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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49FCEA it is the complementary color #B60315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49FCEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #49FCEA: #4EFCE5, #5FFFF8, #70FFFF, #81FFFF and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49FCEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #49FCEA: #49FCEA, #38EAD7, #27D8C4, #16C6B1 and #05B49E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

Complementary color

CMYK 0 / 98 / 88 / 29

HEX #B60315

RGB 182 3 21

HSL 353.97, 0.97%, 0.36%

LAB 37.96, 62.11, 43.77

 

CMYK 69 / 0 / 9 / 1

HEX #4EFCE5

RGB 78 252 229

HSL 172.07, 0.97%, 0.65%

LAB 90.27, -48.89, -1.8

 

CMYK 63 / 0 / 3 / 0

HEX #5FFFF8

RGB 95 255 248

HSL 177.38, 1%, 0.69%

LAB 92.01, -42.88, -9.06

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

CMYK 76 / 0 / 8 / 8

HEX #38EAD7

RGB 56 234 215

HSL 173.6, 0.81%, 0.57%

LAB 84.27, -47.43, -3.33

 

CMYK 82 / 0 / 9 / 15

HEX #27D8C4

RGB 39 216 196

HSL 173.22, 0.69%, 0.5%

LAB 78.19, -46.38, -2.21

 

CMYK 89 / 0 / 11 / 22

HEX #16C6B1

RGB 22 198 177

HSL 172.84, 0.8%, 0.43%

LAB 72.05, -45.02, -0.97

 

CMYK 97 / 0 / 12 / 29

HEX #05B49E

RGB 5 180 158

HSL 172.46, 0.95%, 0.36%

LAB 65.86, -43.29, 0.4

 

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

CMYK 71 / 4 / 0 / 1

HEX #4AF3FC

RGB 74 243 252

HSL 183.03, 0.97%, 0.64%

LAB 88.25, -39.25, -16.81

 

CMYK 71 / 15 / 0 / 1

HEX #4AD5FC

RGB 74 213 252

HSL 193.15, 0.97%, 0.64%

LAB 79.66, -24.96, -29.86

 

CMYK 71 / 27 / 0 / 1

HEX #4AB7FC

RGB 74 183 252

HSL 203.26, 0.97%, 0.64%

LAB 71.11, -9.33, -43.11

 

CMYK 71 / 39 / 0 / 1

HEX #4A9AFC

RGB 74 154 252

HSL 213.03, 0.97%, 0.64%

LAB 63.01, 7.11, -55.9

 

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

CMYK 71 / 0 / 6 / 81

HEX #0E302D

RGB 14 48 45

HSL 174.71, 0.55%, 0.12%

LAB 17.44, -13.1, -1.75

 

CMYK 71 / 0 / 7 / 61

HEX #1D635C

RGB 29 99 92

HSL 174, 0.55%, 0.25%

LAB 37.77, -23.17, -2.34

 

CMYK 71 / 0 / 7 / 41

HEX #2B968B

RGB 43 150 139

HSL 173.83, 0.55%, 0.38%

LAB 56.28, -32.27, -2.9

 

CMYK 71 / 0 / 7 / 21

HEX #3AC9BB

RGB 58 201 187

HSL 174.13, 0.57%, 0.51%

LAB 73.71, -40.32, -3.9

 

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

CMYK 65 / 71 / 0 / 1

HEX #584AFC

RGB 88 74 252

HSL 244.72, 0.97%, 0.64%

LAB 44.23, 56.59, -86.27

 

CMYK 0 / 37 / 71 / 1

HEX #FCA04A

RGB 252 160 74

HSL 28.99, 0.97%, 0.64%

LAB 73.76, 27.1, 57.35

 

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

CMYK 8 / 71 / 0 / 1

HEX #E74AFC

RGB 231 74 252

HSL 292.92, 0.97%, 0.64%

LAB 60.71, 80.85, -58.78

 

CMYK 0 / 8 / 71 / 1

HEX #FCE74A

RGB 252 231 74

HSL 52.92, 0.97%, 0.64%

LAB 90.94, -9.49, 74.78

 

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

CMYK 65 / 71 / 0 / 1

HEX #584AFC

RGB 88 74 252

HSL 244.72, 0.97%, 0.64%

LAB 44.23, 56.59, -86.27

 

CMYK 0 / 71 / 63 / 1

HEX #FC4A5E

RGB 252 74 94

HSL 353.26, 0.97%, 0.64%

LAB 58.42, 67.82, 28.98

 

CMYK 6 / 0 / 71 / 1

HEX #EDFC4A

RGB 237 252 74

HSL 65.06, 0.97%, 0.64%

LAB 95.21, -25.75, 78.54

 

CMYK 71 / 0 / 7 / 1

HEX #49FCEA

RGB 73 252 234

HSL 173.97, 0.97%, 0.64%

LAB 90.31, -48.23, -4.36

 

CMYK 44 / 71 / 0 / 1

HEX #8E4AFC

RGB 142 74 252

HSL 262.92, 0.97%, 0.64%

LAB 49.1, 64.21, -78.1

 

CMYK 0 / 71 / 63 / 1

HEX #FC4A5E

RGB 252 74 94

HSL 353.26, 0.97%, 0.64%

LAB 58.42, 67.82, 28.98

 

CMYK 27 / 0 / 71 / 1

HEX #B7FC4A

RGB 183 252 74

HSL 83.26, 0.97%, 0.64%

LAB 91.77, -46.41, 73.99

 

Description

Color code: HEX #49FCEA | qconv.com Color code: HEX #49FCEA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 252 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 252 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 7% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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