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Color name
HEX #4AA817

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AA817 it is the complementary color #B557E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AA817. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AA817 shade: #4FA812, #60BA25, #71CC38, #82DE4B and #93F05E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AA817. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AA817 shade: #4AA817, #399604, #288400, #177200 and #066000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AA817 shade: #49A617, #70A617, #96A617, #A68F17 and #A66817

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AA817 shade: #49A617, #22A617, #17A632, #17A658 and #17A67F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AA817 shade matches the following richer shades: #49A617 and #45B507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AA817 shade: #49A617, #4E9726, #528835, #577844 and #5B6954

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AA817 shade: #98A617, #71A617, #4BA617, #25A617 and #17A62F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AA817 shade: #295D0D, #398212, #49A617, #59CA1C and #6DE22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AA817 shade: #4AA817, #17A68E and #A61785

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AA817 shade: #4AA817, #174BA6 and #A6174B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AA817 shade: #4AA817, #17A68E, #7117A6 and #A6172F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AA817 shade: #4AA817, #1793A6, #7117A6 and #A62A17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 86 / 34

HEX #4AA817

RGB 74 168 23

HSL 98.9, 0.76%, 0.37%

LAB 61.24, -51.32, 58.73

 

Complementary color

CMYK 22 / 63 / 0 / 9

HEX #B557E8

RGB 181 87 232

HSL 278.9, 0.76%, 0.63%

LAB 54.52, 61.22, -57.93

 

CMYK 53 / 0 / 89 / 34

HEX #4FA812

RGB 79 168 18

HSL 95.6, 0.81%, 0.36%

LAB 61.4, -50.08, 60

 

CMYK 48 / 0 / 80 / 27

HEX #60BA25

RGB 96 186 37

HSL 96.24, 0.67%, 0.44%

LAB 67.83, -51.03, 61.33

 

CMYK 45 / 0 / 73 / 20

HEX #71CC38

RGB 113 204 56

HSL 96.89, 0.59%, 0.51%

LAB 74.18, -51.64, 61.56

 

CMYK 41 / 0 / 66 / 13

HEX #82DE4B

RGB 130 222 75

HSL 97.55, 0.69%, 0.58%

LAB 80.46, -52.01, 61.15

 

CMYK 39 / 0 / 61 / 6

HEX #93F05E

RGB 147 240 94

HSL 98.22, 0.83%, 0.65%

LAB 86.67, -52.22, 60.39

 

CMYK 56 / 0 / 86 / 34

HEX #4AA817

RGB 74 168 23

HSL 98.9, 0.76%, 0.37%

LAB 61.24, -51.32, 58.73

 

CMYK 62 / 0 / 97 / 41

HEX #399604

RGB 57 150 4

HSL 98.22, 0.95%, 0.3%

LAB 54.75, -49.92, 56.46

 

CMYK 70 / 0 / 100 / 48

HEX #288400

RGB 40 132 0

HSL 101.82, 1%, 0.26%

LAB 48.2, -47.77, 51.72

 

CMYK 80 / 0 / 100 / 55

HEX #177200

RGB 23 114 0

HSL 107.89, 1%, 0.22%

LAB 41.56, -44.99, 46.27

 

CMYK 94 / 0 / 100 / 62

HEX #066000

RGB 6 96 0

HSL 116.25, 1%, 0.19%

LAB 34.81, -41.44, 40.78

 

CMYK 56 / 0 / 86 / 35

HEX #49A617

RGB 73 166 23

HSL 99.02, 0.76%, 0.37%

LAB 60.56, -50.86, 58.12

 

CMYK 33 / 0 / 86 / 35

HEX #70A617

RGB 112 166 23

HSL 82.66, 0.76%, 0.37%

LAB 62.32, -37.87, 60.34

 

CMYK 10 / 0 / 86 / 35

HEX #96A617

RGB 150 166 23

HSL 66.71, 0.76%, 0.37%

LAB 64.82, -22.25, 63.45

 

CMYK 0 / 14 / 86 / 35

HEX #A68F17

RGB 166 143 23

HSL 50.35, 0.76%, 0.37%

LAB 59.72, -3.05, 59.78

 

CMYK 0 / 37 / 86 / 35

HEX #A66817

RGB 166 104 23

HSL 33.99, 0.76%, 0.37%

LAB 49.58, 18.78, 51.35

 

CMYK 56 / 0 / 86 / 35

HEX #49A617

RGB 73 166 23

HSL 99.02, 0.76%, 0.37%

LAB 60.56, -50.86, 58.12

 

CMYK 80 / 0 / 86 / 35

HEX #22A617

RGB 34 166 23

HSL 115.38, 0.76%, 0.37%

LAB 59.59, -58.97, 56.89

 

CMYK 86 / 0 / 70 / 35

HEX #17A632

RGB 23 166 50

HSL 131.33, 0.76%, 0.37%

LAB 59.6, -58.31, 48.03

 

CMYK 86 / 0 / 47 / 35

HEX #17A658

RGB 23 166 88

HSL 147.27, 0.76%, 0.37%

LAB 60.03, -53.09, 30.54

 

CMYK 86 / 0 / 23 / 35

HEX #17A67F

RGB 23 166 127

HSL 163.64, 0.76%, 0.37%

LAB 60.77, -44.73, 10.33

 

CMYK 56 / 0 / 86 / 35

HEX #49A617

RGB 73 166 23

HSL 99.02, 0.76%, 0.37%

LAB 60.56, -50.86, 58.12

 

CMYK 62 / 0 / 96 / 29

HEX #45B507

RGB 69 181 7

HSL 98.62, 0.93%, 0.37%

LAB 65.22, -57.66, 64.68

 

CMYK 56 / 0 / 86 / 35

HEX #49A617

RGB 73 166 23

HSL 99.02, 0.76%, 0.37%

LAB 60.56, -50.86, 58.12

 

CMYK 48 / 0 / 75 / 41

HEX #4E9726

RGB 78 151 38

HSL 98.76, 0.6%, 0.37%

LAB 55.98, -42.74, 49.38

 

CMYK 40 / 0 / 61 / 47

HEX #528835

RGB 82 136 53

HSL 99.04, 0.44%, 0.37%

LAB 51.45, -33.6, 38.2

 

CMYK 28 / 0 / 43 / 53

HEX #577844

RGB 87 120 68

HSL 98.08, 0.28%, 0.37%

LAB 46.81, -22.09, 24.82

 

CMYK 13 / 0 / 20 / 59

HEX #5B6954

RGB 91 105 84

HSL 100, 0.11%, 0.37%

LAB 42.71, -9.67, 10.07

 

CMYK 8 / 0 / 86 / 35

HEX #98A617

RGB 152 166 23

HSL 65.87, 0.76%, 0.37%

LAB 64.97, -21.39, 63.64

 

CMYK 32 / 0 / 86 / 35

HEX #71A617

RGB 113 166 23

HSL 82.24, 0.76%, 0.37%

LAB 62.38, -37.49, 60.41

 

CMYK 55 / 0 / 86 / 35

HEX #4BA617

RGB 75 166 23

HSL 98.18, 0.76%, 0.37%

LAB 60.63, -50.3, 58.21

 

CMYK 78 / 0 / 86 / 35

HEX #25A617

RGB 37 166 23

HSL 114.13, 0.76%, 0.37%

LAB 59.64, -58.55, 56.96

 

CMYK 86 / 0 / 72 / 35

HEX #17A62F

RGB 23 166 47

HSL 130.07, 0.76%, 0.37%

LAB 59.58, -58.6, 49.2

 

CMYK 56 / 0 / 86 / 64

HEX #295D0D

RGB 41 93 13

HSL 99, 0.75%, 0.21%

LAB 34.66, -32.25, 37.06

 

CMYK 56 / 0 / 86 / 49

HEX #398212

RGB 57 130 18

HSL 99.11, 0.76%, 0.29%

LAB 48.11, -42.03, 48.08

 

CMYK 56 / 0 / 86 / 35

HEX #49A617

RGB 73 166 23

HSL 99.02, 0.76%, 0.37%

LAB 60.56, -50.86, 58.12

 

CMYK 56 / 0 / 86 / 21

HEX #59CA1C

RGB 89 202 28

HSL 98.97, 0.76%, 0.45%

LAB 72.53, -59.31, 67.71

 

CMYK 52 / 0 / 80 / 11

HEX #6DE22D

RGB 109 226 45

HSL 98.78, 0.76%, 0.53%

LAB 80.65, -61.72, 71.13

 

CMYK 56 / 0 / 86 / 34

HEX #4AA817

RGB 74 168 23

HSL 98.9, 0.76%, 0.37%

LAB 61.24, -51.32, 58.73

 

CMYK 86 / 0 / 14 / 35

HEX #17A68E

RGB 23 166 142

HSL 169.93, 0.76%, 0.37%

LAB 61.14, -40.8, 2.46

 

CMYK 0 / 86 / 20 / 35

HEX #A61785

RGB 166 23 133

HSL 313.85, 0.76%, 0.37%

LAB 38.57, 63.47, -25.25

 

CMYK 56 / 0 / 86 / 34

HEX #4AA817

RGB 74 168 23

HSL 98.9, 0.76%, 0.37%

LAB 61.24, -51.32, 58.73

 

CMYK 86 / 55 / 0 / 35

HEX #174BA6

RGB 23 75 166

HSL 218.18, 0.76%, 0.37%

LAB 33.92, 18.93, -53.63

 

CMYK 0 / 86 / 55 / 35

HEX #A6174B

RGB 166 23 75

HSL 338.18, 0.76%, 0.37%

LAB 36.42, 57.43, 8.3

 

CMYK 56 / 0 / 86 / 34

HEX #4AA817

RGB 74 168 23

HSL 98.9, 0.76%, 0.37%

LAB 61.24, -51.32, 58.73

 

CMYK 86 / 0 / 14 / 35

HEX #17A68E

RGB 23 166 142

HSL 169.93, 0.76%, 0.37%

LAB 61.14, -40.8, 2.46

 

CMYK 32 / 86 / 0 / 35

HEX #7117A6

RGB 113 23 166

HSL 277.76, 0.76%, 0.37%

LAB 31.52, 59.21, -57.21

 

CMYK 0 / 86 / 72 / 35

HEX #A6172F

RGB 166 23 47

HSL 349.93, 0.76%, 0.37%

LAB 35.84, 55.73, 25.55

 

CMYK 56 / 0 / 86 / 34

HEX #4AA817

RGB 74 168 23

HSL 98.9, 0.76%, 0.37%

LAB 61.24, -51.32, 58.73

 

CMYK 86 / 11 / 0 / 35

HEX #1793A6

RGB 23 147 166

HSL 187.97, 0.76%, 0.37%

LAB 55.89, -24.5, -18.98

 

CMYK 32 / 86 / 0 / 35

HEX #7117A6

RGB 113 23 166

HSL 277.76, 0.76%, 0.37%

LAB 31.52, 59.21, -57.21

 

CMYK 0 / 75 / 86 / 35

HEX #A62A17

RGB 166 42 23

HSL 7.97, 0.76%, 0.37%

LAB 37.53, 49.38, 41.09

 

Description

Color code: HEX #4AA817 | qconv.com Color code: HEX #4AA817 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 168 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 168 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 86 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 86% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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