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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A8F1F it is the complementary color #B570E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A8F1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A8F1F shade: #4F8F1A, #60A12D, #71B340, #82C553 and #93D766

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A8F1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A8F1F shade: #4A8F1F, #397D0C, #286B00, #175900 and #064700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A8F1F shade: #4A8E1F, #688E1F, #868E1F, #8E791F and #8E5B1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A8F1F shade: #4A8E1F, #2C8E1F, #1F8E30, #1F8E4E and #1F8E6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A8F1F shade matches the following richer shades: #4A8E1F, #479C11 and #43AA03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A8F1F shade: #4A8E1F, #4D802D, #50723B, #546449 and #575657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A8F1F shade: #878E1F, #698E1F, #4C8E1F, #2E8E1F and #1F8E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A8F1F shade: #274B10, #386C18, #4A8E1F, #5BB027 and #6DD12F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A8F1F shade: #4A8F1F, #1F8E78 and #8E1F78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A8F1F shade: #4A8F1F, #1F4C8E and #8E1F4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A8F1F shade: #4A8F1F, #1F8E78, #621F8E and #8E1F35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A8F1F shade: #4A8F1F, #1F838E, #621F8E and #8E2A1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 78 / 44

HEX #4A8F1F

RGB 74 143 31

HSL 96.96, 0.64%, 0.34%

LAB 53.17, -41.22, 49.05

 

Complementary color

CMYK 19 / 50 / 0 / 12

HEX #B570E0

RGB 181 112 224

HSL 276.96, 0.64%, 0.66%

LAB 58.78, 46.98, -46.65

 

CMYK 45 / 0 / 82 / 44

HEX #4F8F1A

RGB 79 143 26

HSL 92.82, 0.69%, 0.33%

LAB 53.36, -39.84, 50.93

 

CMYK 40 / 0 / 72 / 37

HEX #60A12D

RGB 96 161 45

HSL 93.62, 0.56%, 0.4%

LAB 60.04, -40.39, 51.1

 

CMYK 37 / 0 / 64 / 30

HEX #71B340

RGB 113 179 64

HSL 94.43, 0.47%, 0.48%

LAB 66.61, -40.69, 50.53

 

CMYK 34 / 0 / 58 / 23

HEX #82C553

RGB 130 197 83

HSL 95.26, 0.5%, 0.55%

LAB 73.09, -40.83, 49.61

 

CMYK 32 / 0 / 53 / 16

HEX #93D766

RGB 147 215 102

HSL 96.11, 0.59%, 0.62%

LAB 79.48, -40.86, 48.53

 

CMYK 48 / 0 / 78 / 44

HEX #4A8F1F

RGB 74 143 31

HSL 96.96, 0.64%, 0.34%

LAB 53.17, -41.22, 49.05

 

CMYK 54 / 0 / 90 / 51

HEX #397D0C

RGB 57 125 12

HSL 96.11, 0.82%, 0.27%

LAB 46.4, -40.32, 48.04

 

CMYK 63 / 0 / 100 / 58

HEX #286B00

RGB 40 107 0

HSL 97.57, 1%, 0.21%

LAB 39.52, -38.78, 44.84

 

CMYK 74 / 0 / 100 / 65

HEX #175900

RGB 23 89 0

HSL 104.49, 1%, 0.17%

LAB 32.54, -36.39, 39.09

 

CMYK 92 / 0 / 100 / 72

HEX #064700

RGB 6 71 0

HSL 114.93, 1%, 0.14%

LAB 25.4, -33.22, 33

 

CMYK 48 / 0 / 78 / 44

HEX #4A8E1F

RGB 74 142 31

HSL 96.76, 0.64%, 0.34%

LAB 52.84, -40.81, 48.74

 

CMYK 27 / 0 / 78 / 44

HEX #688E1F

RGB 104 142 31

HSL 80.54, 0.64%, 0.34%

LAB 54.44, -29.68, 50.82

 

CMYK 6 / 0 / 78 / 44

HEX #868E1F

RGB 134 142 31

HSL 64.32, 0.64%, 0.34%

LAB 56.6, -16.76, 53.61

 

CMYK 0 / 15 / 78 / 44

HEX #8E791F

RGB 142 121 31

HSL 48.65, 0.64%, 0.34%

LAB 51.3, -1.66, 48.97

 

CMYK 0 / 36 / 78 / 44

HEX #8E5B1F

RGB 142 91 31

HSL 32.43, 0.64%, 0.34%

LAB 43.26, 15.63, 41.29

 

CMYK 48 / 0 / 78 / 44

HEX #4A8E1F

RGB 74 142 31

HSL 96.76, 0.64%, 0.34%

LAB 52.84, -40.81, 48.74

 

CMYK 69 / 0 / 78 / 44

HEX #2C8E1F

RGB 44 142 31

HSL 112.97, 0.64%, 0.34%

LAB 51.82, -48.95, 47.39

 

CMYK 78 / 0 / 66 / 44

HEX #1F8E30

RGB 31 142 48

HSL 129.19, 0.64%, 0.34%

LAB 51.67, -49.71, 40.31

 

CMYK 78 / 0 / 45 / 44

HEX #1F8E4E

RGB 31 142 78

HSL 145.41, 0.64%, 0.34%

LAB 52.05, -45.2, 25.63

 

CMYK 78 / 0 / 24 / 44

HEX #1F8E6C

RGB 31 142 108

HSL 161.62, 0.64%, 0.34%

LAB 52.64, -38.62, 9.6

 

CMYK 48 / 0 / 78 / 44

HEX #4A8E1F

RGB 74 142 31

HSL 96.76, 0.64%, 0.34%

LAB 52.84, -40.81, 48.74

 

CMYK 54 / 0 / 89 / 39

HEX #479C11

RGB 71 156 17

HSL 96.69, 0.8%, 0.34%

LAB 57.23, -47.93, 56.51

 

CMYK 61 / 0 / 98 / 33

HEX #43AA03

RGB 67 170 3

HSL 97.01, 0.97%, 0.34%

LAB 61.61, -54.45, 62.26

 

CMYK 48 / 0 / 78 / 44

HEX #4A8E1F

RGB 74 142 31

HSL 96.76, 0.64%, 0.34%

LAB 52.84, -40.81, 48.74

 

CMYK 40 / 0 / 65 / 50

HEX #4D802D

RGB 77 128 45

HSL 96.87, 0.48%, 0.34%

LAB 48.52, -32.58, 38.63

 

CMYK 30 / 0 / 48 / 55

HEX #50723B

RGB 80 114 59

HSL 97.09, 0.32%, 0.34%

LAB 44.31, -23.03, 26.56

 

CMYK 16 / 0 / 27 / 61

HEX #546449

RGB 84 100 73

HSL 95.56, 0.16%, 0.34%

LAB 40.38, -11.65, 13.36

 

CMYK 0 / 1 / 0 / 66

HEX #575657

RGB 87 86 87

HSL 300, 0.01%, 0.34%

LAB 36.69, 0.62, -0.44

 

CMYK 5 / 0 / 78 / 44

HEX #878E1F

RGB 135 142 31

HSL 63.78, 0.64%, 0.34%

LAB 56.68, -16.32, 53.72

 

CMYK 26 / 0 / 78 / 44

HEX #698E1F

RGB 105 142 31

HSL 80, 0.64%, 0.34%

LAB 54.5, -29.27, 50.9

 

CMYK 46 / 0 / 78 / 44

HEX #4C8E1F

RGB 76 142 31

HSL 95.68, 0.64%, 0.34%

LAB 52.93, -40.15, 48.85

 

CMYK 68 / 0 / 78 / 44

HEX #2E8E1F

RGB 46 142 31

HSL 111.89, 0.64%, 0.34%

LAB 51.87, -48.52, 47.46

 

CMYK 78 / 0 / 68 / 44

HEX #1F8E2E

RGB 31 142 46

HSL 128.11, 0.64%, 0.34%

LAB 51.65, -49.93, 41.18

 

CMYK 48 / 0 / 79 / 71

HEX #274B10

RGB 39 75 16

HSL 96.61, 0.65%, 0.18%

LAB 28.12, -24.67, 29.54

 

CMYK 48 / 0 / 78 / 58

HEX #386C18

RGB 56 108 24

HSL 97.14, 0.64%, 0.26%

LAB 40.62, -32.92, 39.08

 

CMYK 48 / 0 / 78 / 44

HEX #4A8E1F

RGB 74 142 31

HSL 96.76, 0.64%, 0.34%

LAB 52.84, -40.81, 48.74

 

CMYK 48 / 0 / 78 / 31

HEX #5BB027

RGB 91 176 39

HSL 97.23, 0.64%, 0.42%

LAB 64.5, -48.57, 57.53

 

CMYK 48 / 0 / 78 / 18

HEX #6DD12F

RGB 109 209 47

HSL 97.04, 0.64%, 0.5%

LAB 75.49, -55.35, 65.74

 

CMYK 48 / 0 / 78 / 44

HEX #4A8F1F

RGB 74 143 31

HSL 96.96, 0.64%, 0.34%

LAB 53.17, -41.22, 49.05

 

CMYK 78 / 0 / 15 / 44

HEX #1F8E78

RGB 31 142 120

HSL 168.11, 0.64%, 0.34%

LAB 52.94, -35.46, 3.12

 

CMYK 0 / 78 / 15 / 44

HEX #8E1F78

RGB 142 31 120

HSL 311.89, 0.64%, 0.34%

LAB 34.16, 54.19, -24.36

 

CMYK 48 / 0 / 78 / 44

HEX #4A8F1F

RGB 74 143 31

HSL 96.96, 0.64%, 0.34%

LAB 53.17, -41.22, 49.05

 

CMYK 78 / 46 / 0 / 44

HEX #1F4C8E

RGB 31 76 142

HSL 215.68, 0.64%, 0.34%

LAB 32.73, 9.37, -41.01

 

CMYK 0 / 78 / 46 / 44

HEX #8E1F4C

RGB 142 31 76

HSL 335.68, 0.64%, 0.34%

LAB 32.38, 48.77, 1.22

 

CMYK 48 / 0 / 78 / 44

HEX #4A8F1F

RGB 74 143 31

HSL 96.96, 0.64%, 0.34%

LAB 53.17, -41.22, 49.05

 

CMYK 78 / 0 / 15 / 44

HEX #1F8E78

RGB 31 142 120

HSL 168.11, 0.64%, 0.34%

LAB 52.94, -35.46, 3.12

 

CMYK 31 / 78 / 0 / 44

HEX #621F8E

RGB 98 31 142

HSL 276.22, 0.64%, 0.34%

LAB 28.19, 48.73, -48.06

 

CMYK 0 / 78 / 63 / 44

HEX #8E1F35

RGB 142 31 53

HSL 348.11, 0.64%, 0.34%

LAB 31.78, 46.88, 15.51

 

CMYK 48 / 0 / 78 / 44

HEX #4A8F1F

RGB 74 143 31

HSL 96.96, 0.64%, 0.34%

LAB 53.17, -41.22, 49.05

 

CMYK 78 / 8 / 0 / 44

HEX #1F838E

RGB 31 131 142

HSL 185.95, 0.64%, 0.34%

LAB 50.07, -23.5, -13.94

 

CMYK 31 / 78 / 0 / 44

HEX #621F8E

RGB 98 31 142

HSL 276.22, 0.64%, 0.34%

LAB 28.19, 48.73, -48.06

 

CMYK 0 / 70 / 78 / 44

HEX #8E2A1F

RGB 142 42 31

HSL 5.95, 0.64%, 0.34%

LAB 32.93, 41.52, 30.73

 

Description

Color code: HEX #4A8F1F | qconv.com Color code: HEX #4A8F1F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 143 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 143 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 78 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 78% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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