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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49C24A it is the complementary color #B63DB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49C24A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49C24A shade: #4EC245, #5FD458, #70E66B, #81F87E and #92FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49C24A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49C24A shade: #49C24A, #38B037, #279E24, #168C11 and #057A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49C24A shade: #47C248, #67C247, #88C247, #A9C247 and #C2B947

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49C24A shade: #47C248, #47C269, #47C28A, #47C2AB and #47B7C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49C24A shade matches the following richer shades: #47C248, #34D635, #20E921 and #0CFD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49C24A shade: #47C248, #5BAE5C, #6F9A6F, #838683 and #977396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49C24A shade: #89C247, #68C247, #47C247, #47C268 and #47C289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49C24A shade: #2E892E, #38A839, #47C248, #66CC67 and #85D686

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49C24A shade: #49C24A, #47A9C2 and #C24778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49C24A shade: #49C24A, #4747C2 and #C24747

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49C24A shade: #49C24A, #47A9C2, #C247C2 and #C26047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49C24A shade: #49C24A, #4785C2, #C247C2 and #C28547

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 62 / 24

HEX #49C24A

RGB 73 194 74

HSL 120.5, 0.5%, 0.52%

LAB 69.82, -57.1, 49.31

 

Complementary color

CMYK 0 / 66 / 1 / 29

HEX #B63DB5

RGB 182 61 181

HSL 300.5, 0.5%, 0.48%

LAB 47.78, 62.87, -39.43

 

CMYK 60 / 0 / 64 / 24

HEX #4EC245

RGB 78 194 69

HSL 115.68, 0.51%, 0.52%

LAB 69.92, -56.48, 51.63

 

CMYK 55 / 0 / 58 / 17

HEX #5FD458

RGB 95 212 88

HSL 116.61, 0.59%, 0.59%

LAB 76.21, -56.92, 50.56

 

CMYK 51 / 0 / 53 / 10

HEX #70E66B

RGB 112 230 107

HSL 117.56, 0.71%, 0.66%

LAB 82.43, -57.13, 49.37

 

CMYK 48 / 0 / 49 / 3

HEX #81F87E

RGB 129 248 126

HSL 118.52, 0.9%, 0.73%

LAB 88.59, -57.18, 48.14

 

CMYK 43 / 0 / 43 / 0

HEX #92FF91

RGB 146 255 145

HSL 119.45, 1%, 0.78%

LAB 91.54, -52.7, 42.91

 

CMYK 62 / 0 / 62 / 24

HEX #49C24A

RGB 73 194 74

HSL 120.5, 0.5%, 0.52%

LAB 69.82, -57.1, 49.31

 

CMYK 68 / 0 / 69 / 31

HEX #38B037

RGB 56 176 55

HSL 119.5, 0.52%, 0.45%

LAB 63.48, -56.28, 50.29

 

CMYK 75 / 0 / 77 / 38

HEX #279E24

RGB 39 158 36

HSL 118.52, 0.63%, 0.38%

LAB 57.09, -54.92, 50.8

 

CMYK 84 / 0 / 88 / 45

HEX #168C11

RGB 22 140 17

HSL 117.56, 0.78%, 0.31%

LAB 50.65, -52.74, 50.28

 

CMYK 96 / 0 / 100 / 52

HEX #057A00

RGB 5 122 0

HSL 117.54, 1%, 0.24%

LAB 44.16, -49.52, 48.26

 

CMYK 63 / 0 / 63 / 24

HEX #47C248

RGB 71 194 72

HSL 120.49, 0.5%, 0.52%

LAB 69.75, -57.75, 50.09

 

CMYK 47 / 0 / 63 / 24

HEX #67C247

RGB 103 194 71

HSL 104.39, 0.5%, 0.52%

LAB 70.82, -49.54, 52.01

 

CMYK 30 / 0 / 63 / 24

HEX #88C247

RGB 136 194 71

HSL 88.29, 0.5%, 0.52%

LAB 72.41, -38.46, 54.22

 

CMYK 13 / 0 / 63 / 24

HEX #A9C247

RGB 169 194 71

HSL 72.2, 0.5%, 0.52%

LAB 74.49, -25.66, 57.07

 

CMYK 0 / 5 / 63 / 24

HEX #C2B947

RGB 194 185 71

HSL 55.61, 0.5%, 0.52%

LAB 73.95, -10.73, 57.07

 

CMYK 63 / 0 / 63 / 24

HEX #47C248

RGB 71 194 72

HSL 120.49, 0.5%, 0.52%

LAB 69.75, -57.75, 50.09

 

CMYK 63 / 0 / 46 / 24

HEX #47C269

RGB 71 194 105

HSL 136.59, 0.5%, 0.52%

LAB 70.14, -53.33, 34.86

 

CMYK 63 / 0 / 29 / 24

HEX #47C28A

RGB 71 194 138

HSL 152.68, 0.5%, 0.52%

LAB 70.7, -47.17, 18.33

 

CMYK 63 / 0 / 12 / 24

HEX #47C2AB

RGB 71 194 171

HSL 168.78, 0.5%, 0.52%

LAB 71.46, -39.46, 1.53

 

CMYK 63 / 6 / 0 / 24

HEX #47B7C2

RGB 71 183 194

HSL 185.37, 0.5%, 0.52%

LAB 68.82, -27.98, -14.98

 

CMYK 63 / 0 / 63 / 24

HEX #47C248

RGB 71 194 72

HSL 120.49, 0.5%, 0.52%

LAB 69.75, -57.75, 50.09

 

CMYK 76 / 0 / 75 / 16

HEX #34D635

RGB 52 214 53

HSL 120.37, 0.66%, 0.52%

LAB 75.5, -69.39, 63.32

 

CMYK 86 / 0 / 86 / 9

HEX #20E921

RGB 32 233 33

HSL 120.3, 0.82%, 0.52%

LAB 81.12, -78.17, 73.78

 

CMYK 95 / 0 / 94 / 1

HEX #0CFD0E

RGB 12 253 14

HSL 120.5, 0.98%, 0.52%

LAB 87.17, -85.12, 81.64

 

CMYK 63 / 0 / 63 / 24

HEX #47C248

RGB 71 194 72

HSL 120.49, 0.5%, 0.52%

LAB 69.75, -57.75, 50.09

 

CMYK 48 / 0 / 47 / 32

HEX #5BAE5C

RGB 91 174 92

HSL 120.72, 0.34%, 0.52%

LAB 64.38, -42.36, 34.33

 

CMYK 28 / 0 / 28 / 40

HEX #6F9A6F

RGB 111 154 111

HSL 120, 0.18%, 0.52%

LAB 59.56, -23.52, 17.99

 

CMYK 2 / 0 / 2 / 47

HEX #838683

RGB 131 134 131

HSL 120, 0.01%, 0.52%

LAB 55.6, -1.7, 1.22

 

CMYK 0 / 24 / 1 / 41

HEX #977396

RGB 151 115 150

HSL 301.67, 0.15%, 0.52%

LAB 53, 20.37, -13.5

 

CMYK 29 / 0 / 63 / 24

HEX #89C247

RGB 137 194 71

HSL 87.8, 0.5%, 0.52%

LAB 72.47, -38.09, 54.29

 

CMYK 46 / 0 / 63 / 24

HEX #68C247

RGB 104 194 71

HSL 103.9, 0.5%, 0.52%

LAB 70.86, -49.24, 52.07

 

CMYK 63 / 0 / 63 / 24

HEX #47C247

RGB 71 194 71

HSL 120, 0.5%, 0.52%

LAB 69.74, -57.86, 50.51

 

CMYK 63 / 0 / 46 / 24

HEX #47C268

RGB 71 194 104

HSL 136.1, 0.5%, 0.52%

LAB 70.12, -53.49, 35.35

 

CMYK 63 / 0 / 29 / 24

HEX #47C289

RGB 71 194 137

HSL 152.2, 0.5%, 0.52%

LAB 70.68, -47.38, 18.84

 

CMYK 66 / 0 / 66 / 46

HEX #2E892E

RGB 46 137 46

HSL 120, 0.5%, 0.36%

LAB 50.3, -45.36, 39.79

 

CMYK 67 / 0 / 66 / 34

HEX #38A839

RGB 56 168 57

HSL 120.54, 0.5%, 0.44%

LAB 60.91, -53.29, 46.68

 

CMYK 63 / 0 / 63 / 24

HEX #47C248

RGB 71 194 72

HSL 120.49, 0.5%, 0.52%

LAB 69.75, -57.75, 50.09

 

CMYK 50 / 0 / 50 / 20

HEX #66CC67

RGB 102 204 103

HSL 120.59, 0.5%, 0.6%

LAB 74.18, -50.11, 41.15

 

CMYK 38 / 0 / 37 / 16

HEX #85D686

RGB 133 214 134

HSL 120.74, 0.5%, 0.68%

LAB 78.93, -40.75, 31.91

 

CMYK 62 / 0 / 62 / 24

HEX #49C24A

RGB 73 194 74

HSL 120.5, 0.5%, 0.52%

LAB 69.82, -57.1, 49.31

 

CMYK 63 / 13 / 0 / 24

HEX #47A9C2

RGB 71 169 194

HSL 192.2, 0.5%, 0.52%

LAB 64.65, -20.9, -21.31

 

CMYK 0 / 63 / 38 / 24

HEX #C24778

RGB 194 71 120

HSL 336.1, 0.5%, 0.52%

LAB 48.68, 53.49, -1.5

 

CMYK 62 / 0 / 62 / 24

HEX #49C24A

RGB 73 194 74

HSL 120.5, 0.5%, 0.52%

LAB 69.82, -57.1, 49.31

 

CMYK 63 / 63 / 0 / 24

HEX #4747C2

RGB 71 71 194

HSL 240, 0.5%, 0.52%

LAB 37.37, 37.65, -64.46

 

CMYK 0 / 63 / 63 / 24

HEX #C24747

RGB 194 71 71

HSL 0, 0.5%, 0.52%

LAB 47.53, 49.21, 26.55

 

CMYK 62 / 0 / 62 / 24

HEX #49C24A

RGB 73 194 74

HSL 120.5, 0.5%, 0.52%

LAB 69.82, -57.1, 49.31

 

CMYK 63 / 13 / 0 / 24

HEX #47A9C2

RGB 71 169 194

HSL 192.2, 0.5%, 0.52%

LAB 64.65, -20.9, -21.31

 

CMYK 0 / 63 / 0 / 24

HEX #C247C2

RGB 194 71 194

HSL 300, 0.5%, 0.52%

LAB 51.69, 63.99, -40.69

 

CMYK 0 / 51 / 63 / 24

HEX #C26047

RGB 194 96 71

HSL 12.2, 0.5%, 0.52%

LAB 52.16, 37.17, 32.3

 

CMYK 62 / 0 / 62 / 24

HEX #49C24A

RGB 73 194 74

HSL 120.5, 0.5%, 0.52%

LAB 69.82, -57.1, 49.31

 

CMYK 63 / 31 / 0 / 24

HEX #4785C2

RGB 71 133 194

HSL 209.76, 0.5%, 0.52%

LAB 54.04, -0.95, -37.75

 

CMYK 0 / 63 / 0 / 24

HEX #C247C2

RGB 194 71 194

HSL 300, 0.5%, 0.52%

LAB 51.69, 63.99, -40.69

 

CMYK 0 / 31 / 63 / 24

HEX #C28547

RGB 194 133 71

HSL 30.24, 0.5%, 0.52%

LAB 60.52, 17.2, 42.21

 

Description

Color code: HEX #49C24A | qconv.com Color code: HEX #49C24A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 194 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 194 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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