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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AAB69 it is the complementary color #B55496. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AAB69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AAB69 shade: #4FAB64, #60BD77, #71CF8A, #82E19D and #93F3B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AAB69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AAB69 shade: #4AAB69, #399956, #288743, #177530 and #06631D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AAB69 shade: #49AB69, #49AB4E, #5FAB49, #79AB49 and #94AB49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AAB69 shade: #49AB69, #49AB83, #49AB9E, #499FAB and #4984AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AAB69 shade matches the following richer shades: #49AB69, #36BF62, #22D35A and #0EE753

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AAB69 shade: #49AB69, #5D9870, #718477, #85707E and #995C85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AAB69 shade: #5FAB49, #49AB4E, #49AB68, #49AB83 and #49AB9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AAB69 shade: #317245, #3D8E57, #49AB69, #62BC7F and #7FC896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AAB69 shade: #4AAB69, #4979AB and #AB4952

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AAB69 shade: #4AAB69, #6849AB and #AB6849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AAB69 shade: #4AAB69, #4979AB, #AB498C and #AB7C49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AAB69 shade: #4AAB69, #495BAB, #AB498C and #AB9949

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 39 / 33

HEX #4AAB69

RGB 74 171 105

HSL 139.18, 0.4%, 0.48%

LAB 63.01, -43.49, 25.63

 

Complementary color

CMYK 0 / 54 / 17 / 29

HEX #B55496

RGB 181 84 150

HSL 319.18, 0.4%, 0.52%

LAB 49.94, 47.41, -17.8

 

CMYK 54 / 0 / 42 / 33

HEX #4FAB64

RGB 79 171 100

HSL 133.7, 0.37%, 0.49%

LAB 63.1, -43.12, 28.44

 

CMYK 49 / 0 / 37 / 26

HEX #60BD77

RGB 96 189 119

HSL 134.84, 0.41%, 0.56%

LAB 69.62, -43.03, 27.1

 

CMYK 45 / 0 / 33 / 19

HEX #71CF8A

RGB 113 207 138

HSL 135.96, 0.49%, 0.63%

LAB 76.05, -42.85, 25.86

 

CMYK 42 / 0 / 30 / 12

HEX #82E19D

RGB 130 225 157

HSL 137.05, 0.61%, 0.7%

LAB 82.4, -42.62, 24.69

 

CMYK 40 / 0 / 28 / 5

HEX #93F3B0

RGB 147 243 176

HSL 138.13, 0.8%, 0.76%

LAB 88.66, -42.38, 23.6

 

CMYK 57 / 0 / 39 / 33

HEX #4AAB69

RGB 74 171 105

HSL 139.18, 0.4%, 0.48%

LAB 63.01, -43.49, 25.63

 

CMYK 63 / 0 / 44 / 40

HEX #399956

RGB 57 153 86

HSL 138.13, 0.46%, 0.41%

LAB 56.41, -43.37, 27.07

 

CMYK 70 / 0 / 50 / 47

HEX #288743

RGB 40 135 67

HSL 137.05, 0.54%, 0.34%

LAB 49.72, -42.96, 28.63

 

CMYK 80 / 0 / 59 / 54

HEX #177530

RGB 23 117 48

HSL 135.96, 0.67%, 0.27%

LAB 42.94, -42.02, 30.26

 

CMYK 94 / 0 / 71 / 61

HEX #06631D

RGB 6 99 29

HSL 134.84, 0.89%, 0.21%

LAB 36.08, -40.21, 31.78

 

CMYK 57 / 0 / 39 / 33

HEX #49AB69

RGB 73 171 105

HSL 139.59, 0.4%, 0.48%

LAB 62.98, -43.73, 25.58

 

CMYK 57 / 0 / 54 / 33

HEX #49AB4E

RGB 73 171 78

HSL 123.06, 0.4%, 0.48%

LAB 62.59, -48, 39.01

 

CMYK 44 / 0 / 57 / 33

HEX #5FAB49

RGB 95 171 73

HSL 106.53, 0.4%, 0.48%

LAB 63.38, -42.36, 42.57

 

CMYK 29 / 0 / 57 / 33

HEX #79AB49

RGB 121 171 73

HSL 90.61, 0.4%, 0.48%

LAB 64.7, -33.36, 44.45

 

CMYK 13 / 0 / 57 / 33

HEX #94AB49

RGB 148 171 73

HSL 74.08, 0.4%, 0.48%

LAB 66.45, -22.76, 46.91

 

CMYK 57 / 0 / 39 / 33

HEX #49AB69

RGB 73 171 105

HSL 139.59, 0.4%, 0.48%

LAB 62.98, -43.73, 25.58

 

CMYK 57 / 0 / 23 / 33

HEX #49AB83

RGB 73 171 131

HSL 155.51, 0.4%, 0.48%

LAB 63.49, -38.43, 12.1

 

CMYK 57 / 0 / 8 / 33

HEX #49AB9E

RGB 73 171 158

HSL 172.04, 0.4%, 0.48%

LAB 64.17, -31.82, -1.94

 

CMYK 57 / 7 / 0 / 33

HEX #499FAB

RGB 73 159 171

HSL 187.35, 0.4%, 0.48%

LAB 60.92, -22.25, -14.09

 

CMYK 57 / 23 / 0 / 33

HEX #4984AB

RGB 73 132 171

HSL 203.88, 0.4%, 0.48%

LAB 52.8, -7.55, -26.5

 

CMYK 57 / 0 / 39 / 33

HEX #49AB69

RGB 73 171 105

HSL 139.59, 0.4%, 0.48%

LAB 62.98, -43.73, 25.58

 

CMYK 72 / 0 / 49 / 25

HEX #36BF62

RGB 54 191 98

HSL 139.27, 0.56%, 0.48%

LAB 68.7, -56.44, 36.49

 

CMYK 84 / 0 / 57 / 17

HEX #22D35A

RGB 34 211 90

HSL 138.98, 0.72%, 0.48%

LAB 74.61, -66.84, 47.46

 

CMYK 94 / 0 / 64 / 9

HEX #0EE753

RGB 14 231 83

HSL 139.08, 0.89%, 0.48%

LAB 80.67, -75.03, 57.4

 

CMYK 57 / 0 / 39 / 33

HEX #49AB69

RGB 73 171 105

HSL 139.59, 0.4%, 0.48%

LAB 62.98, -43.73, 25.58

 

CMYK 39 / 0 / 26 / 40

HEX #5D9870

RGB 93 152 112

HSL 139.32, 0.24%, 0.48%

LAB 57.99, -28.3, 15.12

 

CMYK 14 / 0 / 10 / 48

HEX #718477

RGB 113 132 119

HSL 138.95, 0.08%, 0.48%

LAB 53.33, -9.62, 4.7

 

CMYK 0 / 16 / 5 / 48

HEX #85707E

RGB 133 112 126

HSL 320, 0.09%, 0.48%

LAB 49.59, 10.81, -4.65

 

CMYK 0 / 40 / 13 / 40

HEX #995C85

RGB 153 92 133

HSL 319.67, 0.25%, 0.48%

LAB 47.13, 31.1, -12.27

 

CMYK 44 / 0 / 57 / 33

HEX #5FAB49

RGB 95 171 73

HSL 106.53, 0.4%, 0.48%

LAB 63.38, -42.36, 42.57

 

CMYK 57 / 0 / 54 / 33

HEX #49AB4E

RGB 73 171 78

HSL 123.06, 0.4%, 0.48%

LAB 62.59, -48, 39.01

 

CMYK 57 / 0 / 39 / 33

HEX #49AB68

RGB 73 171 104

HSL 138.98, 0.4%, 0.48%

LAB 62.96, -43.91, 26.09

 

CMYK 57 / 0 / 23 / 33

HEX #49AB83

RGB 73 171 131

HSL 155.51, 0.4%, 0.48%

LAB 63.49, -38.43, 12.1

 

CMYK 57 / 0 / 8 / 33

HEX #49AB9D

RGB 73 171 157

HSL 171.43, 0.4%, 0.48%

LAB 64.14, -32.08, -1.43

 

CMYK 57 / 0 / 39 / 55

HEX #317245

RGB 49 114 69

HSL 138.46, 0.4%, 0.32%

LAB 42.94, -31.7, 18.84

 

CMYK 57 / 0 / 39 / 44

HEX #3D8E57

RGB 61 142 87

HSL 139.26, 0.4%, 0.4%

LAB 52.98, -37.62, 22.05

 

CMYK 57 / 0 / 39 / 33

HEX #49AB69

RGB 73 171 105

HSL 139.59, 0.4%, 0.48%

LAB 62.98, -43.73, 25.58

 

CMYK 48 / 0 / 32 / 26

HEX #62BC7F

RGB 98 188 127

HSL 139.33, 0.4%, 0.56%

LAB 69.54, -40.62, 22.76

 

CMYK 37 / 0 / 25 / 22

HEX #7FC896

RGB 127 200 150

HSL 138.9, 0.4%, 0.64%

LAB 74.84, -33.47, 17.96

 

CMYK 57 / 0 / 39 / 33

HEX #4AAB69

RGB 74 171 105

HSL 139.18, 0.4%, 0.48%

LAB 63.01, -43.49, 25.63

 

CMYK 57 / 29 / 0 / 33

HEX #4979AB

RGB 73 121 171

HSL 210.61, 0.4%, 0.48%

LAB 49.53, -1.12, -31.57

 

CMYK 0 / 57 / 52 / 33

HEX #AB4952

RGB 171 73 82

HSL 354.49, 0.4%, 0.48%

LAB 44.28, 41, 14.91

 

CMYK 57 / 0 / 39 / 33

HEX #4AAB69

RGB 74 171 105

HSL 139.18, 0.4%, 0.48%

LAB 63.01, -43.49, 25.63

 

CMYK 39 / 57 / 0 / 33

HEX #6849AB

RGB 104 73 171

HSL 258.98, 0.4%, 0.48%

LAB 38.98, 35.84, -48.17

 

CMYK 0 / 39 / 57 / 33

HEX #AB6849

RGB 171 104 73

HSL 18.98, 0.4%, 0.48%

LAB 50.73, 23.7, 28.69

 

CMYK 57 / 0 / 39 / 33

HEX #4AAB69

RGB 74 171 105

HSL 139.18, 0.4%, 0.48%

LAB 63.01, -43.49, 25.63

 

CMYK 57 / 29 / 0 / 33

HEX #4979AB

RGB 73 121 171

HSL 210.61, 0.4%, 0.48%

LAB 49.53, -1.12, -31.57

 

CMYK 0 / 57 / 18 / 33

HEX #AB498C

RGB 171 73 140

HSL 318.98, 0.4%, 0.48%

LAB 46.06, 48.12, -17.87

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 57 / 0 / 39 / 33

HEX #4AAB69

RGB 74 171 105

HSL 139.18, 0.4%, 0.48%

LAB 63.01, -43.49, 25.63

 

CMYK 57 / 47 / 0 / 33

HEX #495BAB

RGB 73 91 171

HSL 228.98, 0.4%, 0.48%

LAB 40.96, 17.53, -45.13

 

CMYK 0 / 57 / 18 / 33

HEX #AB498C

RGB 171 73 140

HSL 318.98, 0.4%, 0.48%

LAB 46.06, 48.12, -17.87

 

CMYK 0 / 11 / 57 / 33

HEX #AB9949

RGB 171 153 73

HSL 48.98, 0.4%, 0.48%

LAB 63.28, -3.61, 43.78

 

Description

Color code: HEX #4AAB69 | qconv.com Color code: HEX #4AAB69 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 171 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 171 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 39 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 39% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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