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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49D794 it is the complementary color #B6286B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49D794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49D794 shade: #4ED78F, #5FE9A2, #70FBB5, #81FFC8 and #92FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49D794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49D794 shade: #49D794, #38C581, #27B36E, #16A15B and #058F48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49D794 shade: #47D793, #47D76C, #49D747, #6FD747 and #96D747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49D794 shade: #47D793, #47D7BA, #47CDD7, #47A6D7 and #477FD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49D794 shade matches the following richer shades: #47D793, #35E994 and #23FB95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49D794 shade: #47D793, #59C492, #6BB291, #7DA090 and #908E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49D794 shade: #49D747, #47D76B, #47D791, #47D7B7 and #47CFD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49D794 shade: #25A769, #2CC87F, #47D793, #69DEA7 and #8BE5BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49D794 shade: #49D794, #4770D7 and #D75847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49D794 shade: #49D794, #9147D7 and #D79147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49D794 shade: #49D794, #4770D7, #D7478C and #D7AE47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49D794 shade: #49D794, #4947D7, #D7478C and #D4D747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 31 / 16

HEX #49D794

RGB 73 215 148

HSL 151.69, 0.64%, 0.56%

LAB 77.37, -53.22, 22.21

 

Complementary color

CMYK 0 / 78 / 41 / 29

HEX #B6286B

RGB 182 40 107

HSL 331.69, 0.64%, 0.44%

LAB 42.04, 60.07, -3.53

 

CMYK 64 / 0 / 33 / 16

HEX #4ED78F

RGB 78 215 143

HSL 148.47, 0.63%, 0.57%

LAB 77.4, -53.32, 24.88

 

CMYK 59 / 0 / 30 / 9

HEX #5FE9A2

RGB 95 233 162

HSL 149.13, 0.76%, 0.64%

LAB 83.61, -53.48, 23.57

 

CMYK 55 / 0 / 28 / 2

HEX #70FBB5

RGB 112 251 181

HSL 149.78, 0.95%, 0.71%

LAB 89.75, -53.51, 22.35

 

CMYK 49 / 0 / 22 / 0

HEX #81FFC8

RGB 129 255 200

HSL 153.81, 1%, 0.75%

LAB 91.84, -47.59, 15.62

 

CMYK 43 / 0 / 14 / 0

HEX #92FFDB

RGB 146 255 219

HSL 160.18, 1%, 0.79%

LAB 92.9, -39.54, 7.44

 

CMYK 66 / 0 / 31 / 16

HEX #49D794

RGB 73 215 148

HSL 151.69, 0.64%, 0.56%

LAB 77.37, -53.22, 22.21

 

CMYK 72 / 0 / 35 / 23

HEX #38C581

RGB 56 197 129

HSL 151.06, 0.56%, 0.5%

LAB 71.12, -52.77, 23.63

 

CMYK 78 / 0 / 39 / 30

HEX #27B36E

RGB 39 179 110

HSL 150.43, 0.64%, 0.43%

LAB 64.8, -52.02, 25.18

 

CMYK 86 / 0 / 43 / 37

HEX #16A15B

RGB 22 161 91

HSL 149.78, 0.76%, 0.36%

LAB 58.43, -50.83, 26.88

 

CMYK 97 / 0 / 50 / 44

HEX #058F48

RGB 5 143 72

HSL 149.13, 0.93%, 0.29%

LAB 52, -49.04, 28.73

 

CMYK 67 / 0 / 32 / 16

HEX #47D793

RGB 71 215 147

HSL 151.67, 0.64%, 0.56%

LAB 77.31, -53.76, 22.64

 

CMYK 67 / 0 / 50 / 16

HEX #47D76C

RGB 71 215 108

HSL 135.42, 0.64%, 0.56%

LAB 76.69, -60.6, 41.62

 

CMYK 66 / 0 / 67 / 16

HEX #49D747

RGB 73 215 71

HSL 119.17, 0.64%, 0.56%

LAB 76.36, -64.67, 57.77

 

CMYK 48 / 0 / 67 / 16

HEX #6FD747

RGB 111 215 71

HSL 103.33, 0.64%, 0.56%

LAB 77.54, -55.38, 59.39

 

CMYK 30 / 0 / 67 / 16

HEX #96D747

RGB 150 215 71

HSL 87.08, 0.64%, 0.56%

LAB 79.35, -42.6, 61.85

 

CMYK 67 / 0 / 32 / 16

HEX #47D793

RGB 71 215 147

HSL 151.67, 0.64%, 0.56%

LAB 77.31, -53.76, 22.64

 

CMYK 67 / 0 / 13 / 16

HEX #47D7BA

RGB 71 215 186

HSL 167.92, 0.64%, 0.56%

LAB 78.16, -44.9, 3.17

 

CMYK 67 / 5 / 0 / 16

HEX #47CDD7

RGB 71 205 215

HSL 184.17, 0.64%, 0.56%

LAB 76.01, -32.53, -15.59

 

CMYK 67 / 23 / 0 / 16

HEX #47A6D7

RGB 71 166 215

HSL 200.42, 0.64%, 0.56%

LAB 64.58, -12.66, -33.07

 

CMYK 67 / 41 / 0 / 16

HEX #477FD7

RGB 71 127 215

HSL 216.67, 0.64%, 0.56%

LAB 53.41, 9.9, -50.64

 

CMYK 67 / 0 / 32 / 16

HEX #47D793

RGB 71 215 147

HSL 151.67, 0.64%, 0.56%

LAB 77.31, -53.76, 22.64

 

CMYK 77 / 0 / 36 / 9

HEX #35E994

RGB 53 233 148

HSL 151.67, 0.8%, 0.56%

LAB 82.47, -62.84, 29.05

 

CMYK 86 / 0 / 41 / 2

HEX #23FB95

RGB 35 251 149

HSL 151.67, 0.96%, 0.56%

LAB 87.74, -70.54, 35.5

 

CMYK 67 / 0 / 32 / 16

HEX #47D793

RGB 71 215 147

HSL 151.67, 0.64%, 0.56%

LAB 77.31, -53.76, 22.64

 

CMYK 55 / 0 / 26 / 23

HEX #59C492

RGB 89 196 146

HSL 151.96, 0.48%, 0.56%

LAB 72.01, -42.58, 15.94

 

CMYK 40 / 0 / 19 / 30

HEX #6BB291

RGB 107 178 145

HSL 152.11, 0.32%, 0.56%

LAB 67.29, -29.92, 9.93

 

CMYK 22 / 0 / 10 / 37

HEX #7DA090

RGB 125 160 144

HSL 152.57, 0.16%, 0.56%

LAB 62.94, -15.43, 4.4

 

CMYK 0 / 1 / 1 / 44

HEX #908E8F

RGB 144 142 143

HSL 330, 0.01%, 0.56%

LAB 59.21, 0.93, -0.28

 

CMYK 66 / 0 / 67 / 16

HEX #49D747

RGB 73 215 71

HSL 119.17, 0.64%, 0.56%

LAB 76.36, -64.67, 57.77

 

CMYK 67 / 0 / 50 / 16

HEX #47D76B

RGB 71 215 107

HSL 135, 0.64%, 0.56%

LAB 76.68, -60.75, 42.09

 

CMYK 67 / 0 / 33 / 16

HEX #47D791

RGB 71 215 145

HSL 150.83, 0.64%, 0.56%

LAB 77.27, -54.16, 23.63

 

CMYK 67 / 0 / 15 / 16

HEX #47D7B7

RGB 71 215 183

HSL 166.67, 0.64%, 0.56%

LAB 78.09, -45.65, 4.66

 

CMYK 67 / 4 / 0 / 16

HEX #47CFD7

RGB 71 207 215

HSL 183.33, 0.64%, 0.56%

LAB 76.6, -33.48, -14.71

 

CMYK 78 / 0 / 37 / 35

HEX #25A769

RGB 37 167 105

HSL 151.38, 0.64%, 0.4%

LAB 60.83, -48.71, 22.55

 

CMYK 78 / 0 / 37 / 22

HEX #2CC87F

RGB 44 200 127

HSL 151.92, 0.64%, 0.48%

LAB 71.81, -55.91, 25.58

 

CMYK 67 / 0 / 32 / 16

HEX #47D793

RGB 71 215 147

HSL 151.67, 0.64%, 0.56%

LAB 77.31, -53.76, 22.64

 

CMYK 53 / 0 / 25 / 13

HEX #69DEA7

RGB 105 222 167

HSL 151.79, 0.64%, 0.64%

LAB 80.76, -45.77, 17.07

 

CMYK 39 / 0 / 18 / 10

HEX #8BE5BB

RGB 139 229 187

HSL 152, 0.63%, 0.72%

LAB 84.54, -36.21, 12.09

 

CMYK 66 / 0 / 31 / 16

HEX #49D794

RGB 73 215 148

HSL 151.69, 0.64%, 0.56%

LAB 77.37, -53.22, 22.21

 

CMYK 67 / 48 / 0 / 16

HEX #4770D7

RGB 71 112 215

HSL 222.92, 0.64%, 0.56%

LAB 49.29, 19.18, -57.23

 

CMYK 0 / 59 / 67 / 16

HEX #D75847

RGB 215 88 71

HSL 7.08, 0.64%, 0.56%

LAB 53.9, 48.88, 35.16

 

CMYK 66 / 0 / 31 / 16

HEX #49D794

RGB 73 215 148

HSL 151.69, 0.64%, 0.56%

LAB 77.37, -53.22, 22.21

 

CMYK 33 / 67 / 0 / 16

HEX #9147D7

RGB 145 71 215

HSL 270.83, 0.64%, 0.56%

LAB 46.22, 57.19, -61.89

 

CMYK 0 / 33 / 67 / 16

HEX #D79147

RGB 215 145 71

HSL 30.83, 0.64%, 0.56%

LAB 65.87, 19.58, 48.93

 

CMYK 66 / 0 / 31 / 16

HEX #49D794

RGB 73 215 148

HSL 151.69, 0.64%, 0.56%

LAB 77.37, -53.22, 22.21

 

CMYK 67 / 48 / 0 / 16

HEX #4770D7

RGB 71 112 215

HSL 222.92, 0.64%, 0.56%

LAB 49.29, 19.18, -57.23

 

CMYK 0 / 67 / 35 / 16

HEX #D7478C

RGB 215 71 140

HSL 331.25, 0.64%, 0.56%

LAB 52.78, 61.95, -7.05

 

CMYK 0 / 19 / 67 / 16

HEX #D7AE47

RGB 215 174 71

HSL 42.92, 0.64%, 0.56%

LAB 73.01, 4.01, 56.66

 

CMYK 66 / 0 / 31 / 16

HEX #49D794

RGB 73 215 148

HSL 151.69, 0.64%, 0.56%

LAB 77.37, -53.22, 22.21

 

CMYK 66 / 67 / 0 / 16

HEX #4947D7

RGB 73 71 215

HSL 240.83, 0.64%, 0.56%

LAB 39.29, 44.85, -73.48

 

CMYK 0 / 67 / 35 / 16

HEX #D7478C

RGB 215 71 140

HSL 331.25, 0.64%, 0.56%

LAB 52.78, 61.95, -7.05

 

CMYK 1 / 0 / 67 / 16

HEX #D4D747

RGB 212 215 71

HSL 61.25, 0.64%, 0.56%

LAB 83.47, -18.27, 67.39

 

Description

Color code: HEX #49D794 | qconv.com Color code: HEX #49D794 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 215 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 215 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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