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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A5FD74C it is the complementary color #B5A0284C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A5FD74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A5FD74C shade: #4F5FD24C, #6071E54C, #7183F84C, #8295FF4C and #93A7FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A5FD74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A5FD74C shade: #4A5FD74C, #394DC44C, #283BB14C, #17299E4C and #06178B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A5FD74C shade: #4B60D8, #5C4BD8, #824BD8, #A84BD8 and #CE4BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A5FD74C shade: #4B60D8 and #4B4BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A5FD74C shade matches the following richer shades: #4B60D8, #3954E9 and #2847FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A5FD74C shade: #4B60D8, #5D6DC6, #6F79B4, #8085A2 and #929291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A5FD74C shade: #4BABD8, #4B86D8, #4B60D8, #5C4BD8 and #814BD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A5FD74C shade: #2539AB, #2D45CD, #4B60D8, #6D7EDF and #8F9CE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A5FD74C shade: #4A5FD7, #D84BD1 and #98D84B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A5FD74C shade: #4A5FD7, #D84B60 and #60D84B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A5FD74C shade: #4A5FD7, #D84BD1, #D8C24B and #4BD852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A5FD74C shade: #4A5FD7, #D84BA6, #D8C24B and #4BD87C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 17 / 0 / 5

HEX #4A5FD74C

RGBA 74 95 215 0.3

HSLA 231.06, 0.64%, 0.57%, 0.3

LABA 45.01, 30.32, -64.15, 0.3

 

Complementary color

CMYK 0 / 3 / 23 / 9

HEX #B5A0284C

RGBA 181 160 40 0.3

HSLA 51.06, 0.64%, 0.43%, 0.3

LABA 65.84, -4.89, 60.61, 0.3

 

CMYK 19 / 16 / 0 / 5

HEX #4F5FD24C

RGBA 79 95 210 0.3

HSLA 232.67, 0.59%, 0.57%, 0.3

LABA 44.94, 29.42, -61.39, 0.3

 

CMYK 17 / 15 / 0 / 3

HEX #6071E54C

RGBA 96 113 229 0.3

HSLA 232.33, 0.72%, 0.64%, 0.3

LABA 51.79, 27.63, -61.06, 0.3

 

CMYK 16 / 14 / 0 / 1

HEX #7183F84C

RGBA 113 131 248 0.3

HSLA 232, 0.91%, 0.71%, 0.3

LABA 58.53, 26.12, -60.75, 0.3

 

CMYK 15 / 12 / 0 / 0

HEX #8295FF4C

RGBA 130 149 255 0.3

HSLA 230.88, 1%, 0.75%, 0.3

LABA 64.53, 21.23, -54.95, 0.3

 

CMYK 13 / 10 / 0 / 0

HEX #93A7FF4C

RGBA 147 167 255 0.3

HSLA 228.89, 1%, 0.79%, 0.3

LABA 70.22, 14.87, -45.9, 0.3

 

CMYK 20 / 17 / 0 / 5

HEX #4A5FD74C

RGBA 74 95 215 0.3

HSLA 231.06, 0.64%, 0.57%, 0.3

LABA 45.01, 30.32, -64.15, 0.3

 

CMYK 21 / 18 / 0 / 7

HEX #394DC44C

RGBA 57 77 196 0.3

HSLA 231.37, 0.55%, 0.5%, 0.3

LABA 38.13, 32.63, -64.42, 0.3

 

CMYK 23 / 20 / 0 / 9

HEX #283BB14C

RGBA 40 59 177 0.3

HSLA 231.68, 0.63%, 0.43%, 0.3

LABA 31.24, 35.34, -64.55, 0.3

 

CMYK 26 / 22 / 0 / 11

HEX #17299E4C

RGBA 23 41 158 0.3

HSLA 232, 0.75%, 0.35%, 0.3

LABA 24.44, 38.4, -64.32, 0.3

 

CMYK 29 / 25 / 0 / 14

HEX #06178B4C

RGBA 6 23 139 0.3

HSLA 232.33, 0.92%, 0.28%, 0.3

LABA 17.99, 41.36, -63.29, 0.3

 

CMYK 65 / 56 / 0 / 15

HEX #4B60D8

RGB 75 96 216

HSL 231.06, 0.64%, 0.57%

LAB 45.39, 30.2, -64.1

 

CMYK 57 / 65 / 0 / 15

HEX #5C4BD8

RGB 92 75 216

HSL 247.23, 0.64%, 0.57%

LAB 41.63, 45.58, -70.16

 

CMYK 40 / 65 / 0 / 15

HEX #824BD8

RGB 130 75 216

HSL 263.4, 0.64%, 0.57%

LAB 45.27, 52.44, -64.08

 

CMYK 22 / 65 / 0 / 15

HEX #A84BD8

RGB 168 75 216

HSL 279.57, 0.64%, 0.57%

LAB 49.88, 60.45, -56.42

 

CMYK 5 / 65 / 0 / 15

HEX #CE4BD8

RGB 206 75 216

HSL 295.74, 0.64%, 0.57%

LAB 55.19, 68.99, -47.63

 

CMYK 65 / 56 / 0 / 15

HEX #4B60D8

RGB 75 96 216

HSL 231.06, 0.64%, 0.57%

LAB 45.39, 30.2, -64.1

 

CMYK 65 / 65 / 0 / 15

HEX #4B4BD8

RGB 75 75 216

HSL 240, 0.64%, 0.57%

LAB 40.39, 43.08, -72.25

 

CMYK 65 / 56 / 0 / 15

HEX #4B60D8

RGB 75 96 216

HSL 231.06, 0.64%, 0.57%

LAB 45.39, 30.2, -64.1

 

CMYK 76 / 64 / 0 / 9

HEX #3954E9

RGB 57 84 233

HSL 230.8, 0.8%, 0.57%

LAB 42.9, 41.33, -77.84

 

CMYK 84 / 72 / 0 / 2

HEX #2847FB

RGB 40 71 251

HSL 231.18, 0.96%, 0.57%

LAB 41.09, 53.96, -90.97

 

CMYK 65 / 56 / 0 / 15

HEX #4B60D8

RGB 75 96 216

HSL 231.06, 0.64%, 0.57%

LAB 45.39, 30.2, -64.1

 

CMYK 53 / 45 / 0 / 22

HEX #5D6DC6

RGB 93 109 198

HSL 230.86, 0.48%, 0.57%

LAB 48.69, 19.44, -48.43

 

CMYK 38 / 33 / 0 / 29

HEX #6F79B4

RGB 111 121 180

HSL 231.3, 0.32%, 0.57%

LAB 52.23, 11.17, -32.4

 

CMYK 21 / 18 / 0 / 36

HEX #8085A2

RGB 128 133 162

HSL 231.18, 0.15%, 0.57%

LAB 56.06, 4.59, -16.02

 

CMYK 0 / 0 / 1 / 43

HEX #929291

RGB 146 146 145

HSL 60, 0%, 0.57%

LAB 60.53, -0.19, 0.52

 

CMYK 65 / 21 / 0 / 15

HEX #4BABD8

RGB 75 171 216

HSL 199.15, 0.64%, 0.57%

LAB 66.2, -14.4, -31.11

 

CMYK 65 / 38 / 0 / 15

HEX #4B86D8

RGB 75 134 216

HSL 214.89, 0.64%, 0.57%

LAB 55.59, 6.68, -47.73

 

CMYK 65 / 56 / 0 / 15

HEX #4B60D8

RGB 75 96 216

HSL 231.06, 0.64%, 0.57%

LAB 45.39, 30.2, -64.1

 

CMYK 57 / 65 / 0 / 15

HEX #5C4BD8

RGB 92 75 216

HSL 247.23, 0.64%, 0.57%

LAB 41.63, 45.58, -70.16

 

CMYK 40 / 65 / 0 / 15

HEX #814BD8

RGB 129 75 216

HSL 262.98, 0.64%, 0.57%

LAB 45.16, 52.25, -64.26

 

CMYK 78 / 67 / 0 / 33

HEX #2539AB

RGB 37 57 171

HSL 231.04, 0.64%, 0.41%

LAB 30.06, 34.14, -62.9

 

CMYK 78 / 66 / 0 / 20

HEX #2D45CD

RGB 45 69 205

HSL 231, 0.64%, 0.49%

LAB 36.41, 39.6, -72.5

 

CMYK 65 / 56 / 0 / 15

HEX #4B60D8

RGB 75 96 216

HSL 231.06, 0.64%, 0.57%

LAB 45.39, 30.2, -64.1

 

CMYK 51 / 43 / 0 / 13

HEX #6D7EDF

RGB 109 126 223

HSL 231.05, 0.64%, 0.65%

LAB 55.58, 20.48, -51.56

 

CMYK 38 / 32 / 0 / 10

HEX #8F9CE6

RGB 143 156 230

HSL 231.03, 0.64%, 0.73%

LAB 66, 13.25, -38.86

 

CMYK 66 / 56 / 0 / 16

HEX #4A5FD7

RGB 74 95 215

HSL 231.06, 0.64%, 0.57%

LAB 45.01, 30.32, -64.15

 

CMYK 0 / 65 / 3 / 15

HEX #D84BD1

RGB 216 75 209

HSL 302.98, 0.64%, 0.57%

LAB 56.32, 70.14, -41.76

 

CMYK 30 / 0 / 65 / 15

HEX #98D84B

RGB 152 216 75

HSL 87.23, 0.64%, 0.57%

LAB 79.78, -42.02, 60.76

 

CMYK 66 / 56 / 0 / 16

HEX #4A5FD7

RGB 74 95 215

HSL 231.06, 0.64%, 0.57%

LAB 45.01, 30.32, -64.15

 

CMYK 0 / 65 / 56 / 15

HEX #D84B60

RGB 216 75 96

HSL 351.06, 0.64%, 0.57%

LAB 52.37, 56.53, 18.69

 

CMYK 56 / 0 / 65 / 15

HEX #60D84B

RGB 96 216 75

HSL 111.06, 0.64%, 0.57%

LAB 77.34, -59.47, 57.42

 

CMYK 66 / 56 / 0 / 16

HEX #4A5FD7

RGB 74 95 215

HSL 231.06, 0.64%, 0.57%

LAB 45.01, 30.32, -64.15

 

CMYK 0 / 65 / 3 / 15

HEX #D84BD1

RGB 216 75 209

HSL 302.98, 0.64%, 0.57%

LAB 56.32, 70.14, -41.76

 

CMYK 0 / 10 / 65 / 15

HEX #D8C24B

RGB 216 194 75

HSL 50.64, 0.64%, 0.57%

LAB 78.28, -5.79, 60.55

 

CMYK 65 / 0 / 62 / 15

HEX #4BD852

RGB 75 216 82

HSL 122.98, 0.64%, 0.57%

LAB 76.81, -63.51, 53.73

 

CMYK 66 / 56 / 0 / 16

HEX #4A5FD7

RGB 74 95 215

HSL 231.06, 0.64%, 0.57%

LAB 45.01, 30.32, -64.15

 

CMYK 0 / 65 / 23 / 15

HEX #D84BA6

RGB 216 75 166

HSL 321.28, 0.64%, 0.57%

LAB 54.43, 63.84, -19.88

 

CMYK 0 / 10 / 65 / 15

HEX #D8C24B

RGB 216 194 75

HSL 50.64, 0.64%, 0.57%

LAB 78.28, -5.79, 60.55

 

CMYK 65 / 0 / 43 / 15

HEX #4BD87C

RGB 75 216 124

HSL 140.85, 0.64%, 0.57%

LAB 77.32, -57.71, 34.5

 

Description

Color code: HEX #4A5FD74C | qconv.com Color code: HEX #4A5FD74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 95 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 95 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 17 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 17% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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