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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49F454 it is the complementary color #B60BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49F454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #49F454: #4EF44F, #5FFF62, #70FF75, #81FF88 and #92FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49F454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #49F454: #49F454, #38E241, #27D02E, #16BE1B and #05AC08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

Complementary color

CMYK 0 / 94 / 6 / 29

HEX #B60BAB

RGB 182 11 171

HSL 303.86, 0.89%, 0.38%

LAB 42.95, 73.62, -41.18

 

CMYK 68 / 0 / 68 / 4

HEX #4EF44F

RGB 78 244 79

HSL 120.36, 0.88%, 0.63%

LAB 85.45, -72.5, 64.41

 

CMYK 63 / 0 / 62 / 0

HEX #5FFF62

RGB 95 255 98

HSL 121.13, 1%, 0.69%

LAB 89.32, -71.05, 61.19

 

CMYK 56 / 0 / 54 / 0

HEX #70FF75

RGB 112 255 117

HSL 122.1, 1%, 0.72%

LAB 89.97, -65.21, 53.83

 

CMYK 49 / 0 / 47 / 0

HEX #81FF88

RGB 129 255 136

HSL 123.33, 1%, 0.75%

LAB 90.76, -58.57, 46.11

 

CMYK 43 / 0 / 39 / 0

HEX #92FF9B

RGB 146 255 155

HSL 124.95, 1%, 0.79%

LAB 91.68, -51.24, 38.21

 

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

CMYK 75 / 0 / 71 / 11

HEX #38E241

RGB 56 226 65

HSL 123.18, 0.75%, 0.55%

LAB 79.39, -71.58, 63.13

 

CMYK 81 / 0 / 78 / 18

HEX #27D02E

RGB 39 208 46

HSL 122.49, 0.68%, 0.48%

LAB 73.38, -69.72, 63.4

 

CMYK 88 / 0 / 86 / 25

HEX #16BE1B

RGB 22 190 27

HSL 121.79, 0.79%, 0.42%

LAB 67.33, -67.14, 62.82

 

CMYK 97 / 0 / 95 / 33

HEX #05AC08

RGB 5 172 8

HSL 121.08, 0.94%, 0.35%

LAB 61.27, -63.7, 60.89

 

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

CMYK 71 / 0 / 55 / 4

HEX #47F46D

RGB 71 244 109

HSL 133.18, 0.89%, 0.62%

LAB 85.58, -70.43, 51.95

 

CMYK 71 / 0 / 44 / 4

HEX #47F489

RGB 71 244 137

HSL 142.89, 0.89%, 0.62%

LAB 85.93, -66.34, 39.15

 

CMYK 71 / 0 / 32 / 4

HEX #47F4A6

RGB 71 244 166

HSL 152.95, 0.89%, 0.62%

LAB 86.4, -61.06, 25.24

 

CMYK 71 / 0 / 20 / 4

HEX #47F4C3

RGB 71 244 195

HSL 163.01, 0.89%, 0.62%

LAB 86.99, -54.79, 11.11

 

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

CMYK 70 / 0 / 65 / 84

HEX #0C280E

RGB 12 40 14

HSL 124.29, 0.54%, 0.1%

LAB 13.4, -17.53, 13.41

 

CMYK 70 / 0 / 66 / 64

HEX #1B5B1F

RGB 27 91 31

HSL 123.75, 0.54%, 0.23%

LAB 33.59, -33.68, 28.13

 

CMYK 70 / 0 / 65 / 44

HEX #2A8E31

RGB 42 142 49

HSL 124.2, 0.54%, 0.36%

LAB 51.9, -47.69, 40.18

 

CMYK 70 / 0 / 66 / 24

HEX #3AC142

RGB 58 193 66

HSL 123.56, 0.54%, 0.49%

LAB 69.06, -60.6, 51.8

 

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

CMYK 71 / 18 / 0 / 4

HEX #47C9F4

RGB 71 201 244

HSL 194.91, 0.89%, 0.62%

LAB 75.85, -21.79, -31.45

 

CMYK 0 / 71 / 46 / 4

HEX #F44784

RGB 244 71 132

HSL 338.84, 0.89%, 0.62%

LAB 57.47, 69.31, 5.14

 

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

CMYK 67 / 71 / 0 / 4

HEX #5047F4

RGB 80 71 244

HSL 243.12, 0.89%, 0.62%

LAB 42.37, 54.87, -84.87

 

CMYK 0 / 67 / 71 / 4

HEX #F45047

RGB 244 80 71

HSL 3.12, 0.89%, 0.62%

LAB 57.49, 62, 40.59

 

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

CMYK 71 / 18 / 0 / 4

HEX #47C9F4

RGB 71 201 244

HSL 194.91, 0.89%, 0.62%

LAB 75.85, -21.79, -31.45

 

CMYK 0 / 71 / 4 / 4

HEX #F447EB

RGB 244 71 235

HSL 303.12, 0.89%, 0.62%

LAB 61.43, 81.8, -48.07

 

CMYK 0 / 53 / 71 / 4

HEX #F47247

RGB 244 114 71

HSL 14.91, 0.89%, 0.62%

LAB 63.11, 47.14, 46.95

 

CMYK 70 / 0 / 66 / 4

HEX #49F454

RGB 73 244 84

HSL 123.86, 0.89%, 0.62%

LAB 85.38, -72.9, 62.37

 

CMYK 71 / 39 / 0 / 4

HEX #4795F4

RGB 71 149 244

HSL 212.95, 0.89%, 0.62%

LAB 61.1, 6.86, -54.55

 

CMYK 0 / 71 / 4 / 4

HEX #F447EB

RGB 244 71 235

HSL 303.12, 0.89%, 0.62%

LAB 61.43, 81.8, -48.07

 

CMYK 0 / 32 / 71 / 4

HEX #F4A647

RGB 244 166 71

HSL 32.95, 0.89%, 0.62%

LAB 74.16, 20.51, 58.83

 

Description

Color code: HEX #49F454 | qconv.com Color code: HEX #49F454 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 244 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 244 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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