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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49CEB0 it is the complementary color #B6314F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49CEB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49CEB0 shade: #4ECEAB, #5FE0BE, #70F2D1, #81FFE4 and #92FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49CEB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49CEB0 shade: #49CEB0, #38BC9D, #27AA8A, #169877 and #058664

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49CEB0 shade: #4ACFB1, #4ACF8D, #4ACF69, #4ECF4A and #72CF4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49CEB0 shade: #4ACFB1, #4AC9CF, #4AA5CF, #4A81CF and #4A5DCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49CEB0 shade matches the following richer shades: #4ACFB1, #37E1BB and #25F4C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49CEB0 shade: #4ACFB1, #5CBCA7, #6FAA9C, #819792 and #948588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49CEB0 shade: #4ACF69, #4ACF8C, #4ACFB0, #4ACACF and #4AA7CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49CEB0 shade: #2A9C83, #32BD9E, #4ACFB1, #6AD7BF and #8BE0CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49CEB0 shade: #49CEB0, #4A4ECF and #CF7B4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49CEB0 shade: #49CEB0, #B04ACF and #CFB04A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49CEB0 shade: #49CEB0, #4A4ECF, #CF4A69 and #CFCA4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49CEB0 shade: #49CEB0, #6D4ACF, #CF4A69 and #ABCF4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 15 / 19

HEX #49CEB0

RGB 73 206 176

HSL 166.47, 0.58%, 0.55%

LAB 75.26, -43.17, 4.34

 

Complementary color

CMYK 0 / 73 / 57 / 29

HEX #B6314F

RGB 182 49 79

HSL 346.47, 0.58%, 0.45%

LAB 42.32, 54.7, 14.4

 

CMYK 62 / 0 / 17 / 19

HEX #4ECEAB

RGB 78 206 171

HSL 163.59, 0.57%, 0.56%

LAB 75.27, -43.52, 7.05

 

CMYK 58 / 0 / 15 / 12

HEX #5FE0BE

RGB 95 224 190

HSL 164.19, 0.68%, 0.63%

LAB 81.54, -43.68, 6.01

 

CMYK 54 / 0 / 14 / 5

HEX #70F2D1

RGB 112 242 209

HSL 164.77, 0.83%, 0.69%

LAB 87.75, -43.74, 5.05

 

CMYK 49 / 0 / 11 / 0

HEX #81FFE4

RGB 129 255 228

HSL 167.14, 1%, 0.75%

LAB 92.48, -41.51, 2.1

 

CMYK 43 / 0 / 3 / 0

HEX #92FFF7

RGB 146 255 247

HSL 175.6, 1%, 0.79%

LAB 93.6, -33.25, -6.01

 

CMYK 65 / 0 / 15 / 19

HEX #49CEB0

RGB 73 206 176

HSL 166.47, 0.58%, 0.55%

LAB 75.26, -43.17, 4.34

 

CMYK 70 / 0 / 16 / 26

HEX #38BC9D

RGB 56 188 157

HSL 165.91, 0.54%, 0.48%

LAB 68.93, -42.74, 5.47

 

CMYK 77 / 0 / 19 / 33

HEX #27AA8A

RGB 39 170 138

HSL 165.34, 0.63%, 0.41%

LAB 62.52, -42.06, 6.72

 

CMYK 86 / 0 / 22 / 40

HEX #169877

RGB 22 152 119

HSL 164.77, 0.75%, 0.34%

LAB 56.05, -41.01, 8.13

 

CMYK 96 / 0 / 25 / 47

HEX #058664

RGB 5 134 100

HSL 164.19, 0.93%, 0.27%

LAB 49.5, -39.49, 9.73

 

CMYK 64 / 0 / 14 / 19

HEX #4ACFB1

RGB 74 207 177

HSL 166.47, 0.58%, 0.55%

LAB 75.61, -43.19, 4.31

 

CMYK 64 / 0 / 32 / 19

HEX #4ACF8D

RGB 74 207 141

HSL 150.23, 0.58%, 0.55%

LAB 74.83, -51.28, 22.41

 

CMYK 64 / 0 / 49 / 19

HEX #4ACF69

RGB 74 207 105

HSL 133.98, 0.58%, 0.55%

LAB 74.25, -57.58, 40.06

 

CMYK 62 / 0 / 64 / 19

HEX #4ECF4A

RGB 78 207 74

HSL 118.2, 0.58%, 0.55%

LAB 74.02, -60.61, 54.04

 

CMYK 45 / 0 / 64 / 19

HEX #72CF4A

RGB 114 207 74

HSL 101.95, 0.58%, 0.55%

LAB 75.26, -51.1, 55.76

 

CMYK 64 / 0 / 14 / 19

HEX #4ACFB1

RGB 74 207 177

HSL 166.47, 0.58%, 0.55%

LAB 75.61, -43.19, 4.31

 

CMYK 64 / 3 / 0 / 19

HEX #4AC9CF

RGB 74 201 207

HSL 182.71, 0.58%, 0.55%

LAB 74.66, -32.47, -13.3

 

CMYK 64 / 20 / 0 / 19

HEX #4AA5CF

RGB 74 165 207

HSL 198.95, 0.58%, 0.55%

LAB 64.06, -14.2, -29.44

 

CMYK 64 / 38 / 0 / 19

HEX #4A81CF

RGB 74 129 207

HSL 215.19, 0.58%, 0.55%

LAB 53.67, 6.42, -45.71

 

CMYK 64 / 55 / 0 / 19

HEX #4A5DCF

RGB 74 93 207

HSL 231.43, 0.58%, 0.55%

LAB 43.93, 28.82, -61.32

 

CMYK 64 / 0 / 14 / 19

HEX #4ACFB1

RGB 74 207 177

HSL 166.47, 0.58%, 0.55%

LAB 75.61, -43.19, 4.31

 

CMYK 76 / 0 / 17 / 12

HEX #37E1BB

RGB 55 225 187

HSL 166.59, 0.74%, 0.55%

LAB 80.88, -50.95, 6.52

 

CMYK 85 / 0 / 19 / 4

HEX #25F4C5

RGB 37 244 197

HSL 166.38, 0.9%, 0.55%

LAB 86.57, -57.69, 9.4

 

CMYK 64 / 0 / 14 / 19

HEX #4ACFB1

RGB 74 207 177

HSL 166.47, 0.58%, 0.55%

LAB 75.61, -43.19, 4.31

 

CMYK 51 / 0 / 11 / 26

HEX #5CBCA7

RGB 92 188 167

HSL 166.88, 0.42%, 0.55%

LAB 70.2, -33.5, 1.96

 

CMYK 35 / 0 / 8 / 33

HEX #6FAA9C

RGB 111 170 156

HSL 165.76, 0.26%, 0.55%

LAB 65.38, -22.37, 1.13

 

CMYK 15 / 0 / 3 / 41

HEX #819792

RGB 129 151 146

HSL 166.36, 0.1%, 0.55%

LAB 60.67, -8.81, 0.01

 

CMYK 0 / 10 / 8 / 42

HEX #948588

RGB 148 133 136

HSL 348, 0.07%, 0.55%

LAB 56.93, 6.21, 0.45

 

CMYK 64 / 0 / 49 / 19

HEX #4ACF69

RGB 74 207 105

HSL 133.98, 0.58%, 0.55%

LAB 74.25, -57.58, 40.06

 

CMYK 64 / 0 / 32 / 19

HEX #4ACF8C

RGB 74 207 140

HSL 149.77, 0.58%, 0.55%

LAB 74.81, -51.48, 22.91

 

CMYK 64 / 0 / 15 / 19

HEX #4ACFB0

RGB 74 207 176

HSL 166.02, 0.58%, 0.55%

LAB 75.59, -43.44, 4.81

 

CMYK 64 / 2 / 0 / 19

HEX #4ACACF

RGB 74 202 207

HSL 182.26, 0.58%, 0.55%

LAB 74.95, -32.95, -12.86

 

CMYK 64 / 19 / 0 / 19

HEX #4AA7CF

RGB 74 167 207

HSL 198.05, 0.58%, 0.55%

LAB 64.64, -15.28, -28.54

 

CMYK 73 / 0 / 16 / 39

HEX #2A9C83

RGB 42 156 131

HSL 166.84, 0.58%, 0.39%

LAB 57.95, -37.37, 4.09

 

CMYK 74 / 0 / 16 / 26

HEX #32BD9E

RGB 50 189 158

HSL 166.62, 0.58%, 0.47%

LAB 69.14, -43.73, 5.22

 

CMYK 64 / 0 / 14 / 19

HEX #4ACFB1

RGB 74 207 177

HSL 166.47, 0.58%, 0.55%

LAB 75.61, -43.19, 4.31

 

CMYK 51 / 0 / 11 / 16

HEX #6AD7BF

RGB 106 215 191

HSL 166.79, 0.58%, 0.63%

LAB 79.29, -37.12, 2.26

 

CMYK 38 / 0 / 8 / 12

HEX #8BE0CD

RGB 139 224 205

HSL 166.59, 0.58%, 0.71%

LAB 83.55, -30.04, 1.18

 

CMYK 65 / 0 / 15 / 19

HEX #49CEB0

RGB 73 206 176

HSL 166.47, 0.58%, 0.55%

LAB 75.26, -43.17, 4.34

 

CMYK 64 / 62 / 0 / 19

HEX #4A4ECF

RGB 74 78 207

HSL 238.2, 0.58%, 0.55%

LAB 40.26, 38.16, -67.28

 

CMYK 0 / 41 / 64 / 19

HEX #CF7B4A

RGB 207 123 74

HSL 22.11, 0.58%, 0.55%

LAB 59.82, 28.3, 40.27

 

CMYK 65 / 0 / 15 / 19

HEX #49CEB0

RGB 73 206 176

HSL 166.47, 0.58%, 0.55%

LAB 75.26, -43.17, 4.34

 

CMYK 15 / 64 / 0 / 19

HEX #B04ACF

RGB 176 74 207

HSL 286.02, 0.58%, 0.55%

LAB 50.25, 60.86, -50.61

 

CMYK 0 / 15 / 64 / 19

HEX #CFB04A

RGB 207 176 74

HSL 46.02, 0.58%, 0.55%

LAB 72.77, -0.29, 54.85

 

CMYK 65 / 0 / 15 / 19

HEX #49CEB0

RGB 73 206 176

HSL 166.47, 0.58%, 0.55%

LAB 75.26, -43.17, 4.34

 

CMYK 64 / 62 / 0 / 19

HEX #4A4ECF

RGB 74 78 207

HSL 238.2, 0.58%, 0.55%

LAB 40.26, 38.16, -67.28

 

CMYK 0 / 64 / 49 / 19

HEX #CF4A69

RGB 207 74 105

HSL 346.02, 0.58%, 0.55%

LAB 50.9, 54.81, 11.03

 

CMYK 0 / 2 / 64 / 19

HEX #CFCA4A

RGB 207 202 74

HSL 57.74, 0.58%, 0.55%

LAB 79.61, -13.71, 62.13

 

CMYK 65 / 0 / 15 / 19

HEX #49CEB0

RGB 73 206 176

HSL 166.47, 0.58%, 0.55%

LAB 75.26, -43.17, 4.34

 

CMYK 47 / 64 / 0 / 19

HEX #6D4ACF

RGB 109 74 207

HSL 255.79, 0.58%, 0.55%

LAB 42.24, 46.46, -63.94

 

CMYK 0 / 64 / 49 / 19

HEX #CF4A69

RGB 207 74 105

HSL 346.02, 0.58%, 0.55%

LAB 50.9, 54.81, 11.03

 

CMYK 17 / 0 / 64 / 19

HEX #ABCF4A

RGB 171 207 74

HSL 76.24, 0.58%, 0.55%

LAB 78.33, -30.84, 59.97

 

Description

Color code: HEX #49CEB0 | qconv.com Color code: HEX #49CEB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 206 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 206 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 15 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 15% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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