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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A738B it is the complementary color #B58C74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A738B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A738B shade: #4F7386, #608599, #7197AC, #82A9BF and #93BBD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A738B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A738B shade: #4A738B, #396178, #284F65, #173D52 and #062B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A738B shade: #49738C, #49618C, #494F8C, #55498C and #67498C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A738B shade: #49738C, #49618C, #494F8C and #49498C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A738B shade matches the following richer shades: #49738C, #38789D, #277CAE, #1581C0 and #0485D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A738B shade: #49738C, #5B6F7A, #6C6A69, #7D6658 and #8F6146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A738B shade: #498C81, #49858C, #49738C, #49628C and #49508C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A738B shade: #2D4756, #3B5D71, #49738C, #588AA7 and #739DB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A738B shade: #4A738B, #6F498C and #8C8A49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A738B shade: #4A738B, #8C4973 and #738C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A738B shade: #4A738B, #6F498C, #8C6249 and #668C49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A738B shade: #4A738B, #83498C, #8C6249 and #528C49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 17 / 0 / 45

HEX #4A738B

RGB 74 115 139

HSL 202.15, 0.31%, 0.42%

LAB 46.42, -7.44, -17.59

 

Complementary color

CMYK 0 / 23 / 36 / 29

HEX #B58C74

RGB 181 140 116

HSL 22.15, 0.31%, 0.58%

LAB 61.52, 12.21, 18.8

 

CMYK 41 / 14 / 0 / 47

HEX #4F7386

RGB 79 115 134

HSL 200.73, 0.26%, 0.42%

LAB 46.51, -7.53, -14.46

 

CMYK 37 / 13 / 0 / 40

HEX #608599

RGB 96 133 153

HSL 201.05, 0.23%, 0.49%

LAB 53.56, -7.67, -14.82

 

CMYK 34 / 12 / 0 / 33

HEX #7197AC

RGB 113 151 172

HSL 201.36, 0.26%, 0.56%

LAB 60.45, -7.78, -15.18

 

CMYK 32 / 12 / 0 / 25

HEX #82A9BF

RGB 130 169 191

HSL 201.64, 0.32%, 0.63%

LAB 67.19, -7.87, -15.54

 

CMYK 30 / 11 / 0 / 18

HEX #93BBD2

RGB 147 187 210

HSL 201.9, 0.41%, 0.7%

LAB 73.8, -7.95, -15.91

 

CMYK 47 / 17 / 0 / 45

HEX #4A738B

RGB 74 115 139

HSL 202.15, 0.31%, 0.42%

LAB 46.42, -7.44, -17.59

 

CMYK 53 / 19 / 0 / 53

HEX #396178

RGB 57 97 120

HSL 201.9, 0.36%, 0.35%

LAB 39.2, -7.1, -17.28

 

CMYK 60 / 22 / 0 / 60

HEX #284F65

RGB 40 79 101

HSL 201.64, 0.43%, 0.28%

LAB 31.77, -6.59, -16.98

 

CMYK 72 / 26 / 0 / 68

HEX #173D52

RGB 23 61 82

HSL 201.36, 0.56%, 0.21%

LAB 24.09, -5.76, -16.66

 

CMYK 90 / 32 / 0 / 75

HEX #062B3F

RGB 6 43 63

HSL 201.05, 0.83%, 0.14%

LAB 16.13, -4.34, -16.3

 

CMYK 48 / 18 / 0 / 45

HEX #49738C

RGB 73 115 140

HSL 202.39, 0.31%, 0.42%

LAB 46.41, -7.4, -18.21

 

CMYK 48 / 31 / 0 / 45

HEX #49618C

RGB 73 97 140

HSL 218.51, 0.31%, 0.42%

LAB 40.99, 3.47, -26.58

 

CMYK 48 / 44 / 0 / 45

HEX #494F8C

RGB 73 79 140

HSL 234.63, 0.31%, 0.42%

LAB 35.79, 14.95, -34.76

 

CMYK 39 / 48 / 0 / 45

HEX #55498C

RGB 85 73 140

HSL 250.75, 0.31%, 0.42%

LAB 35.18, 22.03, -35.67

 

CMYK 26 / 48 / 0 / 45

HEX #67498C

RGB 103 73 140

HSL 266.87, 0.31%, 0.42%

LAB 37.01, 27.2, -32.66

 

CMYK 48 / 18 / 0 / 45

HEX #49738C

RGB 73 115 140

HSL 202.39, 0.31%, 0.42%

LAB 46.41, -7.4, -18.21

 

CMYK 48 / 31 / 0 / 45

HEX #49618C

RGB 73 97 140

HSL 218.51, 0.31%, 0.42%

LAB 40.99, 3.47, -26.58

 

CMYK 48 / 44 / 0 / 45

HEX #494F8C

RGB 73 79 140

HSL 234.63, 0.31%, 0.42%

LAB 35.79, 14.95, -34.76

 

CMYK 48 / 48 / 0 / 45

HEX #49498C

RGB 73 73 140

HSL 240, 0.31%, 0.42%

LAB 34.14, 18.85, -37.39

 

CMYK 48 / 18 / 0 / 45

HEX #49738C

RGB 73 115 140

HSL 202.39, 0.31%, 0.42%

LAB 46.41, -7.4, -18.21

 

CMYK 64 / 24 / 0 / 38

HEX #38789D

RGB 56 120 157

HSL 201.98, 0.47%, 0.42%

LAB 47.89, -8.63, -26.01

 

CMYK 78 / 29 / 0 / 32

HEX #277CAE

RGB 39 124 174

HSL 202.22, 0.63%, 0.42%

LAB 49.38, -7.55, -33.64

 

CMYK 89 / 33 / 0 / 25

HEX #1581C0

RGB 21 129 192

HSL 202.11, 0.8%, 0.42%

LAB 51.46, -5.38, -40.76

 

CMYK 98 / 36 / 0 / 18

HEX #0485D1

RGB 4 133 209

HSL 202.24, 0.96%, 0.42%

LAB 53.39, -1.96, -47.37

 

CMYK 48 / 18 / 0 / 45

HEX #49738C

RGB 73 115 140

HSL 202.39, 0.31%, 0.42%

LAB 46.41, -7.4, -18.21

 

CMYK 25 / 9 / 0 / 52

HEX #5B6F7A

RGB 91 111 122

HSL 201.29, 0.15%, 0.42%

LAB 45.63, -4.7, -8.54

 

CMYK 0 / 2 / 3 / 58

HEX #6C6A69

RGB 108 106 105

HSL 20, 0.01%, 0.42%

LAB 44.96, 0.58, 0.83

 

CMYK 0 / 18 / 30 / 51

HEX #7D6658

RGB 125 102 88

HSL 22.7, 0.17%, 0.42%

LAB 45.04, 6.94, 11.37

 

CMYK 0 / 32 / 51 / 44

HEX #8F6146

RGB 143 97 70

HSL 22.19, 0.34%, 0.42%

LAB 45.4, 15.43, 22.89

 

CMYK 48 / 0 / 8 / 45

HEX #498C81

RGB 73 140 129

HSL 170.15, 0.31%, 0.42%

LAB 53.77, -24.14, -0.72

 

CMYK 48 / 5 / 0 / 45

HEX #49858C

RGB 73 133 140

HSL 186.27, 0.31%, 0.42%

LAB 51.93, -17.49, -9.83

 

CMYK 48 / 18 / 0 / 45

HEX #49738C

RGB 73 115 140

HSL 202.39, 0.31%, 0.42%

LAB 46.41, -7.4, -18.21

 

CMYK 48 / 30 / 0 / 45

HEX #49628C

RGB 73 98 140

HSL 217.61, 0.31%, 0.42%

LAB 41.29, 2.84, -26.12

 

CMYK 48 / 43 / 0 / 45

HEX #49508C

RGB 73 80 140

HSL 233.73, 0.31%, 0.42%

LAB 36.08, 14.3, -34.31

 

CMYK 48 / 17 / 0 / 66

HEX #2D4756

RGB 45 71 86

HSL 201.95, 0.31%, 0.26%

LAB 28.74, -5.3, -12.03

 

CMYK 48 / 18 / 0 / 56

HEX #3B5D71

RGB 59 93 113

HSL 202.22, 0.31%, 0.34%

LAB 37.75, -6.37, -15.19

 

CMYK 48 / 18 / 0 / 45

HEX #49738C

RGB 73 115 140

HSL 202.39, 0.31%, 0.42%

LAB 46.41, -7.4, -18.21

 

CMYK 47 / 17 / 0 / 35

HEX #588AA7

RGB 88 138 167

HSL 202.03, 0.31%, 0.5%

LAB 55.12, -8.7, -20.57

 

CMYK 36 / 13 / 0 / 29

HEX #739DB5

RGB 115 157 181

HSL 201.82, 0.31%, 0.58%

LAB 62.59, -8.17, -17

 

CMYK 47 / 17 / 0 / 45

HEX #4A738B

RGB 74 115 139

HSL 202.15, 0.31%, 0.42%

LAB 46.42, -7.44, -17.59

 

CMYK 21 / 48 / 0 / 45

HEX #6F498C

RGB 111 73 140

HSL 274.03, 0.31%, 0.42%

LAB 37.91, 29.6, -31.17

 

CMYK 0 / 1 / 48 / 45

HEX #8C8A49

RGB 140 138 73

HSL 58.21, 0.31%, 0.42%

LAB 56.32, -8.95, 34.85

 

CMYK 47 / 17 / 0 / 45

HEX #4A738B

RGB 74 115 139

HSL 202.15, 0.31%, 0.42%

LAB 46.42, -7.44, -17.59

 

CMYK 0 / 48 / 18 / 45

HEX #8C4973

RGB 140 73 115

HSL 322.39, 0.31%, 0.42%

LAB 40.54, 34.05, -11.46

 

CMYK 18 / 0 / 48 / 45

HEX #738C49

RGB 115 140 73

HSL 82.39, 0.31%, 0.42%

LAB 54.95, -20.56, 32.73

 

CMYK 47 / 17 / 0 / 45

HEX #4A738B

RGB 74 115 139

HSL 202.15, 0.31%, 0.42%

LAB 46.42, -7.44, -17.59

 

CMYK 21 / 48 / 0 / 45

HEX #6F498C

RGB 111 73 140

HSL 274.03, 0.31%, 0.42%

LAB 37.91, 29.6, -31.17

 

CMYK 0 / 30 / 48 / 45

HEX #8C6249

RGB 140 98 73

HSL 22.39, 0.31%, 0.42%

LAB 45.35, 13.85, 20.99

 

CMYK 27 / 0 / 48 / 45

HEX #668C49

RGB 102 140 73

HSL 94.03, 0.31%, 0.42%

LAB 54.09, -25.7, 31.48

 

CMYK 47 / 17 / 0 / 45

HEX #4A738B

RGB 74 115 139

HSL 202.15, 0.31%, 0.42%

LAB 46.42, -7.44, -17.59

 

CMYK 6 / 48 / 0 / 45

HEX #83498C

RGB 131 73 140

HSL 291.94, 0.31%, 0.42%

LAB 40.38, 35.76, -27.12

 

CMYK 0 / 30 / 48 / 45

HEX #8C6249

RGB 140 98 73

HSL 22.39, 0.31%, 0.42%

LAB 45.35, 13.85, 20.99

 

CMYK 41 / 0 / 48 / 45

HEX #528C49

RGB 82 140 73

HSL 111.94, 0.31%, 0.42%

LAB 52.98, -32.91, 29.85

 

Description

Color code: HEX #4A738B | qconv.com Color code: HEX #4A738B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 115 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 115 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 17 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 17% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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