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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A9736 it is the complementary color #B568C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A9736. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A9736 shade: #4F9731, #60A944, #71BB57, #82CD6A and #93DF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A9736. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A9736 shade: #4A9736, #398523, #287310, #176100 and #064F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A9736 shade: #4A9636, #649636, #7E9636, #969436 and #967B36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A9736 shade: #4A9636, #36963C, #369656, #369670 and #36968A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A9736 shade matches the following richer shades: #4A9636, #40A626, #36B715 and #2DC705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A9736 shade: #4A9636, #548547, #5D7557, #676468 and #715478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A9736 shade: #7E9636, #649636, #4B9636, #36963B and #369654

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A9736 shade: #2C5920, #3B782B, #4A9636, #59B441 and #70C45B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A9736 shade: #4A9736, #369694 and #963671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A9736 shade: #4A9736, #364B96 and #96364B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A9736 shade: #4A9736, #369694, #813696 and #963638

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A9736 shade: #4A9736, #367B96, #813696 and #965136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 64 / 41

HEX #4A9736

RGB 74 151 54

HSL 107.63, 0.47%, 0.4%

LAB 55.94, -42.59, 42.69

 

Complementary color

CMYK 10 / 48 / 0 / 21

HEX #B568C9

RGB 181 104 201

HSL 287.63, 0.47%, 0.6%

LAB 56.03, 46.37, -37.99

 

CMYK 48 / 0 / 68 / 41

HEX #4F9731

RGB 79 151 49

HSL 102.35, 0.51%, 0.39%

LAB 56.11, -41.53, 45.13

 

CMYK 43 / 0 / 60 / 34

HEX #60A944

RGB 96 169 68

HSL 103.37, 0.43%, 0.46%

LAB 62.74, -41.74, 44.2

 

CMYK 40 / 0 / 53 / 27

HEX #71BB57

RGB 113 187 87

HSL 104.4, 0.42%, 0.54%

LAB 69.28, -41.78, 43.06

 

CMYK 37 / 0 / 48 / 20

HEX #82CD6A

RGB 130 205 106

HSL 105.45, 0.5%, 0.61%

LAB 75.73, -41.71, 41.86

 

CMYK 34 / 0 / 44 / 13

HEX #93DF7D

RGB 147 223 125

HSL 106.53, 0.6%, 0.68%

LAB 82.09, -41.58, 40.66

 

CMYK 51 / 0 / 64 / 41

HEX #4A9736

RGB 74 151 54

HSL 107.63, 0.47%, 0.4%

LAB 55.94, -42.59, 42.69

 

CMYK 57 / 0 / 74 / 48

HEX #398523

RGB 57 133 35

HSL 106.53, 0.58%, 0.33%

LAB 49.21, -42.1, 43.43

 

CMYK 65 / 0 / 86 / 55

HEX #287310

RGB 40 115 16

HSL 105.45, 0.76%, 0.26%

LAB 42.38, -41.09, 43.24

 

CMYK 76 / 0 / 100 / 62

HEX #176100

RGB 23 97 0

HSL 105.77, 1%, 0.19%

LAB 35.46, -39.24, 41.42

 

CMYK 92 / 0 / 100 / 69

HEX #064F00

RGB 6 79 0

HSL 115.44, 1%, 0.15%

LAB 28.46, -35.92, 35.69

 

CMYK 51 / 0 / 64 / 41

HEX #4A9636

RGB 74 150 54

HSL 107.5, 0.47%, 0.4%

LAB 55.62, -42.18, 42.33

 

CMYK 33 / 0 / 64 / 41

HEX #649636

RGB 100 150 54

HSL 91.25, 0.47%, 0.4%

LAB 56.87, -33.33, 44.06

 

CMYK 16 / 0 / 64 / 41

HEX #7E9636

RGB 126 150 54

HSL 75, 0.47%, 0.4%

LAB 58.52, -22.95, 46.34

 

CMYK 0 / 1 / 64 / 41

HEX #969436

RGB 150 148 54

HSL 58.75, 0.47%, 0.4%

LAB 59.83, -11.54, 48.3

 

CMYK 0 / 18 / 64 / 41

HEX #967B36

RGB 150 123 54

HSL 43.13, 0.47%, 0.4%

LAB 52.86, 2.2, 40.73

 

CMYK 51 / 0 / 64 / 41

HEX #4A9636

RGB 74 150 54

HSL 107.5, 0.47%, 0.4%

LAB 55.62, -42.18, 42.33

 

CMYK 64 / 0 / 60 / 41

HEX #36963C

RGB 54 150 60

HSL 123.75, 0.47%, 0.4%

LAB 54.99, -46.79, 38.63

 

CMYK 64 / 0 / 43 / 41

HEX #369656

RGB 54 150 86

HSL 140, 0.47%, 0.4%

LAB 55.35, -42.8, 25.68

 

CMYK 64 / 0 / 25 / 41

HEX #369670

RGB 54 150 112

HSL 156.25, 0.47%, 0.4%

LAB 55.85, -37.41, 11.91

 

CMYK 64 / 0 / 8 / 41

HEX #36968A

RGB 54 150 138

HSL 172.5, 0.47%, 0.4%

LAB 56.52, -30.78, -1.95

 

CMYK 51 / 0 / 64 / 41

HEX #4A9636

RGB 74 150 54

HSL 107.5, 0.47%, 0.4%

LAB 55.62, -42.18, 42.33

 

CMYK 61 / 0 / 77 / 35

HEX #40A626

RGB 64 166 38

HSL 107.81, 0.63%, 0.4%

LAB 60.34, -52.4, 53.51

 

CMYK 70 / 0 / 89 / 28

HEX #36B715

RGB 54 183 21

HSL 107.78, 0.79%, 0.4%

LAB 65.52, -61.14, 62.67

 

CMYK 77 / 0 / 97 / 22

HEX #2DC705

RGB 45 199 5

HSL 107.63, 0.95%, 0.4%

LAB 70.47, -67.89, 68.95

 

CMYK 51 / 0 / 64 / 41

HEX #4A9636

RGB 74 150 54

HSL 107.5, 0.47%, 0.4%

LAB 55.62, -42.18, 42.33

 

CMYK 37 / 0 / 47 / 48

HEX #548547

RGB 84 133 71

HSL 107.42, 0.3%, 0.4%

LAB 50.82, -29.22, 28.23

 

CMYK 21 / 0 / 26 / 54

HEX #5D7557

RGB 93 117 87

HSL 108, 0.15%, 0.4%

LAB 46.63, -15.03, 13.74

 

CMYK 1 / 4 / 0 / 59

HEX #676468

RGB 103 100 104

HSL 285, 0.02%, 0.4%

LAB 42.76, 2.01, -1.84

 

CMYK 6 / 30 / 0 / 53

HEX #715478

RGB 113 84 120

HSL 288.33, 0.18%, 0.4%

LAB 39.93, 18.97, -15.78

 

CMYK 16 / 0 / 64 / 41

HEX #7E9636

RGB 126 150 54

HSL 75, 0.47%, 0.4%

LAB 58.52, -22.95, 46.34

 

CMYK 33 / 0 / 64 / 41

HEX #649636

RGB 100 150 54

HSL 91.25, 0.47%, 0.4%

LAB 56.87, -33.33, 44.06

 

CMYK 50 / 0 / 64 / 41

HEX #4B9636

RGB 75 150 54

HSL 106.88, 0.47%, 0.4%

LAB 55.66, -41.87, 42.39

 

CMYK 64 / 0 / 61 / 41

HEX #36963B

RGB 54 150 59

HSL 123.13, 0.47%, 0.4%

LAB 54.98, -46.92, 39.09

 

CMYK 64 / 0 / 44 / 41

HEX #369654

RGB 54 150 84

HSL 138.75, 0.47%, 0.4%

LAB 55.32, -43.16, 26.71

 

CMYK 51 / 0 / 64 / 65

HEX #2C5920

RGB 44 89 32

HSL 107.37, 0.47%, 0.24%

LAB 33.53, -27.76, 27.71

 

CMYK 51 / 0 / 64 / 53

HEX #3B782B

RGB 59 120 43

HSL 107.53, 0.47%, 0.32%

LAB 44.99, -35.38, 35.41

 

CMYK 51 / 0 / 64 / 41

HEX #4A9636

RGB 74 150 54

HSL 107.5, 0.47%, 0.4%

LAB 55.62, -42.18, 42.33

 

CMYK 51 / 0 / 64 / 29

HEX #59B441

RGB 89 180 65

HSL 107.48, 0.47%, 0.48%

LAB 65.86, -48.71, 48.97

 

CMYK 43 / 0 / 54 / 23

HEX #70C45B

RGB 112 196 91

HSL 108, 0.47%, 0.56%

LAB 72.01, -45.45, 44.4

 

CMYK 51 / 0 / 64 / 41

HEX #4A9736

RGB 74 151 54

HSL 107.63, 0.47%, 0.4%

LAB 55.94, -42.59, 42.69

 

CMYK 64 / 0 / 1 / 41

HEX #369694

RGB 54 150 148

HSL 178.75, 0.47%, 0.4%

LAB 56.82, -27.94, -7.22

 

CMYK 0 / 64 / 25 / 41

HEX #963671

RGB 150 54 113

HSL 323.13, 0.47%, 0.4%

LAB 38.4, 46.55, -13.31

 

CMYK 51 / 0 / 64 / 41

HEX #4A9736

RGB 74 151 54

HSL 107.63, 0.47%, 0.4%

LAB 55.94, -42.59, 42.69

 

CMYK 64 / 50 / 0 / 41

HEX #364B96

RGB 54 75 150

HSL 226.88, 0.47%, 0.4%

LAB 34.02, 16.78, -43.75

 

CMYK 0 / 64 / 50 / 41

HEX #96364B

RGB 150 54 75

HSL 346.88, 0.47%, 0.4%

LAB 37.17, 42.02, 8.91

 

CMYK 51 / 0 / 64 / 41

HEX #4A9736

RGB 74 151 54

HSL 107.63, 0.47%, 0.4%

LAB 55.94, -42.59, 42.69

 

CMYK 64 / 0 / 1 / 41

HEX #369694

RGB 54 150 148

HSL 178.75, 0.47%, 0.4%

LAB 56.82, -27.94, -7.22

 

CMYK 14 / 64 / 0 / 41

HEX #813696

RGB 129 54 150

HSL 286.88, 0.47%, 0.4%

LAB 36.94, 47.17, -38.65

 

CMYK 0 / 64 / 63 / 41

HEX #963638

RGB 150 54 56

HSL 358.75, 0.47%, 0.4%

LAB 36.76, 40.44, 20.37

 

CMYK 51 / 0 / 64 / 41

HEX #4A9736

RGB 74 151 54

HSL 107.63, 0.47%, 0.4%

LAB 55.94, -42.59, 42.69

 

CMYK 64 / 18 / 0 / 41

HEX #367B96

RGB 54 123 150

HSL 196.88, 0.47%, 0.4%

LAB 48.45, -13.06, -21.04

 

CMYK 14 / 64 / 0 / 41

HEX #813696

RGB 129 54 150

HSL 286.88, 0.47%, 0.4%

LAB 36.94, 47.17, -38.65

 

CMYK 0 / 46 / 64 / 41

HEX #965136

RGB 150 81 54

HSL 16.88, 0.47%, 0.4%

LAB 42.21, 26.24, 28.38

 

Description

Color code: HEX #4A9736 | qconv.com Color code: HEX #4A9736 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 151 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 151 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 64 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 64% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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