACEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AACEB shade: #4FACE6, #60BEF9, #71D0FF, #82E2FF and #93F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AACEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AACEB shade: #4AACEB, #399AD8, #2888C5, #1776B2 and #06649F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AACEB shade: #4CADEB, #4C82EB, #4C57EB, #6C4CEB and #974CEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AACEB shade: #4CADEB, #4C82EB, #4C57EB and #4C4CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AACEB shade matches the following richer shades: #4CADEB and #3CB0FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AACEB shade: #4CADEB, #5CA9DB, #6CA6CB, #7CA2BB and #8C9FAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AACEB shade: #4CEBD3, #4CD9EB, #4CAEEB, #4C84EB and #4C59EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AACEB shade: #1786CE, #279CE7, #4CADEB, #71BEEF and #96CFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AACEB shade: #4AACEB, #A94CEB and #EBE84C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AACEB shade: #4AACEB, #EB4CAE and #AEEB4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AACEB shade: #4AACEB, #A94CEB, #EB894C and #8EEB4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AACEB shade: #4AACEB, #D94CEB, #EB894C and #5FEB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 27 / 0 / 8

HEX #4AACEB

RGB 74 172 235

HSL 203.48, 0.8%, 0.61%

LAB 67.25, -8.92, -39.91

 

Complementary color

CMYK 0 / 54 / 89 / 29

HEX #B55314

RGB 181 83 20

HSL 23.48, 0.8%, 0.39%

LAB 47.05, 36.49, 51.21

 

CMYK 66 / 25 / 0 / 10

HEX #4FACE6

RGB 79 172 230

HSL 203.05, 0.75%, 0.61%

LAB 67.19, -9.79, -37.26

 

CMYK 61 / 24 / 0 / 2

HEX #60BEF9

RGB 96 190 249

HSL 203.14, 0.93%, 0.68%

LAB 73.64, -10.66, -37.49

 

CMYK 56 / 18 / 0 / 0

HEX #71D0FF

RGB 113 208 255

HSL 199.86, 1%, 0.72%

LAB 79.52, -15.19, -31.56

 

CMYK 49 / 11 / 0 / 0

HEX #82E2FF

RGB 130 226 255

HSL 193.92, 1%, 0.75%

LAB 85.18, -20.85, -22.86

 

CMYK 42 / 4 / 0 / 0

HEX #93F4FF

RGB 147 244 255

HSL 186.11, 1%, 0.79%

LAB 90.84, -25.86, -14.26

 

CMYK 69 / 27 / 0 / 8

HEX #4AACEB

RGB 74 172 235

HSL 203.48, 0.8%, 0.61%

LAB 67.25, -8.92, -39.91

 

CMYK 74 / 29 / 0 / 15

HEX #399AD8

RGB 57 154 216

HSL 203.4, 0.67%, 0.54%

LAB 60.73, -7.66, -39.66

 

CMYK 80 / 31 / 0 / 23

HEX #2888C5

RGB 40 136 197

HSL 203.31, 0.66%, 0.46%

LAB 54.12, -6.07, -39.38

 

CMYK 87 / 34 / 0 / 30

HEX #1776B2

RGB 23 118 178

HSL 203.23, 0.77%, 0.39%

LAB 47.43, -4.02, -39.04

 

CMYK 96 / 37 / 0 / 38

HEX #06649F

RGB 6 100 159

HSL 203.14, 0.93%, 0.32%

LAB 40.66, -1.39, -38.62

 

CMYK 68 / 26 / 0 / 8

HEX #4CADEB

RGB 76 173 235

HSL 203.4, 0.8%, 0.61%

LAB 67.59, -9.18, -39.37

 

CMYK 68 / 45 / 0 / 8

HEX #4C82EB

RGB 76 130 235

HSL 219.62, 0.8%, 0.61%

LAB 55.58, 15.85, -58.37

 

CMYK 68 / 63 / 0 / 8

HEX #4C57EB

RGB 76 87 235

HSL 235.85, 0.8%, 0.61%

LAB 44.73, 42.33, -75.94

 

CMYK 54 / 68 / 0 / 8

HEX #6C4CEB

RGB 108 76 235

HSL 252.08, 0.8%, 0.61%

LAB 44.74, 53.19, -75.84

 

CMYK 36 / 68 / 0 / 8

HEX #974CEB

RGB 151 76 235

HSL 268.3, 0.8%, 0.61%

LAB 49.19, 60.74, -68.4

 

CMYK 68 / 26 / 0 / 8

HEX #4CADEB

RGB 76 173 235

HSL 203.4, 0.8%, 0.61%

LAB 67.59, -9.18, -39.37

 

CMYK 68 / 45 / 0 / 8

HEX #4C82EB

RGB 76 130 235

HSL 219.62, 0.8%, 0.61%

LAB 55.58, 15.85, -58.37

 

CMYK 68 / 63 / 0 / 8

HEX #4C57EB

RGB 76 87 235

HSL 235.85, 0.8%, 0.61%

LAB 44.73, 42.33, -75.94

 

CMYK 68 / 68 / 0 / 8

HEX #4C4CEB

RGB 76 76 235

HSL 240, 0.8%, 0.61%

LAB 42.31, 48.8, -79.9

 

CMYK 68 / 26 / 0 / 8

HEX #4CADEB

RGB 76 173 235

HSL 203.4, 0.8%, 0.61%

LAB 67.59, -9.18, -39.37

 

CMYK 76 / 30 / 0 / 2

HEX #3CB0FB

RGB 60 176 251

HSL 203.56, 0.96%, 0.61%

LAB 68.73, -7.53, -46.32

 

CMYK 68 / 26 / 0 / 8

HEX #4CADEB

RGB 76 173 235

HSL 203.4, 0.8%, 0.61%

LAB 67.59, -9.18, -39.37

 

CMYK 58 / 23 / 0 / 14

HEX #5CA9DB

RGB 92 169 219

HSL 203.62, 0.64%, 0.61%

LAB 66.34, -9.31, -32.49

 

CMYK 47 / 18 / 0 / 20

HEX #6CA6CB

RGB 108 166 203

HSL 203.37, 0.48%, 0.61%

LAB 65.57, -8.91, -24.77

 

CMYK 34 / 13 / 0 / 27

HEX #7CA2BB

RGB 124 162 187

HSL 203.81, 0.32%, 0.61%

LAB 64.73, -6.8, -17.06

 

CMYK 18 / 7 / 0 / 33

HEX #8C9FAB

RGB 140 159 171

HSL 203.23, 0.16%, 0.61%

LAB 64.41, -4.05, -8.49

 

CMYK 68 / 0 / 10 / 8

HEX #4CEBD3

RGB 76 235 211

HSL 170.94, 0.8%, 0.61%

LAB 84.82, -46.48, -0.38

 

CMYK 68 / 8 / 0 / 8

HEX #4CD9EB

RGB 76 217 235

HSL 186.79, 0.8%, 0.61%

LAB 80.27, -31.75, -19.87

 

CMYK 68 / 26 / 0 / 8

HEX #4CAEEB

RGB 76 174 235

HSL 203.02, 0.8%, 0.61%

LAB 67.88, -9.72, -38.92

 

CMYK 68 / 44 / 0 / 8

HEX #4C84EB

RGB 76 132 235

HSL 218.87, 0.8%, 0.61%

LAB 56.13, 14.63, -57.5

 

CMYK 68 / 62 / 0 / 8

HEX #4C59EB

RGB 76 89 235

HSL 235.09, 0.8%, 0.61%

LAB 45.19, 41.12, -75.19

 

CMYK 89 / 35 / 0 / 19

HEX #1786CE

RGB 23 134 206

HSL 203.61, 0.8%, 0.45%

LAB 53.7, -2.92, -45.18

 

CMYK 83 / 32 / 0 / 9

HEX #279CE7

RGB 39 156 231

HSL 203.44, 0.8%, 0.53%

LAB 61.64, -5.35, -46.58

 

CMYK 68 / 26 / 0 / 8

HEX #4CADEB

RGB 76 173 235

HSL 203.4, 0.8%, 0.61%

LAB 67.59, -9.18, -39.37

 

CMYK 53 / 21 / 0 / 6

HEX #71BEEF

RGB 113 190 239

HSL 203.33, 0.8%, 0.69%

LAB 73.91, -10.37, -31.62

 

CMYK 38 / 15 / 0 / 5

HEX #96CFF3

RGB 150 207 243

HSL 203.23, 0.79%, 0.77%

LAB 80.51, -9.49, -23.52

 

CMYK 69 / 27 / 0 / 8

HEX #4AACEB

RGB 74 172 235

HSL 203.48, 0.8%, 0.61%

LAB 67.25, -8.92, -39.91

 

CMYK 28 / 68 / 0 / 8

HEX #A94CEB

RGB 169 76 235

HSL 275.09, 0.8%, 0.61%

LAB 51.38, 64.28, -64.73

 

CMYK 0 / 1 / 68 / 8

HEX #EBE84C

RGB 235 232 76

HSL 58.87, 0.8%, 0.61%

LAB 89.81, -16.88, 72.48

 

CMYK 69 / 27 / 0 / 8

HEX #4AACEB

RGB 74 172 235

HSL 203.48, 0.8%, 0.61%

LAB 67.25, -8.92, -39.91

 

CMYK 0 / 68 / 26 / 8

HEX #EB4CAE

RGB 235 76 174

HSL 323.02, 0.8%, 0.61%

LAB 57.93, 69.54, -18.92

 

CMYK 26 / 0 / 68 / 8

HEX #AEEB4C

RGB 174 235 76

HSL 83.02, 0.8%, 0.61%

LAB 86.47, -42.23, 67.75

 

CMYK 69 / 27 / 0 / 8

HEX #4AACEB

RGB 74 172 235

HSL 203.48, 0.8%, 0.61%

LAB 67.25, -8.92, -39.91

 

CMYK 28 / 68 / 0 / 8

HEX #A94CEB

RGB 169 76 235

HSL 275.09, 0.8%, 0.61%

LAB 51.38, 64.28, -64.73

 

CMYK 0 / 42 / 68 / 8

HEX #EB894C

RGB 235 137 76

HSL 23.02, 0.8%, 0.61%

LAB 66.58, 32.34, 47.96

 

CMYK 40 / 0 / 68 / 8

HEX #8EEB4C

RGB 142 235 76

HSL 95.09, 0.8%, 0.61%

LAB 84.84, -53.3, 65.55

 

CMYK 69 / 27 / 0 / 8

HEX #4AACEB

RGB 74 172 235

HSL 203.48, 0.8%, 0.61%

LAB 67.25, -8.92, -39.91

 

CMYK 8 / 68 / 0 / 8

HEX #D94CEB

RGB 217 76 235

HSL 293.21, 0.8%, 0.61%

LAB 57.96, 74.33, -53.83

 

CMYK 0 / 42 / 68 / 8

HEX #EB894C

RGB 235 137 76

HSL 23.02, 0.8%, 0.61%

LAB 66.58, 32.34, 47.96

 

CMYK 60 / 0 / 68 / 8

HEX #5FEB4C

RGB 95 235 76

HSL 112.83, 0.8%, 0.61%

LAB 83.11, -66.34, 63.2

 

Description

Color code: HEX #4AACEB | qconv.com Color code: HEX #4AACEB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 172 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 172 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 27 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 27% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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