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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A3874 it is the complementary color #B5C78B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A3874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A3874 shade: #4F386F, #604A82, #715C95, #826EA8 and #9380BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A3874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A3874 shade: #4A3874, #392661, #28144E, #17023B and #060028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A3874 shade: #4B3875, #5B3875, #6B3875, #75386E and #75385E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A3874 shade: #4B3875, #3A3875 and #383875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A3874 shade matches the following richer shades: #4B3875, #452A83, #3F1C91, #3A0E9F and #3400AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A3874 shade: #4B3875, #504667, #565459, #5B624B and #61703D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A3874 shade: #384775, #3A3875, #4B3875, #5B3875 and #6B3875

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A3874 shade: #271E3D, #392B59, #4B3875, #5C4691 and #6E53AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A3874 shade: #4A3874, #753857 and #3E7538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A3874 shade: #4A3874, #754B38 and #38754B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A3874 shade: #4A3874, #753857, #637538 and #387557

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A3874 shade: #4A3874, #753844, #637538 and #387569

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 52 / 0 / 55

HEX #4A3874

RGB 74 56 116

HSL 258, 0.35%, 0.34%

LAB 28.23, 22.74, -31.86

 

Complementary color

CMYK 9 / 0 / 30 / 22

HEX #B5C78B

RGB 181 199 139

HSL 78, 0.35%, 0.66%

LAB 77.6, -16.25, 28.08

 

CMYK 29 / 50 / 0 / 56

HEX #4F386F

RGB 79 56 111

HSL 265.09, 0.33%, 0.33%

LAB 28.48, 22.81, -28.25

 

CMYK 26 / 43 / 0 / 49

HEX #604A82

RGB 96 74 130

HSL 263.57, 0.27%, 0.4%

LAB 35.98, 21.83, -28.2

 

CMYK 24 / 38 / 0 / 42

HEX #715C95

RGB 113 92 149

HSL 262.11, 0.24%, 0.47%

LAB 43.26, 20.99, -28.2

 

CMYK 23 / 35 / 0 / 34

HEX #826EA8

RGB 130 110 168

HSL 260.69, 0.25%, 0.55%

LAB 50.36, 20.24, -28.23

 

CMYK 21 / 32 / 0 / 27

HEX #9380BB

RGB 147 128 187

HSL 259.32, 0.3%, 0.62%

LAB 57.3, 19.59, -28.3

 

CMYK 36 / 52 / 0 / 55

HEX #4A3874

RGB 74 56 116

HSL 258, 0.35%, 0.34%

LAB 28.23, 22.74, -31.86

 

CMYK 41 / 61 / 0 / 62

HEX #392661

RGB 57 38 97

HSL 259.32, 0.44%, 0.26%

LAB 20.51, 24, -32.05

 

CMYK 49 / 74 / 0 / 69

HEX #28144E

RGB 40 20 78

HSL 260.69, 0.59%, 0.19%

LAB 12.62, 25.35, -32.15

 

CMYK 61 / 97 / 0 / 77

HEX #17023B

RGB 23 2 59

HSL 262.11, 0.93%, 0.12%

LAB 4.89, 25.22, -31.46

 

CMYK 85 / 100 / 0 / 84

HEX #060028

RGB 6 0 40

HSL 249, 1%, 0.08%

LAB 1.73, 11.29, -22.37

 

CMYK 36 / 52 / 0 / 54

HEX #4B3875

RGB 75 56 117

HSL 258.69, 0.35%, 0.34%

LAB 28.4, 23.32, -32.22

 

CMYK 22 / 52 / 0 / 54

HEX #5B3875

RGB 91 56 117

HSL 274.43, 0.35%, 0.34%

LAB 30.25, 28.04, -29.17

 

CMYK 9 / 52 / 0 / 54

HEX #6B3875

RGB 107 56 117

HSL 290.16, 0.35%, 0.34%

LAB 32.34, 32.96, -25.73

 

CMYK 0 / 52 / 6 / 54

HEX #75386E

RGB 117 56 110

HSL 306.89, 0.35%, 0.34%

LAB 33.43, 34.72, -19.51

 

CMYK 0 / 52 / 20 / 54

HEX #75385E

RGB 117 56 94

HSL 322.62, 0.35%, 0.34%

LAB 32.74, 31.87, -10.38

 

CMYK 36 / 52 / 0 / 54

HEX #4B3875

RGB 75 56 117

HSL 258.69, 0.35%, 0.34%

LAB 28.4, 23.32, -32.22

 

CMYK 50 / 52 / 0 / 54

HEX #3A3875

RGB 58 56 117

HSL 241.97, 0.35%, 0.34%

LAB 26.77, 18.75, -34.92

 

CMYK 52 / 52 / 0 / 54

HEX #383875

RGB 56 56 117

HSL 240, 0.35%, 0.34%

LAB 26.6, 18.25, -35.2

 

CMYK 36 / 52 / 0 / 54

HEX #4B3875

RGB 75 56 117

HSL 258.69, 0.35%, 0.34%

LAB 28.4, 23.32, -32.22

 

CMYK 47 / 68 / 0 / 49

HEX #452A83

RGB 69 42 131

HSL 258.2, 0.51%, 0.34%

LAB 25.44, 34.67, -45.84

 

CMYK 57 / 81 / 0 / 43

HEX #3F1C91

RGB 63 28 145

HSL 257.95, 0.68%, 0.34%

LAB 23.44, 45.16, -57.87

 

CMYK 64 / 91 / 0 / 38

HEX #3A0E9F

RGB 58 14 159

HSL 258.21, 0.84%, 0.34%

LAB 22.71, 53.71, -67.72

 

CMYK 70 / 100 / 0 / 32

HEX #3400AD

RGB 52 0 173

HSL 258.03, 1%, 0.34%

LAB 22.82, 60.23, -76.06

 

CMYK 36 / 52 / 0 / 54

HEX #4B3875

RGB 75 56 117

HSL 258.69, 0.35%, 0.34%

LAB 28.4, 23.32, -32.22

 

CMYK 22 / 32 / 0 / 60

HEX #504667

RGB 80 70 103

HSL 258.18, 0.19%, 0.34%

LAB 31.95, 11.93, -17.73

 

CMYK 3 / 6 / 0 / 65

HEX #565459

RGB 86 84 89

HSL 264, 0.03%, 0.34%

LAB 36.06, 1.89, -2.62

 

CMYK 7 / 0 / 23 / 62

HEX #5B624B

RGB 91 98 75

HSL 78.26, 0.13%, 0.34%

LAB 40.36, -7.25, 12.21

 

CMYK 13 / 0 / 46 / 56

HEX #61703D

RGB 97 112 61

HSL 77.65, 0.29%, 0.34%

LAB 44.89, -14.7, 26.44

 

CMYK 52 / 39 / 0 / 54

HEX #384775

RGB 56 71 117

HSL 225.25, 0.35%, 0.34%

LAB 30.95, 8.14, -28.27

 

CMYK 50 / 52 / 0 / 54

HEX #3A3875

RGB 58 56 117

HSL 241.97, 0.35%, 0.34%

LAB 26.77, 18.75, -34.92

 

CMYK 36 / 52 / 0 / 54

HEX #4B3875

RGB 75 56 117

HSL 258.69, 0.35%, 0.34%

LAB 28.4, 23.32, -32.22

 

CMYK 22 / 52 / 0 / 54

HEX #5B3875

RGB 91 56 117

HSL 274.43, 0.35%, 0.34%

LAB 30.25, 28.04, -29.17

 

CMYK 9 / 52 / 0 / 54

HEX #6B3875

RGB 107 56 117

HSL 290.16, 0.35%, 0.34%

LAB 32.34, 32.96, -25.73

 

CMYK 36 / 51 / 0 / 76

HEX #271E3D

RGB 39 30 61

HSL 257.42, 0.34%, 0.18%

LAB 13.81, 12.78, -18.41

 

CMYK 36 / 52 / 0 / 65

HEX #392B59

RGB 57 43 89

HSL 258.26, 0.35%, 0.26%

LAB 21.28, 18.23, -25.55

 

CMYK 36 / 52 / 0 / 54

HEX #4B3875

RGB 75 56 117

HSL 258.69, 0.35%, 0.34%

LAB 28.4, 23.32, -32.22

 

CMYK 37 / 52 / 0 / 43

HEX #5C4691

RGB 92 70 145

HSL 257.6, 0.35%, 0.42%

LAB 35.4, 27.28, -38.33

 

CMYK 36 / 52 / 0 / 33

HEX #6E53AC

RGB 110 83 172

HSL 258.2, 0.35%, 0.5%

LAB 41.97, 31.68, -43.94

 

CMYK 36 / 52 / 0 / 55

HEX #4A3874

RGB 74 56 116

HSL 258, 0.35%, 0.34%

LAB 28.23, 22.74, -31.86

 

CMYK 0 / 52 / 26 / 54

HEX #753857

RGB 117 56 87

HSL 329.51, 0.35%, 0.34%

LAB 32.48, 30.74, -6.27

 

CMYK 47 / 0 / 52 / 54

HEX #3E7538

RGB 62 117 56

HSL 114.1, 0.35%, 0.34%

LAB 44.28, -31.41, 27.94

 

CMYK 36 / 52 / 0 / 55

HEX #4A3874

RGB 74 56 116

HSL 258, 0.35%, 0.34%

LAB 28.23, 22.74, -31.86

 

CMYK 0 / 36 / 52 / 54

HEX #754B38

RGB 117 75 56

HSL 18.69, 0.35%, 0.34%

LAB 36.18, 15.52, 18.62

 

CMYK 52 / 0 / 36 / 54

HEX #38754B

RGB 56 117 75

HSL 138.69, 0.35%, 0.34%

LAB 44.34, -29.98, 17.28

 

CMYK 36 / 52 / 0 / 55

HEX #4A3874

RGB 74 56 116

HSL 258, 0.35%, 0.34%

LAB 28.23, 22.74, -31.86

 

CMYK 0 / 52 / 26 / 54

HEX #753857

RGB 117 56 87

HSL 329.51, 0.35%, 0.34%

LAB 32.48, 30.74, -6.27

 

CMYK 15 / 0 / 52 / 54

HEX #637538

RGB 99 117 56

HSL 77.7, 0.35%, 0.34%

LAB 46.53, -17.15, 31.19

 

CMYK 52 / 0 / 26 / 54

HEX #387557

RGB 56 117 87

HSL 150.49, 0.35%, 0.34%

LAB 44.59, -27.41, 10.6

 

CMYK 36 / 52 / 0 / 55

HEX #4A3874

RGB 74 56 116

HSL 258, 0.35%, 0.34%

LAB 28.23, 22.74, -31.86

 

CMYK 0 / 52 / 42 / 54

HEX #753844

RGB 117 56 68

HSL 348.2, 0.35%, 0.34%

LAB 31.87, 28.07, 5.14

 

CMYK 15 / 0 / 52 / 54

HEX #637538

RGB 99 117 56

HSL 77.7, 0.35%, 0.34%

LAB 46.53, -17.15, 31.19

 

CMYK 52 / 0 / 10 / 54

HEX #387569

RGB 56 117 105

HSL 168.2, 0.35%, 0.34%

LAB 45.06, -22.95, 0.57

 

Description

Color code: HEX #4A3874 | qconv.com Color code: HEX #4A3874 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 56 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 56 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 52 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 52% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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