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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49DF09 it is the complementary color #B620F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49DF09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49DF09 shade: #4EDF04, #5FF117, #70FF2A, #81FF3D and #92FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49DF09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49DF09 shade: #49DF09, #38CD00, #27BB00, #16A900 and #059700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49DF09 shade: #48DC09, #81DC09, #BADC09, #DCC609 and #DC8D09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49DF09 shade: #48DC09, #0FDC09, #09DC3C, #09DC75 and #09DCAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49DF09 shade matches the following richer shades: #48DC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49DF09 shade: #48DC09, #50CA1C, #57B72E, #5FA541 and #669253

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49DF09 shade: #B9DC09, #81DC09, #49DC09, #10DC09 and #09DC3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49DF09 shade: #2E8D06, #3BB508, #48DC09, #5BF519 and #77F741

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49DF09 shade: #49DF09, #09DCC7 and #DC099D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49DF09 shade: #49DF09, #0949DC and #DC0949

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49DF09 shade: #49DF09, #09DCC7, #9D09DC and #DC091E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49DF09 shade: #49DF09, #09B2DC, #9D09DC and #DC3309

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 96 / 13

HEX #49DF09

RGB 73 223 9

HSL 102.06, 0.92%, 0.45%

LAB 78.58, -70.37, 75.37

 

Complementary color

CMYK 26 / 87 / 0 / 4

HEX #B620F6

RGB 182 32 246

HSL 282.06, 0.92%, 0.55%

LAB 49.05, 82.87, -74.62

 

CMYK 65 / 0 / 98 / 13

HEX #4EDF04

RGB 78 223 4

HSL 99.73, 0.96%, 0.45%

LAB 78.7, -69.45, 75.96

 

CMYK 61 / 0 / 90 / 5

HEX #5FF117

RGB 95 241 23

HSL 100.18, 0.89%, 0.52%

LAB 84.69, -71.15, 79.01

 

CMYK 56 / 0 / 84 / 0

HEX #70FF2A

RGB 112 255 42

HSL 100.28, 1%, 0.58%

LAB 89.45, -71.13, 79.84

 

CMYK 49 / 0 / 76 / 0

HEX #81FF3D

RGB 129 255 61

HSL 98.97, 1%, 0.62%

LAB 90.1, -65.76, 75.71

 

CMYK 43 / 0 / 69 / 0

HEX #92FF50

RGB 146 255 80

HSL 97.37, 1%, 0.66%

LAB 90.88, -59.58, 70.39

 

CMYK 67 / 0 / 96 / 13

HEX #49DF09

RGB 73 223 9

HSL 102.06, 0.92%, 0.45%

LAB 78.58, -70.37, 75.37

 

CMYK 73 / 0 / 100 / 20

HEX #38CD00

RGB 56 205 0

HSL 103.61, 1%, 0.4%

LAB 72.56, -68.09, 71.25

 

CMYK 79 / 0 / 100 / 27

HEX #27BB00

RGB 39 187 0

HSL 107.49, 1%, 0.37%

LAB 66.5, -65.27, 66.29

 

CMYK 87 / 0 / 100 / 34

HEX #16A900

RGB 22 169 0

HSL 112.19, 1%, 0.33%

LAB 60.38, -61.94, 61.31

 

CMYK 97 / 0 / 100 / 41

HEX #059700

RGB 5 151 0

HSL 118.01, 1%, 0.3%

LAB 54.2, -57.98, 56.31

 

CMYK 67 / 0 / 96 / 14

HEX #48DC09

RGB 72 220 9

HSL 102.09, 0.92%, 0.45%

LAB 77.63, -69.64, 74.58

 

CMYK 41 / 0 / 96 / 14

HEX #81DC09

RGB 129 220 9

HSL 85.88, 0.92%, 0.45%

LAB 79.54, -54.48, 76.92

 

CMYK 15 / 0 / 96 / 14

HEX #BADC09

RGB 186 220 9

HSL 69.67, 0.92%, 0.45%

LAB 82.72, -33.28, 80.77

 

CMYK 0 / 10 / 96 / 14

HEX #DCC609

RGB 220 198 9

HSL 53.74, 0.92%, 0.45%

LAB 79.4, -8.23, 79.43

 

CMYK 0 / 36 / 96 / 14

HEX #DC8D09

RGB 220 141 9

HSL 37.54, 0.92%, 0.45%

LAB 65.19, 21.88, 69.25

 

CMYK 67 / 0 / 96 / 14

HEX #48DC09

RGB 72 220 9

HSL 102.09, 0.92%, 0.45%

LAB 77.63, -69.64, 74.58

 

CMYK 93 / 0 / 96 / 14

HEX #0FDC09

RGB 15 220 9

HSL 118.29, 0.92%, 0.45%

LAB 76.87, -76.37, 73.64

 

CMYK 96 / 0 / 73 / 14

HEX #09DC3C

RGB 9 220 60

HSL 134.5, 0.92%, 0.45%

LAB 77.02, -74.23, 62.33

 

CMYK 96 / 0 / 47 / 14

HEX #09DC75

RGB 9 220 117

HSL 150.71, 0.92%, 0.45%

LAB 77.6, -67.15, 38.18

 

CMYK 96 / 0 / 21 / 14

HEX #09DCAE

RGB 9 220 174

HSL 166.92, 0.92%, 0.45%

LAB 78.64, -55.27, 10.14

 

CMYK 67 / 0 / 96 / 14

HEX #48DC09

RGB 72 220 9

HSL 102.09, 0.92%, 0.45%

LAB 77.63, -69.64, 74.58

 

CMYK 67 / 0 / 96 / 14

HEX #48DC09

RGB 72 220 9

HSL 102.09, 0.92%, 0.45%

LAB 77.63, -69.64, 74.58

 

CMYK 60 / 0 / 86 / 21

HEX #50CA1C

RGB 80 202 28

HSL 102.07, 0.76%, 0.45%

LAB 72.25, -61.58, 67.36

 

CMYK 52 / 0 / 75 / 28

HEX #57B72E

RGB 87 183 46

HSL 102.04, 0.6%, 0.45%

LAB 66.59, -52.01, 57.17

 

CMYK 42 / 0 / 61 / 35

HEX #5FA541

RGB 95 165 65

HSL 102, 0.43%, 0.45%

LAB 61.42, -40.68, 44.06

 

CMYK 30 / 0 / 43 / 43

HEX #669253

RGB 102 146 83

HSL 101.9, 0.28%, 0.45%

LAB 56.09, -27.29, 28.67

 

CMYK 16 / 0 / 96 / 14

HEX #B9DC09

RGB 185 220 9

HSL 69.95, 0.92%, 0.45%

LAB 82.66, -33.68, 80.69

 

CMYK 41 / 0 / 96 / 14

HEX #81DC09

RGB 129 220 9

HSL 85.88, 0.92%, 0.45%

LAB 79.54, -54.48, 76.92

 

CMYK 67 / 0 / 96 / 14

HEX #49DC09

RGB 73 220 9

HSL 101.8, 0.92%, 0.45%

LAB 77.65, -69.44, 74.61

 

CMYK 93 / 0 / 96 / 14

HEX #10DC09

RGB 16 220 9

HSL 118.01, 0.92%, 0.45%

LAB 76.87, -76.33, 73.65

 

CMYK 96 / 0 / 74 / 14

HEX #09DC3A

RGB 9 220 58

HSL 133.93, 0.92%, 0.45%

LAB 77.01, -74.39, 63.01

 

CMYK 67 / 0 / 96 / 45

HEX #2E8D06

RGB 46 141 6

HSL 102.22, 0.92%, 0.29%

LAB 51.43, -49.35, 53.28

 

CMYK 67 / 0 / 96 / 29

HEX #3BB508

RGB 59 181 8

HSL 102.31, 0.92%, 0.37%

LAB 64.96, -59.87, 64.23

 

CMYK 67 / 0 / 96 / 14

HEX #48DC09

RGB 72 220 9

HSL 102.09, 0.92%, 0.45%

LAB 77.63, -69.64, 74.58

 

CMYK 63 / 0 / 90 / 4

HEX #5BF519

RGB 91 245 25

HSL 102, 0.92%, 0.53%

LAB 85.81, -73.27, 79.61

 

CMYK 52 / 0 / 74 / 3

HEX #77F741

RGB 119 247 65

HSL 102.2, 0.92%, 0.61%

LAB 87.4, -65.39, 71.72

 

CMYK 67 / 0 / 96 / 13

HEX #49DF09

RGB 73 223 9

HSL 102.06, 0.92%, 0.45%

LAB 78.58, -70.37, 75.37

 

CMYK 96 / 0 / 10 / 14

HEX #09DCC7

RGB 9 220 199

HSL 174.03, 0.92%, 0.45%

LAB 79.25, -48.76, -2.27

 

CMYK 0 / 96 / 29 / 14

HEX #DC099D

RGB 220 9 157

HSL 317.91, 0.92%, 0.45%

LAB 49.31, 79.25, -22.37

 

CMYK 67 / 0 / 96 / 13

HEX #49DF09

RGB 73 223 9

HSL 102.06, 0.92%, 0.45%

LAB 78.58, -70.37, 75.37

 

CMYK 96 / 67 / 0 / 14

HEX #0949DC

RGB 9 73 220

HSL 221.8, 0.92%, 0.45%

LAB 37.83, 40.66, -78.84

 

CMYK 0 / 96 / 67 / 14

HEX #DC0949

RGB 220 9 73

HSL 341.8, 0.92%, 0.45%

LAB 46.83, 72.66, 25.46

 

CMYK 67 / 0 / 96 / 13

HEX #49DF09

RGB 73 223 9

HSL 102.06, 0.92%, 0.45%

LAB 78.58, -70.37, 75.37

 

CMYK 96 / 0 / 10 / 14

HEX #09DCC7

RGB 9 220 199

HSL 174.03, 0.92%, 0.45%

LAB 79.25, -48.76, -2.27

 

CMYK 29 / 96 / 0 / 14

HEX #9D09DC

RGB 157 9 220

HSL 282.09, 0.92%, 0.45%

LAB 42.05, 78.16, -71.47

 

CMYK 0 / 96 / 86 / 14

HEX #DC091E

RGB 220 9 30

HSL 354.03, 0.92%, 0.45%

LAB 46.32, 71.24, 49.5

 

CMYK 67 / 0 / 96 / 13

HEX #49DF09

RGB 73 223 9

HSL 102.06, 0.92%, 0.45%

LAB 78.58, -70.37, 75.37

 

CMYK 96 / 19 / 0 / 14

HEX #09B2DC

RGB 9 178 220

HSL 191.94, 0.92%, 0.45%

LAB 67.33, -22.75, -31.65

 

CMYK 29 / 96 / 0 / 14

HEX #9D09DC

RGB 157 9 220

HSL 282.09, 0.92%, 0.45%

LAB 42.05, 78.16, -71.47

 

CMYK 0 / 77 / 96 / 14

HEX #DC3309

RGB 220 51 9

HSL 11.94, 0.92%, 0.45%

LAB 49.01, 63.02, 59.01

 

Description

Color code: HEX #49DF09 | qconv.com Color code: HEX #49DF09 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 223 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 223 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 96 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 96% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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