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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AA416 it is the complementary color #B55BE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AA416. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AA416 shade: #4FA411, #60B624, #71C837, #82DA4A and #93EC5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AA416. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AA416 shade: #4AA416, #399203, #288000, #176E00 and #065C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AA416 shade: #49A216, #6FA216, #94A216, #A28916 and #A26316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AA416 shade: #49A216, #23A216, #16A22E, #16A254 and #16A279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AA416 shade matches the following richer shades: #49A216 and #45B007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AA416 shade: #49A216, #4D9325, #518434, #557543 and #596651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AA416 shade: #94A216, #6EA216, #49A216, #24A216 and #16A22D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AA416 shade: #28590C, #397D11, #49A216, #5AC61B and #6CE228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AA416 shade: #4AA416, #16A28A and #A21681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AA416 shade: #4AA416, #1649A2 and #A21649

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AA416 shade: #4AA416, #16A28A, #6E16A2 and #A2162D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AA416 shade: #4AA416, #168FA2, #6E16A2 and #A22916

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 87 / 36

HEX #4AA416

RGB 74 164 22

HSL 98.03, 0.76%, 0.36%

LAB 59.95, -49.88, 57.83

 

Complementary color

CMYK 22 / 61 / 0 / 9

HEX #B55BE9

RGB 181 91 233

HSL 278.03, 0.76%, 0.64%

LAB 55.27, 59.55, -57.29

 

CMYK 52 / 0 / 90 / 36

HEX #4FA411

RGB 79 164 17

HSL 94.69, 0.81%, 0.35%

LAB 60.12, -48.6, 59.1

 

CMYK 47 / 0 / 80 / 29

HEX #60B624

RGB 96 182 36

HSL 95.34, 0.67%, 0.43%

LAB 66.57, -49.53, 60.46

 

CMYK 44 / 0 / 73 / 22

HEX #71C837

RGB 113 200 55

HSL 96, 0.57%, 0.5%

LAB 72.95, -50.12, 60.69

 

CMYK 40 / 0 / 66 / 15

HEX #82DA4A

RGB 130 218 74

HSL 96.67, 0.66%, 0.57%

LAB 79.26, -50.48, 60.27

 

CMYK 38 / 0 / 61 / 7

HEX #93EC5D

RGB 147 236 93

HSL 97.34, 0.79%, 0.65%

LAB 85.5, -50.68, 59.5

 

CMYK 55 / 0 / 87 / 36

HEX #4AA416

RGB 74 164 22

HSL 98.03, 0.76%, 0.36%

LAB 59.95, -49.88, 57.83

 

CMYK 61 / 0 / 98 / 43

HEX #399203

RGB 57 146 3

HSL 97.34, 0.96%, 0.29%

LAB 53.42, -48.52, 55.55

 

CMYK 69 / 0 / 100 / 50

HEX #288000

RGB 40 128 0

HSL 101.25, 1%, 0.25%

LAB 46.83, -46.4, 50.63

 

CMYK 79 / 0 / 100 / 57

HEX #176E00

RGB 23 110 0

HSL 107.45, 1%, 0.22%

LAB 40.14, -43.67, 45.14

 

CMYK 93 / 0 / 100 / 64

HEX #065C00

RGB 6 92 0

HSL 116.09, 1%, 0.18%

LAB 33.34, -40.16, 39.59

 

CMYK 55 / 0 / 86 / 36

HEX #49A216

RGB 73 162 22

HSL 98.14, 0.76%, 0.36%

LAB 59.26, -49.42, 57.21

 

CMYK 31 / 0 / 86 / 36

HEX #6FA216

RGB 111 162 22

HSL 81.86, 0.76%, 0.36%

LAB 61.03, -36.51, 59.43

 

CMYK 9 / 0 / 86 / 36

HEX #94A216

RGB 148 162 22

HSL 66, 0.76%, 0.36%

LAB 63.5, -21.14, 62.52

 

CMYK 0 / 15 / 86 / 36

HEX #A28916

RGB 162 137 22

HSL 49.29, 0.76%, 0.36%

LAB 57.68, -1.62, 58.19

 

CMYK 0 / 39 / 86 / 36

HEX #A26316

RGB 162 99 22

HSL 33, 0.76%, 0.36%

LAB 47.83, 19.79, 50.01

 

CMYK 55 / 0 / 86 / 36

HEX #49A216

RGB 73 162 22

HSL 98.14, 0.76%, 0.36%

LAB 59.26, -49.42, 57.21

 

CMYK 78 / 0 / 86 / 36

HEX #23A216

RGB 35 162 22

HSL 114.43, 0.76%, 0.36%

LAB 58.28, -57.64, 55.96

 

CMYK 86 / 0 / 72 / 36

HEX #16A22E

RGB 22 162 46

HSL 130.29, 0.76%, 0.36%

LAB 58.23, -57.53, 48.18

 

CMYK 86 / 0 / 48 / 36

HEX #16A254

RGB 22 162 84

HSL 146.57, 0.76%, 0.36%

LAB 58.65, -52.46, 30.86

 

CMYK 86 / 0 / 25 / 36

HEX #16A279

RGB 22 162 121

HSL 162.43, 0.76%, 0.36%

LAB 59.34, -44.66, 11.65

 

CMYK 55 / 0 / 86 / 36

HEX #49A216

RGB 73 162 22

HSL 98.14, 0.76%, 0.36%

LAB 59.26, -49.42, 57.21

 

CMYK 61 / 0 / 96 / 31

HEX #45B007

RGB 69 176 7

HSL 97.99, 0.92%, 0.36%

LAB 63.62, -55.94, 63.37

 

CMYK 55 / 0 / 86 / 36

HEX #49A216

RGB 73 162 22

HSL 98.14, 0.76%, 0.36%

LAB 59.26, -49.42, 57.21

 

CMYK 48 / 0 / 75 / 42

HEX #4D9325

RGB 77 147 37

HSL 98.18, 0.6%, 0.36%

LAB 54.64, -41.49, 48.4

 

CMYK 39 / 0 / 61 / 48

HEX #518434

RGB 81 132 52

HSL 98.25, 0.43%, 0.36%

LAB 50.1, -32.24, 37.13

 

CMYK 27 / 0 / 43 / 54

HEX #557543

RGB 85 117 67

HSL 98.4, 0.27%, 0.36%

LAB 45.72, -21.46, 23.95

 

CMYK 13 / 0 / 21 / 60

HEX #596651

RGB 89 102 81

HSL 97.14, 0.11%, 0.36%

LAB 41.56, -9.31, 10.24

 

CMYK 9 / 0 / 86 / 36

HEX #94A216

RGB 148 162 22

HSL 66, 0.76%, 0.36%

LAB 63.5, -21.14, 62.52

 

CMYK 32 / 0 / 86 / 36

HEX #6EA216

RGB 110 162 22

HSL 82.29, 0.76%, 0.36%

LAB 60.97, -36.89, 59.36

 

CMYK 55 / 0 / 86 / 36

HEX #49A216

RGB 73 162 22

HSL 98.14, 0.76%, 0.36%

LAB 59.26, -49.42, 57.21

 

CMYK 78 / 0 / 86 / 36

HEX #24A216

RGB 36 162 22

HSL 114, 0.76%, 0.36%

LAB 58.3, -57.49, 55.99

 

CMYK 86 / 0 / 72 / 36

HEX #16A22D

RGB 22 162 45

HSL 129.86, 0.76%, 0.36%

LAB 58.23, -57.63, 48.56

 

CMYK 55 / 0 / 87 / 65

HEX #28590C

RGB 40 89 12

HSL 98.18, 0.76%, 0.2%

LAB 33.18, -30.93, 36.01

 

CMYK 54 / 0 / 86 / 51

HEX #397D11

RGB 57 125 17

HSL 97.78, 0.76%, 0.28%

LAB 46.42, -40.11, 46.83

 

CMYK 55 / 0 / 86 / 36

HEX #49A216

RGB 73 162 22

HSL 98.14, 0.76%, 0.36%

LAB 59.26, -49.42, 57.21

 

CMYK 55 / 0 / 86 / 22

HEX #5AC61B

RGB 90 198 27

HSL 97.89, 0.76%, 0.44%

LAB 71.31, -57.66, 66.87

 

CMYK 52 / 0 / 82 / 11

HEX #6CE228

RGB 108 226 40

HSL 98.06, 0.76%, 0.52%

LAB 80.59, -62.23, 72.35

 

CMYK 55 / 0 / 87 / 36

HEX #4AA416

RGB 74 164 22

HSL 98.03, 0.76%, 0.36%

LAB 59.95, -49.88, 57.83

 

CMYK 86 / 0 / 15 / 36

HEX #16A28A

RGB 22 162 138

HSL 169.71, 0.76%, 0.36%

LAB 59.75, -40.24, 2.7

 

CMYK 0 / 86 / 20 / 36

HEX #A21681

RGB 162 22 129

HSL 314.14, 0.76%, 0.36%

LAB 37.55, 62.28, -24.42

 

CMYK 55 / 0 / 87 / 36

HEX #4AA416

RGB 74 164 22

HSL 98.03, 0.76%, 0.36%

LAB 59.95, -49.88, 57.83

 

CMYK 86 / 55 / 0 / 36

HEX #1649A2

RGB 22 73 162

HSL 218.14, 0.76%, 0.36%

LAB 33.02, 18.59, -52.69

 

CMYK 0 / 86 / 55 / 36

HEX #A21649

RGB 162 22 73

HSL 338.14, 0.76%, 0.36%

LAB 35.47, 56.44, 8.15

 

CMYK 55 / 0 / 87 / 36

HEX #4AA416

RGB 74 164 22

HSL 98.03, 0.76%, 0.36%

LAB 59.95, -49.88, 57.83

 

CMYK 86 / 0 / 15 / 36

HEX #16A28A

RGB 22 162 138

HSL 169.71, 0.76%, 0.36%

LAB 59.75, -40.24, 2.7

 

CMYK 32 / 86 / 0 / 36

HEX #6E16A2

RGB 110 22 162

HSL 277.71, 0.76%, 0.36%

LAB 30.63, 58.17, -56.26

 

CMYK 0 / 86 / 72 / 36

HEX #A2162D

RGB 162 22 45

HSL 350.14, 0.76%, 0.36%

LAB 34.89, 54.75, 25.47

 

CMYK 55 / 0 / 87 / 36

HEX #4AA416

RGB 74 164 22

HSL 98.03, 0.76%, 0.36%

LAB 59.95, -49.88, 57.83

 

CMYK 86 / 12 / 0 / 36

HEX #168FA2

RGB 22 143 162

HSL 188.14, 0.76%, 0.36%

LAB 54.47, -23.86, -18.85

 

CMYK 32 / 86 / 0 / 36

HEX #6E16A2

RGB 110 22 162

HSL 277.71, 0.76%, 0.36%

LAB 30.63, 58.17, -56.26

 

CMYK 0 / 75 / 86 / 36

HEX #A22916

RGB 162 41 22

HSL 8.14, 0.76%, 0.36%

LAB 36.6, 48.41, 40.47

 

Description

Color code: HEX #4AA416 | qconv.com Color code: HEX #4AA416 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 164 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 164 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 87 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 87% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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