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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A8EF2 it is the complementary color #B5710D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A8EF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A8EF2 shade: #4F8EED, #60A0FF, #71B2FF, #82C4FF and #93D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A8EF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A8EF2 shade: #4A8EF2, #397CDF, #286ACC, #1758B9 and #0646A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A8EF2 shade: #4A8EF2, #4A61F2, #604AF2, #8E4AF2 and #BB4AF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A8EF2 shade: #4A8EF2, #4A61F2 and #4A4AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A8EF2 shade matches the following richer shades: #4A8EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A8EF2 shade: #4A8EF2, #5991E3, #6994D3, #7997C3 and #899AB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A8EF2 shade: #4AEAF2, #4ABDF2, #4A90F2, #4A63F2 and #5D4AF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A8EF2 shade: #0F61DA, #2376F0, #4A8EF2, #70A6F5 and #97BEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A8EF2 shade: #4A8EF2, #CE4AF2 and #D3F24A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A8EF2 shade: #4A8EF2, #F24A90 and #90F24A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A8EF2 shade: #4A8EF2, #CE4AF2, #F2AC4A and #6EF24A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A8EF2 shade: #4A8EF2, #F24AE4, #F2AC4A and #4AF258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

Complementary color

CMYK 0 / 38 / 93 / 29

HEX #B5710D

RGB 181 113 13

HSL 35.71, 0.87%, 0.38%

LAB 53.67, 20.21, 58.12

 

CMYK 67 / 40 / 0 / 7

HEX #4F8EED

RGB 79 142 237

HSL 216.08, 0.81%, 0.62%

LAB 59.09, 9.76, -53.87

 

CMYK 62 / 37 / 0 / 0

HEX #60A0FF

RGB 96 160 255

HSL 215.85, 1%, 0.69%

LAB 65.63, 8.04, -53.32

 

CMYK 56 / 30 / 0 / 0

HEX #71B2FF

RGB 113 178 255

HSL 212.54, 1%, 0.72%

LAB 71.26, 0.98, -44.39

 

CMYK 49 / 23 / 0 / 0

HEX #82C4FF

RGB 130 196 255

HSL 208.32, 1%, 0.75%

LAB 76.95, -5.26, -35.48

 

CMYK 42 / 16 / 0 / 0

HEX #93D6FF

RGB 147 214 255

HSL 202.78, 1%, 0.79%

LAB 82.66, -10.79, -26.63

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 74 / 44 / 0 / 13

HEX #397CDF

RGB 57 124 223

HSL 215.78, 0.72%, 0.55%

LAB 52.52, 12.63, -56.6

 

CMYK 80 / 48 / 0 / 20

HEX #286ACC

RGB 40 106 204

HSL 215.85, 0.67%, 0.48%

LAB 45.8, 14.95, -56.65

 

CMYK 88 / 52 / 0 / 27

HEX #1758B9

RGB 23 88 185

HSL 215.93, 0.78%, 0.41%

LAB 39.01, 17.84, -56.62

 

CMYK 96 / 58 / 0 / 35

HEX #0646A6

RGB 6 70 166

HSL 216, 0.93%, 0.34%

LAB 32.2, 21.4, -56.44

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 69 / 60 / 0 / 5

HEX #4A61F2

RGB 74 97 242

HSL 231.79, 0.87%, 0.62%

LAB 47.52, 38.37, -75.33

 

CMYK 60 / 69 / 0 / 5

HEX #604AF2

RGB 96 74 242

HSL 247.86, 0.87%, 0.62%

LAB 43.94, 54.57, -81.13

 

CMYK 41 / 69 / 0 / 5

HEX #8E4AF2

RGB 142 74 242

HSL 264.29, 0.87%, 0.62%

LAB 48.33, 61.73, -73.76

 

CMYK 23 / 69 / 0 / 5

HEX #BB4AF2

RGB 187 74 242

HSL 280.36, 0.87%, 0.62%

LAB 53.89, 70.19, -64.49

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 69 / 60 / 0 / 5

HEX #4A61F2

RGB 74 97 242

HSL 231.79, 0.87%, 0.62%

LAB 47.52, 38.37, -75.33

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF2

RGB 74 74 242

HSL 240, 0.87%, 0.62%

LAB 42.41, 51.95, -83.7

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 61 / 36 / 0 / 11

HEX #5991E3

RGB 89 145 227

HSL 215.65, 0.71%, 0.62%

LAB 59.82, 6.33, -47.14

 

CMYK 50 / 30 / 0 / 17

HEX #6994D3

RGB 105 148 211

HSL 215.66, 0.55%, 0.62%

LAB 60.68, 2.86, -36.81

 

CMYK 38 / 23 / 0 / 24

HEX #7997C3

RGB 121 151 195

HSL 215.68, 0.38%, 0.62%

LAB 61.77, 0.61, -26.08

 

CMYK 24 / 14 / 0 / 29

HEX #899AB4

RGB 137 154 180

HSL 216.28, 0.22%, 0.62%

LAB 63.11, -0.16, -15.51

 

CMYK 69 / 3 / 0 / 5

HEX #4AEAF2

RGB 74 234 242

HSL 182.86, 0.87%, 0.62%

LAB 85.36, -37.96, -15.91

 

CMYK 69 / 22 / 0 / 5

HEX #4ABDF2

RGB 74 189 242

HSL 198.93, 0.87%, 0.62%

LAB 72.4, -15.81, -35.69

 

CMYK 69 / 40 / 0 / 5

HEX #4A90F2

RGB 74 144 242

HSL 215, 0.87%, 0.62%

LAB 59.72, 9.55, -55.64

 

CMYK 69 / 59 / 0 / 5

HEX #4A63F2

RGB 74 99 242

HSL 231.07, 0.87%, 0.62%

LAB 47.99, 37.14, -74.55

 

CMYK 62 / 69 / 0 / 5

HEX #5D4AF2

RGB 93 74 242

HSL 246.79, 0.87%, 0.62%

LAB 43.71, 54.18, -81.52

 

CMYK 93 / 56 / 0 / 15

HEX #0F61DA

RGB 15 97 218

HSL 215.76, 0.87%, 0.46%

LAB 43.82, 24.57, -67.88

 

CMYK 85 / 51 / 0 / 6

HEX #2376F0

RGB 35 118 240

HSL 215.71, 0.87%, 0.54%

LAB 51.39, 20.66, -67.98

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 54 / 32 / 0 / 4

HEX #70A6F5

RGB 112 166 245

HSL 215.64, 0.87%, 0.7%

LAB 67.51, 4.47, -44.86

 

CMYK 39 / 23 / 0 / 3

HEX #97BEF8

RGB 151 190 248

HSL 215.88, 0.87%, 0.78%

LAB 76.18, 1.17, -32.82

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 15 / 69 / 0 / 5

HEX #CE4AF2

RGB 206 74 242

HSL 287.14, 0.87%, 0.62%

LAB 56.52, 74.01, -60.14

 

CMYK 13 / 0 / 69 / 5

HEX #D3F24A

RGB 211 242 74

HSL 71.07, 0.87%, 0.62%

LAB 90.71, -31.39, 73.51

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 0 / 69 / 40 / 5

HEX #F24A90

RGB 242 74 144

HSL 335, 0.87%, 0.62%

LAB 57.84, 68.83, -1.43

 

CMYK 40 / 0 / 69 / 5

HEX #90F24A

RGB 144 242 74

HSL 95, 0.87%, 0.62%

LAB 86.96, -55.58, 68.51

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 15 / 69 / 0 / 5

HEX #CE4AF2

RGB 206 74 242

HSL 287.14, 0.87%, 0.62%

LAB 56.52, 74.01, -60.14

 

CMYK 0 / 29 / 69 / 5

HEX #F2AC4A

RGB 242 172 74

HSL 35, 0.87%, 0.62%

LAB 75.37, 16.67, 58.71

 

CMYK 55 / 0 / 69 / 5

HEX #6EF24A

RGB 110 242 74

HSL 107.14, 0.87%, 0.62%

LAB 85.66, -65.33, 66.76

 

CMYK 69 / 41 / 0 / 5

HEX #4A8EF2

RGB 74 142 242

HSL 215.71, 0.87%, 0.62%

LAB 59.17, 10.74, -56.52

 

CMYK 0 / 69 / 6 / 5

HEX #F24AE4

RGB 242 74 228

HSL 305, 0.87%, 0.62%

LAB 61.11, 79.35, -44.67

 

CMYK 0 / 29 / 69 / 5

HEX #F2AC4A

RGB 242 172 74

HSL 35, 0.87%, 0.62%

LAB 75.37, 16.67, 58.71

 

CMYK 69 / 0 / 64 / 5

HEX #4AF258

RGB 74 242 88

HSL 125, 0.87%, 0.62%

LAB 84.83, -71.7, 60.16

 

Description

Color code: HEX #4A8EF2 | qconv.com Color code: HEX #4A8EF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 142 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 142 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 41 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 41% 0% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - 自由与平等-royaso | 做爱做的事...
Link: http://royaso.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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