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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49B022 it is the complementary color #B64FDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49B022. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49B022 shade: #4EB01D, #5FC230, #70D443, #81E656 and #92F869

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49B022. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49B022 shade: #49B022, #389E0F, #278C00, #167A00 and #056800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49B022 shade: #49B021, #6FB021, #95B021, #B0A421 and #B07D21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49B022 shade: #49B021, #22B021, #21B047, #21B06D and #21B094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49B022 shade matches the following richer shades: #49B021 and #41C111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49B022 shade: #49B021, #509F32, #588E43, #5F7D54 and #676C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49B022 shade: #96B021, #70B021, #4AB021, #24B021 and #21B045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49B022 shade: #2C6A14, #3A8D1B, #49B021, #57D228 and #70DC48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49B022 shade: #49B022, #21B0A4 and #B02183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49B022 shade: #49B022, #214AB0 and #B0214A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49B022 shade: #49B022, #21B0A4, #8721B0 and #B0212D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49B022 shade: #49B022, #2191B0, #8721B0 and #B04021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 81 / 31

HEX #49B022

RGB 73 176 34

HSL 103.52, 0.68%, 0.41%

LAB 63.82, -53.97, 58.18

 

Complementary color

CMYK 18 / 64 / 0 / 13

HEX #B64FDD

RGB 182 79 221

HSL 283.52, 0.68%, 0.59%

LAB 52.68, 62.81, -54.65

 

CMYK 56 / 0 / 84 / 31

HEX #4EB01D

RGB 78 176 29

HSL 100, 0.72%, 0.4%

LAB 63.97, -52.9, 59.75

 

CMYK 51 / 0 / 75 / 24

HEX #5FC230

RGB 95 194 48

HSL 100.68, 0.6%, 0.47%

LAB 70.34, -53.74, 60.27

 

CMYK 47 / 0 / 68 / 17

HEX #70D443

RGB 112 212 67

HSL 101.38, 0.63%, 0.55%

LAB 76.64, -54.26, 60.01

 

CMYK 44 / 0 / 63 / 10

HEX #81E656

RGB 129 230 86

HSL 102.08, 0.74%, 0.62%

LAB 82.88, -54.56, 59.31

 

CMYK 41 / 0 / 58 / 3

HEX #92F869

RGB 146 248 105

HSL 102.8, 0.91%, 0.69%

LAB 89.05, -54.7, 58.37

 

CMYK 59 / 0 / 81 / 31

HEX #49B022

RGB 73 176 34

HSL 103.52, 0.68%, 0.41%

LAB 63.82, -53.97, 58.18

 

CMYK 65 / 0 / 91 / 38

HEX #389E0F

RGB 56 158 15

HSL 102.8, 0.83%, 0.34%

LAB 57.39, -52.65, 56.86

 

CMYK 72 / 0 / 100 / 45

HEX #278C00

RGB 39 140 0

HSL 103.29, 1%, 0.27%

LAB 50.91, -50.67, 53.86

 

CMYK 82 / 0 / 100 / 52

HEX #167A00

RGB 22 122 0

HSL 109.18, 1%, 0.24%

LAB 44.36, -47.74, 48.5

 

CMYK 95 / 0 / 100 / 59

HEX #056800

RGB 5 104 0

HSL 117.12, 1%, 0.2%

LAB 37.72, -44.05, 43.1

 

CMYK 59 / 0 / 81 / 31

HEX #49B021

RGB 73 176 33

HSL 103.22, 0.68%, 0.41%

LAB 63.82, -54.02, 58.46

 

CMYK 37 / 0 / 81 / 31

HEX #6FB021

RGB 111 176 33

HSL 87.27, 0.68%, 0.41%

LAB 65.39, -42.18, 60.48

 

CMYK 15 / 0 / 81 / 31

HEX #95B021

RGB 149 176 33

HSL 71.33, 0.68%, 0.41%

LAB 67.69, -27.26, 63.41

 

CMYK 0 / 7 / 81 / 31

HEX #B0A421

RGB 176 164 33

HSL 54.97, 0.68%, 0.41%

LAB 66.44, -9.48, 63.14

 

CMYK 0 / 29 / 81 / 31

HEX #B07D21

RGB 176 125 33

HSL 38.6, 0.68%, 0.41%

LAB 56.09, 11.78, 54

 

CMYK 59 / 0 / 81 / 31

HEX #49B021

RGB 73 176 33

HSL 103.22, 0.68%, 0.41%

LAB 63.82, -54.02, 58.46

 

CMYK 81 / 0 / 81 / 31

HEX #22B021

RGB 34 176 33

HSL 119.58, 0.68%, 0.41%

LAB 62.93, -61.51, 57.31

 

CMYK 81 / 0 / 60 / 31

HEX #21B047

RGB 33 176 71

HSL 135.94, 0.68%, 0.41%

LAB 63.2, -58.08, 42.86

 

CMYK 81 / 0 / 38 / 31

HEX #21B06D

RGB 33 176 109

HSL 151.89, 0.68%, 0.41%

LAB 63.74, -51.78, 24.28

 

CMYK 81 / 0 / 16 / 31

HEX #21B094

RGB 33 176 148

HSL 168.25, 0.68%, 0.41%

LAB 64.57, -42.66, 4.1

 

CMYK 59 / 0 / 81 / 31

HEX #49B021

RGB 73 176 33

HSL 103.22, 0.68%, 0.41%

LAB 63.82, -54.02, 58.46

 

CMYK 66 / 0 / 91 / 24

HEX #41C111

RGB 65 193 17

HSL 103.64, 0.84%, 0.41%

LAB 68.97, -62.31, 66.41

 

CMYK 59 / 0 / 81 / 31

HEX #49B021

RGB 73 176 33

HSL 103.22, 0.68%, 0.41%

LAB 63.82, -54.02, 58.46

 

CMYK 50 / 0 / 69 / 38

HEX #509F32

RGB 80 159 50

HSL 103.49, 0.52%, 0.41%

LAB 58.73, -44.4, 47.52

 

CMYK 38 / 0 / 53 / 44

HEX #588E43

RGB 88 142 67

HSL 103.2, 0.36%, 0.41%

LAB 53.84, -32.59, 34.12

 

CMYK 24 / 0 / 33 / 51

HEX #5F7D54

RGB 95 125 84

HSL 103.9, 0.2%, 0.41%

LAB 49.18, -19.09, 18.97

 

CMYK 5 / 0 / 6 / 58

HEX #676C65

RGB 103 108 101

HSL 102.86, 0.03%, 0.41%

LAB 45.01, -3.36, 3.25

 

CMYK 15 / 0 / 81 / 31

HEX #96B021

RGB 150 176 33

HSL 70.91, 0.68%, 0.41%

LAB 67.76, -26.84, 63.5

 

CMYK 36 / 0 / 81 / 31

HEX #70B021

RGB 112 176 33

HSL 86.85, 0.68%, 0.41%

LAB 65.44, -41.81, 60.55

 

CMYK 58 / 0 / 81 / 31

HEX #4AB021

RGB 74 176 33

HSL 102.8, 0.68%, 0.41%

LAB 63.85, -53.77, 58.5

 

CMYK 80 / 0 / 81 / 31

HEX #24B021

RGB 36 176 33

HSL 118.74, 0.68%, 0.41%

LAB 62.96, -61.25, 57.35

 

CMYK 81 / 0 / 61 / 31

HEX #21B045

RGB 33 176 69

HSL 135.1, 0.68%, 0.41%

LAB 63.18, -58.33, 43.76

 

CMYK 58 / 0 / 81 / 58

HEX #2C6A14

RGB 44 106 20

HSL 103.26, 0.68%, 0.25%

LAB 39.4, -36.25, 39.2

 

CMYK 59 / 0 / 81 / 45

HEX #3A8D1B

RGB 58 141 27

HSL 103.68, 0.68%, 0.33%

LAB 51.87, -45.47, 48.92

 

CMYK 59 / 0 / 81 / 31

HEX #49B021

RGB 73 176 33

HSL 103.22, 0.68%, 0.41%

LAB 63.82, -54.02, 58.46

 

CMYK 59 / 0 / 81 / 18

HEX #57D228

RGB 87 210 40

HSL 103.41, 0.68%, 0.49%

LAB 75, -62.09, 67.01

 

CMYK 49 / 0 / 67 / 14

HEX #70DC48

RGB 112 220 72

HSL 103.78, 0.68%, 0.57%

LAB 79.1, -56.91, 60.66

 

CMYK 59 / 0 / 81 / 31

HEX #49B022

RGB 73 176 34

HSL 103.52, 0.68%, 0.41%

LAB 63.82, -53.97, 58.18

 

CMYK 81 / 0 / 7 / 31

HEX #21B0A4

RGB 33 176 164

HSL 174.97, 0.68%, 0.41%

LAB 65.01, -38.25, -4.16

 

CMYK 0 / 81 / 26 / 31

HEX #B02183

RGB 176 33 131

HSL 318.88, 0.68%, 0.41%

LAB 41.15, 63.19, -19.87

 

CMYK 59 / 0 / 81 / 31

HEX #49B022

RGB 73 176 34

HSL 103.52, 0.68%, 0.41%

LAB 63.82, -53.97, 58.18

 

CMYK 81 / 58 / 0 / 31

HEX #214AB0

RGB 33 74 176

HSL 222.8, 0.68%, 0.41%

LAB 34.71, 24.43, -58.28

 

CMYK 0 / 81 / 58 / 31

HEX #B0214A

RGB 176 33 74

HSL 342.8, 0.68%, 0.41%

LAB 39.26, 57.62, 13.19

 

CMYK 59 / 0 / 81 / 31

HEX #49B022

RGB 73 176 34

HSL 103.52, 0.68%, 0.41%

LAB 63.82, -53.97, 58.18

 

CMYK 81 / 0 / 7 / 31

HEX #21B0A4

RGB 33 176 164

HSL 174.97, 0.68%, 0.41%

LAB 65.01, -38.25, -4.16

 

CMYK 23 / 81 / 0 / 31

HEX #8721B0

RGB 135 33 176

HSL 282.8, 0.68%, 0.41%

LAB 36.69, 61.97, -54.64

 

CMYK 0 / 81 / 74 / 31

HEX #B0212D

RGB 176 33 45

HSL 354.97, 0.68%, 0.41%

LAB 38.74, 56.01, 30.7

 

CMYK 59 / 0 / 81 / 31

HEX #49B022

RGB 73 176 34

HSL 103.52, 0.68%, 0.41%

LAB 63.82, -53.97, 58.18

 

CMYK 81 / 18 / 0 / 31

HEX #2191B0

RGB 33 145 176

HSL 193.01, 0.68%, 0.41%

LAB 55.79, -19.23, -24.83

 

CMYK 23 / 81 / 0 / 31

HEX #8721B0

RGB 135 33 176

HSL 282.8, 0.68%, 0.41%

LAB 36.69, 61.97, -54.64

 

CMYK 0 / 64 / 81 / 31

HEX #B04021

RGB 176 64 33

HSL 13.01, 0.68%, 0.41%

LAB 42.77, 44.12, 41.64

 

Description

Color code: HEX #49B022 | qconv.com Color code: HEX #49B022 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 176 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 176 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 81 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 81% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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