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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A2BE9 it is the complementary color #B5D416. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A2BE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A2BE9 shade: #4F2BE4, #603DF7, #714FFF, #8261FF and #9373FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A2BE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A2BE9 shade: #4A2BE9, #3919D6, #2807C3, #1700B0 and #06009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A2BE9 shade: #4A2BE9, #7D2BE9, #B02BE9, #E32BE9 and #E92BBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A2BE9 shade: #4A2BE9 and #2B2BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A2BE9 shade matches the following richer shades: #4A2BE9 and #3D18FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A2BE9 shade: #4A2BE9, #563ED6, #6351C3, #7064B0 and #7D779D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A2BE9 shade: #2B74E9, #2B41E9, #472BE9, #7A2BE9 and #AD2BE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A2BE9 shade: #2C12AF, #3516D4, #4A2BE9, #6A50ED and #8975F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A2BE9 shade: #4A2BE9, #E92BA6 and #5AE92B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A2BE9 shade: #4A2BE9, #E9472B and #2BE947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A2BE9 shade: #4A2BE9, #E92BA6, #CCE92B and #2BE96D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A2BE9 shade: #4A2BE9, #E92B6D, #CCE92B and #2BE9A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

Complementary color

CMYK 15 / 0 / 90 / 17

HEX #B5D416

RGB 181 212 22

HSL 69.79, 0.81%, 0.46%

LAB 80.16, -31.42, 77.08

 

CMYK 65 / 81 / 0 / 11

HEX #4F2BE4

RGB 79 43 228

HSL 251.68, 0.77%, 0.53%

LAB 35.97, 63.62, -86.38

 

CMYK 61 / 75 / 0 / 3

HEX #603DF7

RGB 96 61 247

HSL 251.29, 0.92%, 0.6%

LAB 42.06, 62.58, -87.03

 

CMYK 56 / 69 / 0 / 0

HEX #714FFF

RGB 113 79 255

HSL 251.59, 1%, 0.65%

LAB 47.4, 58.07, -82.68

 

CMYK 49 / 62 / 0 / 0

HEX #8261FF

RGB 130 97 255

HSL 252.53, 1%, 0.69%

LAB 52.41, 51.24, -74.42

 

CMYK 42 / 55 / 0 / 0

HEX #9373FF

RGB 147 115 255

HSL 253.71, 1%, 0.73%

LAB 57.74, 44.65, -65.74

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 73 / 88 / 0 / 16

HEX #3919D6

RGB 57 25 214

HSL 250.16, 0.79%, 0.47%

LAB 30.45, 64.93, -87.55

 

CMYK 79 / 96 / 0 / 24

HEX #2807C3

RGB 40 7 195

HSL 250.53, 0.93%, 0.4%

LAB 25.39, 63.77, -84.9

 

CMYK 87 / 100 / 0 / 31

HEX #1700B0

RGB 23 0 176

HSL 247.84, 1%, 0.35%

LAB 21.27, 60.19, -80.5

 

CMYK 96 / 100 / 0 / 38

HEX #06009D

RGB 6 0 157

HSL 242.29, 1%, 0.31%

LAB 17.8, 55.18, -74.77

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 46 / 82 / 0 / 9

HEX #7D2BE9

RGB 125 43 233

HSL 265.89, 0.81%, 0.54%

LAB 41.17, 69.74, -80.49

 

CMYK 24 / 82 / 0 / 9

HEX #B02BE9

RGB 176 43 233

HSL 282, 0.81%, 0.54%

LAB 48.06, 76.99, -68.95

 

CMYK 3 / 82 / 0 / 9

HEX #E32BE9

RGB 227 43 233

HSL 298.11, 0.81%, 0.54%

LAB 56.03, 85.62, -55.69

 

CMYK 0 / 82 / 20 / 9

HEX #E92BBB

RGB 233 43 187

HSL 314.53, 0.81%, 0.54%

LAB 54.7, 80.4, -31.47

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 82 / 82 / 0 / 9

HEX #2B2BE9

RGB 43 43 233

HSL 240, 0.81%, 0.54%

LAB 34.24, 62.75, -92.17

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 76 / 90 / 0 / 1

HEX #3D18FC

RGB 61 24 252

HSL 249.74, 0.97%, 0.54%

LAB 35.35, 75.18, -101.04

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 60 / 71 / 0 / 16

HEX #563ED6

RGB 86 62 214

HSL 249.47, 0.65%, 0.54%

LAB 38.34, 51.3, -74.43

 

CMYK 49 / 58 / 0 / 24

HEX #6351C3

RGB 99 81 195

HSL 249.47, 0.49%, 0.54%

LAB 41.97, 36.95, -57.48

 

CMYK 36 / 43 / 0 / 31

HEX #7064B0

RGB 112 100 176

HSL 249.47, 0.32%, 0.54%

LAB 46.57, 23.04, -38.97

 

CMYK 20 / 24 / 0 / 38

HEX #7D779D

RGB 125 119 157

HSL 249.47, 0.16%, 0.54%

LAB 51.82, 10.6, -19.6

 

CMYK 82 / 50 / 0 / 9

HEX #2B74E9

RGB 43 116 233

HSL 216.95, 0.81%, 0.54%

LAB 50.56, 19.88, -65.4

 

CMYK 82 / 72 / 0 / 9

HEX #2B41E9

RGB 43 65 233

HSL 233.05, 0.81%, 0.54%

LAB 38.16, 51.52, -85.67

 

CMYK 70 / 82 / 0 / 9

HEX #472BE9

RGB 71 43 233

HSL 248.84, 0.81%, 0.54%

LAB 35.89, 64.38, -89.38

 

CMYK 48 / 82 / 0 / 9

HEX #7A2BE9

RGB 122 43 233

HSL 264.95, 0.81%, 0.54%

LAB 40.81, 69.37, -81.09

 

CMYK 26 / 82 / 0 / 9

HEX #AD2BE9

RGB 173 43 233

HSL 281.05, 0.81%, 0.54%

LAB 47.62, 76.52, -69.68

 

CMYK 75 / 90 / 0 / 31

HEX #2C12AF

RGB 44 18 175

HSL 249.94, 0.81%, 0.38%

LAB 23.88, 55.94, -75.51

 

CMYK 75 / 90 / 0 / 17

HEX #3516D4

RGB 53 22 212

HSL 249.79, 0.81%, 0.46%

LAB 29.62, 65.11, -87.77

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 55 / 66 / 0 / 7

HEX #6A50ED

RGB 106 80 237

HSL 249.94, 0.81%, 0.62%

LAB 45.52, 51.29, -75.7

 

CMYK 43 / 51 / 0 / 5

HEX #8975F1

RGB 137 117 241

HSL 249.68, 0.82%, 0.7%

LAB 56.48, 37.43, -60.06

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 0 / 82 / 29 / 9

HEX #E92BA6

RGB 233 43 166

HSL 321.16, 0.81%, 0.54%

LAB 53.82, 77.92, -20.56

 

CMYK 61 / 0 / 82 / 9

HEX #5AE92B

RGB 90 233 43

HSL 105.16, 0.81%, 0.54%

LAB 82.18, -68.97, 72.83

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 0 / 70 / 82 / 9

HEX #E9472B

RGB 233 71 43

HSL 8.84, 0.81%, 0.54%

LAB 54.03, 60.88, 50.99

 

CMYK 82 / 0 / 70 / 9

HEX #2BE947

RGB 43 233 71

HSL 128.84, 0.81%, 0.54%

LAB 81.43, -74.76, 62.99

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 0 / 82 / 29 / 9

HEX #E92BA6

RGB 233 43 166

HSL 321.16, 0.81%, 0.54%

LAB 53.82, 77.92, -20.56

 

CMYK 12 / 0 / 82 / 9

HEX #CCE92B

RGB 204 233 43

HSL 69.16, 0.81%, 0.54%

LAB 87.63, -31.33, 79.74

 

CMYK 82 / 0 / 53 / 9

HEX #2BE96D

RGB 43 233 109

HSL 140.84, 0.81%, 0.54%

LAB 81.78, -70.42, 47.28

 

CMYK 68 / 82 / 0 / 9

HEX #4A2BE9

RGB 74 43 233

HSL 249.79, 0.81%, 0.54%

LAB 36.11, 64.6, -89.01

 

CMYK 0 / 82 / 53 / 9

HEX #E92B6D

RGB 233 43 109

HSL 339.16, 0.81%, 0.54%

LAB 52.01, 72.67, 10.86

 

CMYK 12 / 0 / 82 / 9

HEX #CCE92B

RGB 204 233 43

HSL 69.16, 0.81%, 0.54%

LAB 87.63, -31.33, 79.74

 

CMYK 82 / 0 / 29 / 9

HEX #2BE9A6

RGB 43 233 166

HSL 158.84, 0.81%, 0.54%

LAB 82.67, -60.16, 20.05

 

Description

Color code: HEX #4A2BE9 | qconv.com Color code: HEX #4A2BE9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 43 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 43 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 82 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 82% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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