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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A99D7 it is the complementary color #B56628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A99D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A99D7 shade: #4F99D2, #60ABE5, #71BDF8, #82CFFF and #93E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A99D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A99D7 shade: #4A99D7, #3987C4, #2875B1, #17639E and #06518B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A99D7 shade: #4B9AD8, #4B74D8, #4B4ED8, #6E4BD8 and #944BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A99D7 shade: #4B9AD8, #4B74D8, #4B4ED8 and #4B4BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A99D7 shade matches the following richer shades: #4B9AD8, #399CE9 and #289EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A99D7 shade: #4B9AD8, #5D98C6, #6F96B4, #8093A2 and #929191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A99D7 shade: #4BD8C9, #4BC0D8, #4B9BD8, #4B75D8 and #4B50D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A99D7 shade: #2570AB, #2D86CD, #4B9AD8, #6DADDF and #8FC0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A99D7 shade: #4A99D7, #A44BD8 and #D3D84B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A99D7 shade: #4A99D7, #D84B9B and #9BD84B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A99D7 shade: #4A99D7, #A44BD8, #D8884B and #7FD84B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A99D7 shade: #4A99D7, #CE4BD8, #D8884B and #55D84B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 29 / 0 / 16

HEX #4A99D7

RGB 74 153 215

HSL 206.38, 0.64%, 0.57%

LAB 60.91, -4.94, -38.79

 

Complementary color

CMYK 0 / 44 / 78 / 29

HEX #B56628

RGB 181 102 40

HSL 26.38, 0.64%, 0.43%

LAB 51.24, 27.02, 46.83

 

CMYK 62 / 27 / 0 / 18

HEX #4F99D2

RGB 79 153 210

HSL 206.11, 0.59%, 0.57%

LAB 60.87, -5.72, -36.05

 

CMYK 58 / 25 / 0 / 10

HEX #60ABE5

RGB 96 171 229

HSL 206.17, 0.72%, 0.64%

LAB 67.48, -6.53, -36.21

 

CMYK 54 / 24 / 0 / 3

HEX #71BDF8

RGB 113 189 248

HSL 206.22, 0.91%, 0.71%

LAB 73.99, -7.18, -36.37

 

CMYK 49 / 19 / 0 / 0

HEX #82CFFF

RGB 130 207 255

HSL 203.04, 1%, 0.75%

LAB 79.95, -11.11, -30.85

 

CMYK 42 / 12 / 0 / 0

HEX #93E1FF

RGB 147 225 255

HSL 196.67, 1%, 0.79%

LAB 85.64, -16.45, -22.09

 

CMYK 66 / 29 / 0 / 16

HEX #4A99D7

RGB 74 153 215

HSL 206.38, 0.64%, 0.57%

LAB 60.91, -4.94, -38.79

 

CMYK 71 / 31 / 0 / 23

HEX #3987C4

RGB 57 135 196

HSL 206.33, 0.55%, 0.5%

LAB 54.22, -3.73, -38.63

 

CMYK 77 / 34 / 0 / 31

HEX #2875B1

RGB 40 117 177

HSL 206.28, 0.63%, 0.43%

LAB 47.43, -2.16, -38.45

 

CMYK 85 / 37 / 0 / 38

HEX #17639E

RGB 23 99 158

HSL 206.22, 0.75%, 0.35%

LAB 40.53, -0.11, -38.22

 

CMYK 96 / 42 / 0 / 45

HEX #06518B

RGB 6 81 139

HSL 206.17, 0.92%, 0.28%

LAB 33.54, 2.62, -37.91

 

CMYK 65 / 29 / 0 / 15

HEX #4B9AD8

RGB 75 154 216

HSL 206.38, 0.64%, 0.57%

LAB 61.28, -5.01, -38.76

 

CMYK 65 / 46 / 0 / 15

HEX #4B74D8

RGB 75 116 216

HSL 222.55, 0.64%, 0.57%

LAB 50.62, 17.68, -55.66

 

CMYK 65 / 64 / 0 / 15

HEX #4B4ED8

RGB 75 78 216

HSL 238.72, 0.64%, 0.57%

LAB 41.06, 41.29, -71.15

 

CMYK 49 / 65 / 0 / 15

HEX #6E4BD8

RGB 110 75 216

HSL 254.89, 0.64%, 0.57%

LAB 43.22, 48.64, -67.51

 

CMYK 31 / 65 / 0 / 15

HEX #944BD8

RGB 148 75 216

HSL 271.06, 0.64%, 0.57%

LAB 47.35, 56.14, -60.62

 

CMYK 65 / 29 / 0 / 15

HEX #4B9AD8

RGB 75 154 216

HSL 206.38, 0.64%, 0.57%

LAB 61.28, -5.01, -38.76

 

CMYK 65 / 46 / 0 / 15

HEX #4B74D8

RGB 75 116 216

HSL 222.55, 0.64%, 0.57%

LAB 50.62, 17.68, -55.66

 

CMYK 65 / 64 / 0 / 15

HEX #4B4ED8

RGB 75 78 216

HSL 238.72, 0.64%, 0.57%

LAB 41.06, 41.29, -71.15

 

CMYK 65 / 65 / 0 / 15

HEX #4B4BD8

RGB 75 75 216

HSL 240, 0.64%, 0.57%

LAB 40.39, 43.08, -72.25

 

CMYK 65 / 29 / 0 / 15

HEX #4B9AD8

RGB 75 154 216

HSL 206.38, 0.64%, 0.57%

LAB 61.28, -5.01, -38.76

 

CMYK 76 / 33 / 0 / 9

HEX #399CE9

RGB 57 156 233

HSL 206.25, 0.8%, 0.57%

LAB 62.11, -2.86, -46.92

 

CMYK 84 / 37 / 0 / 2

HEX #289EFB

RGB 40 158 251

HSL 206.45, 0.96%, 0.57%

LAB 63.24, 0.84, -55.04

 

CMYK 65 / 29 / 0 / 15

HEX #4B9AD8

RGB 75 154 216

HSL 206.38, 0.64%, 0.57%

LAB 61.28, -5.01, -38.76

 

CMYK 53 / 23 / 0 / 22

HEX #5D98C6

RGB 93 152 198

HSL 206.29, 0.48%, 0.57%

LAB 60.66, -6.12, -29.61

 

CMYK 38 / 17 / 0 / 29

HEX #6F96B4

RGB 111 150 180

HSL 206.09, 0.32%, 0.57%

LAB 60.33, -5.67, -19.9

 

CMYK 21 / 9 / 0 / 36

HEX #8093A2

RGB 128 147 162

HSL 206.47, 0.15%, 0.57%

LAB 59.95, -3.38, -10.16

 

CMYK 0 / 1 / 1 / 43

HEX #929191

RGB 146 145 145

HSL 0, 0%, 0.57%

LAB 60.25, 0.37, 0.12

 

CMYK 65 / 0 / 7 / 15

HEX #4BD8C9

RGB 75 216 201

HSL 173.62, 0.64%, 0.57%

LAB 78.94, -40.88, -3.7

 

CMYK 65 / 11 / 0 / 15

HEX #4BC0D8

RGB 75 192 216

HSL 190.21, 0.64%, 0.57%

LAB 72.33, -25.29, -21.7

 

CMYK 65 / 28 / 0 / 15

HEX #4B9BD8

RGB 75 155 216

HSL 205.96, 0.64%, 0.57%

LAB 61.56, -5.58, -38.31

 

CMYK 65 / 46 / 0 / 15

HEX #4B75D8

RGB 75 117 216

HSL 222.13, 0.64%, 0.57%

LAB 50.89, 17.06, -55.22

 

CMYK 65 / 63 / 0 / 15

HEX #4B50D8

RGB 75 80 216

HSL 237.87, 0.64%, 0.57%

LAB 41.52, 40.08, -70.4

 

CMYK 78 / 35 / 0 / 33

HEX #2570AB

RGB 37 112 171

HSL 206.42, 0.64%, 0.41%

LAB 45.53, -1.73, -37.96

 

CMYK 78 / 35 / 0 / 20

HEX #2D86CD

RGB 45 134 205

HSL 206.63, 0.64%, 0.49%

LAB 54.04, -1.44, -44.04

 

CMYK 65 / 29 / 0 / 15

HEX #4B9AD8

RGB 75 154 216

HSL 206.38, 0.64%, 0.57%

LAB 61.28, -5.01, -38.76

 

CMYK 51 / 22 / 0 / 13

HEX #6DADDF

RGB 109 173 223

HSL 206.32, 0.64%, 0.65%

LAB 68.36, -6.73, -31.5

 

CMYK 38 / 17 / 0 / 10

HEX #8FC0E6

RGB 143 192 230

HSL 206.21, 0.64%, 0.73%

LAB 75.61, -6.73, -24.04

 

CMYK 66 / 29 / 0 / 16

HEX #4A99D7

RGB 74 153 215

HSL 206.38, 0.64%, 0.57%

LAB 60.91, -4.94, -38.79

 

CMYK 24 / 65 / 0 / 15

HEX #A44BD8

RGB 164 75 216

HSL 277.87, 0.64%, 0.57%

LAB 49.35, 59.57, -57.29

 

CMYK 2 / 0 / 65 / 15

HEX #D3D84B

RGB 211 216 75

HSL 62.13, 0.64%, 0.57%

LAB 83.69, -18.95, 66.05

 

CMYK 66 / 29 / 0 / 16

HEX #4A99D7

RGB 74 153 215

HSL 206.38, 0.64%, 0.57%

LAB 60.91, -4.94, -38.79

 

CMYK 0 / 65 / 28 / 15

HEX #D84B9B

RGB 216 75 155

HSL 325.96, 0.64%, 0.57%

LAB 54.02, 62.43, -14.04

 

CMYK 28 / 0 / 65 / 15

HEX #9BD84B

RGB 155 216 75

HSL 85.96, 0.64%, 0.57%

LAB 79.95, -40.93, 60.99

 

CMYK 66 / 29 / 0 / 16

HEX #4A99D7

RGB 74 153 215

HSL 206.38, 0.64%, 0.57%

LAB 60.91, -4.94, -38.79

 

CMYK 24 / 65 / 0 / 15

HEX #A44BD8

RGB 164 75 216

HSL 277.87, 0.64%, 0.57%

LAB 49.35, 59.57, -57.29

 

CMYK 0 / 37 / 65 / 15

HEX #D8884B

RGB 216 136 75

HSL 25.96, 0.64%, 0.57%

LAB 63.93, 25.08, 44.81

 

CMYK 41 / 0 / 65 / 15

HEX #7FD84B

RGB 127 216 75

HSL 97.87, 0.64%, 0.57%

LAB 78.54, -50.56, 59.06

 

CMYK 66 / 29 / 0 / 16

HEX #4A99D7

RGB 74 153 215

HSL 206.38, 0.64%, 0.57%

LAB 60.91, -4.94, -38.79

 

CMYK 5 / 65 / 0 / 15

HEX #CE4BD8

RGB 206 75 216

HSL 295.74, 0.64%, 0.57%

LAB 55.19, 68.99, -47.63

 

CMYK 0 / 37 / 65 / 15

HEX #D8884B

RGB 216 136 75

HSL 25.96, 0.64%, 0.57%

LAB 63.93, 25.08, 44.81

 

CMYK 61 / 0 / 65 / 15

HEX #55D84B

RGB 85 216 75

HSL 115.74, 0.64%, 0.57%

LAB 77.01, -62.11, 56.96

 

Description

Color code: HEX #4A99D7 | qconv.com Color code: HEX #4A99D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 153 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 153 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 29 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 29% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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