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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A74AF it is the complementary color #B58B50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A74AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A74AF shade: #4F74AA, #6086BD, #7198D0, #82AAE3 and #93BCF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A74AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A74AF shade: #4A74AF, #39629C, #285089, #173E76 and #062C63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A74AF shade: #4974B0, #4958B0, #5649B0, #7249B0 and #8D49B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A74AF shade: #4974B0, #4958B0 and #4949B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A74AF shade matches the following richer shades: #4974B0, #3570C4, #216DD8 and #0D6AEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A74AF shade: #4974B0, #5D779B, #727B87, #867E73 and #9A815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A74AF shade: #49ABB0, #498FB0, #4974B0, #4959B0 and #5549B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A74AF shade: #314D76, #3D6193, #4974B0, #648ABE and #81A0CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A74AF shade: #4A74AF, #9949B0 and #9DB049

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A74AF shade: #4A74AF, #B04974 and #74B049

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A74AF shade: #4A74AF, #9949B0, #B08549 and #5FB049

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A74AF shade: #4A74AF, #B049A7, #B08549 and #49B052

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 34 / 0 / 31

HEX #4A74AF

RGB 74 116 175

HSL 215.05, 0.41%, 0.49%

LAB 48.31, 3.43, -35.81

 

Complementary color

CMYK 0 / 23 / 56 / 29

HEX #B58B50

RGB 181 139 80

HSL 35.05, 0.41%, 0.51%

LAB 60.67, 8.98, 37.39

 

CMYK 54 / 32 / 0 / 33

HEX #4F74AA

RGB 79 116 170

HSL 215.6, 0.37%, 0.49%

LAB 48.33, 2.91, -32.85

 

CMYK 49 / 29 / 0 / 26

HEX #6086BD

RGB 96 134 189

HSL 215.48, 0.41%, 0.56%

LAB 55.29, 2.18, -32.85

 

CMYK 46 / 27 / 0 / 18

HEX #7198D0

RGB 113 152 208

HSL 215.37, 0.5%, 0.63%

LAB 62.1, 1.59, -32.89

 

CMYK 43 / 25 / 0 / 11

HEX #82AAE3

RGB 130 170 227

HSL 215.26, 0.63%, 0.7%

LAB 68.78, 1.11, -32.96

 

CMYK 40 / 24 / 0 / 4

HEX #93BCF6

RGB 147 188 246

HSL 215.15, 0.85%, 0.77%

LAB 75.34, 0.69, -33.06

 

CMYK 58 / 34 / 0 / 31

HEX #4A74AF

RGB 74 116 175

HSL 215.05, 0.41%, 0.49%

LAB 48.31, 3.43, -35.81

 

CMYK 63 / 37 / 0 / 39

HEX #39629C

RGB 57 98 156

HSL 215.15, 0.46%, 0.42%

LAB 41.22, 4.56, -35.86

 

CMYK 71 / 42 / 0 / 46

HEX #285089

RGB 40 80 137

HSL 215.26, 0.55%, 0.35%

LAB 33.97, 6.07, -35.94

 

CMYK 81 / 47 / 0 / 54

HEX #173E76

RGB 23 62 118

HSL 215.37, 0.67%, 0.28%

LAB 26.55, 8.17, -36.02

 

CMYK 94 / 56 / 0 / 61

HEX #062C63

RGB 6 44 99

HSL 215.48, 0.89%, 0.21%

LAB 18.97, 11.16, -36.02

 

CMYK 59 / 34 / 0 / 31

HEX #4974B0

RGB 73 116 176

HSL 214.95, 0.41%, 0.49%

LAB 48.31, 3.56, -36.39

 

CMYK 59 / 50 / 0 / 31

HEX #4958B0

RGB 73 88 176

HSL 231.26, 0.41%, 0.49%

LAB 40.46, 21.16, -48.89

 

CMYK 51 / 59 / 0 / 31

HEX #5649B0

RGB 86 73 176

HSL 247.57, 0.41%, 0.49%

LAB 37.62, 33.28, -53.41

 

CMYK 35 / 59 / 0 / 31

HEX #7249B0

RGB 114 73 176

HSL 263.88, 0.41%, 0.49%

LAB 40.37, 39.6, -48.84

 

CMYK 20 / 59 / 0 / 31

HEX #8D49B0

RGB 141 73 176

HSL 279.61, 0.41%, 0.49%

LAB 43.6, 46.35, -43.49

 

CMYK 59 / 34 / 0 / 31

HEX #4974B0

RGB 73 116 176

HSL 214.95, 0.41%, 0.49%

LAB 48.31, 3.56, -36.39

 

CMYK 59 / 50 / 0 / 31

HEX #4958B0

RGB 73 88 176

HSL 231.26, 0.41%, 0.49%

LAB 40.46, 21.16, -48.89

 

CMYK 59 / 59 / 0 / 31

HEX #4949B0

RGB 73 73 176

HSL 240, 0.41%, 0.49%

LAB 36.59, 30.73, -55.14

 

CMYK 59 / 34 / 0 / 31

HEX #4974B0

RGB 73 116 176

HSL 214.95, 0.41%, 0.49%

LAB 48.31, 3.56, -36.39

 

CMYK 73 / 43 / 0 / 23

HEX #3570C4

RGB 53 112 196

HSL 215.24, 0.57%, 0.49%

LAB 47.41, 9.66, -49.45

 

CMYK 85 / 50 / 0 / 15

HEX #216DD8

RGB 33 109 216

HSL 215.08, 0.73%, 0.49%

LAB 47.26, 17.04, -61.15

 

CMYK 94 / 55 / 0 / 7

HEX #0D6AEC

RGB 13 106 236

HSL 214.98, 0.9%, 0.49%

LAB 47.56, 25.7, -71.97

 

CMYK 59 / 34 / 0 / 31

HEX #4974B0

RGB 73 116 176

HSL 214.95, 0.41%, 0.49%

LAB 48.31, 3.56, -36.39

 

CMYK 40 / 23 / 0 / 39

HEX #5D779B

RGB 93 119 155

HSL 214.84, 0.25%, 0.49%

LAB 49.36, 0.14, -22.42

 

CMYK 16 / 9 / 0 / 47

HEX #727B87

RGB 114 123 135

HSL 214.29, 0.08%, 0.49%

LAB 51.26, -0.69, -7.66

 

CMYK 0 / 6 / 14 / 47

HEX #867E73

RGB 134 126 115

HSL 34.74, 0.08%, 0.49%

LAB 53.2, 1.03, 7.07

 

CMYK 0 / 16 / 38 / 40

HEX #9A815F

RGB 154 129 95

HSL 34.58, 0.24%, 0.49%

LAB 55.48, 4.57, 22.01

 

CMYK 59 / 3 / 0 / 31

HEX #49ABB0

RGB 73 171 176

HSL 182.91, 0.41%, 0.49%

LAB 64.71, -26.88, -11.19

 

CMYK 59 / 19 / 0 / 31

HEX #498FB0

RGB 73 143 176

HSL 199.22, 0.41%, 0.49%

LAB 56.28, -12.17, -23.98

 

CMYK 59 / 34 / 0 / 31

HEX #4974B0

RGB 73 116 176

HSL 214.95, 0.41%, 0.49%

LAB 48.31, 3.56, -36.39

 

CMYK 59 / 49 / 0 / 31

HEX #4959B0

RGB 73 89 176

HSL 230.68, 0.41%, 0.49%

LAB 40.73, 20.52, -48.45

 

CMYK 52 / 59 / 0 / 31

HEX #5549B0

RGB 85 73 176

HSL 246.99, 0.41%, 0.49%

LAB 37.54, 33.08, -53.55

 

CMYK 58 / 35 / 0 / 54

HEX #314D76

RGB 49 77 118

HSL 215.65, 0.41%, 0.33%

LAB 32.41, 2.8, -26.63

 

CMYK 59 / 34 / 0 / 42

HEX #3D6193

RGB 61 97 147

HSL 214.88, 0.41%, 0.41%

LAB 40.65, 2.87, -31.37

 

CMYK 59 / 34 / 0 / 31

HEX #4974B0

RGB 73 116 176

HSL 214.95, 0.41%, 0.49%

LAB 48.31, 3.56, -36.39

 

CMYK 47 / 27 / 0 / 25

HEX #648ABE

RGB 100 138 190

HSL 214.67, 0.41%, 0.57%

LAB 56.69, 1.13, -31.23

 

CMYK 36 / 21 / 0 / 21

HEX #81A0CA

RGB 129 160 202

HSL 214.52, 0.41%, 0.65%

LAB 65.02, -0.36, -24.96

 

CMYK 58 / 34 / 0 / 31

HEX #4A74AF

RGB 74 116 175

HSL 215.05, 0.41%, 0.49%

LAB 48.31, 3.43, -35.81

 

CMYK 13 / 59 / 0 / 31

HEX #9949B0

RGB 153 73 176

HSL 286.6, 0.41%, 0.49%

LAB 45.18, 49.46, -40.88

 

CMYK 11 / 0 / 59 / 31

HEX #9DB049

RGB 157 176 73

HSL 71.07, 0.41%, 0.49%

LAB 68.53, -21.56, 49.44

 

CMYK 58 / 34 / 0 / 31

HEX #4A74AF

RGB 74 116 175

HSL 215.05, 0.41%, 0.49%

LAB 48.31, 3.43, -35.81

 

CMYK 0 / 59 / 34 / 31

HEX #B04974

RGB 176 73 116

HSL 334.95, 0.41%, 0.49%

LAB 45.98, 46.38, -3.37

 

CMYK 34 / 0 / 59 / 31

HEX #74B049

RGB 116 176 73

HSL 94.95, 0.41%, 0.49%

LAB 65.94, -37.46, 45.8

 

CMYK 58 / 34 / 0 / 31

HEX #4A74AF

RGB 74 116 175

HSL 215.05, 0.41%, 0.49%

LAB 48.31, 3.43, -35.81

 

CMYK 13 / 59 / 0 / 31

HEX #9949B0

RGB 153 73 176

HSL 286.6, 0.41%, 0.49%

LAB 45.18, 49.46, -40.88

 

CMYK 0 / 24 / 59 / 31

HEX #B08549

RGB 176 133 73

HSL 34.95, 0.41%, 0.49%

LAB 58.5, 9.58, 38.31

 

CMYK 46 / 0 / 59 / 31

HEX #5FB049

RGB 95 176 73

HSL 107.18, 0.41%, 0.49%

LAB 64.93, -44.45, 44.38

 

CMYK 58 / 34 / 0 / 31

HEX #4A74AF

RGB 74 116 175

HSL 215.05, 0.41%, 0.49%

LAB 48.31, 3.43, -35.81

 

CMYK 0 / 59 / 5 / 31

HEX #B049A7

RGB 176 73 167

HSL 305.24, 0.41%, 0.49%

LAB 47.99, 53.93, -30.93

 

CMYK 0 / 24 / 59 / 31

HEX #B08549

RGB 176 133 73

HSL 34.95, 0.41%, 0.49%

LAB 58.5, 9.58, 38.31

 

CMYK 59 / 0 / 53 / 31

HEX #49B052

RGB 73 176 82

HSL 125.24, 0.41%, 0.49%

LAB 64.22, -49.41, 39.02

 

Description

Color code: HEX #4A74AF | qconv.com Color code: HEX #4A74AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 116 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 116 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 34 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 34% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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