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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A6C92 it is the complementary color #B5936D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A6C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A6C92 shade: #4F6C8D, #607EA0, #7190B3, #82A2C6 and #93B4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A6C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A6C92 shade: #4A6C92, #395A7F, #28486C, #173659 and #062446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A6C92 shade: #496C92, #495892, #4E4992, #624992 and #754992

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A6C92 shade: #496C92, #495892 and #494992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A6C92 shade matches the following richer shades: #496C92, #386BA4, #266AB5, #1469C7 and #0368D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A6C92 shade: #496C92, #5B6D80, #6D6E6E, #7F6F5D and #90704B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A6C92 shade: #499291, #498092, #496C92, #495992 and #4D4992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A6C92 shade: #2E435B, #3C5776, #496C92, #5980AB and #7595B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A6C92 shade: #4A6C92, #7D4992 and #899249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A6C92 shade: #4A6C92, #92496C and #6C9249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A6C92 shade: #4A6C92, #7D4992, #926F49 and #5E9249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A6C92 shade: #4A6C92, #924991, #926F49 and #49924B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

Complementary color

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 44 / 23 / 0 / 45

HEX #4F6C8D

RGB 79 108 141

HSL 211.94, 0.28%, 0.43%

LAB 44.67, -1.33, -21.43

 

CMYK 40 / 21 / 0 / 37

HEX #607EA0

RGB 96 126 160

HSL 211.88, 0.25%, 0.5%

LAB 51.78, -1.7, -21.6

 

CMYK 37 / 20 / 0 / 30

HEX #7190B3

RGB 113 144 179

HSL 211.82, 0.3%, 0.57%

LAB 58.71, -1.99, -21.8

 

CMYK 34 / 18 / 0 / 22

HEX #82A2C6

RGB 130 162 198

HSL 211.76, 0.37%, 0.64%

LAB 65.49, -2.24, -22.02

 

CMYK 32 / 17 / 0 / 15

HEX #93B4D9

RGB 147 180 217

HSL 211.71, 0.48%, 0.71%

LAB 72.13, -2.46, -22.26

 

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

CMYK 55 / 29 / 0 / 50

HEX #395A7F

RGB 57 90 127

HSL 211.71, 0.38%, 0.36%

LAB 37.33, -0.49, -24.47

 

CMYK 63 / 33 / 0 / 58

HEX #28486C

RGB 40 72 108

HSL 211.76, 0.46%, 0.29%

LAB 29.83, 0.41, -24.42

 

CMYK 74 / 39 / 0 / 65

HEX #173659

RGB 23 54 89

HSL 211.82, 0.59%, 0.22%

LAB 22.09, 1.76, -24.41

 

CMYK 91 / 49 / 0 / 73

HEX #062446

RGB 6 36 70

HSL 211.88, 0.84%, 0.15%

LAB 14.07, 3.93, -24.4

 

CMYK 50 / 26 / 0 / 43

HEX #496C92

RGB 73 108 146

HSL 211.23, 0.33%, 0.43%

LAB 44.54, -1.39, -24.65

 

CMYK 50 / 40 / 0 / 43

HEX #495892

RGB 73 88 146

HSL 227.67, 0.33%, 0.43%

LAB 38.68, 11.1, -33.84

 

CMYK 47 / 50 / 0 / 43

HEX #4E4992

RGB 78 73 146

HSL 244.11, 0.33%, 0.43%

LAB 34.92, 22.03, -39.78

 

CMYK 33 / 50 / 0 / 43

HEX #624992

RGB 98 73 146

HSL 260.55, 0.33%, 0.43%

LAB 36.81, 27.36, -36.66

 

CMYK 20 / 50 / 0 / 43

HEX #754992

RGB 117 73 146

HSL 276.16, 0.33%, 0.43%

LAB 38.94, 32.84, -33.16

 

CMYK 50 / 26 / 0 / 43

HEX #496C92

RGB 73 108 146

HSL 211.23, 0.33%, 0.43%

LAB 44.54, -1.39, -24.65

 

CMYK 50 / 40 / 0 / 43

HEX #495892

RGB 73 88 146

HSL 227.67, 0.33%, 0.43%

LAB 38.68, 11.1, -33.84

 

CMYK 50 / 50 / 0 / 43

HEX #494992

RGB 73 73 146

HSL 240, 0.33%, 0.43%

LAB 34.51, 20.8, -40.46

 

CMYK 50 / 26 / 0 / 43

HEX #496C92

RGB 73 108 146

HSL 211.23, 0.33%, 0.43%

LAB 44.54, -1.39, -24.65

 

CMYK 66 / 35 / 0 / 36

HEX #386BA4

RGB 56 107 164

HSL 211.67, 0.49%, 0.43%

LAB 44.29, 1.6, -35.77

 

CMYK 79 / 41 / 0 / 29

HEX #266AB5

RGB 38 106 181

HSL 211.47, 0.65%, 0.43%

LAB 44.31, 5.92, -45.73

 

CMYK 90 / 47 / 0 / 22

HEX #1469C7

RGB 20 105 199

HSL 211.51, 0.82%, 0.43%

LAB 44.77, 12.12, -55.45

 

CMYK 99 / 52 / 0 / 15

HEX #0368D9

RGB 3 104 217

HSL 211.68, 0.97%, 0.43%

LAB 45.54, 19.27, -64.52

 

CMYK 50 / 26 / 0 / 43

HEX #496C92

RGB 73 108 146

HSL 211.23, 0.33%, 0.43%

LAB 44.54, -1.39, -24.65

 

CMYK 29 / 15 / 0 / 50

HEX #5B6D80

RGB 91 109 128

HSL 210.81, 0.17%, 0.43%

LAB 45.25, -1.97, -12.72

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 0 / 13 / 27 / 50

HEX #7F6F5D

RGB 127 111 93

HSL 31.76, 0.15%, 0.43%

LAB 47.84, 3.24, 12.33

 

CMYK 0 / 22 / 48 / 44

HEX #90704B

RGB 144 112 75

HSL 32.17, 0.32%, 0.43%

LAB 49.53, 7.66, 25.35

 

CMYK 50 / 0 / 1 / 43

HEX #499291

RGB 73 146 145

HSL 179.18, 0.33%, 0.43%

LAB 56.11, -22.94, -6.49

 

CMYK 50 / 12 / 0 / 43

HEX #498092

RGB 73 128 146

HSL 194.79, 0.33%, 0.43%

LAB 50.61, -13.01, -15.34

 

CMYK 50 / 26 / 0 / 43

HEX #496C92

RGB 73 108 146

HSL 211.23, 0.33%, 0.43%

LAB 44.54, -1.39, -24.65

 

CMYK 50 / 39 / 0 / 43

HEX #495992

RGB 73 89 146

HSL 226.85, 0.33%, 0.43%

LAB 38.96, 10.46, -33.38

 

CMYK 47 / 50 / 0 / 43

HEX #4D4992

RGB 77 73 146

HSL 243.29, 0.33%, 0.43%

LAB 34.84, 21.78, -39.92

 

CMYK 49 / 26 / 0 / 64

HEX #2E435B

RGB 46 67 91

HSL 212, 0.33%, 0.27%

LAB 27.71, -0.78, -16.83

 

CMYK 49 / 26 / 0 / 54

HEX #3C5776

RGB 60 87 118

HSL 212.07, 0.33%, 0.35%

LAB 36.15, -0.81, -20.75

 

CMYK 50 / 26 / 0 / 43

HEX #496C92

RGB 73 108 146

HSL 211.23, 0.33%, 0.43%

LAB 44.54, -1.39, -24.65

 

CMYK 48 / 25 / 0 / 33

HEX #5980AB

RGB 89 128 171

HSL 211.46, 0.33%, 0.51%

LAB 52.4, -1.51, -27.05

 

CMYK 37 / 19 / 0 / 27

HEX #7595B9

RGB 117 149 185

HSL 211.76, 0.33%, 0.59%

LAB 60.59, -2.08, -22.29

 

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

CMYK 14 / 50 / 0 / 43

HEX #7D4992

RGB 125 73 146

HSL 282.74, 0.33%, 0.43%

LAB 39.92, 35.22, -31.55

 

CMYK 6 / 0 / 50 / 43

HEX #899249

RGB 137 146 73

HSL 67.4, 0.33%, 0.43%

LAB 58.37, -14.53, 37.27

 

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

CMYK 0 / 50 / 26 / 43

HEX #92496C

RGB 146 73 108

HSL 331.23, 0.33%, 0.43%

LAB 41.15, 35.06, -6.12

 

CMYK 26 / 0 / 50 / 43

HEX #6C9249

RGB 108 146 73

HSL 91.23, 0.33%, 0.43%

LAB 56.31, -26.36, 34.3

 

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

CMYK 14 / 50 / 0 / 43

HEX #7D4992

RGB 125 73 146

HSL 282.74, 0.33%, 0.43%

LAB 39.92, 35.22, -31.55

 

CMYK 0 / 24 / 50 / 43

HEX #926F49

RGB 146 111 73

HSL 31.23, 0.33%, 0.43%

LAB 49.45, 8.91, 26.43

 

CMYK 36 / 0 / 50 / 43

HEX #5E9249

RGB 94 146 73

HSL 102.74, 0.33%, 0.43%

LAB 55.5, -31.56, 33.12

 

CMYK 49 / 26 / 0 / 43

HEX #4A6C92

RGB 74 108 146

HSL 211.67, 0.33%, 0.43%

LAB 44.6, -1.13, -24.56

 

CMYK 0 / 50 / 1 / 43

HEX #924991

RGB 146 73 145

HSL 300.82, 0.33%, 0.43%

LAB 42.64, 41.35, -26.47

 

CMYK 0 / 24 / 50 / 43

HEX #926F49

RGB 146 111 73

HSL 31.23, 0.33%, 0.43%

LAB 49.45, 8.91, 26.43

 

CMYK 50 / 0 / 49 / 43

HEX #49924B

RGB 73 146 75

HSL 121.64, 0.33%, 0.43%

LAB 54.53, -38.12, 30.65

 

Description

Color code: HEX #4A6C92 | qconv.com Color code: HEX #4A6C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 108 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 108 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 26 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 26% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Информационный блог ...
Link: http://forum4ik.at.ua

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