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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49A8C0 it is the complementary color #B6573F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49A8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49A8C0 shade: #4EA8BB, #5FBACE, #70CCE1, #81DEF4 and #92F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49A8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49A8C0 shade: #49A8C0, #3896AD, #27849A, #167287 and #056074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49A8C0 shade: #48A8C0, #4888C0, #4867C0, #4948C0 and #6A48C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49A8C0 shade: #48A8C0, #4888C0, #4867C0 and #4848C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49A8C0 shade matches the following richer shades: #48A8C0, #34B4D4, #21C0E8 and #0DCBFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49A8C0 shade: #48A8C0, #5C9CAC, #709098, #848485 and #977971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49A8C0 shade: #48C098, #48C0B8, #48A8C0, #4888C0 and #4868C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49A8C0 shade: #2E7688, #3990A6, #48A8C0, #67B6CB and #86C5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49A8C0 shade: #49A8C0, #7848C0 and #C0A848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49A8C0 shade: #49A8C0, #C048A8 and #A8C048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49A8C0 shade: #49A8C0, #7848C0, #C06048 and #90C048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49A8C0 shade: #49A8C0, #9C48C0, #C06048 and #6CC048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 13 / 0 / 25

HEX #49A8C0

RGB 73 168 192

HSL 192.1, 0.49%, 0.52%

LAB 64.34, -20.64, -20.66

 

Complementary color

CMYK 0 / 52 / 65 / 29

HEX #B6573F

RGB 182 87 63

HSL 12.1, 0.49%, 0.48%

LAB 48.41, 36.61, 31.85

 

CMYK 58 / 10 / 0 / 27

HEX #4EA8BB

RGB 78 168 187

HSL 190.46, 0.44%, 0.52%

LAB 64.33, -21.21, -17.87

 

CMYK 54 / 10 / 0 / 19

HEX #5FBACE

RGB 95 186 206

HSL 190.81, 0.53%, 0.59%

LAB 70.88, -21.56, -18.39

 

CMYK 50 / 9 / 0 / 12

HEX #70CCE1

RGB 112 204 225

HSL 191.15, 0.65%, 0.66%

LAB 77.32, -21.81, -18.88

 

CMYK 47 / 9 / 0 / 4

HEX #81DEF4

RGB 129 222 244

HSL 191.48, 0.84%, 0.73%

LAB 83.67, -22, -19.34

 

CMYK 43 / 6 / 0 / 0

HEX #92F0FF

RGB 146 240 255

HSL 188.26, 1%, 0.79%

LAB 89.7, -24.15, -15.98

 

CMYK 62 / 13 / 0 / 25

HEX #49A8C0

RGB 73 168 192

HSL 192.1, 0.49%, 0.52%

LAB 64.34, -20.64, -20.66

 

CMYK 68 / 13 / 0 / 32

HEX #3896AD

RGB 56 150 173

HSL 191.79, 0.51%, 0.45%

LAB 57.72, -19.98, -20.12

 

CMYK 75 / 14 / 0 / 40

HEX #27849A

RGB 39 132 154

HSL 191.48, 0.6%, 0.38%

LAB 51, -19.06, -19.51

 

CMYK 84 / 16 / 0 / 47

HEX #167287

RGB 22 114 135

HSL 191.15, 0.72%, 0.31%

LAB 44.17, -17.76, -18.81

 

CMYK 96 / 17 / 0 / 55

HEX #056074

RGB 5 96 116

HSL 190.81, 0.92%, 0.24%

LAB 37.22, -15.93, -18

 

CMYK 63 / 13 / 0 / 25

HEX #48A8C0

RGB 72 168 192

HSL 192, 0.49%, 0.52%

LAB 64.31, -20.82, -20.71

 

CMYK 63 / 29 / 0 / 25

HEX #4888C0

RGB 72 136 192

HSL 208, 0.49%, 0.52%

LAB 54.86, -3.19, -35.32

 

CMYK 63 / 46 / 0 / 25

HEX #4867C0

RGB 72 103 192

HSL 224.5, 0.49%, 0.52%

LAB 45.47, 16.94, -50.18

 

CMYK 62 / 63 / 0 / 25

HEX #4948C0

RGB 73 72 192

HSL 240.5, 0.49%, 0.52%

LAB 37.58, 36.68, -62.94

 

CMYK 45 / 63 / 0 / 25

HEX #6A48C0

RGB 106 72 192

HSL 257, 0.49%, 0.52%

LAB 40.42, 42.75, -58.21

 

CMYK 63 / 13 / 0 / 25

HEX #48A8C0

RGB 72 168 192

HSL 192, 0.49%, 0.52%

LAB 64.31, -20.82, -20.71

 

CMYK 63 / 29 / 0 / 25

HEX #4888C0

RGB 72 136 192

HSL 208, 0.49%, 0.52%

LAB 54.86, -3.19, -35.32

 

CMYK 63 / 46 / 0 / 25

HEX #4867C0

RGB 72 103 192

HSL 224.5, 0.49%, 0.52%

LAB 45.47, 16.94, -50.18

 

CMYK 63 / 63 / 0 / 25

HEX #4848C0

RGB 72 72 192

HSL 240, 0.49%, 0.52%

LAB 37.51, 36.53, -63.06

 

CMYK 63 / 13 / 0 / 25

HEX #48A8C0

RGB 72 168 192

HSL 192, 0.49%, 0.52%

LAB 64.31, -20.82, -20.71

 

CMYK 75 / 15 / 0 / 17

HEX #34B4D4

RGB 52 180 212

HSL 192, 0.65%, 0.52%

LAB 68.11, -23.56, -26

 

CMYK 86 / 17 / 0 / 9

HEX #21C0E8

RGB 33 192 232

HSL 192.06, 0.81%, 0.52%

LAB 72.13, -24.78, -30.77

 

CMYK 95 / 19 / 0 / 2

HEX #0DCBFB

RGB 13 203 251

HSL 192.1, 0.97%, 0.52%

LAB 75.92, -24.88, -35.15

 

CMYK 63 / 13 / 0 / 25

HEX #48A8C0

RGB 72 168 192

HSL 192, 0.49%, 0.52%

LAB 64.31, -20.82, -20.71

 

CMYK 47 / 9 / 0 / 33

HEX #5C9CAC

RGB 92 156 172

HSL 192, 0.33%, 0.52%

LAB 60.81, -16.15, -14.74

 

CMYK 26 / 5 / 0 / 40

HEX #709098

RGB 112 144 152

HSL 192, 0.16%, 0.52%

LAB 57.71, -9.23, -7.91

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 0 / 20 / 25 / 41

HEX #977971

RGB 151 121 113

HSL 12.63, 0.15%, 0.52%

LAB 53.43, 10.39, 8.8

 

CMYK 63 / 0 / 21 / 25

HEX #48C098

RGB 72 192 152

HSL 160, 0.49%, 0.52%

LAB 70.42, -43.03, 10.37

 

CMYK 63 / 0 / 4 / 25

HEX #48C0B8

RGB 72 192 184

HSL 176, 0.49%, 0.52%

LAB 71.24, -34.95, -5.88

 

CMYK 63 / 13 / 0 / 25

HEX #48A8C0

RGB 72 168 192

HSL 192, 0.49%, 0.52%

LAB 64.31, -20.82, -20.71

 

CMYK 63 / 29 / 0 / 25

HEX #4888C0

RGB 72 136 192

HSL 208, 0.49%, 0.52%

LAB 54.86, -3.19, -35.32

 

CMYK 63 / 46 / 0 / 25

HEX #4868C0

RGB 72 104 192

HSL 224, 0.49%, 0.52%

LAB 45.75, 16.31, -49.74

 

CMYK 66 / 13 / 0 / 47

HEX #2E7688

RGB 46 118 136

HSL 192, 0.49%, 0.36%

LAB 46.06, -16.34, -16.46

 

CMYK 66 / 13 / 0 / 35

HEX #3990A6

RGB 57 144 166

HSL 192.11, 0.49%, 0.44%

LAB 55.65, -18.86, -19.28

 

CMYK 63 / 13 / 0 / 25

HEX #48A8C0

RGB 72 168 192

HSL 192, 0.49%, 0.52%

LAB 64.31, -20.82, -20.71

 

CMYK 49 / 10 / 0 / 20

HEX #67B6CB

RGB 103 182 203

HSL 192.6, 0.49%, 0.6%

LAB 69.93, -18.61, -18.15

 

CMYK 37 / 8 / 0 / 16

HEX #86C5D5

RGB 134 197 213

HSL 192.15, 0.48%, 0.68%

LAB 75.95, -16.08, -14.38

 

CMYK 62 / 13 / 0 / 25

HEX #49A8C0

RGB 73 168 192

HSL 192.1, 0.49%, 0.52%

LAB 64.34, -20.64, -20.66

 

CMYK 38 / 63 / 0 / 25

HEX #7848C0

RGB 120 72 192

HSL 264, 0.49%, 0.52%

LAB 41.9, 45.73, -55.74

 

CMYK 0 / 13 / 63 / 25

HEX #C0A848

RGB 192 168 72

HSL 48, 0.49%, 0.52%

LAB 69.24, -2.63, 51.49

 

CMYK 62 / 13 / 0 / 25

HEX #49A8C0

RGB 73 168 192

HSL 192.1, 0.49%, 0.52%

LAB 64.34, -20.64, -20.66

 

CMYK 0 / 63 / 13 / 25

HEX #C048A8

RGB 192 72 168

HSL 312, 0.49%, 0.52%

LAB 50.3, 58.87, -27.74

 

CMYK 13 / 0 / 63 / 25

HEX #A8C048

RGB 168 192 72

HSL 72, 0.49%, 0.52%

LAB 73.86, -25.02, 55.96

 

CMYK 62 / 13 / 0 / 25

HEX #49A8C0

RGB 73 168 192

HSL 192.1, 0.49%, 0.52%

LAB 64.34, -20.64, -20.66

 

CMYK 38 / 63 / 0 / 25

HEX #7848C0

RGB 120 72 192

HSL 264, 0.49%, 0.52%

LAB 41.9, 45.73, -55.74

 

CMYK 0 / 50 / 63 / 25

HEX #C06048

RGB 192 96 72

HSL 12, 0.49%, 0.52%

LAB 51.88, 36.45, 31.32

 

CMYK 25 / 0 / 63 / 25

HEX #90C048

RGB 144 192 72

HSL 84, 0.49%, 0.52%

LAB 72.29, -34.48, 53.79

 

CMYK 62 / 13 / 0 / 25

HEX #49A8C0

RGB 73 168 192

HSL 192.1, 0.49%, 0.52%

LAB 64.34, -20.64, -20.66

 

CMYK 19 / 63 / 0 / 25

HEX #9C48C0

RGB 156 72 192

HSL 282, 0.49%, 0.52%

LAB 46.32, 54.03, -48.39

 

CMYK 0 / 50 / 63 / 25

HEX #C06048

RGB 192 96 72

HSL 12, 0.49%, 0.52%

LAB 51.88, 36.45, 31.32

 

CMYK 44 / 0 / 63 / 25

HEX #6CC048

RGB 108 192 72

HSL 102, 0.49%, 0.52%

LAB 70.42, -47.1, 51.21

 

Description

Color code: HEX #49A8C0 | qconv.com Color code: HEX #49A8C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 168 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 168 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 13 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 13% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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