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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A3255 it is the complementary color #B5CDAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A3255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A3255 shade: #4F3250, #604463, #715676, #826889 and #937A9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A3255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A3255 shade: #4A3255, #392042, #280E2F, #17001C and #060009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A3255 shade: #493154, #523154, #54314C, #543142 and #543139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A3255 shade: #493154, #3F3154, #363154 and #313154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A3255 shade matches the following richer shades: #493154, #4D265E, #511C69, #551174 and #59067E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A3255 shade: #493154, #453C49, #41473E, #3D5133 and #395C29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A3255 shade: #363154, #3F3154, #493154, #523154 and #54314C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A3255 shade: #1B1320, #32223A, #493154, #5F406E and #765088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A3255 shade: #4A3255, #543135 and #31543B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A3255 shade: #4A3255, #544931 and #315449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A3255 shade: #4A3255, #543135, #3C5431 and #315450

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A3255 shade: #4A3255, #543731, #3C5431 and #314D54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 41 / 0 / 67

HEX #4A3255

RGB 74 50 85

HSL 281.14, 0.26%, 0.26%

LAB 24.93, 18.19, -17.02

 

Complementary color

CMYK 12 / 0 / 17 / 20

HEX #B5CDAA

RGB 181 205 170

HSL 101.14, 0.26%, 0.74%

LAB 79.83, -14.51, 14.75

 

CMYK 1 / 38 / 0 / 69

HEX #4F3250

RGB 79 50 80

HSL 298, 0.23%, 0.25%

LAB 25.33, 18.85, -13.05

 

CMYK 3 / 31 / 0 / 61

HEX #604463

RGB 96 68 99

HSL 294.19, 0.19%, 0.33%

LAB 32.97, 18.04, -13.48

 

CMYK 4 / 27 / 0 / 54

HEX #715676

RGB 113 86 118

HSL 290.63, 0.16%, 0.4%

LAB 40.37, 17.32, -13.88

 

CMYK 5 / 24 / 0 / 46

HEX #826889

RGB 130 104 137

HSL 287.27, 0.14%, 0.47%

LAB 47.56, 16.68, -14.26

 

CMYK 6 / 22 / 0 / 39

HEX #937A9C

RGB 147 122 156

HSL 284.12, 0.15%, 0.55%

LAB 54.58, 16.12, -14.64

 

CMYK 13 / 41 / 0 / 67

HEX #4A3255

RGB 74 50 85

HSL 281.14, 0.26%, 0.26%

LAB 24.93, 18.19, -17.02

 

CMYK 14 / 52 / 0 / 74

HEX #392042

RGB 57 32 66

HSL 284.12, 0.35%, 0.19%

LAB 16.97, 19.12, -16.77

 

CMYK 15 / 70 / 0 / 82

HEX #280E2F

RGB 40 14 47

HSL 287.27, 0.54%, 0.12%

LAB 8.74, 20.01, -16.34

 

CMYK 18 / 100 / 0 / 89

HEX #17001C

RGB 23 0 28

HSL 289.29, 1%, 0.05%

LAB 2.4, 12.7, -11.77

 

CMYK 33 / 100 / 0 / 96

HEX #060009

RGB 6 0 9

HSL 280, 1%, 0.02%

LAB 0.53, 2.82, -2.85

 

CMYK 13 / 42 / 0 / 67

HEX #493154

RGB 73 49 84

HSL 281.14, 0.26%, 0.26%

LAB 24.49, 18.23, -17.05

 

CMYK 2 / 42 / 0 / 67

HEX #523154

RGB 82 49 84

HSL 296.57, 0.26%, 0.26%

LAB 25.66, 21.49, -15.16

 

CMYK 0 / 42 / 10 / 67

HEX #54314C

RGB 84 49 76

HSL 313.71, 0.26%, 0.26%

LAB 25.57, 20.54, -9.96

 

CMYK 0 / 42 / 21 / 67

HEX #543142

RGB 84 49 66

HSL 330.86, 0.26%, 0.26%

LAB 25.18, 18.63, -3.88

 

CMYK 0 / 42 / 32 / 67

HEX #543139

RGB 84 49 57

HSL 346.29, 0.26%, 0.26%

LAB 24.88, 17.11, 1.71

 

CMYK 13 / 42 / 0 / 67

HEX #493154

RGB 73 49 84

HSL 281.14, 0.26%, 0.26%

LAB 24.49, 18.23, -17.05

 

CMYK 25 / 42 / 0 / 67

HEX #3F3154

RGB 63 49 84

HSL 264, 0.26%, 0.26%

LAB 23.32, 14.69, -18.97

 

CMYK 36 / 42 / 0 / 67

HEX #363154

RGB 54 49 84

HSL 248.57, 0.26%, 0.26%

LAB 22.38, 11.63, -20.51

 

CMYK 42 / 42 / 0 / 67

HEX #313154

RGB 49 49 84

HSL 240, 0.26%, 0.26%

LAB 21.91, 10.02, -21.28

 

CMYK 13 / 42 / 0 / 67

HEX #493154

RGB 73 49 84

HSL 281.14, 0.26%, 0.26%

LAB 24.49, 18.23, -17.05

 

CMYK 18 / 60 / 0 / 63

HEX #4D265E

RGB 77 38 94

HSL 281.79, 0.42%, 0.26%

LAB 22.9, 28.87, -26.11

 

CMYK 23 / 73 / 0 / 59

HEX #511C69

RGB 81 28 105

HSL 281.3, 0.58%, 0.26%

LAB 22.3, 37.88, -34.24

 

CMYK 27 / 85 / 0 / 55

HEX #551174

RGB 85 17 116

HSL 281.21, 0.74%, 0.26%

LAB 22.28, 45.58, -41.36

 

CMYK 29 / 95 / 0 / 51

HEX #59067E

RGB 89 6 126

HSL 281.5, 0.91%, 0.26%

LAB 22.86, 51.16, -46.77

 

CMYK 13 / 42 / 0 / 67

HEX #493154

RGB 73 49 84

HSL 281.14, 0.26%, 0.26%

LAB 24.49, 18.23, -17.05

 

CMYK 5 / 18 / 0 / 71

HEX #453C49

RGB 69 60 73

HSL 281.54, 0.1%, 0.26%

LAB 26.67, 6.76, -6.5

 

CMYK 8 / 0 / 13 / 72

HEX #41473E

RGB 65 71 62

HSL 100, 0.07%, 0.26%

LAB 29.36, -4.45, 4.58

 

CMYK 25 / 0 / 37 / 68

HEX #3D5133

RGB 61 81 51

HSL 100, 0.23%, 0.26%

LAB 32.07, -14.22, 15.21

 

CMYK 38 / 0 / 55 / 64

HEX #395C29

RGB 57 92 41

HSL 101.18, 0.38%, 0.26%

LAB 35.37, -23.28, 25.2

 

CMYK 36 / 42 / 0 / 67

HEX #363154

RGB 54 49 84

HSL 248.57, 0.26%, 0.26%

LAB 22.38, 11.63, -20.51

 

CMYK 25 / 42 / 0 / 67

HEX #3F3154

RGB 63 49 84

HSL 264, 0.26%, 0.26%

LAB 23.32, 14.69, -18.97

 

CMYK 13 / 42 / 0 / 67

HEX #493154

RGB 73 49 84

HSL 281.14, 0.26%, 0.26%

LAB 24.49, 18.23, -17.05

 

CMYK 2 / 42 / 0 / 67

HEX #523154

RGB 82 49 84

HSL 296.57, 0.26%, 0.26%

LAB 25.66, 21.49, -15.16

 

CMYK 0 / 42 / 10 / 67

HEX #54314C

RGB 84 49 76

HSL 313.71, 0.26%, 0.26%

LAB 25.57, 20.54, -9.96

 

CMYK 16 / 41 / 0 / 87

HEX #1B1320

RGB 27 19 32

HSL 276.92, 0.25%, 0.1%

LAB 7.25, 7.3, -7.55

 

CMYK 14 / 41 / 0 / 77

HEX #32223A

RGB 50 34 58

HSL 280, 0.26%, 0.18%

LAB 16.14, 13.09, -12.55

 

CMYK 13 / 42 / 0 / 67

HEX #493154

RGB 73 49 84

HSL 281.14, 0.26%, 0.26%

LAB 24.49, 18.23, -17.05

 

CMYK 14 / 42 / 0 / 57

HEX #5F406E

RGB 95 64 110

HSL 280.43, 0.26%, 0.34%

LAB 32.31, 22.7, -21.47

 

CMYK 13 / 41 / 0 / 47

HEX #765088

RGB 118 80 136

HSL 280.71, 0.26%, 0.42%

LAB 40.19, 26.69, -25.11

 

CMYK 13 / 41 / 0 / 67

HEX #4A3255

RGB 74 50 85

HSL 281.14, 0.26%, 0.26%

LAB 24.93, 18.19, -17.02

 

CMYK 0 / 42 / 37 / 67

HEX #543135

RGB 84 49 53

HSL 353.14, 0.26%, 0.26%

LAB 24.76, 16.49, 4.23

 

CMYK 42 / 0 / 30 / 67

HEX #31543B

RGB 49 84 59

HSL 137.14, 0.26%, 0.26%

LAB 32.5, -18.92, 10.72

 

CMYK 13 / 41 / 0 / 67

HEX #4A3255

RGB 74 50 85

HSL 281.14, 0.26%, 0.26%

LAB 24.93, 18.19, -17.02

 

CMYK 0 / 13 / 42 / 67

HEX #544931

RGB 84 73 49

HSL 41.14, 0.26%, 0.26%

LAB 31.51, 0.64, 16.08

 

CMYK 42 / 0 / 13 / 67

HEX #315449

RGB 49 84 73

HSL 161.14, 0.26%, 0.26%

LAB 32.86, -15.6, 2.45

 

CMYK 13 / 41 / 0 / 67

HEX #4A3255

RGB 74 50 85

HSL 281.14, 0.26%, 0.26%

LAB 24.93, 18.19, -17.02

 

CMYK 0 / 42 / 37 / 67

HEX #543135

RGB 84 49 53

HSL 353.14, 0.26%, 0.26%

LAB 24.76, 16.49, 4.23

 

CMYK 29 / 0 / 42 / 67

HEX #3C5431

RGB 60 84 49

HSL 101.14, 0.26%, 0.26%

LAB 32.97, -16.65, 17.59

 

CMYK 42 / 0 / 5 / 67

HEX #315450

RGB 49 84 80

HSL 173.14, 0.26%, 0.26%

LAB 33.08, -13.73, -1.66

 

CMYK 13 / 41 / 0 / 67

HEX #4A3255

RGB 74 50 85

HSL 281.14, 0.26%, 0.26%

LAB 24.93, 18.19, -17.02

 

CMYK 0 / 35 / 42 / 67

HEX #543731

RGB 84 55 49

HSL 10.29, 0.26%, 0.26%

LAB 26.27, 12.09, 9.01

 

CMYK 29 / 0 / 42 / 67

HEX #3C5431

RGB 60 84 49

HSL 101.14, 0.26%, 0.26%

LAB 32.97, -16.65, 17.59

 

CMYK 42 / 8 / 0 / 67

HEX #314D54

RGB 49 77 84

HSL 192, 0.26%, 0.26%

LAB 30.88, -8.43, -7.47

 

Description

Color code: HEX #4A3255 | qconv.com Color code: HEX #4A3255 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 50 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 50 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 41 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 41% 0% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - University of the Pe...
Link: http://uopeople.edu

Verification of their color palette as a manufacturer!

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