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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A82A1 it is the complementary color #B57D5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A82A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A82A1 shade: #4F829C, #6094AF, #71A6C2, #82B8D5 and #93CAE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A82A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A82A1 shade: #4A82A1, #39708E, #285E7B, #174C68 and #063A55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A82A1 shade: #4A82A1, #4A6AA1, #4A53A1, #584AA1 and #704AA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A82A1 shade: #4A82A1, #4A6AA1, #4A53A1 and #4A4AA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A82A1 shade matches the following richer shades: #4A82A1, #3787B4, #248DC7 and #1192DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A82A1 shade: #4A82A1, #5D7C8E, #70777B, #837168 and #966C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A82A1 shade: #4AA191, #4A99A1, #4A82A1, #4A6BA1 and #4A54A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A82A1 shade: #305468, #3D6B84, #4A82A1, #5F96B5 and #7BA9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A82A1 shade: #4A82A1, #7A4AA1 and #A19C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A82A1 shade: #4A82A1, #A14A82 and #82A14A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A82A1 shade: #4A82A1, #7A4AA1, #A1684A and #71A14A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A82A1 shade: #4A82A1, #944AA1, #A1684A and #57A14A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

Complementary color

CMYK 0 / 31 / 48 / 29

HEX #B57D5E

RGB 181 125 94

HSL 21.38, 0.37%, 0.54%

LAB 57.37, 18.08, 25.61

 

CMYK 49 / 17 / 0 / 39

HEX #4F829C

RGB 79 130 156

HSL 200.26, 0.33%, 0.46%

LAB 51.87, -9.68, -19.22

 

CMYK 45 / 15 / 0 / 31

HEX #6094AF

RGB 96 148 175

HSL 200.51, 0.33%, 0.53%

LAB 58.75, -9.95, -19.54

 

CMYK 42 / 14 / 0 / 24

HEX #71A6C2

RGB 113 166 194

HSL 200.74, 0.4%, 0.6%

LAB 65.5, -10.16, -19.86

 

CMYK 39 / 14 / 0 / 16

HEX #82B8D5

RGB 130 184 213

HSL 200.96, 0.5%, 0.67%

LAB 72.12, -10.32, -20.19

 

CMYK 37 / 13 / 0 / 9

HEX #93CAE8

RGB 147 202 232

HSL 201.18, 0.65%, 0.74%

LAB 78.62, -10.45, -20.51

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 60 / 21 / 0 / 44

HEX #39708E

RGB 57 112 142

HSL 201.18, 0.43%, 0.39%

LAB 44.82, -8.8, -21.9

 

CMYK 67 / 24 / 0 / 52

HEX #285E7B

RGB 40 94 123

HSL 200.96, 0.51%, 0.32%

LAB 37.64, -8.02, -21.59

 

CMYK 78 / 27 / 0 / 59

HEX #174C68

RGB 23 76 104

HSL 200.74, 0.64%, 0.25%

LAB 30.28, -6.84, -21.24

 

CMYK 93 / 32 / 0 / 67

HEX #063A55

RGB 6 58 85

HSL 200.51, 0.87%, 0.18%

LAB 22.73, -5, -20.81

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 54 / 34 / 0 / 37

HEX #4A6AA1

RGB 74 106 161

HSL 217.93, 0.37%, 0.46%

LAB 44.71, 4.93, -33.27

 

CMYK 54 / 48 / 0 / 37

HEX #4A53A1

RGB 74 83 161

HSL 233.79, 0.37%, 0.46%

LAB 38.23, 19.52, -43.56

 

CMYK 45 / 54 / 0 / 37

HEX #584AA1

RGB 88 74 161

HSL 249.66, 0.37%, 0.46%

LAB 37.01, 28.49, -45.44

 

CMYK 30 / 54 / 0 / 37

HEX #704AA1

RGB 112 74 161

HSL 266.21, 0.37%, 0.46%

LAB 39.44, 34.59, -41.43

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 54 / 34 / 0 / 37

HEX #4A6AA1

RGB 74 106 161

HSL 217.93, 0.37%, 0.46%

LAB 44.71, 4.93, -33.27

 

CMYK 54 / 48 / 0 / 37

HEX #4A53A1

RGB 74 83 161

HSL 233.79, 0.37%, 0.46%

LAB 38.23, 19.52, -43.56

 

CMYK 54 / 54 / 0 / 37

HEX #4A4AA1

RGB 74 74 161

HSL 240, 0.37%, 0.46%

LAB 35.84, 25.31, -47.39

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 69 / 25 / 0 / 29

HEX #3787B4

RGB 55 135 180

HSL 201.6, 0.53%, 0.46%

LAB 53.42, -9.59, -30.75

 

CMYK 82 / 29 / 0 / 22

HEX #248DC7

RGB 36 141 199

HSL 201.35, 0.69%, 0.46%

LAB 55.63, -8.61, -38.15

 

CMYK 92 / 33 / 0 / 15

HEX #1192DA

RGB 17 146 218

HSL 201.49, 0.86%, 0.46%

LAB 57.79, -5.73, -45.46

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 35 / 13 / 0 / 44

HEX #5D7C8E

RGB 93 124 142

HSL 202.04, 0.21%, 0.46%

LAB 50.33, -6.39, -13.31

 

CMYK 9 / 3 / 0 / 52

HEX #70777B

RGB 112 119 123

HSL 201.82, 0.05%, 0.46%

LAB 49.58, -1.76, -3.1

 

CMYK 0 / 14 / 21 / 49

HEX #837168

RGB 131 113 104

HSL 20, 0.11%, 0.46%

LAB 49.05, 5.48, 7.58

 

CMYK 0 / 28 / 43 / 41

HEX #966C55

RGB 150 108 85

HSL 21.23, 0.28%, 0.46%

LAB 49.33, 13.69, 19.46

 

CMYK 54 / 0 / 10 / 37

HEX #4AA191

RGB 74 161 145

HSL 168.97, 0.37%, 0.46%

LAB 60.77, -30.19, 0.38

 

CMYK 54 / 5 / 0 / 37

HEX #4A99A1

RGB 74 153 161

HSL 185.52, 0.37%, 0.46%

LAB 58.8, -21.84, -11.61

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 54 / 34 / 0 / 37

HEX #4A6BA1

RGB 74 107 161

HSL 217.24, 0.37%, 0.46%

LAB 45, 4.31, -32.81

 

CMYK 54 / 48 / 0 / 37

HEX #4A54A1

RGB 74 84 161

HSL 233.1, 0.37%, 0.46%

LAB 38.5, 18.87, -43.13

 

CMYK 54 / 19 / 0 / 59

HEX #305468

RGB 48 84 104

HSL 201.43, 0.37%, 0.3%

LAB 33.92, -6.7, -15.53

 

CMYK 54 / 19 / 0 / 48

HEX #3D6B84

RGB 61 107 132

HSL 201.13, 0.37%, 0.38%

LAB 43.02, -8.21, -18.67

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 48 / 17 / 0 / 29

HEX #5F96B5

RGB 95 150 181

HSL 201.63, 0.37%, 0.54%

LAB 59.51, -9.59, -21.79

 

CMYK 37 / 13 / 0 / 24

HEX #7BA9C2

RGB 123 169 194

HSL 201.13, 0.37%, 0.62%

LAB 66.89, -9.09, -17.7

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 24 / 54 / 0 / 37

HEX #7A4AA1

RGB 122 74 161

HSL 273.1, 0.37%, 0.46%

LAB 40.59, 37.29, -39.53

 

CMYK 0 / 3 / 54 / 37

HEX #A19C4A

RGB 161 156 74

HSL 56.55, 0.37%, 0.46%

LAB 63.22, -9.47, 42.99

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 0 / 54 / 19 / 37

HEX #A14A82

RGB 161 74 130

HSL 321.38, 0.37%, 0.46%

LAB 44.36, 42.96, -14.57

 

CMYK 19 / 0 / 54 / 37

HEX #82A14A

RGB 130 161 74

HSL 81.38, 0.37%, 0.46%

LAB 62.28, -24.99, 41.29

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 24 / 54 / 0 / 37

HEX #7A4AA1

RGB 122 74 161

HSL 273.1, 0.37%, 0.46%

LAB 40.59, 37.29, -39.53

 

CMYK 0 / 35 / 54 / 37

HEX #A1684A

RGB 161 104 74

HSL 20.69, 0.37%, 0.46%

LAB 49.46, 19.55, 26.24

 

CMYK 30 / 0 / 54 / 37

HEX #71A14A

RGB 113 161 74

HSL 93.1, 0.37%, 0.46%

LAB 61.22, -31.56, 39.77

 

CMYK 54 / 19 / 0 / 37

HEX #4A82A1

RGB 74 130 161

HSL 201.38, 0.37%, 0.46%

LAB 51.83, -9.34, -22.2

 

CMYK 8 / 54 / 0 / 37

HEX #944AA1

RGB 148 74 161

HSL 291.03, 0.37%, 0.46%

LAB 43.9, 44.55, -34.08

 

CMYK 0 / 35 / 54 / 37

HEX #A1684A

RGB 161 104 74

HSL 20.69, 0.37%, 0.46%

LAB 49.46, 19.55, 26.24

 

CMYK 46 / 0 / 54 / 37

HEX #57A14A

RGB 87 161 74

HSL 111.03, 0.37%, 0.46%

LAB 59.9, -40.49, 37.88

 

Description

Color code: HEX #4A82A1 | qconv.com Color code: HEX #4A82A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 130 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 130 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 19 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 19% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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