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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49E638 it is the complementary color #B619C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49E638. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49E638 shade: #4EE633, #5FF846, #70FF59, #81FF6C and #92FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49E638. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49E638 shade: #49E638, #38D425, #27C212, #16B000 and #059E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49E638 shade: #48E637, #78E637, #A7E637, #D6E637 and #E6C737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49E638 shade: #48E637, #37E655, #37E685, #37E6B4 and #37E6E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49E638 shade matches the following richer shades: #48E637 and #3AF825

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49E638 shade: #48E637, #57D449, #66C25C, #74B06E and #839E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49E638 shade: #A6E637, #77E637, #49E637, #37E654 and #37E683

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49E638 shade: #26B516, #2DD91B, #48E637, #6AEB5C and #8CEF81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49E638 shade: #49E638, #37D5E6 and #E6378F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49E638 shade: #49E638, #3749E6 and #E63749

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49E638 shade: #49E638, #37D5E6, #D537E6 and #E64937

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49E638 shade: #49E638, #37A0E6, #D537E6 and #E67D37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 76 / 10

HEX #49E638

RGB 73 230 56

HSL 114.14, 0.78%, 0.56%

LAB 80.9, -70.73, 67.79

 

Complementary color

CMYK 9 / 87 / 0 / 22

HEX #B619C7

RGB 182 25 199

HSL 294.14, 0.78%, 0.44%

LAB 45.31, 75.97, -53.87

 

CMYK 66 / 0 / 78 / 10

HEX #4EE633

RGB 78 230 51

HSL 110.95, 0.78%, 0.55%

LAB 80.99, -70.09, 69.44

 

CMYK 62 / 0 / 72 / 3

HEX #5FF846

RGB 95 248 70

HSL 111.57, 0.93%, 0.62%

LAB 87, -71.19, 69.41

 

CMYK 56 / 0 / 65 / 0

HEX #70FF59

RGB 112 255 89

HSL 111.69, 1%, 0.67%

LAB 89.71, -68.15, 65.39

 

CMYK 49 / 0 / 58 / 0

HEX #81FF6C

RGB 129 255 108

HSL 111.43, 1%, 0.71%

LAB 90.45, -61.98, 58.5

 

CMYK 43 / 0 / 50 / 0

HEX #92FF7F

RGB 146 255 127

HSL 111.09, 1%, 0.75%

LAB 91.31, -55.06, 51.15

 

CMYK 68 / 0 / 76 / 10

HEX #49E638

RGB 73 230 56

HSL 114.14, 0.78%, 0.56%

LAB 80.9, -70.73, 67.79

 

CMYK 74 / 0 / 83 / 17

HEX #38D425

RGB 56 212 37

HSL 113.49, 0.7%, 0.49%

LAB 74.86, -69.14, 67.39

 

CMYK 80 / 0 / 91 / 24

HEX #27C212

RGB 39 194 18

HSL 112.84, 0.83%, 0.42%

LAB 68.79, -66.92, 65.91

 

CMYK 88 / 0 / 100 / 31

HEX #16B000

RGB 22 176 0

HSL 112.5, 1%, 0.35%

LAB 62.69, -63.95, 63.16

 

CMYK 97 / 0 / 100 / 38

HEX #059E00

RGB 5 158 0

HSL 118.1, 1%, 0.31%

LAB 56.57, -59.97, 58.2

 

CMYK 69 / 0 / 76 / 10

HEX #48E637

RGB 72 230 55

HSL 114.17, 0.78%, 0.56%

LAB 80.88, -70.97, 68.07

 

CMYK 48 / 0 / 76 / 10

HEX #78E637

RGB 120 230 55

HSL 97.71, 0.78%, 0.56%

LAB 82.3, -59.53, 69.94

 

CMYK 27 / 0 / 76 / 10

HEX #A7E637

RGB 167 230 55

HSL 81.6, 0.78%, 0.56%

LAB 84.53, -43.83, 72.84

 

CMYK 7 / 0 / 76 / 10

HEX #D6E637

RGB 214 230 55

HSL 65.49, 0.78%, 0.56%

LAB 87.57, -25.45, 76.75

 

CMYK 0 / 13 / 76 / 10

HEX #E6C737

RGB 230 199 55

HSL 49.37, 0.78%, 0.56%

LAB 80.71, -3.38, 70.94

 

CMYK 69 / 0 / 76 / 10

HEX #48E637

RGB 72 230 55

HSL 114.17, 0.78%, 0.56%

LAB 80.88, -70.97, 68.07

 

CMYK 76 / 0 / 63 / 10

HEX #37E655

RGB 55 230 85

HSL 130.29, 0.78%, 0.56%

LAB 80.77, -71.07, 56.8

 

CMYK 76 / 0 / 42 / 10

HEX #37E685

RGB 55 230 133

HSL 146.74, 0.78%, 0.56%

LAB 81.35, -64.29, 35.14

 

CMYK 76 / 0 / 22 / 10

HEX #37E6B4

RGB 55 230 180

HSL 162.86, 0.78%, 0.56%

LAB 82.22, -54.65, 12.13

 

CMYK 76 / 0 / 1 / 10

HEX #37E6E3

RGB 55 230 227

HSL 178.97, 0.78%, 0.56%

LAB 83.42, -42.5, -10.94

 

CMYK 69 / 0 / 76 / 10

HEX #48E637

RGB 72 230 55

HSL 114.17, 0.78%, 0.56%

LAB 80.88, -70.97, 68.07

 

CMYK 77 / 0 / 85 / 3

HEX #3AF825

RGB 58 248 37

HSL 114.03, 0.94%, 0.56%

LAB 86.09, -79.47, 77.46

 

CMYK 69 / 0 / 76 / 10

HEX #48E637

RGB 72 230 55

HSL 114.17, 0.78%, 0.56%

LAB 80.88, -70.97, 68.07

 

CMYK 59 / 0 / 66 / 17

HEX #57D449

RGB 87 212 73

HSL 113.96, 0.62%, 0.56%

LAB 75.82, -60.42, 56.5

 

CMYK 47 / 0 / 53 / 24

HEX #66C25C

RGB 102 194 92

HSL 114.12, 0.46%, 0.56%

LAB 71, -47.51, 42.6

 

CMYK 34 / 0 / 38 / 31

HEX #74B06E

RGB 116 176 110

HSL 114.55, 0.29%, 0.56%

LAB 66.44, -32.67, 27.81

 

CMYK 17 / 0 / 19 / 38

HEX #839E80

RGB 131 158 128

HSL 114, 0.13%, 0.56%

LAB 62.37, -15.39, 12.6

 

CMYK 28 / 0 / 76 / 10

HEX #A6E637

RGB 166 230 55

HSL 81.94, 0.78%, 0.56%

LAB 84.47, -44.2, 72.77

 

CMYK 48 / 0 / 76 / 10

HEX #77E637

RGB 119 230 55

HSL 98.06, 0.78%, 0.56%

LAB 82.27, -59.82, 69.89

 

CMYK 68 / 0 / 76 / 10

HEX #49E637

RGB 73 230 55

HSL 113.83, 0.78%, 0.56%

LAB 80.9, -70.79, 68.1

 

CMYK 76 / 0 / 63 / 10

HEX #37E654

RGB 55 230 84

HSL 129.94, 0.78%, 0.56%

LAB 80.76, -71.17, 57.21

 

CMYK 76 / 0 / 43 / 10

HEX #37E683

RGB 55 230 131

HSL 146.06, 0.78%, 0.56%

LAB 81.32, -64.64, 36.1

 

CMYK 79 / 0 / 88 / 29

HEX #26B516

RGB 38 181 22

HSL 113.96, 0.78%, 0.4%

LAB 64.58, -63.04, 61.54

 

CMYK 79 / 0 / 88 / 15

HEX #2DD91B

RGB 45 217 27

HSL 114.32, 0.78%, 0.48%

LAB 76.23, -72.58, 70.74

 

CMYK 69 / 0 / 76 / 10

HEX #48E637

RGB 72 230 55

HSL 114.17, 0.78%, 0.56%

LAB 80.88, -70.97, 68.07

 

CMYK 55 / 0 / 61 / 8

HEX #6AEB5C

RGB 106 235 92

HSL 114.13, 0.78%, 0.64%

LAB 83.58, -62.21, 57.33

 

CMYK 41 / 0 / 46 / 6

HEX #8CEF81

RGB 140 239 129

HSL 114, 0.77%, 0.72%

LAB 86.45, -50.05, 44.14

 

CMYK 68 / 0 / 76 / 10

HEX #49E638

RGB 73 230 56

HSL 114.14, 0.78%, 0.56%

LAB 80.9, -70.73, 67.79

 

CMYK 76 / 7 / 0 / 10

HEX #37D5E6

RGB 55 213 230

HSL 185.83, 0.78%, 0.56%

LAB 78.53, -33.84, -19.88

 

CMYK 0 / 76 / 38 / 10

HEX #E6378F

RGB 230 55 143

HSL 329.83, 0.78%, 0.56%

LAB 53.53, 71.69, -7.43

 

CMYK 68 / 0 / 76 / 10

HEX #49E638

RGB 73 230 56

HSL 114.14, 0.78%, 0.56%

LAB 80.9, -70.73, 67.79

 

CMYK 76 / 68 / 0 / 10

HEX #3749E6

RGB 55 73 230

HSL 233.83, 0.78%, 0.56%

LAB 40.07, 46.75, -80.81

 

CMYK 0 / 76 / 68 / 10

HEX #E63749

RGB 230 55 73

HSL 353.83, 0.78%, 0.56%

LAB 51.88, 66.49, 32.18

 

CMYK 68 / 0 / 76 / 10

HEX #49E638

RGB 73 230 56

HSL 114.14, 0.78%, 0.56%

LAB 80.9, -70.73, 67.79

 

CMYK 76 / 7 / 0 / 10

HEX #37D5E6

RGB 55 213 230

HSL 185.83, 0.78%, 0.56%

LAB 78.53, -33.84, -19.88

 

CMYK 7 / 76 / 0 / 10

HEX #D537E6

RGB 213 55 230

HSL 294.17, 0.78%, 0.56%

LAB 54.65, 79.58, -56.34

 

CMYK 0 / 68 / 76 / 10

HEX #E64937

RGB 230 73 55

HSL 6.17, 0.78%, 0.56%

LAB 53.88, 59.56, 44.58

 

CMYK 68 / 0 / 76 / 10

HEX #49E638

RGB 73 230 56

HSL 114.14, 0.78%, 0.56%

LAB 80.9, -70.73, 67.79

 

CMYK 76 / 30 / 0 / 10

HEX #37A0E6

RGB 55 160 230

HSL 204, 0.78%, 0.56%

LAB 63.07, -6.42, -43.75

 

CMYK 7 / 76 / 0 / 10

HEX #D537E6

RGB 213 55 230

HSL 294.17, 0.78%, 0.56%

LAB 54.65, 79.58, -56.34

 

CMYK 0 / 46 / 76 / 10

HEX #E67D37

RGB 230 125 55

HSL 24, 0.78%, 0.56%

LAB 63.15, 35.57, 54.11

 

Description

Color code: HEX #49E638 | qconv.com Color code: HEX #49E638 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 230 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 230 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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