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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A8DB3 it is the complementary color #B5724C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A8DB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A8DB3 shade: #4F8DAE, #609FC1, #71B1D4, #82C3E7 and #93D5FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A8DB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A8DB3 shade: #4A8DB3, #397BA0, #28698D, #17577A and #064567

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A8DB3 shade: #498EB5, #4971B5, #4954B5, #5C49B5 and #7949B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A8DB3 shade: #498EB5, #4971B5, #4954B5 and #4949B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A8DB3 shade matches the following richer shades: #498EB5, #3593C9, #2099DE and #0C9FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A8DB3 shade: #498EB5, #5E88A0, #73828B, #877D77 and #9C7762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A8DB3 shade: #49B5A1, #49ACB5, #498FB5, #4973B5 and #4956B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A8DB3 shade: #32607A, #3D7797, #498EB5, #67A0C1 and #84B2CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A8DB3 shade: #4A8DB3, #8449B5 and #B5AF49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A8DB3 shade: #4A8DB3, #B5498F and #8FB549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A8DB3 shade: #4A8DB3, #8449B5, #B56F49 and #7AB549

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A8DB3 shade: #4A8DB3, #A449B5, #B56F49 and #5AB549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 21 / 0 / 30

HEX #4A8DB3

RGB 74 141 179

HSL 201.71, 0.42%, 0.5%

LAB 55.85, -9.9, -26.36

 

Complementary color

CMYK 0 / 37 / 58 / 29

HEX #B5724C

RGB 181 114 76

HSL 21.71, 0.42%, 0.5%

LAB 54.43, 22.57, 31.9

 

CMYK 55 / 19 / 0 / 32

HEX #4F8DAE

RGB 79 141 174

HSL 200.84, 0.38%, 0.5%

LAB 55.85, -10.41, -23.48

 

CMYK 50 / 18 / 0 / 24

HEX #609FC1

RGB 96 159 193

HSL 201.03, 0.44%, 0.57%

LAB 62.62, -10.81, -23.77

 

CMYK 47 / 17 / 0 / 17

HEX #71B1D4

RGB 113 177 212

HSL 201.21, 0.54%, 0.64%

LAB 69.26, -11.13, -24.07

 

CMYK 44 / 16 / 0 / 9

HEX #82C3E7

RGB 130 195 231

HSL 201.39, 0.68%, 0.71%

LAB 75.79, -11.38, -24.36

 

CMYK 41 / 15 / 0 / 2

HEX #93D5FA

RGB 147 213 250

HSL 201.55, 0.91%, 0.78%

LAB 82.21, -11.58, -24.66

 

CMYK 59 / 21 / 0 / 30

HEX #4A8DB3

RGB 74 141 179

HSL 201.71, 0.42%, 0.5%

LAB 55.85, -9.9, -26.36

 

CMYK 64 / 23 / 0 / 37

HEX #397BA0

RGB 57 123 160

HSL 201.55, 0.47%, 0.43%

LAB 48.98, -9.17, -26.08

 

CMYK 72 / 26 / 0 / 45

HEX #28698D

RGB 40 105 141

HSL 201.39, 0.56%, 0.35%

LAB 41.96, -8.16, -25.78

 

CMYK 81 / 29 / 0 / 52

HEX #17577A

RGB 23 87 122

HSL 201.21, 0.68%, 0.28%

LAB 34.81, -6.72, -25.42

 

CMYK 94 / 33 / 0 / 60

HEX #064567

RGB 6 69 103

HSL 201.03, 0.89%, 0.21%

LAB 27.5, -4.62, -24.98

 

CMYK 60 / 22 / 0 / 29

HEX #498EB5

RGB 73 142 181

HSL 201.67, 0.43%, 0.5%

LAB 56.19, -10.03, -26.98

 

CMYK 60 / 38 / 0 / 29

HEX #4971B5

RGB 73 113 181

HSL 217.78, 0.43%, 0.5%

LAB 47.7, 7.09, -40.25

 

CMYK 60 / 54 / 0 / 29

HEX #4954B5

RGB 73 84 181

HSL 233.89, 0.43%, 0.5%

LAB 39.74, 25.43, -52.99

 

CMYK 49 / 60 / 0 / 29

HEX #5C49B5

RGB 92 73 181

HSL 250.56, 0.43%, 0.5%

LAB 38.51, 36.06, -54.91

 

CMYK 33 / 60 / 0 / 29

HEX #7949B5

RGB 121 73 181

HSL 266.67, 0.43%, 0.5%

LAB 41.48, 42.58, -49.97

 

CMYK 60 / 22 / 0 / 29

HEX #498EB5

RGB 73 142 181

HSL 201.67, 0.43%, 0.5%

LAB 56.19, -10.03, -26.98

 

CMYK 60 / 38 / 0 / 29

HEX #4971B5

RGB 73 113 181

HSL 217.78, 0.43%, 0.5%

LAB 47.7, 7.09, -40.25

 

CMYK 60 / 54 / 0 / 29

HEX #4954B5

RGB 73 84 181

HSL 233.89, 0.43%, 0.5%

LAB 39.74, 25.43, -52.99

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

CMYK 60 / 22 / 0 / 29

HEX #498EB5

RGB 73 142 181

HSL 201.67, 0.43%, 0.5%

LAB 56.19, -10.03, -26.98

 

CMYK 74 / 27 / 0 / 21

HEX #3593C9

RGB 53 147 201

HSL 201.89, 0.58%, 0.5%

LAB 57.89, -9.43, -35.72

 

CMYK 86 / 31 / 0 / 13

HEX #2099DE

RGB 32 153 222

HSL 201.79, 0.75%, 0.5%

LAB 60.22, -7.42, -43.84

 

CMYK 95 / 34 / 0 / 5

HEX #0C9FF2

RGB 12 159 242

HSL 201.65, 0.91%, 0.5%

LAB 62.75, -4.47, -50.9

 

CMYK 60 / 22 / 0 / 29

HEX #498EB5

RGB 73 142 181

HSL 201.67, 0.43%, 0.5%

LAB 56.19, -10.03, -26.98

 

CMYK 41 / 15 / 0 / 37

HEX #5E88A0

RGB 94 136 160

HSL 201.82, 0.26%, 0.5%

LAB 54.58, -8, -17.32

 

CMYK 17 / 6 / 0 / 45

HEX #73828B

RGB 115 130 139

HSL 202.5, 0.09%, 0.5%

LAB 53.46, -3.45, -6.7

 

CMYK 0 / 7 / 12 / 47

HEX #877D77

RGB 135 125 119

HSL 22.5, 0.06%, 0.5%

LAB 53.11, 2.7, 4.63

 

CMYK 0 / 24 / 37 / 39

HEX #9C7762

RGB 156 119 98

HSL 21.72, 0.23%, 0.5%

LAB 53.11, 11.49, 17.13

 

CMYK 60 / 0 / 11 / 29

HEX #49B5A1

RGB 73 181 161

HSL 168.89, 0.43%, 0.5%

LAB 67.31, -35.73, 0.97

 

CMYK 60 / 5 / 0 / 29

HEX #49ACB5

RGB 73 172 181

HSL 185, 0.43%, 0.5%

LAB 65.17, -25.95, -13.29

 

CMYK 60 / 21 / 0 / 29

HEX #498FB5

RGB 73 143 181

HSL 201.11, 0.43%, 0.5%

LAB 56.48, -10.59, -26.52

 

CMYK 60 / 36 / 0 / 29

HEX #4973B5

RGB 73 115 181

HSL 216.67, 0.43%, 0.5%

LAB 48.28, 5.86, -39.35

 

CMYK 60 / 52 / 0 / 29

HEX #4956B5

RGB 73 86 181

HSL 232.78, 0.43%, 0.5%

LAB 40.26, 24.15, -52.15

 

CMYK 59 / 21 / 0 / 52

HEX #32607A

RGB 50 96 122

HSL 201.67, 0.42%, 0.34%

LAB 38.64, -7.51, -19.4

 

CMYK 60 / 21 / 0 / 41

HEX #3D7797

RGB 61 119 151

HSL 201.33, 0.42%, 0.42%

LAB 47.52, -9.07, -23.04

 

CMYK 60 / 22 / 0 / 29

HEX #498EB5

RGB 73 142 181

HSL 201.67, 0.43%, 0.5%

LAB 56.19, -10.03, -26.98

 

CMYK 47 / 17 / 0 / 24

HEX #67A0C1

RGB 103 160 193

HSL 202, 0.42%, 0.58%

LAB 63.24, -9.69, -22.8

 

CMYK 35 / 13 / 0 / 20

HEX #84B2CC

RGB 132 178 204

HSL 201.67, 0.41%, 0.66%

LAB 70.25, -8.88, -18.08

 

CMYK 59 / 21 / 0 / 30

HEX #4A8DB3

RGB 74 141 179

HSL 201.71, 0.42%, 0.5%

LAB 55.85, -9.9, -26.36

 

CMYK 27 / 60 / 0 / 29

HEX #8449B5

RGB 132 73 181

HSL 272.78, 0.43%, 0.5%

LAB 42.77, 45.24, -47.82

 

CMYK 0 / 3 / 60 / 29

HEX #B5AF49

RGB 181 175 73

HSL 56.67, 0.43%, 0.5%

LAB 70.15, -10.96, 51.76

 

CMYK 59 / 21 / 0 / 30

HEX #4A8DB3

RGB 74 141 179

HSL 201.71, 0.42%, 0.5%

LAB 55.85, -9.9, -26.36

 

CMYK 0 / 60 / 21 / 29

HEX #B5498F

RGB 181 73 143

HSL 321.11, 0.43%, 0.5%

LAB 47.72, 51.58, -17.02

 

CMYK 21 / 0 / 60 / 29

HEX #8FB549

RGB 143 181 73

HSL 81.11, 0.43%, 0.5%

LAB 69.02, -29.64, 49.71

 

CMYK 59 / 21 / 0 / 30

HEX #4A8DB3

RGB 74 141 179

HSL 201.71, 0.42%, 0.5%

LAB 55.85, -9.9, -26.36

 

CMYK 27 / 60 / 0 / 29

HEX #8449B5

RGB 132 73 181

HSL 272.78, 0.43%, 0.5%

LAB 42.77, 45.24, -47.82

 

CMYK 0 / 39 / 60 / 29

HEX #B56F49

RGB 181 111 73

HSL 21.11, 0.43%, 0.5%

LAB 53.68, 24, 32.63

 

CMYK 33 / 0 / 60 / 29

HEX #7AB549

RGB 122 181 73

HSL 92.78, 0.43%, 0.5%

LAB 67.77, -37.55, 47.98

 

CMYK 59 / 21 / 0 / 30

HEX #4A8DB3

RGB 74 141 179

HSL 201.71, 0.42%, 0.5%

LAB 55.85, -9.9, -26.36

 

CMYK 9 / 60 / 0 / 29

HEX #A449B5

RGB 164 73 181

HSL 290.56, 0.43%, 0.5%

LAB 46.97, 53.31, -40.89

 

CMYK 0 / 39 / 60 / 29

HEX #B56F49

RGB 181 111 73

HSL 21.11, 0.43%, 0.5%

LAB 53.68, 24, 32.63

 

CMYK 50 / 0 / 60 / 29

HEX #5AB549

RGB 90 181 73

HSL 110.56, 0.43%, 0.5%

LAB 66.29, -47.98, 45.89

 

Description

Color code: HEX #4A8DB3 | qconv.com Color code: HEX #4A8DB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 141 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 141 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 21 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 21% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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