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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49C5E7 it is the complementary color #B63A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49C5E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49C5E7 shade: #4EC5E2, #5FD7F5, #70E9FF, #81FBFF and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49C5E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49C5E7 shade: #49C5E7, #38B3D4, #27A1C1, #168FAE and #057D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49C5E7 shade: #4AC5E7, #4A9BE7, #4A71E7, #4E4AE7 and #784AE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49C5E7 shade: #4AC5E7, #4A9BE7, #4A71E7 and #4A4AE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49C5E7 shade matches the following richer shades: #4AC5E7 and #39CFF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49C5E7 shade: #4AC5E7, #5ABCD7, #6BB2C6, #7BA9B6 and #8CA0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49C5E7 shade: #4AE7B3, #4AE7DD, #4AC8E7, #4A9EE7 and #4A74E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49C5E7 shade: #19A0C5, #25BAE2, #4AC5E7, #6ED1EC and #93DCF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49C5E7 shade: #49C5E7, #894AE7 and #E7C84A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49C5E7 shade: #49C5E7, #E74AC8 and #C8E74A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49C5E7 shade: #49C5E7, #894AE7, #E7694A and #A8E74A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49C5E7 shade: #49C5E7, #B84AE7, #E7694A and #79E74A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 15 / 0 / 9

HEX #49C5E7

RGB 73 197 231

HSL 192.91, 0.77%, 0.6%

LAB 74.27, -23.54, -26.88

 

Complementary color

CMYK 0 / 68 / 87 / 29

HEX #B63A18

RGB 182 58 24

HSL 12.91, 0.77%, 0.4%

LAB 42.82, 48.59, 46.32

 

CMYK 65 / 13 / 0 / 11

HEX #4EC5E2

RGB 78 197 226

HSL 191.76, 0.72%, 0.6%

LAB 74.22, -24.33, -24.24

 

CMYK 61 / 12 / 0 / 4

HEX #5FD7F5

RGB 95 215 245

HSL 192, 0.88%, 0.67%

LAB 80.53, -24.94, -24.75

 

CMYK 56 / 9 / 0 / 0

HEX #70E9FF

RGB 112 233 255

HSL 189.23, 1%, 0.72%

LAB 86.48, -27.92, -20.96

 

CMYK 49 / 2 / 0 / 0

HEX #81FBFF

RGB 129 251 255

HSL 181.9, 1%, 0.75%

LAB 92.08, -33.16, -12.48

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 68 / 15 / 0 / 9

HEX #49C5E7

RGB 73 197 231

HSL 192.91, 0.77%, 0.6%

LAB 74.27, -23.54, -26.88

 

CMYK 74 / 16 / 0 / 17

HEX #38B3D4

RGB 56 179 212

HSL 192.69, 0.64%, 0.53%

LAB 67.9, -22.59, -26.33

 

CMYK 80 / 17 / 0 / 24

HEX #27A1C1

RGB 39 161 193

HSL 192.47, 0.66%, 0.45%

LAB 61.46, -21.35, -25.71

 

CMYK 87 / 18 / 0 / 32

HEX #168FAE

RGB 22 143 174

HSL 192.24, 0.78%, 0.38%

LAB 54.94, -19.75, -25.02

 

CMYK 97 / 19 / 0 / 39

HEX #057D9B

RGB 5 125 155

HSL 192, 0.94%, 0.31%

LAB 48.34, -17.68, -24.22

 

CMYK 68 / 15 / 0 / 9

HEX #4AC5E7

RGB 74 197 231

HSL 192.99, 0.77%, 0.6%

LAB 74.29, -23.4, -26.84

 

CMYK 68 / 33 / 0 / 9

HEX #4A9BE7

RGB 74 155 231

HSL 209.04, 0.77%, 0.6%

LAB 62.23, -0.7, -45.59

 

CMYK 68 / 51 / 0 / 9

HEX #4A71E7

RGB 74 113 231

HSL 225.1, 0.77%, 0.6%

LAB 50.73, 24.64, -63.95

 

CMYK 66 / 68 / 0 / 9

HEX #4E4AE7

RGB 78 74 231

HSL 241.53, 0.77%, 0.6%

LAB 41.67, 48.9, -78.69

 

CMYK 48 / 68 / 0 / 9

HEX #784AE7

RGB 120 74 231

HSL 257.58, 0.77%, 0.6%

LAB 45.17, 55.08, -72.83

 

CMYK 68 / 15 / 0 / 9

HEX #4AC5E7

RGB 74 197 231

HSL 192.99, 0.77%, 0.6%

LAB 74.29, -23.4, -26.84

 

CMYK 68 / 33 / 0 / 9

HEX #4A9BE7

RGB 74 155 231

HSL 209.04, 0.77%, 0.6%

LAB 62.23, -0.7, -45.59

 

CMYK 68 / 51 / 0 / 9

HEX #4A71E7

RGB 74 113 231

HSL 225.1, 0.77%, 0.6%

LAB 50.73, 24.64, -63.95

 

CMYK 68 / 68 / 0 / 9

HEX #4A4AE7

RGB 74 74 231

HSL 240, 0.77%, 0.6%

LAB 41.41, 48.42, -79.13

 

CMYK 68 / 15 / 0 / 9

HEX #4AC5E7

RGB 74 197 231

HSL 192.99, 0.77%, 0.6%

LAB 74.29, -23.4, -26.84

 

CMYK 77 / 17 / 0 / 3

HEX #39CFF8

RGB 57 207 248

HSL 192.88, 0.93%, 0.6%

LAB 77.44, -25.16, -31.16

 

CMYK 68 / 15 / 0 / 9

HEX #4AC5E7

RGB 74 197 231

HSL 192.99, 0.77%, 0.6%

LAB 74.29, -23.4, -26.84

 

CMYK 58 / 13 / 0 / 16

HEX #5ABCD7

RGB 90 188 215

HSL 192.96, 0.61%, 0.6%

LAB 71.59, -20.98, -22.24

 

CMYK 46 / 10 / 0 / 22

HEX #6BB2C6

RGB 107 178 198

HSL 193.19, 0.44%, 0.6%

LAB 68.78, -16.97, -17.12

 

CMYK 32 / 7 / 0 / 29

HEX #7BA9B6

RGB 123 169 182

HSL 193.22, 0.29%, 0.6%

LAB 66.49, -12.14, -11.63

 

CMYK 15 / 3 / 0 / 35

HEX #8CA0A5

RGB 140 160 165

HSL 192, 0.12%, 0.6%

LAB 64.51, -5.93, -4.98

 

CMYK 68 / 0 / 23 / 9

HEX #4AE7B3

RGB 74 231 179

HSL 160.13, 0.77%, 0.6%

LAB 82.84, -52.79, 13.58

 

CMYK 68 / 0 / 4 / 9

HEX #4AE7DD

RGB 74 231 221

HSL 176.18, 0.77%, 0.6%

LAB 83.88, -42.39, -7.05

 

CMYK 68 / 13 / 0 / 9

HEX #4AC8E7

RGB 74 200 231

HSL 191.85, 0.77%, 0.6%

LAB 75.16, -24.91, -25.5

 

CMYK 68 / 32 / 0 / 9

HEX #4A9EE7

RGB 74 158 231

HSL 207.9, 0.77%, 0.6%

LAB 63.08, -2.41, -44.25

 

CMYK 68 / 50 / 0 / 9

HEX #4A74E7

RGB 74 116 231

HSL 223.95, 0.77%, 0.6%

LAB 51.51, 22.78, -62.68

 

CMYK 87 / 19 / 0 / 23

HEX #19A0C5

RGB 25 160 197

HSL 192.91, 0.77%, 0.44%

LAB 61.12, -20.59, -28.49

 

CMYK 84 / 18 / 0 / 11

HEX #25BAE2

RGB 37 186 226

HSL 192.7, 0.77%, 0.52%

LAB 70.18, -23.44, -30.51

 

CMYK 68 / 15 / 0 / 9

HEX #4AC5E7

RGB 74 197 231

HSL 192.99, 0.77%, 0.6%

LAB 74.29, -23.4, -26.84

 

CMYK 53 / 11 / 0 / 7

HEX #6ED1EC

RGB 110 209 236

HSL 192.86, 0.77%, 0.68%

LAB 79.03, -21.72, -22.2

 

CMYK 39 / 9 / 0 / 5

HEX #93DCF1

RGB 147 220 241

HSL 193.4, 0.77%, 0.76%

LAB 83.83, -17.46, -17.44

 

CMYK 68 / 15 / 0 / 9

HEX #49C5E7

RGB 73 197 231

HSL 192.91, 0.77%, 0.6%

LAB 74.27, -23.54, -26.88

 

CMYK 41 / 68 / 0 / 9

HEX #894AE7

RGB 137 74 231

HSL 264.08, 0.77%, 0.6%

LAB 46.96, 58.09, -69.84

 

CMYK 0 / 13 / 68 / 9

HEX #E7C84A

RGB 231 200 74

HSL 48.15, 0.77%, 0.6%

LAB 81.18, -2.6, 64.4

 

CMYK 68 / 15 / 0 / 9

HEX #49C5E7

RGB 73 197 231

HSL 192.91, 0.77%, 0.6%

LAB 74.27, -23.54, -26.88

 

CMYK 0 / 68 / 13 / 9

HEX #E74AC8

RGB 231 74 200

HSL 311.85, 0.77%, 0.6%

LAB 58.09, 72.72, -33.69

 

CMYK 13 / 0 / 68 / 9

HEX #C8E74A

RGB 200 231 74

HSL 71.85, 0.77%, 0.6%

LAB 86.96, -30.62, 69.51

 

CMYK 68 / 15 / 0 / 9

HEX #49C5E7

RGB 73 197 231

HSL 192.91, 0.77%, 0.6%

LAB 74.27, -23.54, -26.88

 

CMYK 41 / 68 / 0 / 9

HEX #894AE7

RGB 137 74 231

HSL 264.08, 0.77%, 0.6%

LAB 46.96, 58.09, -69.84

 

CMYK 0 / 55 / 68 / 9

HEX #E7694A

RGB 231 105 74

HSL 11.85, 0.77%, 0.6%

LAB 59.51, 46.83, 40.76

 

CMYK 27 / 0 / 68 / 9

HEX #A8E74A

RGB 168 231 74

HSL 84.08, 0.77%, 0.6%

LAB 84.98, -42.82, 66.86

 

CMYK 68 / 15 / 0 / 9

HEX #49C5E7

RGB 73 197 231

HSL 192.91, 0.77%, 0.6%

LAB 74.27, -23.54, -26.88

 

CMYK 20 / 68 / 0 / 9

HEX #B84AE7

RGB 184 74 231

HSL 282.04, 0.77%, 0.6%

LAB 52.79, 67.37, -60.11

 

CMYK 0 / 55 / 68 / 9

HEX #E7694A

RGB 231 105 74

HSL 11.85, 0.77%, 0.6%

LAB 59.51, 46.83, 40.76

 

CMYK 48 / 0 / 68 / 9

HEX #79E74A

RGB 121 231 74

HSL 102.04, 0.77%, 0.6%

LAB 82.76, -58.33, 63.86

 

Description

Color code: HEX #49C5E7 | qconv.com Color code: HEX #49C5E7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 197 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 197 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 15 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 15% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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