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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AA92E it is the complementary color #B556D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AA92E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AA92E shade: #4FA929, #60BB3C, #71CD4F, #82DF62 and #93F175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AA92E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AA92E shade: #4AA92E, #39971B, #288508, #177300 and #066100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AA92E shade: #4AA82E, #6BA82E, #8CA82E, #A8A42E and #A8832E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AA92E shade: #4AA82E, #2EA833, #2EA854, #2EA875 and #2EA896

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AA92E shade matches the following richer shades: #4AA82E, #40B91D and #37CB0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AA92E shade: #4AA82E, #53973F, #5D8551, #667462 and #706373

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AA92E shade: #8CA82E, #6BA82E, #4BA82E, #2EA832 and #2EA853

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AA92E shade: #2D671C, #3C8825, #4AA82E, #58C837 and #73D158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AA92E shade: #4AA92E, #2EA8A4 and #A82E7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AA92E shade: #4AA92E, #2E4BA8 and #A82E4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AA92E shade: #4AA92E, #2EA8A4, #8C2EA8 and #A82E32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AA92E shade: #4AA92E, #2E88A8, #8C2EA8 and #A84F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 73 / 34

HEX #4AA92E

RGB 74 169 46

HSL 106.34, 0.57%, 0.42%

LAB 61.68, -50.35, 52.1

 

Complementary color

CMYK 13 / 59 / 0 / 18

HEX #B556D1

RGB 181 86 209

HSL 286.34, 0.57%, 0.58%

LAB 53.04, 56.98, -47.27

 

CMYK 53 / 0 / 76 / 34

HEX #4FA929

RGB 79 169 41

HSL 102.19, 0.61%, 0.41%

LAB 61.82, -49.32, 54.11

 

CMYK 49 / 0 / 68 / 27

HEX #60BB3C

RGB 96 187 60

HSL 102.99, 0.51%, 0.48%

LAB 68.28, -49.86, 53.76

 

CMYK 45 / 0 / 61 / 20

HEX #71CD4F

RGB 113 205 79

HSL 103.81, 0.56%, 0.56%

LAB 74.66, -50.14, 52.95

 

CMYK 42 / 0 / 56 / 13

HEX #82DF62

RGB 130 223 98

HSL 104.64, 0.66%, 0.63%

LAB 80.96, -50.25, 51.92

 

CMYK 39 / 0 / 51 / 5

HEX #93F175

RGB 147 241 117

HSL 105.48, 0.82%, 0.7%

LAB 87.19, -50.25, 50.8

 

CMYK 56 / 0 / 73 / 34

HEX #4AA92E

RGB 74 169 46

HSL 106.34, 0.57%, 0.42%

LAB 61.68, -50.35, 52.1

 

CMYK 62 / 0 / 82 / 41

HEX #39971B

RGB 57 151 27

HSL 105.48, 0.7%, 0.35%

LAB 55.16, -49.41, 51.99

 

CMYK 70 / 0 / 94 / 48

HEX #288508

RGB 40 133 8

HSL 104.64, 0.89%, 0.28%

LAB 48.57, -47.85, 50.46

 

CMYK 80 / 0 / 100 / 55

HEX #177300

RGB 23 115 0

HSL 108, 1%, 0.23%

LAB 41.91, -45.32, 46.56

 

CMYK 94 / 0 / 100 / 62

HEX #066100

RGB 6 97 0

HSL 116.29, 1%, 0.19%

LAB 35.18, -41.75, 41.07

 

CMYK 56 / 0 / 73 / 34

HEX #4AA82E

RGB 74 168 46

HSL 106.23, 0.57%, 0.42%

LAB 61.36, -49.97, 51.77

 

CMYK 36 / 0 / 73 / 34

HEX #6BA82E

RGB 107 168 46

HSL 90, 0.57%, 0.42%

LAB 62.78, -39.44, 53.67

 

CMYK 17 / 0 / 73 / 34

HEX #8CA82E

RGB 140 168 46

HSL 73.77, 0.57%, 0.42%

LAB 64.79, -26.53, 56.33

 

CMYK 0 / 2 / 73 / 34

HEX #A8A42E

RGB 168 164 46

HSL 58.03, 0.57%, 0.42%

LAB 65.81, -12.49, 58.06

 

CMYK 0 / 22 / 73 / 34

HEX #A8832E

RGB 168 131 46

HSL 41.8, 0.57%, 0.42%

LAB 56.84, 5.38, 49.23

 

CMYK 56 / 0 / 73 / 34

HEX #4AA82E

RGB 74 168 46

HSL 106.23, 0.57%, 0.42%

LAB 61.36, -49.97, 51.77

 

CMYK 73 / 0 / 70 / 34

HEX #2EA833

RGB 46 168 51

HSL 122.46, 0.57%, 0.42%

LAB 60.63, -55.79, 48.82

 

CMYK 73 / 0 / 50 / 34

HEX #2EA854

RGB 46 168 84

HSL 138.69, 0.57%, 0.42%

LAB 60.98, -51.6, 33.87

 

CMYK 73 / 0 / 30 / 34

HEX #2EA875

RGB 46 168 117

HSL 154.92, 0.57%, 0.42%

LAB 61.54, -45.3, 17

 

CMYK 73 / 0 / 11 / 34

HEX #2EA896

RGB 46 168 150

HSL 171.15, 0.57%, 0.42%

LAB 62.33, -37.12, -0.25

 

CMYK 56 / 0 / 73 / 34

HEX #4AA82E

RGB 74 168 46

HSL 106.23, 0.57%, 0.42%

LAB 61.36, -49.97, 51.77

 

CMYK 65 / 0 / 84 / 27

HEX #40B91D

RGB 64 185 29

HSL 106.54, 0.73%, 0.42%

LAB 66.43, -59.46, 61.8

 

CMYK 73 / 0 / 95 / 20

HEX #37CB0B

RGB 55 203 11

HSL 106.25, 0.9%, 0.42%

LAB 71.93, -67.45, 69.57

 

CMYK 56 / 0 / 73 / 34

HEX #4AA82E

RGB 74 168 46

HSL 106.23, 0.57%, 0.42%

LAB 61.36, -49.97, 51.77

 

CMYK 45 / 0 / 58 / 41

HEX #53973F

RGB 83 151 63

HSL 106.36, 0.41%, 0.42%

LAB 56.42, -38.79, 39.11

 

CMYK 30 / 0 / 39 / 48

HEX #5D8551

RGB 93 133 81

HSL 106.15, 0.24%, 0.42%

LAB 51.49, -24.45, 23.71

 

CMYK 12 / 0 / 16 / 55

HEX #667462

RGB 102 116 98

HSL 106.67, 0.08%, 0.42%

LAB 47.23, -8.94, 8.2

 

CMYK 3 / 14 / 0 / 55

HEX #706373

RGB 112 99 115

HSL 288.75, 0.07%, 0.42%

LAB 43.66, 8.38, -7.09

 

CMYK 17 / 0 / 73 / 34

HEX #8CA82E

RGB 140 168 46

HSL 73.77, 0.57%, 0.42%

LAB 64.79, -26.53, 56.33

 

CMYK 36 / 0 / 73 / 34

HEX #6BA82E

RGB 107 168 46

HSL 90, 0.57%, 0.42%

LAB 62.78, -39.44, 53.67

 

CMYK 55 / 0 / 73 / 34

HEX #4BA82E

RGB 75 168 46

HSL 105.74, 0.57%, 0.42%

LAB 61.39, -49.7, 51.82

 

CMYK 73 / 0 / 70 / 34

HEX #2EA832

RGB 46 168 50

HSL 121.97, 0.57%, 0.42%

LAB 60.62, -55.89, 49.21

 

CMYK 73 / 0 / 51 / 34

HEX #2EA853

RGB 46 168 83

HSL 138.2, 0.57%, 0.42%

LAB 60.97, -51.76, 34.37

 

CMYK 56 / 0 / 73 / 60

HEX #2D671C

RGB 45 103 28

HSL 106.4, 0.57%, 0.26%

LAB 38.45, -34.05, 35.05

 

CMYK 56 / 0 / 73 / 47

HEX #3C8825

RGB 60 136 37

HSL 106.06, 0.57%, 0.34%

LAB 50.34, -42.26, 43.82

 

CMYK 56 / 0 / 73 / 34

HEX #4AA82E

RGB 74 168 46

HSL 106.23, 0.57%, 0.42%

LAB 61.36, -49.97, 51.77

 

CMYK 56 / 0 / 73 / 22

HEX #58C837

RGB 88 200 55

HSL 106.34, 0.57%, 0.5%

LAB 72, -57.39, 59.42

 

CMYK 45 / 0 / 58 / 18

HEX #73D158

RGB 115 209 88

HSL 106.61, 0.57%, 0.58%

LAB 76.04, -50.22, 50.56

 

CMYK 56 / 0 / 73 / 34

HEX #4AA92E

RGB 74 169 46

HSL 106.34, 0.57%, 0.42%

LAB 61.68, -50.35, 52.1

 

CMYK 73 / 0 / 2 / 34

HEX #2EA8A4

RGB 46 168 164

HSL 178.03, 0.57%, 0.42%

LAB 62.73, -33.16, -7.5

 

CMYK 0 / 73 / 27 / 34

HEX #A82E7B

RGB 168 46 123

HSL 322.13, 0.57%, 0.42%

LAB 40.75, 56.22, -15.67

 

CMYK 56 / 0 / 73 / 34

HEX #4AA92E

RGB 74 169 46

HSL 106.34, 0.57%, 0.42%

LAB 61.68, -50.35, 52.1

 

CMYK 73 / 55 / 0 / 34

HEX #2E4BA8

RGB 46 75 168

HSL 225.74, 0.57%, 0.42%

LAB 34.88, 22.18, -53.22

 

CMYK 0 / 73 / 55 / 34

HEX #A82E4B

RGB 168 46 75

HSL 345.74, 0.57%, 0.42%

LAB 39.22, 51.21, 12.25

 

CMYK 56 / 0 / 73 / 34

HEX #4AA92E

RGB 74 169 46

HSL 106.34, 0.57%, 0.42%

LAB 61.68, -50.35, 52.1

 

CMYK 73 / 0 / 2 / 34

HEX #2EA8A4

RGB 46 168 164

HSL 178.03, 0.57%, 0.42%

LAB 62.73, -33.16, -7.5

 

CMYK 17 / 73 / 0 / 34

HEX #8C2EA8

RGB 140 46 168

HSL 286.23, 0.57%, 0.42%

LAB 38.47, 56.83, -46.95

 

CMYK 0 / 73 / 70 / 34

HEX #A82E32

RGB 168 46 50

HSL 358.03, 0.57%, 0.42%

LAB 38.74, 49.58, 27.27

 

CMYK 56 / 0 / 73 / 34

HEX #4AA92E

RGB 74 169 46

HSL 106.34, 0.57%, 0.42%

LAB 61.68, -50.35, 52.1

 

CMYK 73 / 19 / 0 / 34

HEX #2E88A8

RGB 46 136 168

HSL 195.74, 0.57%, 0.42%

LAB 52.97, -15.57, -24.58

 

CMYK 17 / 73 / 0 / 34

HEX #8C2EA8

RGB 140 46 168

HSL 286.23, 0.57%, 0.42%

LAB 38.47, 56.83, -46.95

 

CMYK 0 / 53 / 73 / 34

HEX #A84F2E

RGB 168 79 46

HSL 16.23, 0.57%, 0.42%

LAB 44.4, 34.25, 36.1

 

Description

Color code: HEX #4AA92E | qconv.com Color code: HEX #4AA92E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 169 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 169 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 73 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 73% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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