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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49B5E6 it is the complementary color #B64A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49B5E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49B5E6 shade: #4EB5E1, #5FC7F4, #70D9FF, #81EBFF and #92FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49B5E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49B5E6 shade: #49B5E6, #38A3D3, #2791C0, #167FAD and #056D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49B5E6 shade: #46B4E5, #4689E5, #465EE5, #5A46E5 and #8546E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49B5E6 shade: #46B4E5, #4689E5, #465EE5 and #4646E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49B5E6 shade matches the following richer shades: #46B4E5 and #36BAF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49B5E6 shade: #46B4E5, #57ADD4, #68A7C4, #79A1B3 and #8A9AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49B5E6 shade: #46E5C0, #46E0E5, #46B6E5, #468BE5 and #4661E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49B5E6 shade: #1A8CC0, #22A5E0, #46B4E5, #6BC3EA and #8FD1EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49B5E6 shade: #49B5E6, #9646E5 and #E5D646

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49B5E6 shade: #49B5E6, #E546B6 and #B6E546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49B5E6 shade: #49B5E6, #9646E5, #E57646 and #96E546

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49B5E6 shade: #49B5E6, #C646E5, #E57646 and #66E546

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 21 / 0 / 10

HEX #49B5E6

RGB 73 181 230

HSL 198.73, 0.76%, 0.59%

LAB 69.6, -15.57, -33.53

 

Complementary color

CMYK 0 / 59 / 86 / 29

HEX #B64A19

RGB 182 74 25

HSL 18.73, 0.76%, 0.41%

LAB 45.51, 41.45, 48.15

 

CMYK 65 / 20 / 0 / 12

HEX #4EB5E1

RGB 78 181 225

HSL 197.96, 0.71%, 0.59%

LAB 69.54, -16.39, -30.87

 

CMYK 61 / 18 / 0 / 4

HEX #5FC7F4

RGB 95 199 244

HSL 198.12, 0.87%, 0.66%

LAB 75.95, -17.12, -31.23

 

CMYK 56 / 15 / 0 / 0

HEX #70D9FF

RGB 112 217 255

HSL 195.94, 1%, 0.72%

LAB 82, -20, -27.77

 

CMYK 49 / 8 / 0 / 0

HEX #81EBFF

RGB 129 235 255

HSL 189.52, 1%, 0.75%

LAB 87.63, -25.51, -19.15

 

CMYK 43 / 1 / 0 / 0

HEX #92FDFF

RGB 146 253 255

HSL 181.1, 1%, 0.79%

LAB 93.27, -30.4, -10.64

 

CMYK 68 / 21 / 0 / 10

HEX #49B5E6

RGB 73 181 230

HSL 198.73, 0.76%, 0.59%

LAB 69.6, -15.57, -33.53

 

CMYK 73 / 23 / 0 / 17

HEX #38A3D3

RGB 56 163 211

HSL 198.58, 0.64%, 0.52%

LAB 63.13, -14.48, -33.14

 

CMYK 80 / 24 / 0 / 25

HEX #2791C0

RGB 39 145 192

HSL 198.43, 0.66%, 0.45%

LAB 56.57, -13.08, -32.71

 

CMYK 87 / 27 / 0 / 32

HEX #167FAD

RGB 22 127 173

HSL 198.28, 0.77%, 0.38%

LAB 49.94, -11.26, -32.21

 

CMYK 97 / 29 / 0 / 40

HEX #056D9A

RGB 5 109 154

HSL 198.12, 0.94%, 0.31%

LAB 43.22, -8.92, -31.62

 

CMYK 69 / 21 / 0 / 10

HEX #46B4E5

RGB 70 180 229

HSL 198.49, 0.75%, 0.59%

LAB 69.18, -15.79, -33.63

 

CMYK 69 / 40 / 0 / 10

HEX #4689E5

RGB 70 137 229

HSL 214.72, 0.75%, 0.59%

LAB 56.93, 8.61, -52.89

 

CMYK 69 / 59 / 0 / 10

HEX #465EE5

RGB 70 94 229

HSL 230.94, 0.75%, 0.59%

LAB 45.59, 35.23, -71.17

 

CMYK 61 / 69 / 0 / 10

HEX #5A46E5

RGB 90 70 229

HSL 247.55, 0.75%, 0.59%

LAB 41.55, 52.03, -77.72

 

CMYK 42 / 69 / 0 / 10

HEX #8546E5

RGB 133 70 229

HSL 263.77, 0.75%, 0.59%

LAB 45.67, 58.79, -70.82

 

CMYK 69 / 21 / 0 / 10

HEX #46B4E5

RGB 70 180 229

HSL 198.49, 0.75%, 0.59%

LAB 69.18, -15.79, -33.63

 

CMYK 69 / 40 / 0 / 10

HEX #4689E5

RGB 70 137 229

HSL 214.72, 0.75%, 0.59%

LAB 56.93, 8.61, -52.89

 

CMYK 69 / 59 / 0 / 10

HEX #465EE5

RGB 70 94 229

HSL 230.94, 0.75%, 0.59%

LAB 45.59, 35.23, -71.17

 

CMYK 69 / 69 / 0 / 10

HEX #4646E5

RGB 70 70 229

HSL 240, 0.75%, 0.59%

LAB 40.15, 49.62, -80.08

 

CMYK 69 / 21 / 0 / 10

HEX #46B4E5

RGB 70 180 229

HSL 198.49, 0.75%, 0.59%

LAB 69.18, -15.79, -33.63

 

CMYK 78 / 24 / 0 / 4

HEX #36BAF6

RGB 54 186 246

HSL 198.75, 0.91%, 0.59%

LAB 71.25, -15.28, -39.68

 

CMYK 69 / 21 / 0 / 10

HEX #46B4E5

RGB 70 180 229

HSL 198.49, 0.75%, 0.59%

LAB 69.18, -15.79, -33.63

 

CMYK 59 / 18 / 0 / 17

HEX #57ADD4

RGB 87 173 212

HSL 198.72, 0.59%, 0.59%

LAB 67.03, -14.6, -27.59

 

CMYK 47 / 15 / 0 / 23

HEX #68A7C4

RGB 104 167 196

HSL 198.91, 0.44%, 0.59%

LAB 65.41, -12.4, -21.15

 

CMYK 32 / 10 / 0 / 30

HEX #79A1B3

RGB 121 161 179

HSL 198.62, 0.28%, 0.59%

LAB 64.01, -9.15, -13.7

 

CMYK 15 / 5 / 0 / 36

HEX #8A9AA2

RGB 138 154 162

HSL 200, 0.11%, 0.59%

LAB 62.61, -3.95, -6.12

 

CMYK 69 / 0 / 16 / 10

HEX #46E5C0

RGB 70 229 192

HSL 166.04, 0.75%, 0.59%

LAB 82.46, -49.51, 6.19

 

CMYK 69 / 2 / 0 / 10

HEX #46E0E5

RGB 70 224 229

HSL 181.89, 0.75%, 0.59%

LAB 81.99, -37.55, -14.11

 

CMYK 69 / 21 / 0 / 10

HEX #46B6E5

RGB 70 182 229

HSL 197.74, 0.75%, 0.59%

LAB 69.76, -16.85, -32.73

 

CMYK 69 / 39 / 0 / 10

HEX #468BE5

RGB 70 139 229

HSL 213.96, 0.75%, 0.59%

LAB 57.49, 7.41, -52

 

CMYK 69 / 58 / 0 / 10

HEX #4661E5

RGB 70 97 229

HSL 229.81, 0.75%, 0.59%

LAB 46.32, 33.37, -69.97

 

CMYK 86 / 27 / 0 / 25

HEX #1A8CC0

RGB 26 140 192

HSL 198.8, 0.76%, 0.43%

LAB 54.85, -11.4, -35.42

 

CMYK 85 / 26 / 0 / 12

HEX #22A5E0

RGB 34 165 224

HSL 198.63, 0.75%, 0.51%

LAB 63.86, -13.25, -39.22

 

CMYK 69 / 21 / 0 / 10

HEX #46B4E5

RGB 70 180 229

HSL 198.49, 0.75%, 0.59%

LAB 69.18, -15.79, -33.63

 

CMYK 54 / 17 / 0 / 8

HEX #6BC3EA

RGB 107 195 234

HSL 198.43, 0.75%, 0.67%

LAB 74.89, -15.72, -27.45

 

CMYK 40 / 13 / 0 / 6

HEX #8FD1EF

RGB 143 209 239

HSL 198.75, 0.75%, 0.75%

LAB 80.56, -13.35, -21.34

 

CMYK 68 / 21 / 0 / 10

HEX #49B5E6

RGB 73 181 230

HSL 198.73, 0.76%, 0.59%

LAB 69.6, -15.57, -33.53

 

CMYK 34 / 69 / 0 / 10

HEX #9646E5

RGB 150 70 229

HSL 270.19, 0.75%, 0.59%

LAB 47.65, 61.9, -67.51

 

CMYK 0 / 7 / 69 / 10

HEX #E5D646

RGB 229 214 70

HSL 54.34, 0.75%, 0.59%

LAB 84.58, -10.76, 69.33

 

CMYK 68 / 21 / 0 / 10

HEX #49B5E6

RGB 73 181 230

HSL 198.73, 0.76%, 0.59%

LAB 69.6, -15.57, -33.53

 

CMYK 0 / 69 / 21 / 10

HEX #E546B6

RGB 229 70 182

HSL 317.74, 0.75%, 0.59%

LAB 56.5, 71.17, -25.83

 

CMYK 21 / 0 / 69 / 10

HEX #B6E546

RGB 182 229 70

HSL 77.74, 0.75%, 0.59%

LAB 85.21, -36.94, 68.83

 

CMYK 68 / 21 / 0 / 10

HEX #49B5E6

RGB 73 181 230

HSL 198.73, 0.76%, 0.59%

LAB 69.6, -15.57, -33.53

 

CMYK 34 / 69 / 0 / 10

HEX #9646E5

RGB 150 70 229

HSL 270.19, 0.75%, 0.59%

LAB 47.65, 61.9, -67.51

 

CMYK 0 / 48 / 69 / 10

HEX #E57646

RGB 229 118 70

HSL 18.11, 0.75%, 0.59%

LAB 61.7, 39.44, 45.29

 

CMYK 34 / 0 / 69 / 10

HEX #96E546

RGB 150 229 70

HSL 89.81, 0.75%, 0.59%

LAB 83.42, -48.61, 66.43

 

CMYK 68 / 21 / 0 / 10

HEX #49B5E6

RGB 73 181 230

HSL 198.73, 0.76%, 0.59%

LAB 69.6, -15.57, -33.53

 

CMYK 14 / 69 / 0 / 10

HEX #C646E5

RGB 198 70 229

HSL 288.3, 0.75%, 0.59%

LAB 54.07, 71.47, -56.83

 

CMYK 0 / 48 / 69 / 10

HEX #E57646

RGB 229 118 70

HSL 18.11, 0.75%, 0.59%

LAB 61.7, 39.44, 45.29

 

CMYK 55 / 0 / 69 / 10

HEX #66E546

RGB 102 229 70

HSL 107.92, 0.75%, 0.59%

LAB 81.46, -63.06, 63.79

 

Description

Color code: HEX #49B5E6 | qconv.com Color code: HEX #49B5E6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 181 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 181 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 21 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 21% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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