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Color name
HEX #49D7C2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49D7C2 it is the complementary color #B6283D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49D7C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49D7C2 shade: #4ED7BD, #5FE9D0, #70FBE3, #81FFF6 and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49D7C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49D7C2 shade: #49D7C2, #38C5AF, #27B39C, #16A189 and #058F76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49D7C2 shade: #47D7C1, #47D79B, #47D774, #47D74D and #68D747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49D7C2 shade: #47D7C1, #47C5D7, #479ED7, #4778D7 and #4751D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49D7C2 shade matches the following richer shades: #47D7C1, #35E9CE and #23FBDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49D7C2 shade: #47D7C1, #59C4B5, #6BB2A8, #7DA09B and #908E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49D7C2 shade: #47D774, #47D79B, #47D7C1, #47C6D7 and #47A0D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49D7C2 shade: #25A793, #2CC8B1, #47D7C1, #69DECD and #8BE5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49D7C2 shade: #49D7C2, #4E47D7 and #D78847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49D7C2 shade: #49D7C2, #C147D7 and #D7C147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49D7C2 shade: #49D7C2, #4E47D7, #D7475D and #CFD747

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49D7C2 shade: #49D7C2, #7947D7, #D7475D and #A4D747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 10 / 16

HEX #49D7C2

RGB 73 215 194

HSL 171.13, 0.64%, 0.56%

LAB 78.41, -42.57, -0.74

 

Complementary color

CMYK 0 / 78 / 66 / 29

HEX #B6283D

RGB 182 40 61

HSL 351.13, 0.64%, 0.44%

LAB 40.9, 56.51, 23.76

 

CMYK 64 / 0 / 12 / 16

HEX #4ED7BD

RGB 78 215 189

HSL 168.61, 0.63%, 0.57%

LAB 78.4, -43.04, 1.93

 

CMYK 59 / 0 / 11 / 9

HEX #5FE9D0

RGB 95 233 208

HSL 169.13, 0.76%, 0.64%

LAB 84.62, -43.31, 0.96

 

CMYK 55 / 0 / 10 / 2

HEX #70FBE3

RGB 112 251 227

HSL 169.64, 0.95%, 0.71%

LAB 90.77, -43.46, 0.06

 

CMYK 49 / 0 / 4 / 0

HEX #81FFF6

RGB 129 255 246

HSL 175.71, 1%, 0.75%

LAB 92.94, -37.25, -6.53

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 66 / 0 / 10 / 16

HEX #49D7C2

RGB 73 215 194

HSL 171.13, 0.64%, 0.56%

LAB 78.41, -42.57, -0.74

 

CMYK 72 / 0 / 11 / 23

HEX #38C5AF

RGB 56 197 175

HSL 170.64, 0.56%, 0.5%

LAB 72.14, -42.02, 0.3

 

CMYK 78 / 0 / 13 / 30

HEX #27B39C

RGB 39 179 156

HSL 170.14, 0.64%, 0.43%

LAB 65.8, -41.22, 1.46

 

CMYK 86 / 0 / 15 / 37

HEX #16A189

RGB 22 161 137

HSL 169.64, 0.76%, 0.36%

LAB 59.4, -40.07, 2.76

 

CMYK 97 / 0 / 17 / 44

HEX #058F76

RGB 5 143 118

HSL 169.13, 0.93%, 0.29%

LAB 52.93, -38.49, 4.23

 

CMYK 67 / 0 / 10 / 16

HEX #47D7C1

RGB 71 215 193

HSL 170.83, 0.64%, 0.56%

LAB 78.34, -43.12, -0.31

 

CMYK 67 / 0 / 28 / 16

HEX #47D79B

RGB 71 215 155

HSL 155, 0.64%, 0.56%

LAB 77.46, -52.1, 18.65

 

CMYK 67 / 0 / 46 / 16

HEX #47D774

RGB 71 215 116

HSL 138.75, 0.64%, 0.56%

LAB 76.8, -59.38, 37.82

 

CMYK 67 / 0 / 64 / 16

HEX #47D74D

RGB 71 215 77

HSL 122.5, 0.64%, 0.56%

LAB 76.36, -64.47, 55.32

 

CMYK 52 / 0 / 67 / 16

HEX #68D747

RGB 104 215 71

HSL 106.25, 0.64%, 0.56%

LAB 77.28, -57.35, 59.03

 

CMYK 67 / 0 / 10 / 16

HEX #47D7C1

RGB 71 215 193

HSL 170.83, 0.64%, 0.56%

LAB 78.34, -43.12, -0.31

 

CMYK 67 / 8 / 0 / 16

HEX #47C5D7

RGB 71 197 215

HSL 187.5, 0.64%, 0.56%

LAB 73.66, -28.67, -19.14

 

CMYK 67 / 27 / 0 / 16

HEX #479ED7

RGB 71 158 215

HSL 203.75, 0.64%, 0.56%

LAB 62.25, -8.25, -36.69

 

CMYK 67 / 44 / 0 / 16

HEX #4778D7

RGB 71 120 215

HSL 219.58, 0.64%, 0.56%

LAB 51.47, 14.2, -53.74

 

CMYK 67 / 62 / 0 / 16

HEX #4751D7

RGB 71 81 215

HSL 235.83, 0.64%, 0.56%

LAB 41.42, 38.59, -69.99

 

CMYK 67 / 0 / 10 / 16

HEX #47D7C1

RGB 71 215 193

HSL 170.83, 0.64%, 0.56%

LAB 78.34, -43.12, -0.31

 

CMYK 77 / 0 / 12 / 9

HEX #35E9CE

RGB 53 233 206

HSL 171, 0.8%, 0.56%

LAB 83.7, -49.67, 0.57

 

CMYK 86 / 0 / 13 / 2

HEX #23FBDB

RGB 35 251 219

HSL 171.11, 0.96%, 0.56%

LAB 89.14, -55.09, 1.67

 

CMYK 67 / 0 / 10 / 16

HEX #47D7C1

RGB 71 215 193

HSL 170.83, 0.64%, 0.56%

LAB 78.34, -43.12, -0.31

 

CMYK 55 / 0 / 8 / 23

HEX #59C4B5

RGB 89 196 181

HSL 171.59, 0.48%, 0.56%

LAB 72.85, -34.42, -1.82

 

CMYK 40 / 0 / 6 / 30

HEX #6BB2A8

RGB 107 178 168

HSL 171.55, 0.32%, 0.56%

LAB 67.87, -24.69, -1.92

 

CMYK 22 / 0 / 3 / 37

HEX #7DA09B

RGB 125 160 155

HSL 171.43, 0.16%, 0.56%

LAB 63.23, -13.07, -1.35

 

CMYK 0 / 1 / 1 / 44

HEX #908E8E

RGB 144 142 142

HSL 0, 0.01%, 0.56%

LAB 59.19, 0.74, 0.25

 

CMYK 67 / 0 / 46 / 16

HEX #47D774

RGB 71 215 116

HSL 138.75, 0.64%, 0.56%

LAB 76.8, -59.38, 37.82

 

CMYK 67 / 0 / 28 / 16

HEX #47D79B

RGB 71 215 155

HSL 155, 0.64%, 0.56%

LAB 77.46, -52.1, 18.65

 

CMYK 67 / 0 / 10 / 16

HEX #47D7C1

RGB 71 215 193

HSL 170.83, 0.64%, 0.56%

LAB 78.34, -43.12, -0.31

 

CMYK 67 / 8 / 0 / 16

HEX #47C6D7

RGB 71 198 215

HSL 187.08, 0.64%, 0.56%

LAB 73.96, -29.16, -18.7

 

CMYK 67 / 26 / 0 / 16

HEX #47A0D7

RGB 71 160 215

HSL 202.92, 0.64%, 0.56%

LAB 62.83, -9.36, -35.79

 

CMYK 78 / 0 / 12 / 35

HEX #25A793

RGB 37 167 147

HSL 170.77, 0.64%, 0.4%

LAB 61.77, -38.59, 0.6

 

CMYK 78 / 0 / 12 / 22

HEX #2CC8B1

RGB 44 200 177

HSL 171.15, 0.64%, 0.48%

LAB 72.9, -44.18, 0.31

 

CMYK 67 / 0 / 10 / 16

HEX #47D7C1

RGB 71 215 193

HSL 170.83, 0.64%, 0.56%

LAB 78.34, -43.12, -0.31

 

CMYK 53 / 0 / 8 / 13

HEX #69DECD

RGB 105 222 205

HSL 171.28, 0.64%, 0.64%

LAB 81.65, -37.17, -1.76

 

CMYK 39 / 0 / 6 / 10

HEX #8BE5D8

RGB 139 229 216

HSL 171.33, 0.63%, 0.72%

LAB 85.24, -29.93, -2.16

 

CMYK 66 / 0 / 10 / 16

HEX #49D7C2

RGB 73 215 194

HSL 171.13, 0.64%, 0.56%

LAB 78.41, -42.57, -0.74

 

CMYK 64 / 67 / 0 / 16

HEX #4E47D7

RGB 78 71 215

HSL 242.92, 0.64%, 0.56%

LAB 39.64, 45.51, -72.9

 

CMYK 0 / 37 / 67 / 16

HEX #D78847

RGB 215 136 71

HSL 27.08, 0.64%, 0.56%

LAB 63.76, 24.43, 46.58

 

CMYK 66 / 0 / 10 / 16

HEX #49D7C2

RGB 73 215 194

HSL 171.13, 0.64%, 0.56%

LAB 78.41, -42.57, -0.74

 

CMYK 10 / 67 / 0 / 16

HEX #C147D7

RGB 193 71 215

HSL 290.83, 0.64%, 0.56%

LAB 52.68, 67.45, -51.17

 

CMYK 0 / 10 / 67 / 16

HEX #D7C147

RGB 215 193 71

HSL 50.83, 0.64%, 0.56%

LAB 77.9, -5.93, 61.78

 

CMYK 66 / 0 / 10 / 16

HEX #49D7C2

RGB 73 215 194

HSL 171.13, 0.64%, 0.56%

LAB 78.41, -42.57, -0.74

 

CMYK 64 / 67 / 0 / 16

HEX #4E47D7

RGB 78 71 215

HSL 242.92, 0.64%, 0.56%

LAB 39.64, 45.51, -72.9

 

CMYK 0 / 67 / 57 / 16

HEX #D7475D

RGB 215 71 93

HSL 350.83, 0.64%, 0.56%

LAB 51.55, 57.6, 19.34

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 66 / 0 / 10 / 16

HEX #49D7C2

RGB 73 215 194

HSL 171.13, 0.64%, 0.56%

LAB 78.41, -42.57, -0.74

 

CMYK 44 / 67 / 0 / 16

HEX #7947D7

RGB 121 71 215

HSL 260.83, 0.64%, 0.56%

LAB 43.47, 52.51, -66.47

 

CMYK 0 / 67 / 57 / 16

HEX #D7475D

RGB 215 71 93

HSL 350.83, 0.64%, 0.56%

LAB 51.55, 57.6, 19.34

 

CMYK 24 / 0 / 67 / 16

HEX #A4D747

RGB 164 215 71

HSL 81.25, 0.64%, 0.56%

LAB 80.15, -37.43, 62.93

 

Description

Color code: HEX #49D7C2 | qconv.com Color code: HEX #49D7C2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 215 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 215 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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