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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A124F it is the complementary color #B5EDB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A124F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A124F shade: #4F124A, #60245D, #713670, #824883 and #935A96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A124F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A124F shade: #4A124F, #39003C, #280029, #170016 and #060003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A124F shade: #4A124F, #4F1244, #4F1233, #4F1223 and #4F1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A124F shade: #4A124F, #3A124F, #29124F, #19124F and #12124F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A124F shade matches the following richer shades: #4A124F, #510A57 and #57025F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A124F shade: #4A124F, #431A47, #3D223F, #362937 and #303130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A124F shade: #29124F, #3A124F, #4A124F, #4F1244 and #4F1234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A124F shade: #0B030C, #2A0A2D, #4A124F, #691A71 and #892192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A124F shade: #4A124F, #4F1912 and #124F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A124F shade: #4A124F, #4F4A12 and #124F4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A124F shade: #4A124F, #4F1912, #174F12 and #12484F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A124F shade: #4A124F, #4F2B12, #174F12 and #12364F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

Complementary color

CMYK 24 / 0 / 26 / 7

HEX #B5EDB0

RGB 181 237 176

HSL 115.08, 0.63%, 0.81%

LAB 88.7, -29.2, 23.93

 

CMYK 0 / 77 / 6 / 69

HEX #4F124A

RGB 79 18 74

HSL 304.92, 0.63%, 0.19%

LAB 18.32, 35.3, -19.92

 

CMYK 0 / 63 / 3 / 62

HEX #60245D

RGB 96 36 93

HSL 303, 0.45%, 0.26%

LAB 25.38, 35.44, -21.35

 

CMYK 0 / 52 / 1 / 56

HEX #713670

RGB 113 54 112

HSL 301.02, 0.35%, 0.33%

LAB 32.52, 34.91, -22.23

 

CMYK 1 / 45 / 0 / 49

HEX #824883

RGB 130 72 131

HSL 298.98, 0.29%, 0.4%

LAB 39.61, 34.16, -22.84

 

CMYK 2 / 40 / 0 / 41

HEX #935A96

RGB 147 90 150

HSL 297, 0.25%, 0.47%

LAB 46.6, 33.36, -23.31

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 5 / 100 / 0 / 76

HEX #39003C

RGB 57 0 60

HSL 297, 1%, 0.12%

LAB 10.53, 34.41, -22.76

 

CMYK 2 / 100 / 0 / 84

HEX #280029

RGB 40 0 41

HSL 298.54, 1%, 0.08%

LAB 5.52, 26.05, -16.94

 

CMYK 0 / 100 / 4 / 91

HEX #170016

RGB 23 0 22

HSL 302.61, 1%, 0.05%

LAB 2.17, 11.06, -7.41

 

CMYK 0 / 100 / 50 / 98

HEX #060003

RGB 6 0 3

HSL 330, 1%, 0.01%

LAB 0.41, 1.99, -0.58

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 0 / 77 / 14 / 69

HEX #4F1244

RGB 79 18 68

HSL 310.82, 0.63%, 0.19%

LAB 17.97, 34.23, -16.32

 

CMYK 0 / 77 / 35 / 69

HEX #4F1233

RGB 79 18 51

HSL 327.54, 0.63%, 0.19%

LAB 17.15, 31.58, -5.64

 

CMYK 0 / 77 / 56 / 69

HEX #4F1223

RGB 79 18 35

HSL 343.28, 0.63%, 0.19%

LAB 16.58, 29.68, 5.04

 

CMYK 0 / 77 / 77 / 69

HEX #4F1212

RGB 79 18 18

HSL 0, 0.63%, 0.19%

LAB 16.2, 28.35, 16.51

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 27 / 77 / 0 / 69

HEX #3A124F

RGB 58 18 79

HSL 279.34, 0.63%, 0.19%

LAB 14.94, 30.96, -28.96

 

CMYK 48 / 77 / 0 / 69

HEX #29124F

RGB 41 18 79

HSL 262.62, 0.63%, 0.19%

LAB 12.41, 27.08, -33.18

 

CMYK 68 / 77 / 0 / 69

HEX #19124F

RGB 25 18 79

HSL 246.89, 0.63%, 0.19%

LAB 10.59, 24.1, -36.23

 

CMYK 77 / 77 / 0 / 69

HEX #12124F

RGB 18 18 79

HSL 240, 0.63%, 0.19%

LAB 10, 23.09, -37.22

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 7 / 89 / 0 / 66

HEX #510A57

RGB 81 10 87

HSL 295.32, 0.79%, 0.19%

LAB 18.6, 40.93, -28.27

 

CMYK 8 / 98 / 0 / 63

HEX #57025F

RGB 87 2 95

HSL 294.84, 0.96%, 0.19%

LAB 19.62, 45.74, -31.92

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 6 / 63 / 0 / 72

HEX #431A47

RGB 67 26 71

HSL 294.67, 0.46%, 0.19%

LAB 17.4, 27.33, -19.44

 

CMYK 3 / 46 / 0 / 75

HEX #3D223F

RGB 61 34 63

HSL 295.86, 0.3%, 0.19%

LAB 17.9, 18.54, -13.2

 

CMYK 2 / 25 / 0 / 78

HEX #362937

RGB 54 41 55

HSL 295.71, 0.15%, 0.19%

LAB 18.57, 9.09, -6.7

 

CMYK 2 / 0 / 2 / 81

HEX #303130

RGB 48 49 48

HSL 120, 0.01%, 0.19%

LAB 20.2, -0.67, 0.48

 

CMYK 48 / 77 / 0 / 69

HEX #29124F

RGB 41 18 79

HSL 262.62, 0.63%, 0.19%

LAB 12.41, 27.08, -33.18

 

CMYK 27 / 77 / 0 / 69

HEX #3A124F

RGB 58 18 79

HSL 279.34, 0.63%, 0.19%

LAB 14.94, 30.96, -28.96

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 0 / 77 / 14 / 69

HEX #4F1244

RGB 79 18 68

HSL 310.82, 0.63%, 0.19%

LAB 17.97, 34.23, -16.32

 

CMYK 0 / 77 / 34 / 69

HEX #4F1234

RGB 79 18 52

HSL 326.56, 0.63%, 0.19%

LAB 17.19, 31.72, -6.28

 

CMYK 8 / 75 / 0 / 95

HEX #0B030C

RGB 11 3 12

HSL 293.33, 0.6%, 0.03%

LAB 1.47, 3.37, -2.71

 

CMYK 7 / 78 / 0 / 82

HEX #2A0A2D

RGB 42 10 45

HSL 294.86, 0.64%, 0.11%

LAB 8.12, 22.48, -15.83

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 7 / 77 / 0 / 56

HEX #691A71

RGB 105 26 113

HSL 294.48, 0.63%, 0.27%

LAB 26.55, 45.98, -32.38

 

CMYK 6 / 77 / 0 / 43

HEX #892192

RGB 137 33 146

HSL 295.22, 0.63%, 0.35%

LAB 34.97, 56.68, -39.29

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 0 / 68 / 77 / 69

HEX #4F1912

RGB 79 25 18

HSL 6.89, 0.63%, 0.19%

LAB 17.47, 24.92, 18.07

 

CMYK 77 / 0 / 38 / 69

HEX #124F31

RGB 18 79 49

HSL 150.49, 0.63%, 0.19%

LAB 29.27, -27.2, 12.33

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 0 / 6 / 77 / 69

HEX #4F4A12

RGB 79 74 18

HSL 55.08, 0.63%, 0.19%

LAB 30.89, -5.45, 32.45

 

CMYK 77 / 0 / 6 / 69

HEX #124F4A

RGB 18 79 74

HSL 175.08, 0.63%, 0.19%

LAB 29.95, -20.15, -2.59

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 0 / 68 / 77 / 69

HEX #4F1912

RGB 79 25 18

HSL 6.89, 0.63%, 0.19%

LAB 17.47, 24.92, 18.07

 

CMYK 71 / 0 / 77 / 69

HEX #174F12

RGB 23 79 18

HSL 115.08, 0.63%, 0.19%

LAB 28.95, -31.31, 29.3

 

CMYK 77 / 9 / 0 / 69

HEX #12484F

RGB 18 72 79

HSL 186.89, 0.63%, 0.19%

LAB 27.65, -14.54, -9.26

 

CMYK 6 / 77 / 0 / 69

HEX #4A124F

RGB 74 18 79

HSL 295.08, 0.63%, 0.19%

LAB 17.7, 34.95, -24.37

 

CMYK 0 / 46 / 77 / 69

HEX #4F2B12

RGB 79 43 18

HSL 24.59, 0.63%, 0.19%

LAB 21.7, 14.22, 22.93

 

CMYK 71 / 0 / 77 / 69

HEX #174F12

RGB 23 79 18

HSL 115.08, 0.63%, 0.19%

LAB 28.95, -31.31, 29.3

 

CMYK 77 / 32 / 0 / 69

HEX #12364F

RGB 18 54 79

HSL 204.59, 0.63%, 0.19%

LAB 21.33, -3.22, -19

 

Description

Color code: HEX #4A124F | qconv.com Color code: HEX #4A124F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 18 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 18 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 77 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 77% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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