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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A4A3C00 it is the complementary color #B5B5C300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A4A3C00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A4A3C00 shade: #4F4A3700, #605C4A00, #716E5D00, #82807000 and #93928300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A4A3C00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A4A3C00 shade: #4A4A3C00, #39382900, #28261600, #17140300 and #06020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A4A3C00 shade: #49493C, #49453C, #49423C, #493E3C and #493C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A4A3C00 shade: #49493C, #45493C, #42493C, #3E493C and #3C493D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A4A3C00 shade matches the following richer shades: #49493C, #545431, #5E5E26, #69691B and #747411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A4A3C00 shade: #49493C, #3E3E46, #333351, #29295C and #1E1E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A4A3C00 shade: #49423C, #49453C, #49493C, #45493C and #42493C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A4A3C00 shade: #1C1C17, #323229, #49493C, #60604E and #767661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A4A3C00 shade: #4A4A3C, #3C493E and #443C49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A4A3C00 shade: #4A4A3C, #3C4949 and #493C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A4A3C00 shade: #4A4A3C, #3C493E, #3C3C49 and #493C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A4A3C00 shade: #4A4A3C, #3C4942, #3C3C49 and #493C42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4A4A3C00

RGBA 74 74 60 0

HSLA 60, 0.1%, 0.26%, 0

LABA 31.07, -2.81, 8.39, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B5B5C300

RGBA 181 181 195 0

HSLA 240, 0.1%, 0.74%, 0

LABA 74.07, 2.71, -7.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4F4A3700

RGBA 79 74 55 0

HSLA 47.5, 0.18%, 0.26%, 0

LABA 31.43, -1.42, 12.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #605C4A00

RGBA 96 92 74 0

HSLA 49.09, 0.13%, 0.33%, 0

LABA 38.96, -1.74, 10.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #716E5D00

RGBA 113 110 93 0

HSLA 51, 0.1%, 0.4%, 0

LABA 46.25, -2, 9.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #82807000

RGBA 130 128 112 0

HSLA 53.33, 0.07%, 0.47%, 0

LABA 53.33, -2.21, 8.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #93928300

RGBA 147 146 131 0

HSLA 56.25, 0.07%, 0.55%, 0

LABA 60.25, -2.39, 8.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4A4A3C00

RGBA 74 74 60 0

HSLA 60, 0.1%, 0.26%, 0

LABA 31.07, -2.81, 8.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #39382900

RGBA 57 56 41 0

HSLA 56.25, 0.16%, 0.19%, 0

LABA 23.2, -2.58, 9.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #28261600

RGBA 40 38 22 0

HSLA 53.33, 0.29%, 0.12%, 0

LABA 14.93, -2.22, 10.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #17140300

RGBA 23 20 3 0

HSLA 51, 0.77%, 0.05%, 0

LABA 6.22, -1.43, 8.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #06020000

RGBA 6 2 0 0

HSLA 20, 1%, 0.01%, 0

LABA 0.74, 0.77, 1.13, 0

 

CMYK 0 / 0 / 18 / 71

HEX #49493C

RGB 73 73 60

HSL 60, 0.1%, 0.26%

LAB 30.66, -2.63, 7.8

 

CMYK 0 / 5 / 18 / 71

HEX #49453C

RGB 73 69 60

HSL 41.54, 0.1%, 0.26%

LAB 29.41, -0.12, 6.04

 

CMYK 0 / 10 / 18 / 71

HEX #49423C

RGB 73 66 60

HSL 27.69, 0.1%, 0.26%

LAB 28.48, 1.79, 4.73

 

CMYK 0 / 15 / 18 / 71

HEX #493E3C

RGB 73 62 60

HSL 9.23, 0.1%, 0.26%

LAB 27.26, 4.37, 2.98

 

CMYK 0 / 18 / 18 / 71

HEX #493C3C

RGB 73 60 60

HSL 0, 0.1%, 0.26%

LAB 26.66, 5.67, 2.12

 

CMYK 0 / 0 / 18 / 71

HEX #49493C

RGB 73 73 60

HSL 60, 0.1%, 0.26%

LAB 30.66, -2.63, 7.8

 

CMYK 5 / 0 / 18 / 71

HEX #45493C

RGB 69 73 60

HSL 78.46, 0.1%, 0.26%

LAB 30.29, -4.38, 7.24

 

CMYK 10 / 0 / 18 / 71

HEX #42493C

RGB 66 73 60

HSL 92.31, 0.1%, 0.26%

LAB 30.03, -5.67, 6.83

 

CMYK 15 / 0 / 18 / 71

HEX #3E493C

RGB 62 73 60

HSL 110.77, 0.1%, 0.26%

LAB 29.7, -7.36, 6.32

 

CMYK 18 / 0 / 16 / 71

HEX #3C493D

RGB 60 73 61

HSL 124.62, 0.1%, 0.26%

LAB 29.57, -7.98, 5.47

 

CMYK 0 / 0 / 18 / 71

HEX #49493C

RGB 73 73 60

HSL 60, 0.1%, 0.26%

LAB 30.66, -2.63, 7.8

 

CMYK 0 / 0 / 42 / 67

HEX #545431

RGB 84 84 49

HSL 60, 0.26%, 0.26%

LAB 34.9, -6.07, 20.46

 

CMYK 0 / 0 / 60 / 63

HEX #5E5E26

RGB 94 94 38

HSL 60, 0.42%, 0.26%

LAB 38.77, -8.44, 31.49

 

CMYK 0 / 0 / 74 / 59

HEX #69691B

RGB 105 105 27

HSL 60, 0.59%, 0.26%

LAB 43.04, -10.27, 41.4

 

CMYK 0 / 0 / 85 / 55

HEX #747411

RGB 116 116 17

HSL 60, 0.74%, 0.26%

LAB 47.29, -11.62, 49.05

 

CMYK 0 / 0 / 18 / 71

HEX #49493C

RGB 73 73 60

HSL 60, 0.1%, 0.26%

LAB 30.66, -2.63, 7.8

 

CMYK 11 / 11 / 0 / 73

HEX #3E3E46

RGB 62 62 70

HSL 240, 0.06%, 0.26%

LAB 26.48, 1.89, -4.88

 

CMYK 37 / 37 / 0 / 68

HEX #333351

RGB 51 51 81

HSL 240, 0.23%, 0.26%

LAB 22.53, 8.32, -18.29

 

CMYK 55 / 55 / 0 / 64

HEX #29295C

RGB 41 41 92

HSL 240, 0.38%, 0.26%

LAB 19.35, 16.15, -30.71

 

CMYK 71 / 71 / 0 / 60

HEX #1E1E67

RGB 30 30 103

HSL 240, 0.55%, 0.26%

LAB 16.42, 25.76, -42.76

 

CMYK 0 / 10 / 18 / 71

HEX #49423C

RGB 73 66 60

HSL 27.69, 0.1%, 0.26%

LAB 28.48, 1.79, 4.73

 

CMYK 0 / 5 / 18 / 71

HEX #49453C

RGB 73 69 60

HSL 41.54, 0.1%, 0.26%

LAB 29.41, -0.12, 6.04

 

CMYK 0 / 0 / 18 / 71

HEX #49493C

RGB 73 73 60

HSL 60, 0.1%, 0.26%

LAB 30.66, -2.63, 7.8

 

CMYK 5 / 0 / 18 / 71

HEX #45493C

RGB 69 73 60

HSL 78.46, 0.1%, 0.26%

LAB 30.29, -4.38, 7.24

 

CMYK 10 / 0 / 18 / 71

HEX #42493C

RGB 66 73 60

HSL 92.31, 0.1%, 0.26%

LAB 30.03, -5.67, 6.83

 

CMYK 0 / 0 / 18 / 89

HEX #1C1C17

RGB 28 28 23

HSL 60, 0.1%, 0.1%

LAB 10.1, -1.19, 3.47

 

CMYK 0 / 0 / 18 / 80

HEX #323229

RGB 50 50 41

HSL 60, 0.1%, 0.18%

LAB 20.52, -1.95, 5.74

 

CMYK 0 / 0 / 18 / 71

HEX #49493C

RGB 73 73 60

HSL 60, 0.1%, 0.26%

LAB 30.66, -2.63, 7.8

 

CMYK 0 / 0 / 19 / 62

HEX #60604E

RGB 96 96 78

HSL 60, 0.1%, 0.34%

LAB 40.25, -3.45, 10.31

 

CMYK 0 / 0 / 18 / 54

HEX #767661

RGB 118 118 97

HSL 60, 0.1%, 0.42%

LAB 49.1, -3.89, 11.6

 

Description

Color code: HEX #4A4A3C00 | qconv.com Color code: HEX #4A4A3C00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 74 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 74 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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