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Color name
HEX #49A815

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49A815 it is the complementary color #B657EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49A815. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49A815 shade: #4EA810, #5FBA23, #70CC36, #81DE49 and #92F05C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49A815. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49A815 shade: #49A815, #389602, #278400, #167200 and #056000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49A815 shade: #49A815, #71A815, #98A815, #A89015 and #A86815

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49A815 shade: #49A815, #21A815, #15A830, #15A858 and #15A87F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49A815 shade matches the following richer shades: #49A815 and #44B705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49A815 shade: #49A815, #4D9924, #528933, #567A43 and #5B6B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49A815 shade: #99A815, #72A815, #4BA815, #23A815 and #15A82D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49A815 shade: #295F0C, #398310, #49A815, #59CD19 and #6CE52A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49A815 shade: #49A815, #15A88F and #A81586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49A815 shade: #49A815, #154BA8 and #A8154B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49A815 shade: #49A815, #15A88F, #7215A8 and #A8152D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49A815 shade: #49A815, #1594A8, #7215A8 and #A82815

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

Complementary color

CMYK 22 / 63 / 0 / 8

HEX #B657EA

RGB 182 87 234

HSL 278.78, 0.78%, 0.63%

LAB 54.76, 61.87, -58.65

 

CMYK 54 / 0 / 90 / 34

HEX #4EA810

RGB 78 168 16

HSL 95.53, 0.83%, 0.36%

LAB 61.36, -50.43, 60.33

 

CMYK 49 / 0 / 81 / 27

HEX #5FBA23

RGB 95 186 35

HSL 96.16, 0.68%, 0.43%

LAB 67.78, -51.44, 61.84

 

CMYK 45 / 0 / 74 / 20

HEX #70CC36

RGB 112 204 54

HSL 96.8, 0.6%, 0.51%

LAB 74.12, -52.09, 62.19

 

CMYK 42 / 0 / 67 / 13

HEX #81DE49

RGB 129 222 73

HSL 97.45, 0.69%, 0.58%

LAB 80.4, -52.49, 61.86

 

CMYK 39 / 0 / 62 / 6

HEX #92F05C

RGB 146 240 92

HSL 98.11, 0.83%, 0.65%

LAB 86.6, -52.72, 61.14

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 63 / 0 / 99 / 41

HEX #389602

RGB 56 150 2

HSL 98.11, 0.97%, 0.3%

LAB 54.72, -50.22, 56.74

 

CMYK 70 / 0 / 100 / 48

HEX #278400

RGB 39 132 0

HSL 102.27, 1%, 0.26%

LAB 48.18, -47.99, 51.69

 

CMYK 81 / 0 / 100 / 55

HEX #167200

RGB 22 114 0

HSL 108.42, 1%, 0.22%

LAB 41.54, -45.15, 46.25

 

CMYK 95 / 0 / 100 / 62

HEX #056000

RGB 5 96 0

HSL 116.88, 1%, 0.19%

LAB 34.8, -41.55, 40.76

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 33 / 0 / 88 / 34

HEX #71A815

RGB 113 168 21

HSL 82.45, 0.78%, 0.37%

LAB 62.99, -38.44, 61.37

 

CMYK 10 / 0 / 88 / 34

HEX #98A815

RGB 152 168 21

HSL 66.53, 0.78%, 0.37%

LAB 65.54, -22.44, 64.54

 

CMYK 0 / 14 / 88 / 34

HEX #A89015

RGB 168 144 21

HSL 50.2, 0.78%, 0.37%

LAB 60.18, -2.73, 60.73

 

CMYK 0 / 38 / 88 / 34

HEX #A86815

RGB 168 104 21

HSL 33.88, 0.78%, 0.37%

LAB 49.83, 19.63, 52.31

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 80 / 0 / 88 / 34

HEX #21A815

RGB 33 168 21

HSL 115.1, 0.78%, 0.37%

LAB 60.23, -59.81, 57.91

 

CMYK 88 / 0 / 71 / 34

HEX #15A830

RGB 21 168 48

HSL 131.02, 0.78%, 0.37%

LAB 60.23, -59.3, 49.48

 

CMYK 88 / 0 / 48 / 34

HEX #15A858

RGB 21 168 88

HSL 147.35, 0.78%, 0.37%

LAB 60.67, -53.96, 31.34

 

CMYK 88 / 0 / 24 / 34

HEX #15A87F

RGB 21 168 127

HSL 163.27, 0.78%, 0.37%

LAB 61.39, -45.7, 11.2

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 63 / 0 / 97 / 28

HEX #44B705

RGB 68 183 5

HSL 98.76, 0.95%, 0.37%

LAB 65.83, -58.61, 65.41

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 50 / 0 / 76 / 40

HEX #4D9924

RGB 77 153 36

HSL 98.97, 0.62%, 0.37%

LAB 56.57, -44, 50.67

 

CMYK 40 / 0 / 63 / 46

HEX #528933

RGB 82 137 51

HSL 98.37, 0.46%, 0.37%

LAB 51.75, -34.27, 39.49

 

CMYK 30 / 0 / 45 / 52

HEX #567A43

RGB 86 122 67

HSL 99.27, 0.29%, 0.37%

LAB 47.37, -23.64, 26.07

 

CMYK 15 / 0 / 23 / 58

HEX #5B6B52

RGB 91 107 82

HSL 98.4, 0.13%, 0.37%

LAB 43.28, -11.17, 12.06

 

CMYK 9 / 0 / 88 / 34

HEX #99A815

RGB 153 168 21

HSL 66.12, 0.78%, 0.37%

LAB 65.62, -22, 64.63

 

CMYK 32 / 0 / 88 / 34

HEX #72A815

RGB 114 168 21

HSL 82.04, 0.78%, 0.37%

LAB 63.04, -38.05, 61.44

 

CMYK 55 / 0 / 88 / 34

HEX #4BA815

RGB 75 168 21

HSL 97.96, 0.78%, 0.37%

LAB 61.27, -51.12, 59.22

 

CMYK 79 / 0 / 88 / 34

HEX #23A815

RGB 35 168 21

HSL 114.29, 0.78%, 0.37%

LAB 60.26, -59.54, 57.95

 

CMYK 88 / 0 / 73 / 34

HEX #15A82D

RGB 21 168 45

HSL 129.8, 0.78%, 0.37%

LAB 60.21, -59.57, 50.6

 

CMYK 57 / 0 / 87 / 63

HEX #295F0C

RGB 41 95 12

HSL 99.04, 0.78%, 0.21%

LAB 35.37, -33.15, 38.03

 

CMYK 56 / 0 / 88 / 49

HEX #398310

RGB 57 131 16

HSL 98.61, 0.78%, 0.29%

LAB 48.44, -42.51, 48.89

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 57 / 0 / 88 / 20

HEX #59CD19

RGB 89 205 25

HSL 98.67, 0.78%, 0.45%

LAB 73.45, -60.47, 69.11

 

CMYK 53 / 0 / 82 / 10

HEX #6CE52A

RGB 108 229 42

HSL 98.82, 0.78%, 0.53%

LAB 81.51, -63.21, 72.68

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 88 / 0 / 15 / 34

HEX #15A88F

RGB 21 168 143

HSL 169.8, 0.78%, 0.37%

LAB 61.78, -41.53, 2.83

 

CMYK 0 / 88 / 20 / 34

HEX #A81586

RGB 168 21 134

HSL 313.88, 0.78%, 0.37%

LAB 38.87, 64.42, -25.38

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 88 / 55 / 0 / 34

HEX #154BA8

RGB 21 75 168

HSL 217.96, 0.78%, 0.37%

LAB 34.02, 19.59, -54.66

 

CMYK 0 / 88 / 55 / 34

HEX #A8154B

RGB 168 21 75

HSL 337.96, 0.78%, 0.37%

LAB 36.69, 58.36, 8.73

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 88 / 0 / 15 / 34

HEX #15A88F

RGB 21 168 143

HSL 169.8, 0.78%, 0.37%

LAB 61.78, -41.53, 2.83

 

CMYK 32 / 88 / 0 / 34

HEX #7215A8

RGB 114 21 168

HSL 277.96, 0.78%, 0.37%

LAB 31.67, 60.3, -58.16

 

CMYK 0 / 88 / 73 / 34

HEX #A8152D

RGB 168 21 45

HSL 350.2, 0.78%, 0.37%

LAB 36.08, 56.62, 27.19

 

CMYK 57 / 0 / 88 / 34

HEX #49A815

RGB 73 168 21

HSL 98.78, 0.78%, 0.37%

LAB 61.2, -51.68, 59.13

 

CMYK 88 / 12 / 0 / 34

HEX #1594A8

RGB 21 148 168

HSL 188.16, 0.78%, 0.37%

LAB 56.25, -24.48, -19.57

 

CMYK 32 / 88 / 0 / 34

HEX #7215A8

RGB 114 21 168

HSL 277.96, 0.78%, 0.37%

LAB 31.67, 60.3, -58.16

 

CMYK 0 / 76 / 88 / 34

HEX #A82815

RGB 168 40 21

HSL 7.76, 0.78%, 0.37%

LAB 37.66, 50.67, 42.31

 

Description

Color code: HEX #49A815 | qconv.com Color code: HEX #49A815 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 168 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 168 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 88 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 88% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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