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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A6583 it is the complementary color #B59A7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A6583. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A6583 shade: #4F657E, #607791, #7189A4, #829BB7 and #93ADCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A6583. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A6583 shade: #4A6583, #395370, #28415D, #172F4A and #061D37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A6583 shade: #496483, #495583, #4D4983, #5D4983 and #6C4983

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A6583 shade: #496483, #495583 and #494983

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A6583 shade matches the following richer shades: #496483, #396493, #2863A4, #1862B4 and #0761C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A6583 shade: #496483, #5A6572, #6A6662, #7B6751 and #8B6841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A6583 shade: #498382, #497483, #496583, #495683 and #4C4983

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A6583 shade: #2C3C4E, #3B5068, #496483, #58799D and #708EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A6583 shade: #4A6583, #724983 and #7C8349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A6583 shade: #4A6583, #834965 and #658349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A6583 shade: #4A6583, #724983, #836749 and #5A8349

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A6583 shade: #4A6583, #834982, #836749 and #49834A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 23 / 0 / 49

HEX #4A6583

RGB 74 101 131

HSL 211.58, 0.28%, 0.4%

LAB 41.85, -1.51, -19.81

 

Complementary color

CMYK 0 / 15 / 31 / 29

HEX #B59A7C

RGB 181 154 124

HSL 31.58, 0.28%, 0.6%

LAB 65.27, 5.5, 19.47

 

CMYK 37 / 20 / 0 / 51

HEX #4F657E

RGB 79 101 126

HSL 211.91, 0.23%, 0.4%

LAB 41.96, -1.51, -16.59

 

CMYK 34 / 18 / 0 / 43

HEX #607791

RGB 96 119 145

HSL 211.84, 0.2%, 0.47%

LAB 49.16, -1.76, -16.83

 

CMYK 31 / 16 / 0 / 36

HEX #7189A4

RGB 113 137 164

HSL 211.76, 0.22%, 0.54%

LAB 56.17, -1.97, -17.1

 

CMYK 29 / 15 / 0 / 28

HEX #829BB7

RGB 130 155 183

HSL 211.7, 0.27%, 0.61%

LAB 63.02, -2.16, -17.39

 

CMYK 27 / 14 / 0 / 21

HEX #93ADCA

RGB 147 173 202

HSL 211.64, 0.34%, 0.68%

LAB 69.72, -2.32, -17.69

 

CMYK 44 / 23 / 0 / 49

HEX #4A6583

RGB 74 101 131

HSL 211.58, 0.28%, 0.4%

LAB 41.85, -1.51, -19.81

 

CMYK 49 / 26 / 0 / 56

HEX #395370

RGB 57 83 112

HSL 211.64, 0.33%, 0.33%

LAB 34.45, -1.06, -19.67

 

CMYK 57 / 30 / 0 / 64

HEX #28415D

RGB 40 65 93

HSL 211.7, 0.4%, 0.26%

LAB 26.8, -0.41, -19.57

 

CMYK 69 / 36 / 0 / 71

HEX #172F4A

RGB 23 47 74

HSL 211.76, 0.53%, 0.19%

LAB 18.84, 0.59, -19.53

 

CMYK 89 / 47 / 0 / 78

HEX #061D37

RGB 6 29 55

HSL 211.84, 0.8%, 0.12%

LAB 10.51, 2.3, -19.55

 

CMYK 44 / 24 / 0 / 49

HEX #496483

RGB 73 100 131

HSL 212.07, 0.28%, 0.4%

LAB 41.48, -1.19, -20.38

 

CMYK 44 / 35 / 0 / 49

HEX #495583

RGB 73 85 131

HSL 227.59, 0.28%, 0.4%

LAB 37.03, 8.21, -27.31

 

CMYK 41 / 44 / 0 / 49

HEX #4D4983

RGB 77 73 131

HSL 244.14, 0.28%, 0.4%

LAB 33.94, 17.09, -32.15

 

CMYK 29 / 44 / 0 / 49

HEX #5D4983

RGB 93 73 131

HSL 260.69, 0.28%, 0.4%

LAB 35.46, 21.8, -29.65

 

CMYK 18 / 44 / 0 / 49

HEX #6C4983

RGB 108 73 131

HSL 276.21, 0.28%, 0.4%

LAB 37.1, 26.5, -26.96

 

CMYK 44 / 24 / 0 / 49

HEX #496483

RGB 73 100 131

HSL 212.07, 0.28%, 0.4%

LAB 41.48, -1.19, -20.38

 

CMYK 44 / 35 / 0 / 49

HEX #495583

RGB 73 85 131

HSL 227.59, 0.28%, 0.4%

LAB 37.03, 8.21, -27.31

 

CMYK 44 / 44 / 0 / 49

HEX #494983

RGB 73 73 131

HSL 240, 0.28%, 0.4%

LAB 33.61, 15.98, -32.71

 

CMYK 44 / 24 / 0 / 49

HEX #496483

RGB 73 100 131

HSL 212.07, 0.28%, 0.4%

LAB 41.48, -1.19, -20.38

 

CMYK 61 / 32 / 0 / 42

HEX #396493

RGB 57 100 147

HSL 211.33, 0.44%, 0.4%

LAB 41.36, 0.14, -30.27

 

CMYK 76 / 40 / 0 / 36

HEX #2863A4

RGB 40 99 164

HSL 211.45, 0.61%, 0.4%

LAB 41.3, 4.1, -40.53

 

CMYK 87 / 46 / 0 / 29

HEX #1862B4

RGB 24 98 180

HSL 211.54, 0.76%, 0.4%

LAB 41.57, 9.35, -49.55

 

CMYK 96 / 51 / 0 / 23

HEX #0761C5

RGB 7 97 197

HSL 211.58, 0.93%, 0.4%

LAB 42.19, 15.96, -58.46

 

CMYK 44 / 24 / 0 / 49

HEX #496483

RGB 73 100 131

HSL 212.07, 0.28%, 0.4%

LAB 41.48, -1.19, -20.38

 

CMYK 21 / 11 / 0 / 55

HEX #5A6572

RGB 90 101 114

HSL 212.5, 0.12%, 0.4%

LAB 42.3, -1.11, -8.72

 

CMYK 0 / 4 / 8 / 58

HEX #6A6662

RGB 106 102 98

HSL 30, 0.04%, 0.4%

LAB 43.43, 0.78, 2.81

 

CMYK 0 / 16 / 34 / 52

HEX #7B6751

RGB 123 103 81

HSL 31.43, 0.21%, 0.4%

LAB 44.95, 4.48, 15.39

 

CMYK 0 / 25 / 53 / 45

HEX #8B6841

RGB 139 104 65

HSL 31.62, 0.36%, 0.4%

LAB 46.67, 9.07, 27.28

 

CMYK 44 / 0 / 1 / 49

HEX #498382

RGB 73 131 130

HSL 178.97, 0.28%, 0.4%

LAB 50.99, -19.2, -5.4

 

CMYK 44 / 11 / 0 / 49

HEX #497483

RGB 73 116 131

HSL 195.52, 0.28%, 0.4%

LAB 46.37, -10.64, -12.91

 

CMYK 44 / 23 / 0 / 49

HEX #496583

RGB 73 101 131

HSL 211.03, 0.28%, 0.4%

LAB 41.79, -1.79, -19.91

 

CMYK 44 / 34 / 0 / 49

HEX #495683

RGB 73 86 131

HSL 226.55, 0.28%, 0.4%

LAB 37.32, 7.57, -26.86

 

CMYK 42 / 44 / 0 / 49

HEX #4C4983

RGB 76 73 131

HSL 243.1, 0.28%, 0.4%

LAB 33.86, 16.81, -32.29

 

CMYK 44 / 23 / 0 / 69

HEX #2C3C4E

RGB 44 60 78

HSL 211.76, 0.28%, 0.24%

LAB 24.69, -1.06, -13

 

CMYK 43 / 23 / 0 / 59

HEX #3B5068

RGB 59 80 104

HSL 212, 0.28%, 0.32%

LAB 33.28, -1.13, -16.46

 

CMYK 44 / 24 / 0 / 49

HEX #496483

RGB 73 100 131

HSL 212.07, 0.28%, 0.4%

LAB 41.48, -1.19, -20.38

 

CMYK 44 / 23 / 0 / 38

HEX #58799D

RGB 88 121 157

HSL 211.3, 0.28%, 0.48%

LAB 49.72, -1.84, -23.06

 

CMYK 36 / 19 / 0 / 31

HEX #708EAF

RGB 112 142 175

HSL 211.43, 0.28%, 0.56%

LAB 57.93, -2.22, -20.72

 

CMYK 44 / 23 / 0 / 49

HEX #4A6583

RGB 74 101 131

HSL 211.58, 0.28%, 0.4%

LAB 41.85, -1.51, -19.81

 

CMYK 13 / 44 / 0 / 49

HEX #724983

RGB 114 73 131

HSL 282.41, 0.28%, 0.4%

LAB 37.81, 28.42, -25.8

 

CMYK 5 / 0 / 44 / 49

HEX #7C8349

RGB 124 131 73

HSL 67.24, 0.28%, 0.4%

LAB 52.95, -12.03, 30.4

 

CMYK 44 / 23 / 0 / 49

HEX #4A6583

RGB 74 101 131

HSL 211.58, 0.28%, 0.4%

LAB 41.85, -1.51, -19.81

 

CMYK 0 / 44 / 23 / 49

HEX #834965

RGB 131 73 101

HSL 331.03, 0.28%, 0.4%

LAB 38.78, 28.52, -5.54

 

CMYK 23 / 0 / 44 / 49

HEX #658349

RGB 101 131 73

HSL 91.03, 0.28%, 0.4%

LAB 51.24, -21.55, 27.89

 

CMYK 44 / 23 / 0 / 49

HEX #4A6583

RGB 74 101 131

HSL 211.58, 0.28%, 0.4%

LAB 41.85, -1.51, -19.81

 

CMYK 13 / 44 / 0 / 49

HEX #724983

RGB 114 73 131

HSL 282.41, 0.28%, 0.4%

LAB 37.81, 28.42, -25.8

 

CMYK 0 / 21 / 44 / 49

HEX #836749

RGB 131 103 73

HSL 31.03, 0.28%, 0.4%

LAB 45.64, 6.95, 21.18

 

CMYK 31 / 0 / 44 / 49

HEX #5A8349

RGB 90 131 73

HSL 102.41, 0.28%, 0.4%

LAB 50.56, -25.77, 26.88

 

CMYK 44 / 23 / 0 / 49

HEX #4A6583

RGB 74 101 131

HSL 211.58, 0.28%, 0.4%

LAB 41.85, -1.51, -19.81

 

CMYK 0 / 44 / 1 / 49

HEX #834982

RGB 131 73 130

HSL 301.03, 0.28%, 0.4%

LAB 39.92, 33.73, -21.74

 

CMYK 0 / 21 / 44 / 49

HEX #836749

RGB 131 103 73

HSL 31.03, 0.28%, 0.4%

LAB 45.64, 6.95, 21.18

 

CMYK 44 / 0 / 44 / 49

HEX #49834A

RGB 73 131 74

HSL 121.03, 0.28%, 0.4%

LAB 49.67, -31.53, 25.01

 

Description

Color code: HEX #4A6583 | qconv.com Color code: HEX #4A6583 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 101 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 101 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 23 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 23% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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