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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49CC63 it is the complementary color #B6339C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49CC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49CC63 shade: #4ECC5E, #5FDE71, #70F084, #81FF97 and #92FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49CC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49CC63 shade: #49CC63, #38BA50, #27A83D, #16962A and #058417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49CC63 shade: #48CB62, #51CB48, #75CB48, #98CB48 and #BCCB48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49CC63 shade: #48CB62, #48CB86, #48CBA9, #48CACB and #48A7CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49CC63 shade matches the following richer shades: #48CB62, #35DE57 and #22F14B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49CC63 shade: #48CB62, #5BB86E, #6EA579, #819284 and #947F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49CC63 shade: #76CB48, #53CB48, #48CB60, #48CB83 and #48CBA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49CC63 shade: #2A9640, #34B74E, #48CB62, #68D47E and #88DE99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49CC63 shade: #49CC63, #4899CB and #CB4864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49CC63 shade: #49CC63, #6048CB and #CB6048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49CC63 shade: #49CC63, #4899CB, #CB48B3 and #CB7A48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49CC63 shade: #49CC63, #4872CB, #CB48B3 and #CBA248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 51 / 20

HEX #49CC63

RGB 73 204 99

HSL 131.91, 0.56%, 0.54%

LAB 73.22, -57.55, 41.71

 

Complementary color

CMYK 0 / 72 / 14 / 29

HEX #B6339C

RGB 182 51 156

HSL 311.91, 0.56%, 0.46%

LAB 45.24, 62.58, -28.62

 

CMYK 62 / 0 / 54 / 20

HEX #4ECC5E

RGB 78 204 94

HSL 127.62, 0.55%, 0.55%

LAB 73.29, -57.2, 44.22

 

CMYK 57 / 0 / 49 / 13

HEX #5FDE71

RGB 95 222 113

HSL 128.5, 0.66%, 0.62%

LAB 79.54, -57.49, 42.87

 

CMYK 53 / 0 / 45 / 6

HEX #70F084

RGB 112 240 132

HSL 129.38, 0.81%, 0.69%

LAB 85.72, -57.59, 41.54

 

CMYK 49 / 0 / 41 / 0

HEX #81FF97

RGB 129 255 151

HSL 130.48, 1%, 0.75%

LAB 90.97, -56.39, 39.13

 

CMYK 43 / 0 / 33 / 0

HEX #92FFAA

RGB 146 255 170

HSL 133.21, 1%, 0.79%

LAB 91.92, -48.86, 31.08

 

CMYK 64 / 0 / 51 / 20

HEX #49CC63

RGB 73 204 99

HSL 131.91, 0.56%, 0.54%

LAB 73.22, -57.55, 41.71

 

CMYK 70 / 0 / 57 / 27

HEX #38BA50

RGB 56 186 80

HSL 131.08, 0.54%, 0.47%

LAB 66.93, -56.93, 43.12

 

CMYK 77 / 0 / 64 / 34

HEX #27A83D

RGB 39 168 61

HSL 130.23, 0.62%, 0.41%

LAB 60.58, -55.86, 44.46

 

CMYK 85 / 0 / 72 / 41

HEX #16962A

RGB 22 150 42

HSL 129.38, 0.74%, 0.34%

LAB 54.19, -54.12, 45.54

 

CMYK 96 / 0 / 83 / 48

HEX #058417

RGB 5 132 23

HSL 128.5, 0.93%, 0.27%

LAB 47.75, -51.46, 45.91

 

CMYK 65 / 0 / 52 / 20

HEX #48CB62

RGB 72 203 98

HSL 131.91, 0.56%, 0.54%

LAB 72.87, -57.53, 41.76

 

CMYK 60 / 0 / 65 / 20

HEX #51CB48

RGB 81 203 72

HSL 115.88, 0.56%, 0.54%

LAB 72.85, -58.72, 53.61

 

CMYK 42 / 0 / 65 / 20

HEX #75CB48

RGB 117 203 72

HSL 99.39, 0.56%, 0.54%

LAB 74.17, -48.73, 55.43

 

CMYK 25 / 0 / 65 / 20

HEX #98CB48

RGB 152 203 72

HSL 83.36, 0.56%, 0.54%

LAB 75.98, -36.47, 57.92

 

CMYK 7 / 0 / 65 / 20

HEX #BCCB48

RGB 188 203 72

HSL 66.87, 0.56%, 0.54%

LAB 78.39, -22.22, 61.2

 

CMYK 65 / 0 / 52 / 20

HEX #48CB62

RGB 72 203 98

HSL 131.91, 0.56%, 0.54%

LAB 72.87, -57.53, 41.76

 

CMYK 65 / 0 / 34 / 20

HEX #48CB86

RGB 72 203 134

HSL 148.4, 0.56%, 0.54%

LAB 73.42, -51.44, 24.17

 

CMYK 65 / 0 / 17 / 20

HEX #48CBA9

RGB 72 203 169

HSL 164.43, 0.56%, 0.54%

LAB 74.16, -43.75, 6.52

 

CMYK 65 / 0 / 0 / 20

HEX #48CACB

RGB 72 202 203

HSL 180.46, 0.56%, 0.54%

LAB 74.78, -34.38, -10.95

 

CMYK 65 / 18 / 0 / 20

HEX #48A7CB

RGB 72 167 203

HSL 196.49, 0.56%, 0.54%

LAB 64.42, -16.88, -26.66

 

CMYK 65 / 0 / 52 / 20

HEX #48CB62

RGB 72 203 98

HSL 131.91, 0.56%, 0.54%

LAB 72.87, -57.53, 41.76

 

CMYK 76 / 0 / 61 / 13

HEX #35DE57

RGB 53 222 87

HSL 132.07, 0.72%, 0.54%

LAB 78.28, -68.57, 53.12

 

CMYK 86 / 0 / 69 / 5

HEX #22F14B

RGB 34 241 75

HSL 131.88, 0.88%, 0.54%

LAB 83.84, -77.56, 64.02

 

CMYK 65 / 0 / 52 / 20

HEX #48CB62

RGB 72 203 98

HSL 131.91, 0.56%, 0.54%

LAB 72.87, -57.53, 41.76

 

CMYK 51 / 0 / 40 / 28

HEX #5BB86E

RGB 91 184 110

HSL 132.26, 0.4%, 0.54%

LAB 67.75, -43.77, 29.32

 

CMYK 33 / 0 / 27 / 35

HEX #6EA579

RGB 110 165 121

HSL 132, 0.23%, 0.54%

LAB 63.02, -27.49, 17.19

 

CMYK 12 / 0 / 10 / 43

HEX #819284

RGB 129 146 132

HSL 130.59, 0.07%, 0.54%

LAB 58.87, -8.92, 5.36

 

CMYK 0 / 14 / 3 / 42

HEX #947F90

RGB 148 127 144

HSL 311.43, 0.09%, 0.54%

LAB 55.57, 11.16, -6.18

 

CMYK 42 / 0 / 65 / 20

HEX #76CB48

RGB 118 203 72

HSL 98.93, 0.56%, 0.54%

LAB 74.21, -48.41, 55.49

 

CMYK 59 / 0 / 65 / 20

HEX #53CB48

RGB 83 203 72

HSL 114.96, 0.56%, 0.54%

LAB 72.9, -58.25, 53.69

 

CMYK 65 / 0 / 53 / 20

HEX #48CB60

RGB 72 203 96

HSL 130.99, 0.56%, 0.54%

LAB 72.85, -57.81, 42.69

 

CMYK 65 / 0 / 35 / 20

HEX #48CB83

RGB 72 203 131

HSL 147.02, 0.56%, 0.54%

LAB 73.37, -52.02, 25.68

 

CMYK 65 / 0 / 18 / 20

HEX #48CBA6

RGB 72 203 166

HSL 163.05, 0.56%, 0.54%

LAB 74.09, -44.47, 8.04

 

CMYK 72 / 0 / 57 / 41

HEX #2A9640

RGB 42 150 64

HSL 132.22, 0.56%, 0.38%

LAB 54.74, -48.7, 36.3

 

CMYK 72 / 0 / 57 / 28

HEX #34B74E

RGB 52 183 78

HSL 131.91, 0.56%, 0.46%

LAB 65.86, -56.83, 42.78

 

CMYK 65 / 0 / 52 / 20

HEX #48CB62

RGB 72 203 98

HSL 131.91, 0.56%, 0.54%

LAB 72.87, -57.53, 41.76

 

CMYK 51 / 0 / 41 / 17

HEX #68D47E

RGB 104 212 126

HSL 132.22, 0.56%, 0.62%

LAB 77, -49.39, 33.25

 

CMYK 39 / 0 / 31 / 13

HEX #88DE99

RGB 136 222 153

HSL 131.86, 0.57%, 0.7%

LAB 81.72, -40.28, 25.88

 

CMYK 64 / 0 / 51 / 20

HEX #49CC63

RGB 73 204 99

HSL 131.91, 0.56%, 0.54%

LAB 73.22, -57.55, 41.71

 

CMYK 65 / 25 / 0 / 20

HEX #4899CB

RGB 72 153 203

HSL 202.9, 0.56%, 0.54%

LAB 60.31, -9.25, -33.02

 

CMYK 0 / 65 / 51 / 20

HEX #CB4864

RGB 203 72 100

HSL 347.18, 0.56%, 0.54%

LAB 49.8, 53.94, 12.41

 

CMYK 64 / 0 / 51 / 20

HEX #49CC63

RGB 73 204 99

HSL 131.91, 0.56%, 0.54%

LAB 73.22, -57.55, 41.71

 

CMYK 53 / 65 / 0 / 20

HEX #6048CB

RGB 96 72 203

HSL 250.99, 0.56%, 0.54%

LAB 40.3, 44.03, -64.83

 

CMYK 0 / 53 / 65 / 20

HEX #CB6048

RGB 203 96 72

HSL 10.99, 0.56%, 0.54%

LAB 53.52, 40.69, 33.71

 

CMYK 64 / 0 / 51 / 20

HEX #49CC63

RGB 73 204 99

HSL 131.91, 0.56%, 0.54%

LAB 73.22, -57.55, 41.71

 

CMYK 65 / 25 / 0 / 20

HEX #4899CB

RGB 72 153 203

HSL 202.9, 0.56%, 0.54%

LAB 60.31, -9.25, -33.02

 

CMYK 0 / 65 / 12 / 20

HEX #CB48B3

RGB 203 72 179

HSL 310.99, 0.56%, 0.54%

LAB 52.49, 63.43, -30.63

 

CMYK 0 / 40 / 65 / 20

HEX #CB7A48

RGB 203 122 72

HSL 22.9, 0.56%, 0.54%

LAB 59.05, 27.06, 40.28

 

CMYK 64 / 0 / 51 / 20

HEX #49CC63

RGB 73 204 99

HSL 131.91, 0.56%, 0.54%

LAB 73.22, -57.55, 41.71

 

CMYK 65 / 44 / 0 / 20

HEX #4872CB

RGB 72 114 203

HSL 220.76, 0.56%, 0.54%

LAB 49.16, 13.88, -50.61

 

CMYK 0 / 65 / 12 / 20

HEX #CB48B3

RGB 203 72 179

HSL 310.99, 0.56%, 0.54%

LAB 52.49, 63.43, -30.63

 

CMYK 0 / 20 / 65 / 20

HEX #CBA248

RGB 203 162 72

HSL 41.22, 0.56%, 0.54%

LAB 68.75, 5.33, 51.27

 

Description

Color code: HEX #49CC63 | qconv.com Color code: HEX #49CC63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 204 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 204 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 51 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 51% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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